Joe Mungovan Releases Pop Gem, “Melodrama”

Joe Mungovan channels a classic Brit Pop sound with his cool new single, “Melodrama.” Its clever lyrics explore the contemporary capitalist culture, where it often feels like humanity is in short supply.

“I think ‘Melodrama’ came from feeling overwhelmed by the world and how performative everything can feel now,” Joe admitted. “Everyone’s chasing something, selling something, escaping into something… but underneath all of that, I still think people just want to connect and feel loved. The song’s kind of sarcastic and cynical on the surface, but there’s also this genuine message in there of ‘be kind and good to one another,’ because at the end of the day, that’s really the only thing that cuts through all the nonsense.”

Joe has had a massive 12 months, clocking up 1.6 million views for his grassroots Cowchella video, headlining three national tours, and supporting top acts like The Vanns, Ben Lee, The Rubens, and Katy Steele. So what’s next? Give him a follow on Instagram to find out first!

Image used with permission from Luke Hammer MGMT

Jake Davey Releases Emotional New Single, “No Good For Me”

Country music is always known for its authenticity, and they don’t get much more honest than our own Jake Davey. You can feel the truth in every word of his latest country-pop ballad, “No Good For Me.”

“’No Good for Me’ focuses on the tension of wanting something you know you should walk away from but never quite can,” Jake explained of the song he cowrote in Nashville with Tyler Bank. “The song explores that push and pull between clarity and blurred lines, where doing the right thing feels simple in theory, but impossible in practice.”

While its words matter, every note on this track has clear intention. Jake produced, mastered, and mixed “No Good For Me,” and surrounded himself with high-quality musicians. You can hear Travis Toy on pedal steel, Alex Wright on keys, Jackson James on guitars, and Rhys Zacher on drums.

“Starting with a raw, intimate foundation, each layer was carefully added to elevate the emotion of the song,” Jake said. “The result is a cohesive, dynamic song that feels both grounded and forward-leaning. It’s a fresh take on country pop, shaped by collaboration and designed to bring the story to life in a way that hits with both subtlety and impact.”

Jake is currently spending some time writing new songs in the United States, but hopefully he’ll be back with some new Aussie shows before we know it.

Image used with permission from Wildheart Publicity

Daezy Reminds Us It’s Still the Season For a “Hot Girl Summer”

Former AFLW player Daisy Bateman is enjoying the next chapter of her life as the frontwoman of Naarm/Melbourne indie act Daezy. Their angsty new single “Hot Girl Summer” is the perfect counterpoint to those breezy pop singles released in the summer months. Written during a heavy period, it’s an anthem for being resilient during life’s challenges.

“‘Hot Girl Summer’ came from a really strange, heavy moment in my life where everything felt like it was falling apart at once,” Daisy explained. “I was on the phone to a friend while driving to Jackson’s [Raeburn, guitarist] place and we were both talking about losing our jobs, feeling completely lost. Then she said: ‘at least we’re still two hot girls in the summer.’ It completely broke the tension. I actually laughed. That line stuck with me because it felt so honest. Everything was objectively not okay, but we were still trying to find light in it. As soon as I got to Jackson’s, we both knew: ‘that’s the song.’ It became about that contrast – when your world is kind of collapsing, but you’re still showing up, smiling and trying to believe things will turn around.”

Whatever you’re going through, crank this one up and I swear it’ll make things feel better!

Photo credit: @chloemmedia

Paper Daisies Make a Splash on Debut With “Heartbreakin’ Cowboy”

I am a real sucker for vocal harmonies, so I’m swooning over “Heartbreakin’ Cowboy,” the debut single from Yugambeh Country/Gold Coast duo Paper Daisies. Britt Grey and Rhea Robertson, the voices and songwriters behind Paper Daisies have been friends for a decade, and you get a sense of their closeness in the music they’re creating.

“We know each other’s stories, we’ve lived through things together, and that depth of connection finds its way into everything we create,” they explained. “We’re drawing from a shared well of experience, and we bring a perspective that is genuinely and unapologetically female.”

About “Heartbreakin’ Cowboy,” they commented “We headed into writing with the idea of creating something that felt like the end of a really good day. Music that kind of wraps itself around you and settles in your chest, like that lingering, hazy feeling of golden hour.”

Paper Daisies will next play Distillery Road Market at Yugambeh Country/Eagleby on June 28.

Photo credit: Jefferson Black

Ninoosh Releases Long-Awaited Video For “That Sinking Feeling”

Naarm/Melbourne-based artist Ninoosh has put her song “That Sinking Feeling” back in the spotlight with the release of its official music video. While this track originally appeared on Ninoosh’s 2016 EP Town of Two Hundred, if you’re anything like me it probably escaped your attention. So I’m thrilled that through this music video, more people can discover this upbeat earworm.

The music video for “That Sinking Feeling” was brought to life through a collaboration between director and animator Asher McShane from the Jacky Winter Group and Wild at Heart Records. It features animated versions of Ninoosh, her husband, and her dog experiencing the ups and downs of life, from sharing Vegemite on toast to enjoying roller coasters.

Ninoosh admitted that seeing the music video for “That Sinking Feeling” come to life has been an emotional process. “I got really teary. It’s an old song, one I produced many years ago so I’m so glad to see it come alive in video form.”

The release of the music video for “That Sinking Feeling” comes at an exciting time for Ninoosh. She’ll be releasing her new EP, Rebirth, really soon and relaunching her collective Synth Babes, which supports creative women and LGBTQ+ artists. They’re calling for new tracks for their next compilation, so if you think you fit the bill, get in touch with them at synthbabesunite@gmail.com.

Image used with permission from Hunger Digital

Amber Farnan Shares Personal Illness Journey With “When I Get Better”

Amber Farnan has blown me away with her personal new single, “When I Get Better.” Through this beautiful indie-pop ballad, she shares the pain and acceptance of living life with chronic illness.

“There’s a kind of loneliness that doesn’t come from being alone, but from watching life move without you. ‘When I Get Better’ is a song born from that space,” Amber explained. “‘When I Get Better’ sits inside a kind of grief that’s harder to name, the feeling of growing up while also being held back. Written from the experience of living with chronic illness, the song reflects on years spent in and out of hospital, stretches of time bed-bound, and the quiet realisation that parts of adolescence weren’t just missed, but taken. Not postponed. Not waiting. Gone.

“There’s something particularly confronting in recognising that no matter what happens next, you don’t get those years back. The song lives in that feeling of being robbed of something you can’t replace. At its core, ‘When I Get Better’ isn’t just about illness, it’s about what it means to hold onto the idea of a future version of yourself when the present feels uncertain. It captures that persistent belief that things might change, and the emotional weight of carrying that belief for years.”

The release of “When I Get Better” marks an exciting return to the music scene for Amber, who last gave us her EP The Motions in 2022. Listen out for more new music from this talented singer-songwriter in the months ahead.

Photo credit: Saskia Hilton Imagery

BESTIES Release First Single Undle Greyscale Records, “Deadmau5”

It is so good to hear new music from Eora/Sydney pop-punk outfit BESTIES. Their fantastic new single “Deadmau5” has all of the energy you need to get out of that midweek slump. It’s one for those of us to refuse to give in society’s expectations and conventional ideas of what it means to grow up.

“Life’s too short to be safe, take a risk and don’t forget through it all, you’re still that dumb emo kid at heart, just like us,” BESTIES explained.

The release of “Deadmau5” ushers in a new chapter for BESTIES as it’s their first single under their new label, Greyscale Records.

“It can be hard finding people who get you, or what you’re trying to do. And Greyscale were the label who understood we’re not trying to do anything. We’re just idiots with instruments, and that’s why we work,” BESTIES said. “In a scene and industry where people are so deathly serious, it’s been a godsend to find people who understand that there’s a path to success while sticking true to who you are. We know there’s a thirst out there for a band and a sound that takes its cues from the lighter side of life. And we know that band’s us.”

Fresh from supporting Story Untold, BESTIES will headline Emo Never Sleep’s King’s Birthday Eve show at Bourke Street Courtyard in Naarm/Melbourne this Sunday, June 7.

Image used with permission from Bigmouth PR

Isabelle Skye Wows Me With “Subaru”

Isabelle Skye has blown me away with her latest single “Subaru.” This beautiful indie-pop number perfectly showcases her compelling vocals. Her voice is so unique and soulful, gentle to draw you in, then intense as “Subaru” hits its emotional climax. Make sure you listen to those incredible lyrics that tap into the vulnerability women often feel in public spaces.

“‘Subaru’ was born out of an experience I had where my safety was compromised on a walk home. This theme is so common for women and changes how we navigate life. On a day-to-day basis we alter the decisions we make so we aren’t vulnerable to people with bad intentions. I hope this song can make people feel validated in their experiences, big or small, it just shouldn’t be a reality for anyone.”

“Subaru” has already become a standout song in Isabelle’s live sets, with several punters approaching her to say how much the track resonates with them. Hopefully she’ll announce more shows sooner rather than later so more people can discover this special talent.

Photo credit: Sinead Leigh

Colleen Ave Make a Splash With “i cant believe it”

Meeanjin/Brisbane-based five-piece Colleen Ave have got me grooving with their upbeat new indie synth-pop single, “i cant believe it.” If you’re suffering through the nine-to-five grind, I know this one will give you the lift you’re looking for.

“’i cant believe it’ is a tune about someone who is in a love triangle and the confusion and hurt that can come from it,” the band explained in their press release.

Give Colleen Ave a follow on Instagram to learn all about their latest releases and where they’re playing next.

Photo credit: Darcy Goss Media

MKTO Waste No Time Announcing Another Aussie Tour

MKTO clearly had a good time on our shores last year, because they’re heading back in September and extending their trip. During their first tour of Australia in 12 years, the American pop duo stuck to the major capitals, but this time around they’re playing more capitals, some regional centres, and even heading across the ditch to see our Kiwi cousins.

“We’re super excited to still be able to do shows with music we put out years ago,” MKTO enthused. “Even more excited to add New Zealand to this run as well as more cities in Australia. Places that showed us love from the very beginning. Can’t wait to see everybody and have a good time!”

You can guarantee you’ll hear “Classic,” plus a host of other pop gems, at the following shows:

3 September 2026 – Princess Theatre, Meeanjin/Brisbane
4 September 2026 – 170 Russell, Naarm/Melbourne
5 September 2026 – Lion Arts Factory, Tarntanya/Adelaide
6 September 2026 – Freo Social, Walyalup/Fremantle
10 September 2026 – Liberty Hall, Eora/Sydney
11 September 2026 – King St Bandroom, Mulubinba/Newcastle
13 September 2026 – The Studio, Auckland

Image used with permission from beehive