Western Australia seems to have the market cornered on interesting folky music. From more established acts like John Butler Trio and The Waifs to newer discoveries like Tim Nelson and the Infidels, I’m finding a lot to like out west. And now a new name has caught my attention, as this week I learned about Rackets and Fives and their album Roslyn.
This disc is really ambitious. There are tunes here that are so removed from anything else I’m hearing lately, and that’s really exciting. I must admit, I found a difficult to latch onto it at first, but the more I listened to it the more I liked it.
Roslyn certainly isn’t a perfect album. It lacks a certain cohesiveness. An album can be eclectic but still feel like a complete unit, but this one seemed more like a disparate collection of songs. Some tracks didn’t quite hit the mark for me, yet others bowled me over. And when you can get that latter reaction from several songs on a debut, independent release, I think that’s admirable.
“Ellis Island” was the one that first made me sit up and really pay attention. The strings really lifted it into a new place that was so exciting. I was similarly moved by another internationally titled track, “London Town.” It started out haunting, with a quiet power that grew with an amazing intensity as the track unfolded. “Storm Surge” was rollicking good fun, with some of the most exquisite harmonies I’ve ever heard. And “The Confederate Gold Stand-Off Saga” is as epic a closer as its name suggests. It takes you right back in time with its furious fiddles and ominous lyrics.
As I write about these tunes now I’m getting excited about them again, which really tells you a lot about their quality. With Roslyn Rackets and Fives might not have made the perfect album, but they’ve shown they’re a band with an awful lot of potential.
Image source: Rackets and Fives Bandcamp page