You know it’s summer in Australia once the mercury soars and you find yourself with a bottle of semillon at a Day on the Green event. I wasted no time getting into the summer spirit, visiting Bimbadgen Estate in the Hunter for its first Day on the Green show of the season on Saturday.
It’s been so long since I’ve been to a Day on the Green that I didn’t anticipate the traffic. My party were enjoying a leisurely lunch in the same suburb and were sure 15 minutes would be enough time to get to the venue. Unfortunately, it was not to be. I was so looking forward to Bachelor Girl’s set too. Sadly though, by the time I got to my seat they were walking off stage. They sounded amazing though. Next time.
Thankfully I was happily in my seat with that important bottle of sem, necessary for combatting that summer heat, by the time Russell Morris graced the stage. He was the only artist on the bill I hadn’t seen before, so I was really excited to see what this Aussie legend could do. What a wonderful performance he gave, full of technical prowess and charisma, with classics, more recent bluesy hits from his latest smash albums, and some choice covers. I’d forgotten how much I love “Wings of an Eagle.” His takes on Dylan’s “It’s All Over Now Baby Blue” and “Hush” were inspired. And of course, “The Real Thing” was a psychedelic delight.
He might have been sandwiched in the middle of the bill, but Richard Marx was my headliner. His set was all too brief, but that meant there was no time for fillers. The hits came thick and fast. Most drew from Richard’s early days with a “fluffy mullet.” I adored these chart toppers like “Endless Summer Nights” and “Should’ve Known Better.” But I was also thrilled to hear “Angelia,” a favourite song that didn’t crack the top 30, and “Long Hot Summer,” a song perfect for this weather he penned for Keith Urban. Those tracks I didn’t expect to hear helped make amends to the fans like me who would have loved to hear him play longer. By the time he played his torch ballad and HotelsCombined anthem “Right Here Waiting,” he had the whole crowd singing along. I’m not sure whether the sound mix was a little off early or whether I simply got used to the problem though. It’s a shame that this factor beyond his control marred an otherwise stellar performance.
You know you’re in good hands when two of Australia’s most beloved artists, Daryl Braithwaite and John Farnham, close out a show. Dazza’s voice took a little time to warm up, struggling to hit the higher notes in opener “Higher Than Hope,” but we sang loud enough to cover his failings until he hit his stride. His greatest hits set, drawing from the days of Sherbet and his solo career, was perfect for an event like this. No sooner had I sat down for a rest I was back up on my feet dancing to another favourite. None is greater than “The Horses” though, the kind of track that today encourages millennials to don horse heads and thrust hobby horses to the sky as they sing out that chorus. I was in fine voice alongside them.
John Farnham remains the consummate Australian performer. He’s a man whose voice needs no warm-up, whose songs are embraced by Australians of all ages. Like so many Aussies I’ve seen John several times over the years. Recently the sets were sounding a little samey, so I was thrilled to hear a few tracks from the classic album Whispering Jack he rarely plays. I’d forgotten how much I love “One Step Away.” The beautiful ballad “Touch of Paradise” was a real highlight, along with the rocking crowd pleaser “Take the Pressure Down.” But I’m not sure anything beats being in a crowd of Aussies joining voices with Farnsy belting out “You’re The Voice.” What a special moment.
With a stellar line-up of Aussie talent and a special import, A Day on the Green has kicked off its 2018/2019 season with a bang. Bring on the rest of the events!
Image source: own photos