Amongst the pre-Christmas baking, wrapping, and general craziness it was a pleasure to sit down and relax at my favourite musical haunt, Lizotte’s. It doesn’t matter who I’m going to see, or who’s keeping me company, the evening is always stellar. And it was no exception when I stepped out to see The Trouble with Templeton.
Before the Brisbane band took the stage we were treated to a performance from Sydney duo, The Falls. I loved their debut single “Home” and was thrilled to hear more of their pitch perfect harmonies and gentle folk melodies. Melinda Kirwan is an especially compelling performer who draws you in with her conviction. Their set was sublime, and over all too soon.
Then it was time for The Trouble with Templeton, an outfit that’s grown from solo act to ensemble in recent years. I became a fan in those early days when Thomas Calder adopted his moniker and released his impressive debut Bleeders. He seems at ease with his band, a bunch of talented performers in their own right, but I’m not sure they really fit a venue like Lizotte’s. And I’m not just referring to The Cubby House’s small stage! The sound was turned way up to eleven, a jarring contrast to The Falls’ more delicate set. There’s nothing wrong with being brash and bold, but sometimes less is more. Something tells me I’d have been better able to appreciate their songs if I could catch all the lyrics. It was also disappointing to see “Bleeders” so poorly represented. The cries for “I Wrote a Novel” fell on deaf ears; it would have made the perfect encore if they’d felt like giving us one. Encores are almost mandatory these days, so I was surprised the band didn’t return to the stage.
Any night at Lizotte’s is a good night, and The Trouble With Templeton are clearly a talented band. They just need to pare things a back a bit of they hope to make the impression of their stellar support act.
Image source: own photos