“Bossa Nova Baby” – Juliana Areias

I love hearing all kinds of music, so when Perth-based Brazilian jazz singer Juliana Areias sent me her first original album, Bossa Nova Baby, I was thrilled to dive right in.

It’s interesting listening to an album that’s almost exclusively in Portuguese, the universal language of bossa nova. I’m ordinarily a person that clings on to lyrics. Without that, I had to stop and think about how the music made me feel.

That evolved for me the more I listened to Bossa Nova Baby. I found myself enjoying the songs, which made me shake my hips and tap my toes. However, there was a little voice in my head saying “Gee it’s a little loungey.”

It’s a criticism we’ve heard countless times on those musical reality shows. Artists are told that they don’t want to sound like a lounge act, and we all accept this as being universally true. But the more I found myself enjoying these songs, I wondered whether loungey really is all that bad.

Juliana transported me to a lounge in an exotic holiday destination. As I listened to her songs I imagined myself sipping a cocktail, watching her and a brass band play as all of my troubles melted away. Upbeat tracks like “Missão” and “Maré Cheia” make me want to salsa around my lounge room. However, with tracks like “Inocência,” Juliana wears her heart on her sleeve. I wasn’t sure quite what she was singing about, but the sadness the song conveyed came through despite the language barrier. I also loved the vibe of the only English-language song “Night in Takapuna.” Its flute is such a beautiful accompaniment for Juliana’s pure voice.

Bossa Nova Baby might be a little loungey, but I’d be happy to visit any lounge where Juliana Areias played.

Image source: Juliana Areias Soundcloud page