8th Time’s a Charm for Crystal Cities

I’m not saying that the number of singles is a definitive measure of an album’s quality, but when the eighth single you release from an album sounds as good as “Blood-soaked,” from Sydney band Crystal Cities’ sophomore effort Hold Me Close Hold Me Tight, you know it’s outstanding. I’m rarely a drums fan, but Daniel Conte’s work here is so noteworthy. And let’s just take a moment to appreciate those stellar vocals from Geoff Rana.

“‘Blood-soaked’ tells the tale of the power of the mind,” Geoff explained. “Although you get to choose the outcome, you are not always the winner. Reality is your prize, and is your creation, and that creation can be your greatest achievement or your biggest downfall. I’ve tried to convey this message through the loose narrative of a prizefighter from ancient Greece in a battle of epic proportions, hanging on for dear life.”

The quality of this album is a testament to the band’s commitment. They recorded their debut album, Under the Cold Light of the Moon, at Abbey Road Studios, and where do you go from there? If you’re Crystal Cities, you try something totally new. This time there was no iconic studio or producer. Instead, Geoff decided to learn all he could about the recording process. He applied the lessons he learned from YouTube and other free resources to recording the new material in a Sydney home studio. He was learning on the job, but I can’t imagine him doing better. World-renowned engineer Paul Lani, who’s worked with the likes of Prince and David Bowie, gave the songs a final spit polish before they were released in the world. Give them all a listen on your favourite streaming service.

Image used with permission from The Right Profile

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