Sophian Get the Party Started With “Dance With Me”

Friday might be still too far away, but I think it’s always a good time for dancing. If you agree, you’ll want to take some time to cut loose listening to Sophian’s new track “Dance With Me.” This is an irresistible cut from a band that’s quickly establishing themselves as one of Boorloo/Perth’s hottest up-and-coming acts.

“When I started to write this song, I had just come out of deep conversations with two people I really love, about their feelings of their own self-worth and how they were struggling to see that,” explained frontman Sophian Manik of the song’s inspiration. “I wanted them to know how amazing and special they are and how they just needed a little push to know this.”

Sophian have some big things in the pipeline, with some choice local supports, slots at Nannup Music Festival and Booty Block Party, their first East Coast tour, and a big single launch party all happening over the next few weeks. Get out and support them anywhere you can.

22 February 2024 – Rosemount Hotel, Boorloo/Perth (supporting No Cigar)
24 February 2024 – Indian Ocean Hotel, Whadjuk Country/Scarborough (supporting RubyHoo)
1-3 March 2024 – Nannup Music Festival, Wardandi and Bibbulmun Country/Nannup
14 March 2024 – The Royal Bondi, Eora/Bondi (FREE – RSVP at OzTix)
16 March 2024 – Booty Block Party @ The Lady Hampshire, Eora/Camperdown
17 March 2024 – North Gong Hotel, Dharawal/Wollongong
21 March 2024 – Espy Basement, Euroe Yroke/St Kilda
6 April 2024 – Mojos Bar, Walyalup/Fremantle (single launch)

Image used with permission from Good Intent

Jamieson Returns to Music With “Cruel”

Eora/Sydney-based singer-songwriter Jamieson is kicking off a big year with the release of his latest single “Cruel.” It’s a charming pop-rock track that explores the way that time encourages us to look back and see our flaws in technicolour.

This is somewhat of a comeback single for Jamieson, who took time away from releasing music last year. He’s coming back with a vengeance though; “Cruel” is the first of five singles Jamieson plans to release this year.

Image used with permission from Jamieson

Matchbox Twenty @ Qudos Bank Arena, Eora/Sydney – 20 February 2024

Music can be such a powerful force. It can help you feel seen and understood at times when you think no one in your orbit gets you. It can lift you up and it can comfort you. If you’re lucky, you find a band that resonates with you so deeply that their music becomes a companion for you throughout your life. The band evolves as you do, and you somehow stay in alignment. For me, that band is Matchbox Twenty. I can’t write a review of their Eora/Sydney show last night with any sense of objectivity, but I can share what it was like to see my favourite band after 12 long years.

Siobhan Cotchin was an interesting choice of opener for a night featuring two bands who had their biggest hits in the ’90s. Personally I was thrilled to see her perform live after being impressed by so many of her singles. She’s such a fierce presence on stage. She sounded incredible, and looked every inch the rock chick flanked by nearly identical long-haired male guitarists. But there were a few things working against her. She was a fresh artist playing on a bill with some fairly-established bands. And her set started at 6:45, so people were still shuffling around and finding their seats. If it got to her she didn’t show it, but I wish she’d been able to have the captive audience she deserved.

You could feel the energy levels lift a notch when the Goo Goo Dolls took the stage. These guys haven’t toured Australia for 22 years and I could tell there were many die-hard fans relishing their return. Just not enough for lead singer John Rzeznik’s liking apparently. I hate to be a downer when there was so much to like about their set. They played everything I wanted to hear in their generous 45 minutes on stage, which is impressive considering how closely I’ve followed their career over the years. They sounded great and performed with a lot of energy. But there was a sense of entitlement from John that I found so off-putting. He made comments that the people sitting near the front must really love their expensive seats, because they didn’t want to get off them, and later called them miserable. When people did respond enthusiastically, he commented that we did have a pulse. I’m not into artists who want to tell me how to spend my time at their shows. If it feels right to stand, I’ll stand. But often I want to sit, especially as I get older, and that’s my right too. I think he needs to remember that his band was the support act, one who had just two top 30 hits in this country. I love their music, and many more than those two big songs, but his attitude really took the gloss off their solid set.

Oh Matchbox Twenty. The love I have for this band runs so deep. I spent the whole first song, “Friends,” sobbing because I was just so overwhelmed. Listening to those lyrics which reference being surrounded by community, the way I always feel at a Matchbox show, really hit home. My feelings were so heightened all the way through this gig as I listened to the songs that were the soundtrack to my life and spent time with the men that created them.

Matchbox know how to get the balance right. There were almost as many songs from their debut album Yourself or Someone Like You as there were from their latest release, Where the Light Goes. Casual fans who only listened to the band on the radio could check off every hit. But then there were those deep album cuts like “Hand Me Down” and “Parade” that those of us who followed their careers more closely relished. More tears.

There’s a special magic about a band who’ve been together for decades. Especially when they aren’t constantly on the road, you can see the camaraderie, the love they have for one another and the music they make together. We missed bassist Brian “Pookie” Yale, who couldn’t make the trip, terribly, but getting to see Rob Thomas, Paul Doucette, and Kyle Cook together was beautiful. I’ve gushed about Rob Thomas before, but I honestly love every member of this band. They play so well together, and they surround themselves with some outstanding musicians who step up and fill the gaps. I can’t express how much I loved spending time with them and the songs that made me last night. I’m so thrilled that I have tickets to two more shows on the Slow Dream tour. I’ve waited far too long for these concerts to be done just yet. Bring on the next one.

Image source: own photos

Between You & Me Coming in Hot With “In the Middle” Single

Between You & Me are one of the best pop-punk acts around, so I’m pretty psyched to hear they’ve got a whole bunch of new music coming our way. They’ve just dropped their latest single “In the Middle,” which offers a taste of what’s in store when they release their new EP SH!T YEAH on April 5.

“‘In The Middle’ is about the realisation that your relationship is over,” said vocalist JT. “The strong joy and excitement you once brought to each other’s lives had been replaced with fighting, bitterness and a complete breakdown in communication. Even despite this, you both yearn for it to work out and dream of the better times. You break up, you get back together, and the cycle continues, despite both recognising you had grown apart as people and the trust for each other was irreparable. The song encapsulates the slow breakdown of a relationship and the acceptance in moving on.”

Between You & Me seem set for global domination. They’re currently playing gigs in the United Kingdom and will head to North America in March to headline shows on the continent for the very first time. Hopefully it won’t be too long before we see them back on Aussie soil. Until then, international readers, make sure you check them out at a venue near you.

22 February 2024 – Joiners, Southampton
23 February 2024 – Underworld, London (SOLD OUT)
24 February 2024 – Asylum, Birmingham
7 March 2024 – SOMA Sidestage, San Diego
8 March 2024 – Echoplex, Los Angeles
9 March 2024 – Cornerstone, Berkeley
11 March 2024 – Soundwell, Salt Lake City
13 March 2024 – Marquis Theatre, Denver
15 March 2024 – Bottom Lounge, Chicago
16 March 2024 – The Loving Touch, Ferndale
17 March 2024 – Ace Of Cups, Columbus
18 March 2024 – Mahall’s, Lakewood
20 March 2024 – Hard Luck, Toronto
21 March 2024 – Empire Underground, Albany
22 March 2024 – Brighton Music Hall, Boston
23 March 2024 – Le Poisson Rouge, New York
24 March 2024 – Ottobar, Baltimore
25 March 2024 – Foundry @ The Fillmore, Philadelphia
27 March 2024 – Canal Club, Richmond
28 March 2024 – Amos South End, Charlotte
29 March 2024 – The Masquerade, Atlanta
30 March 2024 – The Abbey, Orlando
2 April 2024 – Lone Star Room, Dallas
3 April 2024 – Paper Tiger, San Antonio
5 April 2024 – The Rebel Lounge, Phoenix
6 April 2024 – Chain Reaction, Anaheim

Photo Credit: Max Pasalic

“Giving It Away” – Claire Anne Taylor

Claire Anne Taylor may just be the greatest singer you haven’t heard of yet. I know that sounds like an incredibly bold claim, but press play on her latest album Giving it Away and see if you don’t agree with me.

I’ve had this album on repeat since its release on Friday, and I think I love it a little more each time. It’s such a strong collection of songs. Each one is well-crafted, skillfully written with turns of phrase that speak to the heart and bring you to your knees. They come from such an honest place. You can hear the connection between Claire Anne and her musicians. This isn’t music made to sell records or promote a brand. It’s authentic, organic, raw, and real. And then there’s Claire Anne’s voice, like cigarettes and whiskey, so textured and compelling, full of soul and passion.

Giving it Away is an album that explores love, loss, grief, and acceptance. Writing and recording this material became a kind of therapy for Claire Anne as she struggled to process her 14-month-old son’s recent diagnosis of Angelman Syndrome. Others might retreat after such a blow, but not Claire Anne. This album bears the scars of that tumultuous period, but also her warrior spirit.

Giving it Away doesn’t shy away from the darkness. Tracks like “Lay You Down In the Cold Hard Ground” and “Giving It Away” are heart-breaking. But they’re balanced so well with lighter fare like “Dance With Death” and “Keep on Truckin’.” This album takes you on a journey through the entire human experience, and it’s beautiful.

I haven’t heard an album like this, or a voice like Claire Anne Taylor’s, in such a long time. It’s special. Take a listen, and if she’s anywhere near you, make sure you get out and see her play. Something tells me she might be even more amazing live.

22 February 2024 – Shotkickers, Naarm/Melbourne
23 February 2024 – Palais-Hepburn, Dja Dja Wurrung Country/Hepburn Springs
24 February 2024 – Archies Creek Tavern, Gunai Country/Archies Creek
25 February 2024 – Sedgwick Hall, Dja Dja Wurrung and Taungurung Country/Sedgwick
28 February 2024 – The Ellington, Boorloo/Perth
29 February 2024 – The Buffalo Club, Walyalup/Fremantle
1-4 March 2024 – Nannup Music Festival, Noongar Country/Nannup
16 March 2024 – Sandy Point Community Centre, Gunaikurnai Country/Sandy Point
17 March 2024 – The Old Gaol, Baarmutha/Beechworth
22 March 2024 – Tomerong Hall, Yuin Country/Tomerong
23 March 2024 – Frank’s Wild Years, Dthirrawell/Thirroul
24 March 2024 – Petersham Bowls Club, Eora/Sydney
30 March – 1 April 2024 – National Folk Festival, Ngambri/Canberra
18 April 2024 – Upper Lansdowne Hotel, Upper Lansdowne
20 April 2024 – Lowanna Community Hall, Burgong/Lowanna
26-28 April 2024 – The Gum Ball Festival, Wonnarua Country/Belford
3 May 2024 – Jetty Theatre, Gumbaynggirr Country/Coffs Harbour
4 May 2024 – Brunswick Picture House, Wurundjeri Woi-wurrung Country/Brunswick
5 May 2024 – Dust Temple, Yugambeh Country/Currumbin
10 May 2024 – The Citadel, Kalibai Country/Murwillumbah
11 May 2024 – It’s Still a Secret, Meeanjin/Brisbane
12 May 2024 – The Majestic Theatre, Karura/Pomona

Images used with permission from Jo Corbett Publicity

Laius Releases Brave New Single, “i hope they cried for me”

Chinese-Australian artist Laius has just dropped his latest single “i hope they cried for me,” and it’s probably the most powerful pop release you’ll hear all year. This incredibly personal song sees Laius exploring the raw emotions he still feels after being given up by his parents as a child. His heartbreaking words sit against a cinematic electronic pop soundscape that might just have you dabbing away your own tears by the end.

“Pain bears the fruit of art and this record is the truest, rawest testament to that,” Laius said.

Take a moment to properly listen to “i hope they cried for me.” It’s one of those really special songs that deserves to be more than simply background music for your day.

Image used with permission from Laius

My Cherie Celebrates Self Love With Angelic New Single “Don’t Compare Yourself”

Most of us have struggled with the feeling that we’re not measuring up. We worry we’re not meeting the expectations family or society places on us, or we see what others achieve and wonder why we’re lagging behind. If you’ve let feelings of self-doubt creep in, “Don’t Compare Yourself,” the latest single from My Chérie, will help you change the tape on that negative self-talk and start accepting and embracing your unique identity. The Tarntanya/Adelaide based artist grew up in conservative South Africa, and found herself grappling with culture Afrikaans pressure, her Christian faith, and her queer identity.

“In my personal life, my art has allowed me to break free of the conformity of my religion, cultural background and the confinement of being put in a box – either as a Christian or as a Queer person,” she explained.

I love the message, but also the delivery here. My Chérie’s voice is beautiful, and I love the way it sits in this gorgeous soundscape she’s created. If there is a heaven, I imagine it’s got to sound something like this.

Image used with permission from Pretty Good Thanks

Vaultboy Announces First Aussie Tour

Whenever I get a press release about an up-and-coming artist touring, I love to fire up Spotify and listen to their music. If I’m not into it, I won’t write about it. You all deserve better than that. Imagine my surprise when I entered in vaultboy’s name into my search to discover I’d already “liked” one of his songs. As I pressed play on “everything sucks,” it all came back to me. As I type, I’m listening to more of his music and getting incredibly tempted to snap up a couple of tickets to his upcoming shows.

After all, you can guarantee that when he comes back he won’t be playing the intimate bars he’s gracing this time around. He’s generating some serious buzz at the moment. Rolling Stone named him the King of Sad Songs while SiriusXM’s Hits 1 said he was “one to watch.” He’s also notched up more than 250 million streams across all platforms. Nearly 3.5 million people listen to him every month on Spotify and he’s got close to 2 million followers on TikTok.

Which all means that if you want tickets to vaultboy’s first Australian tour, you’d better get onto it when they go on sale on Tuesday at 11 am. They will not last.

6 June 2024 – Oxford Art Factory, Eora/Sydney (18+)
8 June 2024 – Northcote Social Club, Naarm/Melbourne (ALL AGES)
9 June 2024 – The Brightside, Meeanjin/Brisbane (18+)

Image used with permission from Bigmouth PR

Dane Tutty Impresses With New Single “I don’t want to do this forever”

Mulubinba/Newcastle-based singer-songwriter Dane Tutty has released a powerful new single, “I don’t want to do this forever.” Like his previous single “Church,” it features Jen Buxton on guest vocals. It’s a little heavier than that track, but the pair deliver it with all the conviction that drew me to the previous release. In a world of music that often gets overproduced, it’s so exciting to hear something that’s so raw and authentic.

“The song’s topic isn’t really that easy to describe,” Dane admitted, “It’s more of a collaboration of feelings and experiences of myself and people around me melted into two minutes and 25 seconds”

“I don’t want to do this forever” comes from Dane’s forthcoming EP, scheduled for release later this year.

Photo credit: Mitch Strangman

Jebediah Release Fantastic New Single “Motivation”

Jebediah seem to be aging like a fine wine. I wasn’t always a fan of their earlier material, but their latest track “Motivation” is right up my alley. It comes from the Jebs new album OIKS, their first since 2011, which drops on April 12.

“’Motivation’ was a song that came from the initial in studio jam sessions that kick started the process of recording OIKS,” the band said. “At that stage, we didn’t really know what kind of album we were trying to make. We were simply getting together in a room and making noise and seeing what eventuated. Given that ‘Motivation’ came from these sessions, it’s a very ‘band’ sounding song, as opposed to some of the more experimental stuff that came along later during the recording process. It captures the sound of the band playing in a room together and we tried not to embellish it too much. This song is a bit of a band favourite for sure, so we are obviously excited about it being released as a single before the album appears.”

“The video clip is intended to represent the simplicity of the song and the fact that we were trying to capture the raw sound of the band playing in a room together,” they added. “The video was shot in Melbourne by Arlo Cook who has been following us around with a camera since 2015, taking footage at shows all around Australia. We can’t wait for everyone to hear OIKS soon. It was a labour of love that took us five years to complete, often during extremely turbulent times.”

Jebediah has just played Spring Loaded, but I’d be very surprised if we don’t see a few more show announcements when the album’s released. Until then, turn this new single up!

Photo credit: Taj O’Halloran