2023: Year in Review

As we prepare to say goodbye to 2023, I’m taking one last look back on the year that was. And for the first time in a long while, I’m doing it with some satisfaction. It’s the first year I’ve seen enough shows to create a top 10 since the COVID-19 pandemic struck. Of course that makes choosing my favourites a bit more difficult, but that’s a great problem to have. And of course there was, as always, plenty of incredible Australian albums soundtracking my year. Here’s what filled my heart in 2023. Have I missed any of your favourites? Let me know your 2023 highlights in the comments:

Top 10 Albums/EPs of 2023
1. Yasmin – Malaika Mfalme
2. AND ALL I LOVED, I LOVED ALONE – Clinton Kane
3. Rivers Run Dry – Ian Moss
4. Last Of Your Kind – The VANNS
5. Here They Come – Eliza Hull
6. Roller Coaster – Checkerboard Lounge
7. Revision for Regrowth – JK-47
8. Between Tonight & Tomorrow – Matt Joe Gow
9. Sunsoli – Sunsoli
10. Professional Misconduct – The Screaming Jets

Top 10 Concerts of 2023

1. Dermot Kennedy (The Doss House)
2. Andrew McMahon in the Wilderness
3. Carly Rae Jepsen
4. Darren Criss
5. Dermot Kennedy (Opera House)
6. LANY
7. Billy Ocean
8. Ben Lee
9. Katie Noonan
10. Richard Marx

Photo credit: Charles Haynes @ Flickr

“Roller Coaster” – Checkerboard Lounge

The year might be winding down, but I’m sneaking in one last album review. I couldn’t let 2023 close without encouraging you to listen to Roller Coaster, the fabulous new album from Naarm/Melbourne blues icons Checkerboard Lounge.

The moment I heard the opening notes of the title track, I was hooked. It’s such a rollicking good time, and it made me hungry for more. My appetite was well and truly satisfied as Checkerboard Lounge delivered all the twists and turns you might expect from an album named after an amusement park staple. The band refuses to stay in the same place too long, treating listeners to soulful ballads, psychedelic rock, instrumentals, and a splash of jazz. Their originals already sound like classics. When you make such fantastic new music, a cover has to be pretty outstanding to make an album. But their take on Nina Simone’s “I Wish I Knew How It Would Feel to Be Free” is inspired. Dedicated to the plight of Australia’s First Nations people, it’s a poignant reminder of how far we still have to come as a nation.

Roller Coaster is the first Checkerboard Lounge featuring the band’s latest addition, bassist Zoe Frater. She’s used to great effect. I’m not sure when I last heard a bass solo: this album has four. All the musicians are stellar; the more I listened to this album the more I appreciated their contributions. On the first listen it’s easy to get sucked in by Carl Pannuzzo’s outstanding vocals, because they’re just so good, but everyone plays their part here.

As with so many acts that make music outside the mainstream genres, Checkerboard Lounge are revered in the blues scene but largely unknown outside of it. That’s a great shame, because they’re brilliant. With the release of Roller Coaster, it’s the perfect time to get on board.

Roller Coaster is out now. Checkered Lounge are already starting to full up their concert calendar for next year. See them anywhere you can.

20 January 2024 – Blues Rendezvous @ George Lane, Euroe Yroke/St Kilda
3 February 2024 – Brunswick Ballroom, Bulleke-bek/Brunswick (album launch)
24 February 2024 – Archie’s Creek Hotel, Gunai Country/Archie’s Creek
13 April 2024 – Cullulleraine Music Festival @ Johansen Memorial Reserve, Lajti Lajti Country/Mildura
16-19 May 2024 – Blues on Broadbeach, Yugambeh Country/Gold Coast
7 June 2024 – The Jazzlab, Bulleke-bek/Brunswick
14 June 2024 – The Jazzlab, Bulleke-bek/Brunswick
21 June 2024 – The Jazzlab, Bulleke-bek/Brunswick
25-28 July 2024 – Echuca-Moama Winter Blues Festival , Yorta Yorta Country/Echuca
1st and 2nd week November 2024 – Blues at Bridgewater, WA

Image used with permission from Dave Laing Publicity

CHUTNEY Covers “Kama At Yafa” For Israel

As we all look forward to the year ahead, it’s easy to get wrapped up in all the fun of the festive period. Eora/Sydney-based Jewish band CHUTNEY are encouraging us to remember the plight of people in Israel with their cover “Kama At Yafa,” which translates to “How Beautiful You Are.” First performed by Shiri Maimon in 2012 and featuring Hebrew lyrics, this new version aims to raise awareness of the nearly 140 hostages who’ve been held captive by Hamas since October 7.

“Like Jews the world over, the 7th of October shook us to our core. We felt compelled to take a principled stance and be our authentic selves, despite the risk of backlash,” explained the band’s leader and violinist Ben Adler. “Within 36 hours, we had postponed a big show scheduled that week and pivoted to perform instead for the communal solidarity vigil attended by almost 10,000 Jews and allies.

“We see this song as a prayer, not only for the hostages, but also for the spirit of the people of Israel: ‘Do not fall, do not break. Come back.’ We want this powerful message to reach Israelis and Jews in the furthest corners of the globe, and we encourage everyone to share it widely.”

This song has an important message, but it’s also just a fantastic song. I love that the music video lets those of us who don’t speak Hebrew understand the lyrics. However, as a big Eurovision fan I’ve always felt like music is a universal language. You don’t need to read the subtitles to understand the emotion behind guest singer Sarit Michael’s gorgeous vocals.

We’ll be hearing a lot more from CHUTNEY this year, with the band planning to drop more singles in the leadup to the release of their debut album in March.

Image used with permission from CHUTNEY

Katie Jayne Releases Girl Power Anthem “Booty Call”

Wonnarua Country/Hunter Valley country starlet Katie Jayne shows she’s no doormat with her sassy new single “Booty Call.” It’s a fun slice of girl power that’s going to resonate with anyone who’s tired of the games and situationships.

“Booty Call will have your boots dancing, your body moving and your voice raised high, singing the lyrics like a crazy woman!” Katie enthused.

Katie is enjoying some downtime for the holidays, but she’ll be back in action for the Tamworth Country Music Festival. If you’re heading to Kamilaroi Country for the festival, here are all the places you can see her play

19 January 2024 – Diggers (full band show @ 7pm)
20 January 2024 – Tamworth Shopping World (acoustic @ midday)
20 January 2024 – Diggers (full band show @ 7pm)
21 January 2024 – The Atrium Arcade Stage (acoustic @ 11:30am)
22 January 2024 – Longyard (full band show @ 8:30pm)
24 January 2024 – The Atrium Arcade Stage (acoustic @ 10am)
25 January 2024 – Moonshiners (full band show @ 10pm)
26 January 2024 – Diggers (full band show @ 7pm)
27 January 2024 – Tamworth Shopping World (acoustic @ 11:15am)
27 January 2024 – Diggers (full band show @ 7pm)
28 January 2024 – Longyard (full band show @ 5pm)

Image used with permission from Rock This Country

Pete Campbell Releases Beautiful New Single, “Silence”

“Silence,” the new single from Eora/Sydney singer-songwriter Pete Campbell was released a few weeks ago now, but unless you’re already a fan you probably wouldn’t know it. It’s one of those gentle folky songs that unfairly doesn’t get airplay, but it’s so beautiful that it really deserves some time in the sun.

Pete’s voice drew me in on the first voice, but I fell even more in love with this track when Ellen Soffe, from Ellen and the Ooroos, joined in. Her voice is purer than Pete’s, and the contrast in those textures is just stunning.

“Silence” comes from Pete’s sophomore EP Parley, which is also worth a listen. I think “Silence” might be my favourite track, but they’re all gorgeous songs bound to appeal to anyone who enjoys artists like Nick Drake and Bob Dylan.

Image used with permission from Chris Familton Publicity

HERE COMES THE SUN Back Bigger and Better for 2024

Most of us have a crowded concert calendar in the summer months, but things tend to peter out once autumn hits. If you’re keen to keep the party going, make sure you snag some tickets for HERE COMES THE SUN, a cool music festival that runs alongside some of the nation’s biggest surfing events.

It’s bigger than ever in 2024, with organisers adding a Victorian date alongside the Bells Pro. This complements the flagship event in Western Australia, which has run alongside the World Surf League Margaret River Pro for the last four years. Next year’s lineup is also stacked, with Ocean Alley, Ball Park Music, Ruby Fields, Jack Botts, South Summit, and Clews all gracing the HERE COMES THE SUN stage. Tickets are on sale now.

30 March 2024 – Torquay Common, Wadawurrung Country/Torquay
13 April 2024 – 3 Oceans Winery, Wooditup/Margaret River

Image used with permission from On the Map PR

“The World Has Gone Mad” – SonOfHarry

If you think you know the extent of Harry Cleverdon’s talents, think again. He’s best known for releasing sweet, chilled out numbers that dance around the folk, pop, and country genres. They win me over time and time again, but if I could make any criticism, they’re pretty safe. So I was excited to discover a new side of Harry’s talent through his new project SonOfHarry. He’s just released his debut album The World Has Gone Mad under the moniker, and it’s the furthest thing from safe that you can imagine.

At a time when so many artists seem to be focused on creating singles, it’s refreshing to see Harry bring us a concept album here. It’s clear he’s spent some time listening to Pink Floyd in his youth. Their influence comes through in the sonic soundscapes he creates, the brief musical interludes and snippets of audio recordings that support the longer works like “Alien” and “Can Not Be This Way.” These tracks could stand alone, but they’re so much richer for their place here. Then there are the tracks like “Paradise Pt 1” and “Paradise Pt 2,” and the title track broken into three parts and woven through the EP, longer works that explore themes and musical motifs in more depth.

The World Has Gone Mad really shows a different side of Harry’s talent. It’s edgier, more experimental, and bolder. He plays with genres we haven’t seen before like blues, rock, and jazz. The lyrics are edgier than we’ve heard from Harry too. I’m not just talking about the occasional explicit lyric, although I can’t imagine those making the cuts Harry’s released before. But these songs also contain some really thought-provoking and potentially polarising social commentary.

If you’ve only heard and loved the music Harry’s released as Harry Cleverdon, it might take you a little while to embrace SonOfHarry. But give it that time. The World Has Gone Mad is very different from Harry Cleverdon’s usual material, but it’s also very good.

Images used with permission from Kick Push PR

Ella & Sienna Drop “New Year’s Kiss”

The dust is just settling on Christmas, so it’s time to look ahead to New Years. Tarntanya/Adelaide sister act Ella & Sienna have released the perfect song for the season, “New Year’s Kiss.” I remember being impressed by the duo on The Voice last year, but they’ve matured so much since that time. They’ve still got those exquisite harmonies I fell in love with, but there’s a bit more depth and wisdom to what they do nowadays.

This single is the perfect farewell to 2023 which makes me pretty excited about what Ella & Sienna may have in store for us in 2024.

Image used with permission from Cartel Management Australia

“AND ALL I LOVED, I LOVED ALONE” – Clinton Kane

Clinton Kane shows he’s one of the brightest stars on the scene with his powerful new EP, AND ALL I LOVED, I LOVED ALONE. Clinton wowed me with his track “PANIC ATTACK”, but I’ve fallen even more in love with his music after hearing this EP.

These five songs show Clinton’s talents as a songwriter, multi-instrumentalist, arranger, and co-producer, but most importantly they show his heart. From the gentle pop opener “DANCING ALL ALONE” to the pop-punk-influenced “MERRY GO ROUND” that closes this EP out, Clinton’s emotions sit close to the surface. His vocals are powerfully raw, his lyrics confrontingly honest, and it makes it such a special listen. And then there’s the sound, so sonically interesting and fresh. The press release says it features “glitchy beat-craft, electronic alchemy, alternative experimentation and unassuming pop ecstasy”; I’m not sure I could say it better. It’s creative and exciting and so incredibly addictive.

AND ALL I LOVED, I LOVED ALONE is out now. Trust me, you’ll want to listen to this one.

Image used with permission from Sony Music Australia

Merry Christmas to All!

Merry Christmas Sounds of Oz readers! While many of us are sweltering in the Southern Hemisphere, we’re also conscious of the Winter Wonderland our loved ones enjoy on the other side of the planet. Local indie-pop artist Katie Wighton celebrates the different ways we celebrate the season with her latest single “Other Side of the World.” I love the way this track has an old-timey festive feel despite its references to modern traditions like playing backyard cricket and listening to Paul Kelly.

“I wrote Other Side of the World with my friend Kai during the height of summer in Nashville last year. It was absolutely sweltering and my friends back in Australia were freezing. It got me thinking about how differently we Australians experience things in the land “down under”…!” Katie said. “Our Christmases are usually hot – with Paul Kelly on the radio and pavlova and an esky full of beer (you might have to Google what an esky is…) And every Christmas song or movie I’d ever seen always had these Christmases full of snowmen and ice storms and someone drinking cocoa in the “den”. So we sat down and brainstormed all of the quintessential things about our respective Christmases and this is where we ended up! I really hope this song conjures up the nostalgia I feel every Christmas – on the other side of the world.”

I hope no matter how you’re celebrating the holidays, this song brings you a little cheer.

Photo credit: Studio Sarah Lou @ Flickr