The Sooks Release Summer Smash, “Never Gonna Go”

If The Wombats and The Kooks had a lovechild, it might sound something like The Sooks. Their new single “Never Gonna Go” is absolutely infectious. I know you’ll want to crank this song up and put it on repeat.

“This song is about a girl I saw at the beach a few months back. I was with some mates at the beach and I saw this really pretty girl. I didn’t have a guitar or anything but the song just seemed to write itself in my head,” said the band’s guitarist, Keenan Fitzsimons. “Naturally it has a really surf-rock, summer-pop kinda vibe, a contagious chorus that anyone can sing along to and a groovy riff. The first time we played the song at a show, the crowd was already singing along to the chorus by the end which is something we tried to go for. We really like the sing-alongy vibe of the chorus.”

You can guarantee you’ll be humming this one for the rest of the summer.

Photo credit: Tom Wilkinson

“Here They Come” – Eliza Hull

When you put your heart into music, when you lay your soul bare and let your listeners see all parts of yourself, I don’t think you can ever go wrong. That’s exactly what Eliza Hull has done with her new EP, Here They Come. You might remember me raving about the single “Running Underwater.” It set my expectations high, but the songs that support it on this five-track EP are every bit as strong.

It’s no coincidence that Eliza released Here They Come a few weeks ago on December 1, to coincide with International Day of People With Disability.

“I wanted to release the EP during the week of International Day of People With Disability because this record is about celebrating my disabled identity; it’s about all the parts of myself I hid away for so long because of stigma,” Eliza explained. “I also want to be the representation I was seeking as a disabled emerging musical artist.”

While these songs are bound to connect with listeners with disabilities who may have felt underrepresented or marginalised, I connected with this music on a purely human level. These are songs of struggle and strength, of acceptance and liberation. Eliza is a superb songwriter with an incredible voice, and that combination is showcased so powerfully here. She keeps the instrumentation simple, ensuring we can catch every important word she sings. Every song is a triumph, from the gentle piano ballad “Stay” to the epic slow burner, “Lilac Dreams.”

I’ve sat with this EP for a few days and I am falling more in love with every listen. It really is such a special release. I’ve been a fan of Eliza’s work for many years. It feels like everything she’s done before has been building towards this. Here They Come is out now. She’ll play the following shows next year to support its release.

20 January 2024 – Sydney Festival @ ACO Pier 2/3, Eora/Sydney
17 February 2024 – Town Folk Festival @ The Bridge Hotel, Dja Dja Wurrung Country/Castlemaine
23 February 2024 – Malthouse Theatre Outdoor Stage, Naarm/Melbourne
24 February 2024 – Cube Theatre, Wiradjuri Country/Wodonga
3 March 2024 – Mordi Festival @ Peter Scullin Reserve, Boonwurrung Country/Mordialloc

Main photo credit: Simon Browne

COTERIE Release Summer Anthem, “Paradise”

Your favorite summer party band COTERIE have released a new anthem for the season, “Paradise.” I know you’ll want to crank this one up loud!

This song sounds fire coming out of your speakers, but you know it’ll be even better live. Consider this your reminder that COTERIE are touring all over the country on their Lush Leopard Regional Summer Tour real soon.

27 December 2023 – Waihi Beach Tavern, Waihi
30 December 2023 – The Good Home Ferrymead, Christchurch
31 December 2023 – The Buxton, Nelson
3 January 2024 – Shake & Bake @ Brewton, Maidstone
8 January 2024 – Totara St, Mount Maungaunui
11 January 2024 – Leigh Sawmill, Leigh
12 January 2024 – Opononi Hotel, Opononi
13 January 2024 – Mangawhai Tavern, Mangawhai
19 January 2024 – Black Barn Vineyards, Havelock North
25 January 2024 – Tanks Arts Centre, Gimuy/Cairns
26 January 2024 – The Seabreeze Hotel, Yuwibara/Mackay
27 January 2024 – Solbar, Kabi Kabi/Maroochydore
2 February 2024 – Froth Craft Brewery, Goomburrup/Bunbury
3 February 2024 – Indian Ocean Hotel, Boorloo/Perth
4 February 2024 – The River Hotel, Wooditup/Margaret River
15 February 2024 – King Street Bandroom, Mulubinba/Newcastle
16 February 2024 – Hello Sailor, Guruk/Port Macquarie
29 February 2024 – Pelly Bar, Boon Wurrung/Frankston
1 March 2024 – The Westernport Hotel, Mellow/San Remo
2 March 2024 – Torquay Hotel, Wadawurrung/Torquay
8 March 2024 – Label., Dharug/Brookvale
9 March 2024 – The Pavilion, Kiama, Dharawal/Kiama

Image used with permission from Good Intent

Imogen Clark Releases Fantastic New Christmas Single

I love Christmas music, but I’m a bit picky about it. Every year there are plenty of new Christmas songs released, but most of them are overly cliché and cloying. They feel like a cash grab rather than an honest contribution to the canon of Christmas music. So when I do bring you a Christmas song, you know it’s good. Wrap your ears around “Not Christmas Here,” the latest singer from Imogen Clark. Penned with acclaimed singer-songwriter Steve Poltz and recorded with an all-star cast of musicians at Peter Frampton’s Studio Phenix in Nashville, it manages to be sweet without being schmaltzy.

“I went to the US to write and record earlier this year, and while I was there, I decided this was my last visit and the next time I came back would be me moving there” Imogen recalled. “I was so excited but also overwhelmed and terrified about moving to the other end of the Earth. I thought of my Aussie Christmases, visiting my family home in Western Sydney and taking stock of what I’ve learned, achieved and overcome in the last twelve months. This song is me projecting ahead to how I’ll feel on my first Christmas living in America, without my family close by, and without all the trappings of an Australian Christmas – the sweltering heat, seafood dinners and white wine.”

“It was so much fun writing this song with Imogen,” Steve added. “She’s a great collaborator and a wonderful songsmith with great instincts. It put us in the Christmas spirit while we were smack dab in the middle of a heatwave in Nashville. Honored to be a part of the whole shebang.”

She might be based in the United States now, but Imogen won’t stay away for too long. She’ll play a string of shows as a special guest of BOWEN * YOUNG in January. If you’re stuck for Christmas gift ideas, might I suggest some tickets?

12 January 2024 – Barwon Club, Djilang/Geelong
13 January 2024 – Thornbury Theatre, Naarm/Melbourne
14 January 2024 – Theatre Royal, Dja Dja Wurrung Country/Castlemaine
19 January 2024 – Factory Theatre, Eora/Sydney
20 January 2024 – Lizotte’s, Mulubinba/Newcastle
21 January 2024 – Capitol Theatre, Kamilaroi Country/Tamworth
27 January 2024 – IMB Theatre, Woolyungah/Wollongong
28 January 2024 – The Triffid, Meeanjin/Brisbane

Photo used with permission from Chinwag PR

Josh Setterfield Drops Smash New Single “Stay” Ahead of First Local Headlining Show

Rising country artist Josh Setterfield has impressed me time and again with his releases. His latest single “Stay” is another banger which infuses country with a hint of rock edge. Don’t be surprised if you find yourself humming this one for the rest of the day. It’s a serious earworm!

“Stay” comes from Josh’s EP Rise, which is full of those tracks that had me raving. If you’re already a fan like me, it’s a great reminder of just how much awesome material he’s released. And if you’re new to the party, consider this your introduction. Josh will play his first ever Aussie headline show in his hometown of Meeanjin/Brisbane at the Arcana Empress Theatre on January 13 as part of his Kinda World Tour. Tickets are on sale now from Eventbrite.

Image used with permission from DWM Entertainment

Anna Smyrk Releases Anti-New Year Single, “January Makes Me Sad”

There are plenty of songs about holiday cheer, but not everyone is buzzing with excitement about the festive season. If the thought of the new year ahead makes you feel melancholy, Anna Smyrk’s poignant new single “January Makes Me Sad” is for you. She recorded the track in Nashville with producers Jake Finch and Collin Pastore, known for their work with boygenius and Lucy Dacus. I can definitely hear their influence here, although it’s still got that recognisable Anna stamp.

“This is a song about the pressure that comes with the start of a new year,” Anna explained. “We have this culture of resolutions and renewal buzzing around in January and I always get sucked into it, thinking that this year I’m going to reinvent myself into a shiny new person. But inevitably the weeks go by and I’m still the same as I was last year.”

Anna should shake off the blues just in time for her first US tour in February. If you’re Stateside, here are all the dates you need:

1 February 2024 – Funk N Waffles, Syracuse
3 February 2024 – One Broadway Collaborative, Lawrence
4 February 2024 – Brick Hill House Concerts, Orleans
9 February 2024 – The Drum Roll, Rochester
10 February 2024 – Abilene, Rochester
11 February 2024 – Pittsburgh Winery, Pittsburgh
12 February 2024 – The Sharon Apollo Maennerchor Club, Sharon
13 February 2024 – The Treelawn Social, Cleveland
14 February 2024 – Grounds for Thought, Bowling Green
15 February 2024 – Natalie’s, Columbus
16 February 2024 – Hirth Happenings, Maineville
18 February 2024 – Bad Branch House Concerts, Whiteburge
21-25 February 2024 – Folk Alliance International Official Showcase, Kansas City

Photo credit: Jeff Andersen Jnr

4 Essentials for Australia’s Outdoor Festival Scene

Attending outdoor music festivals is always a great way to enjoy live music, mingle with friends, and discover new artists. And if you’re a music lover in Australia, you know we host popular music festivals covering various genres. From Bluesfest in Cavanbah/Byron Bay to EDM-focused Pitch Music and Arts Festival in Djab Wurrung and Jardwardjali Country/Mafeking, local festivals cater for all tastes. If you’re pumped and ready to attend outdoor festivals like these, you’ll want to be prepared to ensure the best festival experience possible. You can start with the helpful tips in my post ‘4 Festive Tips for Enjoying Melbourne’s Carols by Candlelight,’ like getting your tickets as early as possible and bringing a camera to capture memories. Festivals run much longer than the carols though, so you’ll want to bring some items that will ensure maximum comfort and enjoyment all day. Here are four essentials you’ll need for Australia’s outdoor festival scene:

A backpack

Attending outdoor festivals requires lots of movement, from walking to different stages and food stalls and dancing to your favourite act’s songs and performances. However, your experience can be bogged down if you constantly need to worry about the things you’re bringing and how to protect them from the elements. That makes a backpack the the ideal bag choice.

You also don’t want to lug around one that’s too heavy, so opt for something light that can carry all your essentials. Sports backpacks are a great option as they use a minimalist design for people with active lifestyles who require portability. Oakley a great brand for this, as it also offers casual backpacks suitable for different occasions, including outdoor festivals. Take the Switchback Hydration Pack: it’s got internal pockets to keep your things safe, padded straps and back panels for long hours of wear—and even a small pouch and straw you can fill with water, so you don’t need to buy overpriced bottles at your next festival.

A power bank

Your phone running out of battery is one of the worst things to deal with at an outdoor music festival. You won’t be able to communicate with your friends or take pictures and videos of your favourite artists. To avoid this situation, consider bringing a portable charger or power bank.

Get one that’s compact so that it won’t be bulky in your bag or pocket. Since power banks come in different capacities, you’ll want to do your research on this essential as well. One brand you can add to your list is Anker. Its power banks can handle multiple full charging cycles and also support fast charging, so you won’t have to wait long for your phone to be fully charged. The Nano Power Bank (30W), in particular, has a USB cable attached, so you don’t need to bring a separate wire and detangle it whenever you need a quick charge throughout the event.

Earplugs

Festivals rely on countless (and massive!) speakers to help sound carry to the farthest reaches of the audience, including main speakers on the big stage, supplemental speakers at the back, and even subwoofers. No matter how hardcore you think you are, the volume they produce may also be too loud for your ears. It can cause conditions like tinnitus (a constant ringing in your ears) and may lead to permanent hearing damage and loss.

Since that can ultimately affect how much you’ll enjoy current and upcoming music festivals, it’s best to bring some earplugs. ABC finds you can get cheaper ones made of foam but notes these may significantly muffle what you hear. I prefer plugs made of flexible silicone that reduce the volume of what you hear without blocking anything out altogether. Some brands even design earplugs specifically for concerts, so be sure to do your research before bringing a pair along to your next festival.

Personal care items

Festivals are often full-day events. Since you’ll spend many hours—and maybe even days—there, having personal hygiene items with you is essential. That’s especially true since, depending on the organiser, the festival may only offer a limited number of handwashing stations and portable toilets at the venue. That said, be sure to pack facial tissue, wet wipes, deodorant, and hand sanitiser. You can use these to freshen up when it gets too hot or humid so you stay comfortable for the festival’s duration.

If you need it, add your personal medications to the list. Bring along more than you need and consider all scenarios. You might not take them daily, but antihistamines can stop you sneezing during an outdoor festival while headache pills can be lifesavers after hours of loud music. Some events may not allow pass-outs, so you’ll want to be prepared for worst-case scenarios.

Visiting the best outdoor festival experience starts with bringing these essentials. With these, you will have a safe, comfortable, and fun experience with your fellow festival-goers!

Photo credit: Wendy Wei @ Pexels

AYLA Drops Relatable Indie-Pop Banger, “Should’ve Been Fine”

We’ve all had those moments where we question what might have been. Perhaps it was the case of the wrong timing or we were just too scared to make the leap, but we can’t help replaying situations in our minds and asking what could have been. AYLA explores one of her greatest “what ifs” in her fabulous new single “Should’ve Been Fine.”

“I wrote this song about being in love with my best friend, who loved me back, but we knew it wouldn’t work out,” she recalled. “’Holding off on happiness cause some stupid little things didn’t line up’ is a line in the chorus that pretty much sums it up! I was really feeling like life was too short to let anything get in the way of two people loving each other and being together”.

I’ve written about so many AYLA singles over the years, but this one might just be my favourite. I’m going to sit with this one for a bit, but I can’t wait to hear what comes next.

Photo credit: She is Aphrodite

“Yasmin” – Malaika Mfalme

It’s been a long time since an album moved me like Yasmin. The debut from London-born, Tanzanian/Australian artist Malaika Mfalme, it’s a powerful collection of songs exploring love, loss, and healing.

Malaika said “I wrote Yasmin during a time of immense pain. While the world shut its doors and experienced the 2020 lockdowns, I was grieving my late partner. When I began writing it, I didn’t know it would turn into an album. It was my means of coping through writing about grief, loss, and then joy, healing and finally self-acceptance. Now I feel this album can help others move through that kind of pain, removing the taboo and shame Western society places on grief.”

I knew Yasmin was a special album from the moment I pressed play. Acknowledgements of country have become so commonplace that they can lose their meaning, so I was excited to hear Malaika’s take. Creating a beautiful soundscape for her heartfelt “Acknowledgement” helped it resonate and bridge the gap between the story of this land and Malaika’s own story. They explore their own connection to the land in “Mother,” a song which references the ultimate maternal figure, Mother Nature herself. In “Dream,” Malaika reflects on their first dream featuring their late partner. “Spirit” is quiet and beautifully vulnerable, a poignant moment birthed from the depths of sorrow.

“‘Spirit’ came from a deep time of grief, so I wanted to use repetition to create new meaning,” Malaika explained. “This repetition and call and response is significant in my African culture and in history, often using techniques like this to survive horror like slavery.”

“Imagine” and “Relief” are like companion pieces that lift the soul after the darkness. The first elevates the memories that bring comfort, the second is a powerful reminder of the importance of being loved and known, if only for a little while. “Good Man” sees Malaika, a trans/non-binary artist, reflecting on gender identity and the importance of manifesting it in the right way. ”Younger” completes another piece of the puzzle, like a musical letter to Malaika’s past self and the soul icons who helped them become the person they are today. It’s only fitting that the album’s final track is a tribute to Yasmin herself, the person who inspired this collection of music.

“Yasmin was an opera singer, and I was able to incorporate all of her friends in the song. All of us singing together was such an important healing process for all of us,” Malaika recalled. “The first verse is about the pain of her passing, the second is about letting her go, and the last is about remembering her.”

The first few times I listened to Yasmin I went in blind, with my ears and heart open. Without reading the press release, I could make my own meaning from these songs. I was instantly struck by their warmth and beauty. This album was inspired by darkness, but there’s light in even the most painful moments. Reading over Malaika’s notes has made me appreciate and love these songs even more than I thought was possible.

Yasmin is out now. Malaika will launch this exceptional album tomorrow night, December 14, at the Red Rattler Theatre in Eora/Marrickville. Tickets are available now from Humanitix.

Images used with permission from Good Intent

Dan Keyes + The New Rides Off to Strong Start With “London”

“London,” the latest single by Dan Keyes + The New Rides, is one of those songs that sneaks up on you. I thought it was nice on the first listen, but before long I realised I’d played it three times straight. I’m pretty sure I’ll be humming its chorus for the rest of the day.

The outfit is fronted by Dan Keyes, who was born and raised in Texas but now splits his time between Australia and Los Angeles. While this is his new outfit’s first single, Dan’s every bit as experienced as his voice suggests. He began touring at just 18 when his former band Recover, a post-hardcore act, inked a deal with legendary label Fueled by Ramen. He then went on to form the dance rock project Young Love in the mid-2000s, but felt unprepared for the fame and all that came with it. And so, he left Young Love behind and headed west, which ultimately led to the birth of Dan Keyes + The New Rides.

Dan, who collaborated with local songwriter and producer Tim Metcalfe on the track, said, “We wanted it to sound classic, familiar and new all the same time. A modern, Aussie take on Americana, if you will … The song lyrics are quite intentionally vague; it’s how you interpret it. Do I sound like I come from London? No. Does Tim, who I co-wrote the song with, sound like he is? Maybe. It’s about wanting to walk, or run to someone, in the middle of the night, for no real reason other than wanting to be with them; in that moment.”

“London” isn’t just the first song from Dan Keyes + The New Rides. It’s also the first release from the newly revived Wheatley Records. First established in 1980 by the late, great Glenn Wheatley, Wheatley Records nurtured the careers of John Farnham, Real Life, Pseudo Echo, and heaps more. I for one can’t wait to see what comes next for this independent label.

Image used with permission from On the Map PR