As an Aussie Dermot Kennedy fan, I’ve felt incredibly blessed by his time in our country. A few weeks ago, I got the opportunity to see him play at the Doss House, a venue so small he didn’t even need to use a microphone. After this acoustic teaser, I got to see him again last week in the Sydney Opera House forecourt. While the room he played in the Doss House would have been lucky to hold 50 people, the Opera House forecourt holds thousands. And he sold it out. Twice.
It’s a testament to the quality of Dermot’s music that it can work in any setting. In a place like the Doss House, you can reflect on those personal lyrics. At the Opera House forecourt, backed by a full band, his words become battle cries. They come from such a deep place, and I was thrilled to yell them out as Dermot encouraged us to sing louder. Dermot is a performer that sings from his gut. He leaves nothing on the stage, delivering passionate vocals that connect and resonate.
The night was a fitting farewell to the promotion for Dermot’s album Sonder. Songs from his sophomore LP book-ended the set. While “Blossom” ends the album, it was a fantastic opener. Those newer songs were balanced by the old favourites from Without Fear. The fans who’ve been there from the beginning were even treated to “Glory,” from his debut EP, Doves and Ravens.
While I hold my memories of the Doss House show so close, it was missing one major thing for me: my husband. It was so special to see this show with him, to sing along to songs like “Outnumbered” and “Homeward” as we held hands and thought about how far we’ve come. I also thought about how lucky we were to do this during “Better Days,” a lockdown anthem that has now become so life-affirming. Last time I saw Dermot was at an indoor venue, so I didn’t feel comfortable removing my mask. Sitting on the steps of the Opera House, enjoying this fabulous music, the pandemic was the last thing on my mind. Instead, I revelled in singing the song together, to paraphrase the lyrics.
After experiencing the intimacy of the Doss House, I marvelled at the numbers who’d gathered for this show. While I always prefer a small gig, there’s certainly something special about coming together with so many people who are passionate about an artist’s music. Hearing our voices, seeing the lights of our phones, watching us move together to the beats of these songs we all carry in our hearts, was special. Doing it at an iconic place like the Sydney Opera House was the icing on the cake of this fantastic tour. I’m sure I’m not the only one who’ll miss having Dermot in our country, but we take some comfort knowing that he had such a great time that he probably won’t stay away for too long.