Alex Lahey and Gordi Launch Over Our Dead Body

We’ve all heard the collective frustration of artists who say it’s so difficult to break into the industry. Now Alex Lahey and Gordi are doing something about with the launch of their live music initiative, Over Our Dead Body.

“We keep hearing the same thing – it’s harder than ever to break artists in Australia at the moment. Triple J’s Australian Artist Survey showed that nearly half of all Australian artists have thought about quitting the industry in the last few years, in part because there aren’t enough opportunities to perform. So, we started thinking – what can more established artists do to help lift up emerging artists?” the pair said.

Every Wednesday night leading up to Christmas you can enjoy artist-curated residency events at Shotkickers in Naarm/Melbourne. Here’s the full line-up; get out and support these artists and this cool initiative if you can:

6 December 2023 – June Jones, Katie Dey, The Vovos (curated by Georgia Maq)
13 December 2023 – Pisco Sour, Obscura Hail, Leo (curated by Gordi)
20 December 2023 – The Belair Lip Bombs, Eaglemont, Harris (curated by Alex Lahey)

Ellie Lovegrove Releases Debut Single “I’m Gonna Fly” Featuring Archie Roach

When we lost Archie Roach last July, we lost one of the country’s great talents. He might be gone, but there are plenty of new exciting projects that keep his memory alive. I’ve already told you about all the incredible songs released as part of the Singing Our Futures initiative developed by the Archie Roach Foundation. All those songs saw established First Nations artists performing with up-and-coming Indigenous acts they mentored. Mentorship was something Archie was so passionate about, so it’s only fitting that we get to hear his voice one last time duetting with Ngarrindjeri singer-songwriter Ellie Lovegrove on her beautiful debut single, “I’m Gonna Fly.”

“After sharing some time touring with Uncle Archie and listening to his stories, I had commuted back to Adelaide and written the song in a time of deep reflection,” Ellie recalled. “With just the first verse and the chorus, I wasn’t sure as to where to go next and humbly asked if Uncle Archie would be interested in hearing what I had and if he would be interested in collaborating on the piece. I had no expectations, if anything I just wanted to share with him as he had with me and I was deeply taken back when I was told Uncle had included a verse to the song. To then be able to intertwine our voices together in the last chorus was a really special moment for me. ‘I’m Gonna Fly’ is a song I wrote about breaking free from things I felt were holding me back from being true to myself. It’s about personal growth and being in alignment with my miwi (Spirit) and trusting that despite the trials and tribulations I may face, if I am true to myself and my spirit, I will prosper, spiritually, mentally and therefore physically. This song is very sentimental, and it is about growth, letting go and overcoming those heavy feelings change can bring. I feel as though it will create a life of its own as different people interpret the lyrics to their own circumstances.”

If you’re an Archie fan (and let’s face it, who isn’t?) you should also get yourself a copy of Songs from the Kitchen Table, a new book commemorating the lives of Archie Road and his beloved Ruby Hunter through songs, stories, photographs and tributes. It’s also out now.

Photo credit: Archie Roach – Phil Nitchie https://www.threads.net/@nitchphotography
Photo credit: Ellie Lovegrove – Colleen Stangways https://www.instagram.com/nharla_photography/

Order of Owls Get Real With “Speak Up”

Naarm/Melbourne alt-rock act Order of Owls have fired me up with their latest single “Speak Up.” In just their second release, Order of Owls show they can release anthemic rock tracks with the best of them. The band drew on their own experiences battling depression to create a vivid picture of how mental health struggles can impact your worldview.

“Depression isn’t just a feeling of bad, it’s an exhausting cycle of dis-regulation,” said the band’s guitarist, Nathan M. “Feeling fine or even euphoric at one point and utterly hollow at another. Vacillating between these extremes in a debilitating parade of moments towards an erosion to the sense of self. Preferring the allure of a permanent ends to a seemingly endless drudgery. An inability to find any breadcrumbs leading back to connection with others.”

“My goal is to put into words what others struggle to articulate. Help them realise that they are not alone in the way they feel and encourage them that it’s okay to seek help so they can become their best selves,” added vocalist Tim L. “The amount of time and work that might be required will seem like a small trade for the reward of happiness and finding mechanisms towards those ends is the strongest thing a person can do. Doing so myself provided a mechanism that has vastly improved handling my day to day.”

The band has also put together a fabulous music video, conceived by bassist Johnny M, which puts the lyrics of “Speak Up” front and center. I love this release, not just because of how it sounds but also what it says. Great work from Order of Owls.

Image used with permission from Order of Owls

Camille Trail Drops Vulnerable New Single, “twenties”

I remember when I was a teenager I imagined my twenties would be fabulous. I saw myself enjoying more independence and having a string of torrid affairs, but in reality I just spent the decade stressing out that I didn’t have everything figured out. Camille Trail gives voice to the angst so many of experience with her latest single “twenties.”

“I was really good when I wrote ‘Got To Get To Know You’ but with ‘twenties’ I was so tired, working the day job to pay the bills and writing straight afterward, and I was burning the candle at both ends,” Camille admitted. “It was this moment where I was going back and forth of being okay and not being okay and wondering how long am I going to be like this? And everything came crashing down at once. I felt like I had my quarter life crisis.”

“I wanted it to build up quickly and have this chaotic energy about it, so you didn’t really know what was happening, like it came out of nowhere. Because that’s what was going on in my head,” Camille says of the song she finished on the day she hit the studio.

“There’s the panicky heartbeat drums and that racing feeling, hot flushes, thoughts going crazy, and then you have that breaking point where everything stops and it’s like, okay, this is what it is, so how am I going to deal with this. I hadn’t completely lost my mind. It’s just that all these things hit me at once and I was a little bit sad for a moment. And it’s ok that I felt sad.”

Amen. Things should look up for Camille as she’s accepted an invitation to play at Ireland’s Your Roots Are Showing folk conference next year. It sounds like 2024 might be a big one for this Aussie talent.

Image used with permission from Compass Bros

Ruth B. Teams Up With Aussie Dean Lewis for “28”

I am a sucker for a great duet. And “28,” by Ethiopian-Canadian singer-songwriter Ruth B. featuring our own Dean Lewis is right up there. At its heart, this is just a really well written pop-ballad. But then you add Ruth and Dean’s voices onto it and it just takes it to another level.

“This song means so much to me. I wrote it during a time when I didn’t think I could write … but as always, songwriting proved to be my safety net. Amidst what felt like an inescapable grey cloud, I fell into this comforting blanket of a song that I can now look back on and say was the genesis of my favourite journey thus far. Finding me,” Ruth said. “Dean – you’re the best and I love our song, thank you.”

Dean Lewis has recently wrapped up an American tour, so hopefully it won’t be too long before we see him back on home soil.

Image used with permission from Island Records Australia

Plastiq Pushes the Boundaries With “demons”

Usually when I find music I love, I know exactly why it’s up my alley. Very occasionally I find myself scratching my head, but that’s exactly what Plastiq’s new single “demons” has me doing. It’s an absolute trip, totally bonkers, yet strangely irresistible.

The duo, made up of Quartz Pistol and Moses, says “the song explores a dream-like state where the subject explores moving through a world without fear, feeling connected to and held tightly in the bosom of all biological life. The verses are playful and speak of a character hop-scotching across a mossy rainforest floor, facing inner ‘demons’ and accepting them as lessons all whilst letting intuition and child-like wonder guide them. Quartz wanted to capture the serendipitous connection of dots that happens in an altered state of mind or in a dream.”

The release of “demons” caps off an impressive year for Plastiq, who performed at the NGV, exhibited with CAPITAL WASTE in Tartanya/Adelaide, and were nominated for the people’s choice pop title at the SA Music Awards. They collaborated with CAPITAL WASTE again on the video for “demons.” 2024 looks just as bright, with the duo planning to release their debut EP.

Photo credit: Capital Waste

Q & A with Reckless Coast

The dying art of Rock ‘n’ Roll according to some is a lost cause … something that is unsalvageable. However, this is not the stance that Brisbane’s resident coastal misfits Reckless Coast take, as they release their latest east coast highway tune ‘Bad Habits’. Tired of the clichés donned by modern rock revivalists, Reckless Coast’s salted pub rock vibe finally forms a bond between Indie and Retro-Rock listeners. A sonic lovechild of Foo Fighters adrenaline and The Rolling Stones swagger. Sitting down with India, Jaeden and Jono, we discuss why their ’70s spiced single ‘Bad Habits’ stands out in the crowd with its surf-esque energy and pub-mosh potential.

‘Bad Habits’ immediately makes people think of alcohol or drug abuse, gambling, or social dysfunctions. However, that is not the case with this song. Can you elaborate on the song’s story?
Jaeden: Whilst there are micro-narratives within the song, the main ‘Bad Habits’ storyline is based on toxic relationships. It’s telling the story of someone comfortable in a relationship diminishing their wellbeing; but being so numb to the situation they don’t do anything to change it … almost touching on a sense of Stockholm Syndrome but in the context of romantic relationships.

There’s a retro-70s persona in this track, but yet it’s refreshingly modern. Can you talk about influences on this track?
Jono: Listening back to it I’d probably say it has old school surf influences in the guitars and the drums are ’90s – 2000s alt rock sort of vibes. Production-wise when I was doing the mix I wanted it to sound modern but still have an old school vibe to it. Making the drums big and room heavy combined with making the guitars and vocals bright and saturated was the approach I thought would achieve that.

Jaeden: The song came together when I fused three separately created ideas … the main riff I wrote by imagining what a “psychedelic surf song” would sound like. The verse riff is a reworking of a classic blues rock shuffle, and the chorus was a riff inspired by retro pub rock. Combining all three, it becomes a refreshingly modern indie-rock tune with retro charm.

What’s the highlight of this song? It can be a lyric or riff. What part of this song makes people hook in?
India: The 70’s rock-inspired breakdown hooks people into the song after the initial hook, and it’s a cool contrast from the rest of the track. Lyrically, a highlight for me is “I don’t want to see you go, but I think it’s best for me to find my own way home”. You come to a realisation when you have to remove yourself from a toxic person or situation, that it’s either step away, or hurt yourself even more. Jaeden hit the nail on the head with that lyric.

What would you like people to take away from the moral/story of this song?
Jaeden: You’re in control of your happiness and don’t be afraid to make changes to improve your well-being.

You’re supporting Delta Riggs and Press Club at Crusher Fest for the release of this new single. How are you feeling about that? Is this your first festival?
India: We’re so keen! This is the band’s first festival, and it’s cool to share it alongside heaps of great local acts and two killer headliners.

No tour this time? I know there’s a story behind that one regarding broken bones.
Jaeden: Yeah honestly not my best work. I was being silly with some mates of mine … Long story short I tried to pick two of them up, and adding 150kg to my body weight pretty much broke my entire left foot. I had to have surgery, and with Crusher Fest coming up, the overall safety risks of doing a tour without any sort of team or entourage were too high, and I didn’t want to further injure myself. It’s the first time we had to cancel anything like this … We didn’t want to, but the surgeon’s words were “it was like jelly in there”, and we weren’t risking further injury before the festival.

Is this just a single? Or something more on the way?
Jaeden: So this is the first single off a 5 track EP. It’s our first major EP release as Reckless Coast, and we’re keen to put out a release that’s reflective of our current live catalogue. It’ll be released mid 2024.

What’s your thoughts on bands only releasing singles rather than EPs/LPs? Is there anything worthwhile in them, or are singles the only interest from fans now?
Jono: I mean, I personally love bigger bodies of work like albums and EPS. I can see why PR agencies and marketing teams push artists to stick to singles. It’s much easier to build a fanbase by marketing different songs to a fanbase every couple months as opposed to marketing the same album to fans for a year. The general trend I have noticed with artists is they stagger release a bunch of singles to try and build a fanbase and when they feel like they have a solid amount of listeners they release an album. But who knows, rules are meant to be broken. Maybe in like four years there will be a new formula.

First release versus this release … How do you feel when you look back at the older catalogue?
India: Each release we get more and more confident in ourselves. I love playing our (only four years) “old” tracks – same amount of enthusiasm and passion, now with a stronger sound and a big step in progress. I’m really proud of the natural growth we’ve had from our first release. Our genre has become more refined and we now really know who we are and what we sound like.

If you could choose one song to re-record, which would it be and why?
Jaeden: “Got That Feelin’” … would love to improve guitar layers and shorten some sections … but that said, I like seeing an artist’s progression from release to release … going back to see where they’ve come from compared to where they’ve ended up both in songwriting and production terms is really interesting. It’s an organic part of an artist’s career.

Reckless Coast are appearing at ‘Crusher Fest’ at The Brightside in Meeanjin/Brisbane on December 2 alongside The Delta Riggs and Press Club. Their latest single ‘Bad Habits’ is now available on all platforms.

You can stream ‘Bad Habits’ here.
Tickets for Crusher Fest can be found here.

Image used with permission from Reckless Coast

Jake Stone Makes a Splash With Debut Single “Late Nights”

Naarm/Melbourne artist Jake Stone shows he’s a serious pop force with his debut single “Late Nights.” It’s super catchy, the sort of song that makes you keep hitting play so you can enjoy “just one more time.”

“A big element of the song is this need for victory after a breakup; someone who comes out better off and seems to move on too quickly,” Jake explained.

Like so many of the best songs, the lyrics came together quickly in just 30 minutes. However, it didn’t really come to life until Jake began working with Yugambeh Country/Gold Coast producer Blake Malone, best known for his work with Amy Shark.

“It was amazing,” Jake said. “He heard something different in the song, which totally transformed it.”

This is such a strong first single, I can’t wait to hear what Jake does next.

Image used with permission from Identity PR

Get Ready for Summer With Bryce Sainty’s “Coast”

Bryce Sainty’s latest single “Coast” is the perfect anthem for summer. With country roots and pop leanings, this feelgood single should have some serious crossover appeal.

“Coast is a personal reflection of my life, raised in a small coastal town and the summers I spent growing up,” he explained. “The single was actually written as a last-minute writing session with Melanie Dyer the day before we started recording. I have written a few singles with Mel and when I had the idea of ‘Coast’, I knew Mel would be the perfect person to write this track with. We had a blast putting this together.”

That shows in the recording, which is upbeat, yet relaxed, just like the best summer days. The year’s almost done, but Bryce has time to squeeze in a few more gigs. Catch him at the following events.

1-8 December – Cruisin’ Country, Brilliance of the Seas
22 December – Mingara Christmas Under The Stars, Darkinjung Country/Tumbi Umbi
22 January – Tamworth Country Music Festival @ Moonshiners, Kamilaroi Country/Tamworth

GRXCE Drop Dark Pop Banger, “What U Want”

Eora/Sydney band GRXCE have really impressed me with their latest single “What U Want.” The press release bills them as a pop act, and they’re certainly producing the kind of catchy music associated with the genre. But it’s a little darker and grungier than you might expect. This is pop music with edge, and it’s awesome.

“‘This is the first time I’ve written from someone else’s perspective,” admitted GRXCE frontwoman Jamila Grace. “A friend sent me a song he’d written about a date he went on and this one line about the girl asking to take herself home, rather than be driven by someone else really stuck out to me. I almost immediately started writing the juxtaposing perspective to the story, which eventually transformed it from a song about a bad date into a cautionary tale of bad habits and finally being able to put your foot down to someone who isn’t clear about their intentions.”

This hardworking outfit will continue getting in front of crowds right up until Christmas. Catch them supporting some of the country’s best and brightest at the following venues:

1 December 2023 – The Lansdowne, Eora/Sydney (supporting Mid City)
2 December 2023 – King St Warehouse, Mulubinba/Newcastle (supporting Mid City)
14 December 2023 – Finnians, Guruk/Port Macquarie (supporting Pacific Avenue)
15 December 2023 – Hoey Moey, Gumbaynggirr Country/Coffs Harbour (supporting Pacific Avenue)
21 December 2023 – Hoey Moey, Gumbaynggirr Country/Coffs Harbour (supporting The Terrys & Beddy Rays)

Photo credit: Sevin Pakbaz