Ziggy Alberts Releases “Singing for Country” Ahead of New Album & Homecoming Tour

Ziggy Alberts is easing you into your working week with his latest single, “Singing for Country.” This patriotic, chilled-out folk song is the latest track from Ziggy’s forthcoming seventh album New Love which drops on February 21.

“I wrote ‘Singing For Country’ along the Mid-North Coast of Australia. It’s a song about what it means to be Australian, to love this land and our planet. For me, being Australian is about embracing a unique mix of cultures on this sunburnt land,” Ziggy explained. “This song was my way of celebrating what and how it feels to be Australian. I performed this song across my tour in Europe, UK and North America and despite it being about my love for Australia, people really connected to it. I think that for anyone who loves the natural beauty of their homeland will relate and feel camaraderie in this too. It speaks to the core reason I write songs; to sing and celebrate people and nature.”

Ziggy has played plenty of shows all over the world, but he’ll be back home in February with gigs in the capitals and regional centres supporting New Love’s release.

“After being on tour all year, there’s nothing quite like the feeling of coming home,” he said. “You don’t realise how much you love a place until you’re back, breathing it in again. There’s something raw and grounding about being back on home soil, smelling the bottlebrush, and returning to the ocean. Originally, this song was just going to be part of the album, but when I got back home, that visceral feeling reminded me how important it was to share it as a single ahead of summer. I’m grateful my team helped make it happen.”

Some shows have already sold out so don’t wait to get yours.

21 February 2025 – The Station, Kabi Kabi and Jinibara Country/Sunshine Coast
22 February 2025 – Miami Marketta, Yugambeh Country/Gold Coast
23 February 2025 – Liberty Hall, Eora/Sydney
25 February 2025 – Hindley St Music Hall, Tarntanya/Adelaide
26 February 2025 – Palais Theatre, Naarm/Melbourne
27 February 2025 – Metropolis, Walyalup/Fremantle
1 March 2025 – 3 Oceans Winery, Wooditup/Margaret River
6 March 2025 – Tanks Arts Centre, Gimuy/Cairns
8 March 2025 – The Powerhouse, Giabal Country/Toowoomba
9 March 2025 – Kingscliff Beach Hotel, Bundjalung Country/Kingscliff (SOLD OUT)
12 March 2025 – Bellingen Memorial Hall, Baligin/Bellingen (SOLD OUT)
13 March 2025 – Bellingen Memorial Hall, Baligin/Bellingen (SOLD OUT)
14 March 2025 – Bar on the Hill, Mulubinba/Newcastle
19 March 2025 – Anita’s Theatre, Thurrural/Thirroul
20 March 2025 – Anita’s Theatre, Thurrural/Thirroul (SOLD OUT)
21 March 2025 – UC Refectory, Ngambri/Canberra
22 March 2025 – Tilba Winery, Yuin Country/Corunna
26 March 2025 – The Cube, Wiradjuri Country/Wodonga
27 March 2025 – Civic Hall, Balaarat/Ballarat
5 April 2025 – Oak and Anchor Hotel, Dhauwurd Wurrung Country/Port Fairy (SOLD OUT)

Photo credit: Janneke Storm

James Johnston and Appel Duet on “Country is For Me”

The United States might be the home of country music, but our own James Johnston and South Africa’s Appel prove the Americans don’t have the market cornered. These talents have teamed up for a fantastic new country single appropriately titled “Country is For Me.” It’s funny; I often say that country really isn’t for me, but then I hear a tune like this and start reconsidering my protests!

“I’ve always dreamed of sharing my music with the world and celebrating the country way of life through the lens of different cultures,” James said. “’County is For Me’ is the embodiment of that dream. Collaborating with Appel has been an incredible experience. His passion and genuine connection to his fans, family, and country have been so inspiring. At the beginning of this journey, I was searching for a kindred spirit in music, but I never could have imagined I would find a lifelong friend. The joy of creating ’County is For Me’ shines through in the recording. I’m excited to share it with the world and show that, despite being born in different places, we’re not so different.”

“Meeting James and collaborating to unite cultures through the universal language of music has been a journey neither of us realised the world needed,” Appel added. “By weaving together our stories, voices, and distinct roots, we’ve proven that when barriers come down, the music only grows stronger. It has been a truly mutual and inspiring experience, highlighting the limitless potential of music.”

James recently played the Cape Town Country Music Festival in South Africa, but he’s back home and ready to play for local crowds this summer. Catch him at all the hottest country music festivals in the coming months.

28 December 2024 – Kix Country Rockin Rocky @ Great Western Hotel, Darumbal Country/Rockhampton City
24 January 2025 – The Music That Made Me @ Tamworth Town Hall, Kamileroi Country/Tamworth
5 April 2025 – Melbourne Muster @ Caribbean Park, Wurundjeri Woi-wurrung and Bunurong Country/Scoresby
3 May 2025 – Qld Music Trails – Outback Sounds @ Charleville Showgrounds, Bidjara Country/Charleville

Image used with permission from Sony Music Australia

“full lover fake friends” – ixaras

Teen prodigy ixaras is quickly proving she’s one of the most exciting forces in the Aussie music scene. Last time I wrote about her I was impressed by the launch of her label Anti Dismal which helps make music more accessible for other young people. Now I’ve got her debut EP full lover fake friend on repeat. This incredible indie-pop release shows ixaras’ musical talent matches her passion.

Through this intimate collection of songs, ixaras shares her experiences navigating life as a young queer artist. That might sound a little niche, but these songs are so powerful that I know they’ll resonate with anyone who’s felt different. We hear her trying to figure things out as she seeks connection, falls in love, and experiences all the challenges that so many struggle with growing up.

ixaras marries her confessional lyrics with catchy pop melodies and post-punk edge. I know these songs will move you, but they also encourage you to pick up your hair brush and use it as a microphone while you jump around. Every track is an earworm.

ixaras is so young, but with the release of full lover fake friend she shows an incredible maturity and talent beyond her years. I am so excited to see where her musical endeavours take her. The release of this EP is a brilliant beginning.

ixaras is in for a busy New Year with performances at NYE on the Hill at The Farm in Gunaikurnai Country/South Gippsland and Great Escape in Lutruwita/Nugent. Tickets for both shows are on sale now.

Images used with permission from Gyro PR

In Good Hands Release Nostalgic Rock Single, “Old Friends”

In Good Hands have ushered in a new era of music with the release of their latest single “Old Friends.” It’s a nostalgic indie-rock track that captures the transition from childhood to adulthood, the period where you gain freedom but you grapple with new responsibilities that might just weigh you down.

The band’s lead singer Jack Kenyon says that the lyrics “reflect the struggle of feeling lost in the routine of adult life. We remind ourselves—and you—that it’s okay to feel scared but never too tired to chase those memories again.”

For “Old Friends”, In Good Hands reunited with Jack Nigro who produced their Daylight EP.

“This one came together super quickly and naturally, with the bones turning into the finished song in a week or so. We knew straight away that it would be a track we had to record with Jack Nigro up at Sonora Studios, so we rushed up there to get it done!” they said.

With the release of “Old Friends,” In Good Hands sound like they’re going from strength to strength. I can’t wait to hear what comes next.

Image used with permission from In Good Hands

“Half a World Away” – Dylan Wright

My review of Dylan Wright’s EP, Half a World Away, has been a long time coming. I intended to write it before I left for New Zealand, but time got away. And then I had my car accident, and I started to wonder whether it was even relevant anymore given that this EP dropped in October. But then I started to think about it, and I didn’t want you guys to miss it, especially considering Dylan has just been named as Tina Arena’s support on her upcoming tour.

This isn’t your typical post-Idol release. It’s better than that. There are no covers. There’s not even his winner’s single. It’s just fantastic, original music that really showcases who Dylan is. His words, his voice.

The opening track “Little Lost” is the perfect introduction to this collection of songs. It’s warm and stripped back, anchored by Dylan’s vocals and acoustic guitar. Its classic sound makes me hungry for road trips. He takes things up a notch with “All I Need, a darker song driven by yearning and heart. There’s a similar vibe to “Back to You.” We didn’t see this brooding side on Idol, but gritty tracks like these provide great contrast to the lighter moments. “Mess of a Man” may be my favourite song on this EP. It’s so raw and honest. At a time when we still expect men to be so strong, it’s refreshing to hear one share their broken parts. Dylan’s love for his family was well-documented through his Idol journey, so it’s only fitting that he shares a little of his joy surrounding that with us too. “Old Oak Tree” is such a beautiful, uplifting song about legacy and tradition, a celebration of the best parts of the human experience. The gospel-tinged title track shows us a different sound, one that hints that Dylan has more to share in the future.

Recording an EP, with six quality tracks, is a smart choice. Dylan could have taken more time and released an album, but dropping Half a World Away instead capitalises on his moment in the sun, ensuring we get to really know him and don’t forget him like so many people who’ve taken the Idol crown in the past. Could he be the one to reverse that Idol trend? It’s too early to say, but I really hope so. As I mentioned, Dylan will tour Australia with Tina Arena next year. Presale tickets are available now for the following shows ahead of tomorrow’s general sale:

27 April 2025 – Riverside Theatre, Boorloo/Perth
29 April 2025 – State Theatre, Eora/Sydney
30 April 2025 – State Theatre, Eora/Sydney
4 May 2025 – Evan Theatre, Mulgoa Country/Penrith
6 May 2025 – Civic Theatre, Mulubinba/Newcastle
8 May 2025 – Palais Theatre, Euro-Yroke/St Kilda
9 May 2025 – Palais Theatre, Euro-Yroke/St Kilda
17 May 2025 – Munro Martin Parklands, Gimuy/Cairns
20 May 2025 – Queensland Performing Arts Centre, Meeanjin/Brisbane
21 May 2025 – Queensland Performing Arts Centre, Meeanjin/Brisbane
23 May 2025 – The Star, Yugambeh Country/Gold Coast
30 May 2025 – Her Majesty’s Theatre, Tarntanya/Adelaide

Images used with permission from Sony Music Australia; main photo credit: Marissa Mills

Jesus Christ Superstar @ Capitol Theatre, Eora/Sydney – 4 December 2024

I’m easing myself back into work thanks to the wonders of speech-to-text technology. First on my to-do list was sharing my thoughts on the wonderful production of Jesus Christ Superstar playing in Eora/Sydney at the moment. I had tickets to the show the day after my car accident, so I was a bit sore and sorry as I bundled myself onto the train, but I’m so glad I pushed through the pain. I’ve seen three or four productions of Superstar over the years, and this was definitely among the best.

I felt excitement bubbling up as the familiar “Overture” began. Then with “Heaven on Their Minds” we were introduced to the incredible Javon King as Judas. What a great voice he has. What a presence. I didn’t know him before this production, but I will watch his career closely from now on. The entire cast was sensational. The casting of Mahalia Barnes as Mary was one of the key draw cards for me, and she did not disappoint. She brought such a beautiful warmth and heart to the role, and what a voice she has. I was also really excited to see Reuben Kaye playing Herod. He was brilliant. Honestly he may be my favourite Herod ever. He had just the right blend of humour and malice. My parents weren’t familiar with him but they walked away fans. I was also really impressed by Peter Murphy’s Pilate. Unfortunately Michael Paynter didn’t appear in our matinee. While the understudy was great, I was really looking forward to his Jesus. I also wonder whether Michael’s voice may have contrasted better with Javon’s. JC simply works better when you can hear the difference between Jesus and Judas.

This production feels so new and fresh. The music doesn’t seem to age. The energy of the cast is palpable. I also really liked artistic choices like bringing the microphones into the scenes and having the crucifix as a key part of the set. The use of glitter was very effective in places, although I’m not sure it was as powerful as it should have been while Jesus received his lashes. Overall, I think the team behind this version of JC has done an incredible job. Whether you’re a long-time fan like many or new to the musical, make sure you don’t miss it.

Jesus Christ Superstar will play at the Capitol Theatre until January 26. It’ll then head to Boorloo/Perth in February and play Naarm/Melbourne in March before travelling to Meeanjin/Brisbane in June.

Yellowcard & Pop-Punk Pals Heading to Oz

Yes, I know I said I was taking a break, but when I heard American pop-punk legends Yellowcard are heading to Australia for a massive tour I couldn’t resist making one more post today. Hearing Yellowcard are heading our way to celebrate the 20th anniversary of Ocean Avenue was exciting enough, but then I saw the headliners. We get Motion City Soundtrack and Plain White T’s too?! Yes please!

“It has taken us a long time to sort out bringing the 20th anniversary of Ocean Avenue to Australia, but we promise it will be worth the wait!” Yellowcard said in the press release. “This lineup is so good and we can’t wait to reconnect with our fans down under.”

Yellowcard haven’t played Australia since 2017 so I know fans will be hungry for these shows. Sign up for presale tickets from December 10 or try the general sale from December 12.

2 April 2024 – Metro City, Boorloo/Perth (18+)
4 April 2024 Hindley St Music Hall, Tarntanya/Adelaide (Licensed ALL AGES)
5 April 2024 – Margaret Court Arena, Naarm/Melbourne (Licensed ALL AGES)
9 April 2024 – Hordern Pavilion, Eora/Sydney (Licensed ALL AGES)
11 April 2024 – Bar On The Hill, Mulubimba/Newcastle (18+)
13 April 2024 – Fortitude Music Hall, Meeanjin/Brisbane (Licensed ALL AGES)

Time for Rest and Recovery

I just wanted to let my readers know I was involved in a fairly serious car accident on Tuesday night which has left me nursing a broken collarbone and many bumps and bruises. So as much as I hate to do it, I’m going to have to step aside from the computer for a while and let my body heal. I’ll be back with all the Aussie music news and views you love as soon as possible.

Photo credit: Amaury Laporte @ Flickr

A (Very) Musical Christmas @ Lyric Theatre, Eora/Sydney – 2 December 2024

It’s pretty hard to ignore that Christmas is mere weeks away. You can resist it, which doesn’t do much good I find, or simply embrace it. So in that spirit, I headed to Eora/Sydney last night for the taping of “A (Very) Musical Christmas.”

This review is a bit different than the ones I normally write, because I really don’t want to spoil it for anyone who’ll tune in to the ABC broadcast later this month. The lineup had been well-publicised so I will say that stars including Eddie Perfect, Casey Donovan, and that talented Laga’aia clan were every bit as wonderful as you might expect. I also hope this broadcast encourages people to see more shows like the traveling production of Dear Evan Hansen or Titanique, because their casts were fabulous. And I’ll also add that the surprise ABC personality, who wasn’t included in the original cast announcement, was an unexpected joy.

If you love Christmas, musical theatre, or (like me!) both do not miss “A (Very) Musical Christmas” when it screens on ABC on December 20. It was so good, I’ll definitely tune in to enjoy its fabulous renditions of beloved Christmas tunes all over again!

Photo credit: Whity @ Flickr

Charles Maimarosia Celebrates Culture With “Hote’ Hote'”

Solomon Island-born, Naarm/Melbourne-based singer, guitarist, and auu (panpipe) player Charles Maimarosia proves music really is the universal language with his gorgeous new single “Hote’ Hote’”. Like most listeners I don’t speak the Are’ Are’ language, but I’m moved by this gorgeous track. While Charles has to take a lot of the credit for that, he remains humble and acknowledges the part that Andrew Robison, who recorded, mixed, and produced “Hote’ Hote” played.

“Hote’ Hote’ is organic, rhythmic, soulful, and deeply rooted in the Are’ Are’ traditional ‘parani o’o’ rhythm, which shares similarities with rhythms found in many other cultures around the world. None of those rhythms would have been realised without Andrew Robinson,” Charles said. “He arranged the music chord progressions, and I layered the lyrics on top. If the words didn’t fit perfectly with the chords, we would try different ones until everything sat right, knowing that the words had to align with the context. For me, when I put Are’ Are’ lyrics in a song, I always make sure those words are true, make sense to ‘Are’Are’ people, and remain meaningful when translated into other languages, like English or Japanese. We’ve changed this song Hote’ Hote’ about three times already, and now we have this amazing version.”

Marcus Longfoot directed the song’s music video, which charts Charles’ personal journey from the Solomon Islands to Australia.

“The concept of the video is centred around voyaging in the ocean to the islands, which resonates with my own journey from Pipisu Village to Melbourne,” Charles explained. “I was shooting in the Melbourne city during winter, wearing shorts, which was quite an experience! I never imagined the video clip would turn out so well. The video was directed by Marcus Longfoot, with assistance from his team from RMIT media students: Rachel Kemp and Ruari Walsh. Natty [Dolaiasi] provided spoken word contributions from Lau Malaita Islands, whose people we call ‘masters of the ocean.’ Natty D’s spoken word and footage was filmed in Honiara Solomon Islands, my homeland, by Dream Cast Studios’ Mr Collin Leafasia. Marcus is a talented filmmaker and musician who has worked with Radical Son, another amazing artist from the First Nations community. It was a collaborative effort, and I’m grateful for all the creative minds who helped bring the video to life.”
The year’s not done yet, but Charles is already setting his sights on 2025 when he’ll release a new album and play several shows.

“I want my audiences to know that I come from a remote village and that I’ll probably yarn a little bit on stage, share some stories, and make them laugh and reflect on their own life and journey while explaining each song,” Charles said. “Every time I’m on stage, I think of my mentor, and elder the late Donation Manu, an Are’ Are’ legend, and it reminds me that music is always here with us, before we are born and long after we are gone.”

Tickets for most of Charles Maimarosia’s February shows are on sale now, so don’t miss out!

8 February 2025 – Odessa at Leaver’s Hotel, Dja Dja Wurrung Country/Creswick
15 February 2025 – George Lane, Euro-Yroke/St Kilda
21 February 2025 – Wauchope Arts Hall, Birrpai Country/Wauchope (on sale in January)
22 February 2025 – Red Rattler, Bulanaming/Marrickville
23 February 2025 – Smith’s Alternative, Ngambri/Canberra

Photo credit: Ali MC