Dylan Ollivierre Releases Debut Solo Single, “It’s Just a Shame”

Dylan Ollivierre, one-half of The Money War, is flexing his creative muscles with some new solo material. His debut single “It’s Just a Shame” is a fabulously nostalgic track with a cool Americana feel.

“The chorus just bubbled up one day when I was noodling on the guitar. It felt very personal, and I knew I had to go down the well myself to find the rest of the song and bring it to life,” Dylan said.

“It’s Just a Shame” was the first of several songs Dylan’s penned for an upcoming solo album. “The process of making these songs was as much for my own clarity and healing as it was about creating a song,” he explained.

Follow Dylan on Instagram to learn more about his solo material as his album release approaches.

Image used with permission from Blue Grey Pink

Nick Keogh Releases Comeback Single “Always Knew”

It’s been nearly two years since Nick Keogh graced us with new music, but it’s definitely been worth the wait. Listening to his bittersweet new single “Always Knew” has reminded me just how brilliant this Naarm/Melbourne-based singer-songwriter is. The track is a poignant exploration of heartbreak set to one of the catchiest melodies you’ll hear this year.

“I wrote ‘Always Knew’ looking back at a relationship and how I knew it was going to crush me,” Nick reflected. “For me, writing this song was a way for me to move past the heartbreak.”

“I really love making songs that are upbeat and something fun you could dance at a gig to but once you scratch away at the surface you see that there’s a whole lot of vulnerability lurking in the shadows,” he added.

After spending most of last year touring with his own band and as the guitarist for Suzi, Nick is fully focused on creating his next batch of new releases. Which of course means he won’t leave us waiting so long for the next single!

Photo credit: Chris O’Toole

Ama Impresses With “not ur fkn fan”

If you hoped for a happy ending after listening to Ama’s last single “How to Fall in Love,” I’m sorry to disappoint you. Her latest track “not ur fkn fan” was inspired by the same girl, so needless to say things didn’t go well!

While I’d hoped that the infatuation Ama captured so beautifully with her last release might blossom into something more, we would have missed out on this alt-pop belter. I love the way Ama’s emotions simmer under her delicate vocals. You can hear her frustration, and her heartache, with every line.

This song is still so fresh, but Ama’s already announced her follow-up “Sucks” will drop on August 23. Sounds like another angsty one from this Western Eora/Sydney talent. I can’t wait!

Image source: Ama’s website

The Chainsmokers, Alesso, and More Headlining Palm Tree Music Festival

The weather warming up is a good reminder that sunshine’s just around the corner. And you know what that means. It’s time to start thinking about summer festivals. Before your social calendar gets crowded, I suggest locking in the Palm Tree Music Festival, which will make stops in the East Coast capitals this December. This year’s event is going to be epic, with The Chainsmokers, Alesso, Gryffin, Austin Millz, Daya, and Darley headlining. That lineup is already stacked, but there’ll be more announcements before these shows.

Alesso said “Can’t express how excited I am to come back to one of my favorite countries in the world. Every time I get invited back, it’s always a highlight of the year. Aussie crowds are no question one of the best and craziest crowds. I love audiences that aren’t shy to show their enthusiasm and ready to have a good time, plus, one of the funniest people I know is from Australia, and the seafood is awesome!”

“I’m so excited to play the Palm Tree Fest!! It’ll be my first time ever performing in Australia and to do it alongside so many old friends will be a dream,” added Daya. If she doesn’t get up and play “Don’t Let Me Down” during The Chainsmokers set, it’ll be a missed opportunity.

The first Palm Tree Music Festival went off last year, and you can almost guarantee organisers will take things up a notch this year. Get your tickets now before they sell out.

6 December 2024 – Sydney Showground, Eora/Sydney
7 December 2024 – Sandstone Point Hotel, Meeanjin/Brisbane
8 December 2024 – Sidney Myer Music Bowl, Naarm/Melbourne

Image used with permission from On the Map PR

“In the Clear Light of Day” – The Holy Smoke

After eight years together, The Holy Smoke have called it a day. But not before releasing one more EP, In the Clear Light of Day. This five-track collection is a celebration of everything that makes this trio so special.

Something so magical happens when Karlee Rae, Delilah Rose, and Rose Parker sing together. Their harmonies are incredible and effortless. But you don’t just hear beauty as their voices come together. You hear their connection, which seems amplified by the recording process. It was mostly recorded live, sometimes through a shared mic, so it captures their spontaneous joy and unmistakeable bond so beautifully. I can almost hear them smiling as I listen to these songs.

These songs are the perfect selections. The Holy Smoke says they deal with “secret women’s business,” those concepts so many women struggle with but perhaps don’t talk about enough. I was so struck by the opening number “Little Light,” a song about stepping into your powers that so beautifully incorporates the timeless standard “This Little Light of Mine.” With just this one track, I was hooked. “Deeper Water” sees the trio resolving to keep moving forward, taking life’s challenges head-on and refusing to dwell on the mistakes of the past.

While the first two tracks celebrate internal strength, the EP’s heart comes from “My Mama.” We hear where the strength came from as we learn about the lessons passed down from generations. Its stunning acapella arrangement highlights the lyrics and The Holy Smoke’s incredible harmonies.

“Self Talk” is a courageous song about battling imposter syndrome. Hearing the trio tackle this song is inspiring. Imposter’s syndrome is a battle many face alone, but as the three voices come together it creates a shared understanding and resolve which is so powerful. This EP ends with the gentle piano ballad “Shine On,” which introduces us to a diverse cast of female-identifying characters telling their truths and forging their own paths. Exploring this central theme for The Holy Smoke through these characters is a beautiful way to end both this EP and the trio’s story.

In the Clear Light of Day is out now.

Photo credit: Bridget Julie-Anne

“Noonlight” – Yours, Georgina

I’ve been a fan of Georgie Currie’s voice for years. As one-tenth of Naarm/Melbourne folk-pop act The Northern Folk, her gorgeous vocals always drew me in. While I love what she does in this band, I’m perhaps even more excited by her first EP Noonlight, released under the musical moniker Yours, Georgina. Through listening to these songs, I feel like I’ve gotten to meet Georgie the artist, who is so much more than a vocalist, for the first time.

Georgie’s heart sits so close to the surface in these songs which are united by the central theme of deceit. There’s deceit from past partners who told her things that didn’t turn out to be true. If the former flame in the opening track “If You Wonder” wasn’t capable of love as they claimed, she wonders how they’re all but married to someone new. Then there’s self-deceit, whether she’s convincing herself that dating apps are the answer in “Dog Tired” or looking at an old relationship with rose-coloured glasses in “We Hardly Speak At All.” Georgie flips the script with the closing song, “Who You Gonna Be Girl.” This upbeat country-tinged anthem celebrates the desire to move forward with most honesty. It’s like a breath of fresh air after the emotional weight of the songs that came before.

It’s interesting that an EP built around an exploration of deceit feels like it comes from such an honest, authentic place. The lyrics bring the relationships Georgie recalls, and the emotions they stir, to life so vividly. Coupled with her warm, inviting voice, they really make this EP so special. I love what Georgie does with The Northern Folk, but I hope this isn’t the last time that we hear her making her own music.

Noonlight is out now.

Photo credits: Shannyn Higgins

Zion Garcia Releases Epic Single “Film Star Prelude”

Campbelltown Art Centre’s Conscious Program has been elevating talent from Western Eora/Sydney for more than a year now. I’ve relished hearing the diverse acts nurtured by this program, including Zion Garcia. Through the program, Zion worked with Conscious and producer Chelsea Warner (BOY SODA, Emalia) on his epic track, “Film Star Prelude.”

“Before letting everyone in on my next era as an artist, I wanted to launch myself into the frame of mind of: ‘How can I make the biggest thing sonically that I possibly can, while still staying grounded in who I am right now?’” Zion explained.

Big is one word to describe this track. Bold and trailblazing are just a couple more. Trust me, you need to hear this.

“This was my first time really collaborating like this and Chelsea really gave me the space to explore ideas. She’s such a wizard at her craft, and I trusted her ear,” Zion recalled. “We kept going back and forth until we finished up the song you hear now. A prelude to my next body of work- Inspired by lots of ambition, and in unison, lots of delusion.”

Zion’s done some big things, such as performing at the Sydney Opera House as part of Vivid and sharing the stage with Lil Uzi Vert and Ice Spice as part of the Listen Out Sydney line-up. And surely there’s more to come. Keep an eye on Zion, because he’s definitely got a big future ahead.

Photo credit: Justin Cueno

“an introduction to a theme” – PRETTY BLEAK

It might seem premature to usher in a new era with the release of a second EP. But press play on an introduction to a theme, the latest release from Naarm/Melbourne-based act PRETTY BLEAK, and it all makes sense.

PRETTY BLEAK dropped this EP after the release of in retrospect, featuring all their previous singles including those from the debut EP BLOOD, earlier this year. It definitively put a line through what came before and the music we hear now. PRETTY BLEAK hasn’t started from scratch, but they’ve built on the foundations of their early music. There’s still the mix of happy-sad that captured my ears when they hit the scene, although the balance shifts a little more towards the light these days.

As the title implies, an introduction to a theme is a concept EP. Through these six songs, PRETTY BLEAK explore the journey of a relationship. Opening track “she’ll come around” is a feel-good alt-pop track that celebrates the kind of love-at-first-sight infatuation that’s like an addiction. When it’s good, it’s so good, and we see it play out with the honeymoon phase in “now i feel it coming on” and “in your air”. The final track, “can’t say” sees it all fall apart. It’s devastating, dramatic, a natural evolution from PRETTY BLEAK’s earlier emo releases. I didn’t know the band had a song like this in them. It’s incredible.

With the release of an introduction to a theme, it feels like the emo kids have come of age. While I’ve enjoyed some previous releases, I found they could be a little hit-and-miss. This EP is their most cohesive and compelling body of work to date. The band sounds ready for stadiums and the vocals from Sam Thomas soar. They should be proud of this one.

an introduction to a theme is out now. PRETTY BLEAK will officially launch the EP with the following shows:

30 August 2024 – The Workers Club, Naarm/Melbourne
14 September 2024 – Tomcat, Meeanjin/Brisbane

Main photo credit: Tom Thomas

Amalia Wows Me With “Silly Cliche”

Sounding like some enchanting mix of Joni Mitchell, Kate Bush, and Lana Del Rey, Amalia has enchanted me with her latest single “Silly Cliché.” Her voice effortlessly moves through the swirling kaleidoscopic sound she’s created here. That’s a pretty off-the-wall description, but take a listen and I swear it’ll make sense to you.

“Musically, ‘Silly Cliche’ whisks you back to the 70s, blending swirling psychedelia with modern pop allure,” Amalia explained. “It’s a song about the overwhelming feelings of the early stages of a relationship and the hope the feeling never fades.”

Can you believe this is only Amalia’s second release? The sky’s the limit for this Naarm/Melbourne-based talent. I’m obsessed and can’t wait to hear more.

Photo credit: Nick Manuell

Forever Ends Here Release Career Best Single, “Unspoken”

I am such a sucker for a pop-punk anthem and “Unspoken”, the latest single from Eora/Sydney trio Forever Ends Here is right up there with the best. Crank that volume, press play, and enjoy this one!

“Unspoken is about the realisation that you left it too long to open up to someone and missed the window to be together – knowing the other person felt the same, but you both left it unspoken and ended up in different places,” vocalist Luke McChesney shared. “I had to channel my teen self to match the energy of a coming-of-age pop-punk track, and I think this is something we all experienced in some capacity growing up. The secret crush that we’ll probably never talk about.”

This sound feels so fresh and youthful, but these guys actually started making music together more than a decade ago. However, after some time off between 2018 and 2023, they’re sounding better than ever.

“It really feels as though we’ve finally found our sound, all of these years later,” Luke said. “Last year was about the reunion, focusing on the pre-hiatus memories and reminding ourselves of why we started this band. Unspoken marks the beginning of the new FEH. We’re treating this like a new band now. Our new baby. We’re more in love with the music than we’ve ever been before and we hope that shows.”
I’m hearing that there’s more new music where this came from, with the band planning a larger release later this year. Bring it!

Image used with permission from Bigmouth PR