Back in 2007 Tin Alley released their catchy debut album, Everyturn. What a difference a couple of years makes. Following their drummer’s brush with death, the band has honed everything that was good about that album and made it better. They seem more focused, and more driven. With that kind of can-do attitude, it seems the world is their oyster. I caught up with the band’s lead singer and guitarist Jim Siourthas to chat about their reinvention, the band’s brand new EP, and the international opportunities that are knocking at their door.
Your new single “Out of Control” has just exploded, with number one downloads on BigPond music and some solid airplay. What can you tell me about the song?
The first thing I’ll tell you is a little bit about what it’s about. A couple of years ago our drummer, Peter Hofbauer, had quite a serious motorbike accident. He was in intensive care for almost three weeks and he shattered his collarbone and so on, so it was a pretty close call. And he was 27 years old at the time. So we were just playing with the idea of dying at the age of 27, and doing a bit of a search on the internet we found out that there was a club called the 27 Club. So that’s basically what “Out of Control” talks about. The idea was spawned out of Peter’s accident, but it actually talks about Jim Morrison, Kurt Cobain, Janis Joplin, Jimi Hendrix and other members of the 27 Club, and what their lives would have been like, and the reason why they died, and so on. So that’s what the song deals with lyrically.
And in terms of the musical side of things, we recorded the track in Brisbane with a producer by the name of Stuart Stuart, who has previously worked with The Veronicas and The Small Mercies. So we went up to Brisbane for a couple of weeks, and out came “Out of Control.”
Why do you think it’s resonated so much with the music-buying public?
I think the song has got some strong, catchy hooks, in terms of the choruses. The start of the song is immediately grabbing. It has high impact. I think there isn’t much of that around these days, and obviously people are getting turned on by it.
You mentioned that you worked with Stuart Stuart on the song. What did he bring to your sound?
He definitely brought a bit more of the commercial sound to us, to make it a bit more radio friendly. And it seems to have worked a treat because radio is absolutely loving it.
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