ixaras Launches Anti Dismal For Under 18s

When I was a teenager, I was desperate to get into bars. I didn’t want to drink; I just wanted to see live music. Sadly opportunities to see bands outside local pubs and clubs were few and far between, and it’s still the case today. So I’m thrilled to see Ixara Dorizac, known as ixaras, is taking matters into her own hands. Not content with just making some incredible indie-rock music, the 16-year-old prodigy has launched her own label, Anti Dismal, to break down barriers and make live music more accessible for people of all ages.

“I, myself, have been limited from experiencing live music, and I just think that’s ridiculous. Kids need to hear and experience live things. They’re hormonal, and they need an outlet,” she said, and hell yes they do.

Anti Dismal aims to create, distribute, and promote music and manage and organise safe and engaging all-ages gigs. The label’s already partnered with DistroDirect in order to amplify its reach and impact.
“We’re thrilled to partner with DistroDirect,” Ixara said. “Together, we will continue to champion the importance of youth access to live music and provide a platform for emerging artists to thrive.”

To stay in the loop with all things Anti Dismal, make sure you follow the label on Instagram.

Image used with permission from GYRO PR

Giving the Gift of Music: How Donating to Foundations Can Make a Difference

Kids don’t need to be the next Jimmy Barnes or Kate Miller-Heidke for music education to play a vital role in their schooling. It transcends traditional academic subjects by offering a unique blend of creativity, emotional expression, and cognitive development. Numerous studies confirm students participating in music programs often have better academic outcomes, improved social skills, and enhanced emotional well-being. These advantages underscore music education’s essential role in the holistic development of young people.

Despite its importance, many schools need more money to maintain these programs due to budget cuts and limited resources. This is where you can come in. Donations can provide the necessary funding to keep these programs alive around the world. Music donations support a broad array of needs, from purchasing instruments to funding professional music instructors, ensuring that music education remains accessible to all students.

Ways to Donate

You can donate to music foundations in many different ways. Monetary donations are the most straightforward, providing flexible funding that foundations can allocate to their most pressing needs. They might use these funds to pay for professional instructors, purchase sheet music, or organise events and competitions that enhance students’ learning experience. Monetary donations over $2 made to Australian charities are also tax-deductible, so that’s worth considering as tax time approaches.

In addition to financial contributions, many foundations appreciate donations of musical instruments, sheet music, and other educational materials. These physical resources can make a massive difference, especially for schools without the budget for new equipment. Donating gently used or new instruments can help more students engage with music. 

Some foundations also offer innovative donation programs, such as matching gifts, where employers match the donation amount given by their employees, effectively doubling the impact. Other options include planned giving, where donors can leave a legacy by including the foundation in their will or estate plans. These varied methods of donating offer flexibility and allow more individuals to support music education in a way that aligns with their financial capabilities and personal preferences.

How Donations Impact Students

Donations profoundly impact students, often transforming their educational experience and opening up new avenues for personal and academic growth. With adequate resources, schools can offer a broader range of musical instruments and learning materials, making music education accessible to a more diverse group of students. This exposure can ignite a passion for music that may lead to lifelong engagement or even a professional career.

Music education also offers numerous emotional and psychological benefits. It’s an outlet for expressing emotions and coping with stress for many students. The discipline and focus required to learn an instrument teaches important life skills like patience, perseverance, and time management. Research shows students involved in music education are more likely to excel in other academic areas. They tend to develop better time management skills, stronger memory retention, and improved reading comprehension.

Being part of a music program also helps students develop a sense of community and belonging. Group performances, band practices, and choir rehearsals build teamwork and communication skills. By donating, you’re not just supporting a music program; you’re contributing to the holistic development of students, ensuring they receive a well-rounded education that benefits them academically, emotionally, and socially.

Stories of Transformation

Music programs have the power to transform lives, offering opportunities and experiences that can significantly alter a student’s trajectory. Take the story of Maria, a student from a low-income community in the United States who discovered her love for the violin through her school’s music program. With the support of donations, Maria had access to a high-quality instrument and professional lessons. Her dedication paid off when she earned a full scholarship to a prestigious music conservatory, an achievement that would have been unimaginable without the support of donors.

Maria’s story isn’t unique; countless students have experienced similar transformations thanks to the generosity of donors. Another inspiring example is John, another American high school student who struggled academically until he found his place in his school’s jazz band. The confidence and discipline he developed through music helped him improve his grades and eventually led him to pursue a career in music education. These stories highlight the profound impact that donations can have, changing lives and opening doors to new opportunities. For more inspiring stories, you can check out this article on the importance of music education.

Partnering with Foundations

Many businesses and individuals partner with music foundations to maximise their impact. These partnerships can take various forms, from corporate sponsorships to collaborative fundraising events. By working together, foundations and partners can pool resources and expertise to achieve common goals. Partnerships help mobilise resources and offer additional benefits like increased visibility and community engagement for the businesses involved.

Approaching a foundation with a well-thought-out proposal that outlines the mutual benefits can be the first step toward a successful partnership. Whether you’re a local business looking to give back to your community or an individual passionate about music education, there are numerous ways to get involved. Sponsored events such as concerts or music clinics can generate significant interest and raise substantial funds while promoting the business partner’s brand.

In addition to financial support, businesses can contribute in other meaningful ways. For example, a local print shop might offer discounted printing services for event flyers and programs, or a community theater may donate its space for student performances. These in-kind contributions are equally valuable and can significantly reduce the cost of running music programs. Successful partnerships are built on clear communication and mutual benefit, ensuring both parties achieve their objectives while making a meaningful difference in the community.

Advocacy and Awareness

If you can’t afford to make a financial contribution, advocacy is another important way to support music education. By raising awareness about the importance of music programs, advocates can influence policy decisions and secure additional funding. Social media campaigns, public events, and community outreach effectively spread the word and garner support. Effective advocacy involves promoting the benefits of music education and highlighting the challenges that schools and programs face in maintaining these vital curricula.

Advocacy efforts can also focus on educating the public about the tangible benefits of music education. Highlighting research findings, sharing success stories, and creating compelling visuals can help people understand why music programs are essential. Public campaigns and petitions can effectively rally support and demonstrate community demand for robust music programs. Advocacy ensures that music programs receive the necessary attention and resources, fostering an environment where students can thrive musically and academically.

For instance, helping to organise a local music festival where students perform can attract media attention and community involvement, raising awareness about the need for continued support. Such events not only showcase students’ talents and hard work but also serve as a platform for advocating the importance and benefits of maintaining and expanding music education programs.

Making Your Donation Count

Consider a few key factors to ensure that your donation makes the maximum impact. First, research the foundation to understand its mission, values, and financial transparency. Look for foundations that allocate many donations directly to programs and services. This ensures that your contribution is used effectively and reaches those in need. Some of the foundations I love include:

  • Australian Children’s Music Foundation: Founded by Don Spencer, it provides weekly music education classes and instruments to children in need across Australia.
  • Australian Music Foundation: It provides scholarships for young Australians wanting to study music abroad along with mentoring and career advice.
  • Music for All: It offers grants and support to ensure all Australian children, including those with disabilities and disadvantaged backgrounds, can make music.
  • Yothu Yindi Foundation: Arts programs are a key part of this foundation’s initiatives which aim to promote cultural development and wellbeing in Indigenous communities.
  • Noro Music Therapy: It offers music therapy to Australian children and adults with disabilities to enhance their quality of life and improve their intellectual, physical, and social skills.
  • Musicians Making a Difference (MMAD): Its mentoring programs provide creative support to young Australians facing challenges including homelessness, addiction, unemployment, family breakdowns, and mental health issues.
  • Save the Music Foundation: It’s a U.S. foundation that’s partnered with school districts in 42 states, Puerto Rico, and the District of Columbia since 1997.
  • The Coalition for Music Education: It provides resources and advocates for the development of music programs in schools and communities across Canada.
  • Restore the Music: This UK foundation provides funding to help state schools in lower socio-economic areas purchase instruments.

If you can afford it, you could consider setting up a recurring donation. Regular contributions provide a stable source of funding foundations can rely on for planning and executing long-term projects. Even small monthly donations can add up to substantial support over time. Recurring donations are invaluable as they provide predictable, sustained support, allowing foundations to plan more effectively and undertake larger projects.

Finally, engage with the foundation regularly. Attend their events, volunteer, and stay updated on their activities. This level of involvement allows you to see the direct impact of your contributions and reinforces your commitment to the cause. Regular engagement also builds a stronger relationship between you and the foundation, fostering a collaborative spirit and shared vision.

For additional ideas on how to make a significant impact, check out the websites of different foundations above and research happening in your local community. By taking these steps, you can ensure your donation supports immediate needs and contributes to the long-term sustainability and growth of vital music education programs.

Photo credit: cjsmaier @ Pixabay

Angie Colman Wows Me With “Don’t Wanna”

Walyalup/Fremantle-based singer-songwriter Angie Colman has really impressed me with her latest single “Don’t Wanna.” It’s got more of a pop sound than her previous singles, although its rock edge and confessional lyrics should help fans embrace the shift.

“This release is about having rebound sex trying to move on from an ex. It details meeting nice people and having surface level emotional commitments to some of them, but in the moments where you’re alone your mind still goes to the person you’re really in love with,” Angie said. “I really wanted to take this track in a more fun, pop direction just because of the nature of my life when I wrote this song. I was having such a fun time, meeting new people, exploring my sexuality (this is the first song where I’ve addressed my bisexuality), but all the while trying to avoid feeling this mixture of hatred and love for my ex-boyfriend.”

“It was so fun to play around with the styling of this track,” she added. “It’s my first piece I have co-produced, alongside the wonderful Ryan K Brennan and most of the process of the recording was just Ryan and I in his beautiful West Perth studio pushing buttons on synths and trying out new vocal styles for me.”

Angie has already had a massive year winning RAC Arena Limelight Grant 2024 and playing Nannup Music Festival. Next up she’ll play a free hometown show for Gage Roads Live & Local at A Shed on the Walyalup Waterfront on April 19.

Image used with permission from Blue Grey Pink

Sounds of Oz On Hiatus

I never do this, but I’m going to announce a pause in our regular programming of music news and views. Whenever I go away on holidays, I always manage to create enough posts to go live while I’m gone, but this time it just wasn’t meant to be. So while I’m living it up on a cruise, I’m going to ask you all to bear with me. I’ll be back in business on April 15. Until then, make sure you continue finding all the great Aussie music you can. If you discover something amazing, leave a comment and tell me what it is. I’d love to hear what’s floating your boat when I’m back on dry land.

Image source: Corey Ann @ Flickr.com

Jet City Sports Club Share Their Perfect Summer Playlist

Summer might be behind us, but you can certainly imagine the season’s still here listening to the tunes from Eora/Sydney four-piece Jet City Sports Club. On Thursday they’ll drop their sophomore EP Every Single Dream, featuring the current single “Sunny Morning.” Ahead of the EP release, Jet City Sports Club shared their perfect summer playlist with us here at Sounds of Oz. How many of these songs do you have on repeat?

“Skin” – Spacey Jane
This is a song we listened to heaps during the 21/22 summer when we were a bit earlier on in the band’s career. It feels really free and reflects the fun vibes of summer, paired with some really hitting lyrics – it’s the perfect blend.

“I’m Not Sure” – The Grogans
A band we’ve been lucky to play a handful of shows with across NSW, some of the nicest people you’ll meet. This one’s mad for summer as it’s two minutes of in your face rock, which is always welcome on a summer road trip, Grogs just do that sound so well.

“Midnight Sun” – RVG
Can’t overstate how much we love this album as a whole, and this song is just so powerful. We are lucky enough to be playing the Gum Ball festival in April, which RVG are on too. Come on down everyone!

“Kiss Me Aphrodite” – Oscar the Wild
This song makes you nostalgic for a summer romance you may never have even had. A beautifully heartfelt track with some great tempo and rhythm changes throughout that keeps you constantly engaged and wanting more.

“Dose” – STUMPS
While lyrically one of the sadder songs on this list, it just has this bright upbeat feeling with some beautiful instrumentation that makes you want to dance and sing along when that chorus hits.

“Your Side, Forever” – Middle Kids
This song is so perfect for driving in the summertime. The anthemic bridge is transporting. Taking you away from everything stressful.

“Foam” – Royel Otis
Royel Otis’ entire new album is perfect for getting lost in during the warmer months and Foam is the earworm that’ll get you right into it.

“Cassandra” – Cool Sounds
Get yourself a picnic blanket, and listen to this absolute summery loveliness while cloud watching. Nostalgic guitars and washed out dreamy vocals, make for a perfect, summery dream that we return to frequently.

Jet City Sports Club will bring back all the summer vibes when they release their Every Single Dream EP on March 28. Make sure you take a listen and check them out at one of their upcoming shows:

13 April 2024 – The Vanguard, Eora/Sydney (EP launch)
25 April 2024 – The Gum Ball, Wonnarua Country/Dashville
13 June 2024 – Long Jetty Hotel, Darkinjung Country/Long Jetty (supporting Dear Seattle)
15 June 2024 – Hoey Moey, Gumbaynggirr Country/Coffs Harbour (supporting Dear Seattle)

Photo credit: Ruby Boland

Dylan Wright Wins Australian Idol

Massive congratulations to Dylan Wright, the nation’s newest Australian Idol. I must admit, I got pretty excited when I saw Dylan walk into the first night of auditions. It might have been the country’s first introduction to Dylan’s music, but long-time readers will be no stranger to Dylan’s talent.

I took the photo above way back in 2018, when he supported Nathan Cavaleri at the Rhythm Hut in Darkinjung Country/Gosford. I was so impressed that I bought his EP, The Long Way Home. Then in 2020, I covered his single “Passing Through” here on Sounds of Oz. It’s been so exciting to see Australia discover what we already knew at Sounds of Oz, that Dylan is the real deal. It’s so thrilling to know the nation has chosen an Idol with a wealth of original material who can really use this platform and launch a successful career.

I’ve also been really excited to see Idol return to it’s former glory this year. The talent has been stellar. I would have been thrilled for most of the top 12 to take the crown. But I’ve also appreciated the format tweaks that have allowed us to see more of the artists than in previous years. Even those eliminated early sang for us more than those who won in previous years, because we heard them through the audition process, group numbers, and eliminations. I’ve always said for artists to have successful careers after any of these reality contests, we need to see them enough times to understand who they are and fall in love with them.

I remember when Idol returned and people said the nation didn’t need another singing contest. Honestly though, I do think we need a singing contest like this, especially when there are so few opportunities for artists to show what they can do on live TV. That goes for both the new talents and more established artists. Unless you’re reading a blog like mine, you probably wouldn’t know Jess Mauboy and Delta Goodrem had new releases. When it’s done right, Australian Idol is good for the country’s music industry. I’m so glad to see it back to its best, and with such a worthy winner. Way to go Dylan!

Image source: own photo

Petersham Bowling Club Announces Sham Fest to Raise Funds for Accessibility Upgrade

I’m a big believer in any measures that help more people enjoy live music. So I’m thrilled to see Petersham Bowling Club announce accessibility upgrade plans for the near future. They’ll form the largest and most important upgrades the venue’s seen in 1972. Of course that doesn’t come cheaply, so the not-for-profit venue will start rattling the tins to make it happen.

The club’s fundraising drive kicks off with Sham Fest, an accessible two-day music festival on April 6 and 7. Local acts including Crocodylus, Good Pash, The Crooked Fiddle Band, and The Morrisons will keep the crowds entertained. There’ll also be line dancing, sea shanty singalongs, lawn bowls, and finska games. In line with PBC’s commitment to accessibility, there’ll be Auslan interpretation for the main acts on both days. It’s free to attend, but make sure you dig deep to support those accessibility upgrades.

PBC is a club with a difference. There are no pokies and it’s run with a focus on sustainability and community. It’s thrived against the odds, and continues to be one of the most important live music venues in Sydney. If you’re local, make sure you attend Sham Fest to show your support. And if you’re not, you can still support the club’s fundraising efforts by clicking this link.

Photo credit: Yeah Rad

Audrey Powne Goes Solo With “From the Fire”

Vocalist, songwriter, and trumpet player Audrey Powne has been a force of the Naarm/Melbourne jazz scene for years, fronting acts like Leisure Centre and Au Dre and playing as a session musician for everyone from Vince Jones to the Teskey Brothers. Now she’s stepping into the spotlight as a solo artist. Her latest single “From the Fire” gives an exciting taste of her forthcoming debut album. This single is so unique, but it really casts a spell. Leave your expectations at the door, because I know this song will blow them all away.

“The groove and harmonic content is inspired by the music of Herbie Hancock, particularly his 70s albums Secrets and Sunlight which have been a huge influence on me and from which I absorbed a lot of language,” Audrey said. “The layered, harmonised trumpet solo is directly inspired by late, great trumpet player Roy Hargrove who is the most profound influence on me as a trumpeter and who employed similar recording techniques on his records with The RH Factor.”

This track is so impressive, I can’t wait to hear more. Audrey won’t leave us waiting too long for that, as she’ll release her debut album on April 26.

Photo credit: Bianca Milani and Kayzar

Oxford Art Factory Hosts ONES TO WATCH

The middle of the week is always a bit quiet on the gig-front, but it doesn’t have to be if you’re in Eora/Sydney. The Oxford Art Factory is hosting ONES TO WATCH Backed By VODAFONE tomorrow night, Wednesday, March 6. The event, hosted by Tait McGregor, showcases the talents of up-and-coming acts Phebe Starr, Adrian Dzvuke, and Chanel Loren.

ONES TO WATCH is a global phenomenon that’s helped launched the careers of acts like Dua Lipa, Halsey, and Olivia Rodrigo. Here at home, it’s been a valuable platform for acts like Teenage Joans, Forest Claudette, Carla Wehbe, Sophisticated Dingo, and Saint Lane.

“We’re thrilled to announce that Chanel Loren, Phebe Starr, and Adrian Dzvuke will be joining our upcoming Ones to Watch showcase in Sydney! We’ve been following these talented acts for some time now, so it’s fantastic to have them become part of the OTW platform,” said Paul Lynch of Live Nation Australia.

If you’d like to attend, simply send an email to rsvp@livenation.com.au to RSVP.

Image used with permission from beehive

Confessions of a 40-Something Fangirl

I recently shared my jubilation after attending Matchbox Twenty’s first Eora/Sydney show on the long-awaited Slow Dream tour. That was one of three Matchbox shows I attended in just eight days this tour. I considered writing a review of each one, as each was special in its own right, but instead, with the dust settling on that frenetic, fantastic period I thought instead I’d write a post about embracing your deep passion for a band.

Twelve years is an awfully long time to be without live shows from your favourite band. It’s what inspired me to buy tickets to several concerts this tour. Depending on your perspective, three shows in a single tour might be a lot or it might be fairly conservative for a hardcore fan. For me it was the sweet spot. In 2012, the last time Matchbox played Australia, I bought tickets to a single show. I reasoned that I was a wife now, we were saving for a house, I had more important things to spend my money on. In truth though, nothing is more important than embracing a deep passion. I saw my single show and I loved it, but then I crashed hard. So much build-up to a tour and then it was all over in a matter of hours. I swore I’d never just do a single show for this band or Rob solo again.


I haven’t done three shows in a tour since Matchbox came out here for their More Than You Think You Are tour in 2003. I haven’t seen a local show and still travelled interstate since John Mayer came out for his Room for Squares tour in 2002. Back then I was a single woman, still living with my parents. I had no responsibilities beyond a retail job, so I thought nothing of just taking off for a little “me” time. What I learned this tour is that you’re never too far away from that person, no matter how years pass. And you owe it to yourself to nurture that part of you when you can.

So this time, three shows. A couple of days in between each one to catch my breath and get excited about the next one. I’m so glad I did it. The first show totally overwhelmed me. It was a whirlwind, with my emotions just on the surface through the whole thing. It was beautiful, but I was so glad I had Mulubinba/Newcastle a few days later to enjoy a little more calmly. I was a couple of rows further back, so I felt I could take that one in a little more, without all my heightened emotions getting in the way. In Meeanjin/Brisbane a few days after that I had second row seats, so I was just in it. I allowed myself to take photos in just two songs and put my camera away for the rest of it. In Mulubinba/Newcastle, without my husband there, I felt pressure to capture all the moments and that took me out of songs. In Meeanjin/Brisbane, I told myself just to remember them, feel them. They’re all in there. I danced hard, I sang loud (the evidence it all over my friend’s videos!), I was there.

Oh, and somewhere in there, I happened to catch a flight with my favourite band. I’m not a great believer in manifesting or things of that nature, but I’m thrilled I got some time to chat to them, to thank them for returning after all this time, to get signatures on my favourite album 15 years after my original signed copy was stolen. It really made this tour better than I could have ever hoped it to be.

The beautiful thing about seeing more than one show on a tour is that every extra gig feels like a bonus. I have had the most wonderful, exciting, week or so of my life, but I’m not crashing as I rejoin the real world. I’m holding memories close and they’ll satisfy me until the next time, whenever that may be. I know with the cost of living, not everyone is in the position to see multiple shows on a tour, to travel interstate. Not everyone has friends and family willing to put them up or drive them around when they’re there. Not everyone has a spouse willing to support them taking time out from their adult responsibilities for a while or a job that’s as flexible as mine. But if you CAN do it, I definitely recommend that you do. It’s good for the soul. As Rob Thomas encourages in one of their new songs “Rebels”, “Let go and be yourself right now.” Believe me, it’s really good advice.

Image source: own photos