Category: Concert Reviews

Posted on by Lauren Katulka

Rai Thistlethwayte & Ben Vanderwaal @ Avoca Beach Theatre, Darkinjung Country/Avoca Beach

It’s been an unseasonably cold, wet week, but I wasn’t going to let that stop me heading back to Avoca Beach Theatre for some more musical fun. I know it seems like I should just move in at this point, but when this incredible venue keeps bringing great acts to my local area it’s hard to resist the tickets!

I really love that Avoca is hosting so many up-and-coming local artists in their outdoor courtyard area. I’d thought these free shows may have only happened on weekends, but sure enough we had NEAV entertaining us on Thursday. I wrote about NEAV’s beautiful voice a few years ago, and I loved seeing how she’s maturing into such an incredible artist. Her set celebrated her original material while giving us a taste of her influences with some choice covers from Talking Heads and Travis. I just wish more people were around to see her set. While the courtyard was full before Jack Jones, just a few of us braved the cold and wind on Thursday night. You can’t control the weather, but I hope Avoca Beach Theatre have NEAV back when conditions are more favourable.

It was toasty warm inside the theatre when Rai Thistlethwayte and Ben Vanderwal took to the stage. I last saw Rai perform solo in 2011 and I must admit I expected more of the same. Thirsty Merc tunes stripped back with Ben taking a supporting role. In hindsight, despite the bandname on the drumkit, that was incredibly naïve. Spotify tells me Rai’s released plenty of solo material and a couple of EPs with Ben. I honestly don’t know how they escaped my attention, but after hearing the music on Thursday night I’ll make a point of diving deeper into it.

I write all this because I’m probably not the only one who hasn’t explored Rai’s less-commercial back catalogue. Thankfully I’m the kind of person who revels in discovering something new, and if I’m doing that at a gig I don’t mind at all. So I wasn’t disappointed that only four Thirsty Merc tracks made the set list and that they weren’t the ultra-successful singles. While I always enjoy them, I’ve probably heard Rai sing “In the Summertime” and “20 Good Reasons” enough times by now. But to hear him play deeper cuts like “DNA” and “Katie Q”? Priceless. However, others might not feel the same.

Rather than focusing on what didn’t make the set, I revelled in the fabulous songs so different to Thirsty Merc. Rai’s love of jazz shone through the extended jam sessions with Ben. I have a feeling the recorded versions are much more concise, but I love watching musicians feeling the music and the energy between them. I’ve always been impressed by Rai’s keyboard skills, and Ben may be one of the greatest drummers I’ve ever seen. It was a joy watching them collaborate.

The show was incredibly loose, and I ate it up. The stories were off-the-wall. We heard music we didn’t expect to hear. I know I’ll never get an instrumental version of the Beverly Hills 90210 theme at a Thirsty Merc show! A great gig should be like that, a moment in time that won’t ever be replicated. Yet those shows are becoming rarer as acts create rigid setlists and deliver rehearsed banter. So while it wasn’t the show I expected, I think that was a happy accident. If I’d known the show was so light on Thirsty Merc material, I may have decided to stay home, and then I would have missed this amazing night of entertainment.

Photo credit: Stephen Katulka

Posted on by Lauren Katulka

Jack Jones @ Avoca Beach Theatre, Darkinjung Country/Avoca Beach

Saturday night saw me back at my musical happy place, Avoca Beach Theatre. Here in Darkinjung Country/Central Coast we are so blessed to have this intimate “barn,” as co-owner Beth Hunter calls it, where some of the country’s best and brightest play. And it shows no signs of slowing down. In fact, things seem to be ramping up. I visited on Saturday night to see Jack Jones, but what I got was a whole lot more.

For the first time our evening started outside the theatre, where the venue is hosting summer sessions before the main gig. They’re free events that welcome all members of the community, including non-ticket holders and their furry friends. I’ve often enjoyed a glass of wine before the show in this lovely courtyard area, but adding live music to the mix takes the experience up a notch. It’s also such a great platform for emerging artists like the lovely folk singer who entertained us with her mix of original songs and classic covers. I just wish the artist was better advertised. A little sign saying her name or a reminder from the artist herself every now and again would have helped us all remember to support her in future.

The talent kept coming inside when Piper Butcher warmed up the stage. I’ve appreciated her music for a long time, but my admiration has gone up a notch after seeing her live. She has such a beautiful, warm personality that’s incredibly endearing. I loved hearing her stories about her career and where it might go next as she prepares to head to the United States for a month. Her music was also incredible. It takes a special something to capture an audience with predominantly original tracks they don’t know, but she held us all captivated. The only cover in her set – a bluesy take on Soft Cell’s “Tainted Love” – hinted at what could have been had she stayed longer in the Australian Idol competition. Piper also treated us to a few yet-to-be-released songs she recorded with Australian country royalty, Kasey Chambers. If there’s any justice, they may just be the tracks to give her the mainstream attention she deserves.

I’ve seen Jack Jones perform solo a few times now, and I keep coming back because he always impresses. His voice is flawless and his songs bring back such beautiful memories. It’s hard to believe I was 10 years old when his band Southern Sons released their first album. It gave us so many smash singles Including the beautiful “Hold Me in Your Arms” which Jack opened the show with. It takes such confidence to play such a beloved song so early, but this beautiful number set the tone for this special night. I loved hearing it and watching Jack’s face light up as we sang a chorus for him so sweetly. I only wish our singing was as good on “Always and Ever.” It seems like less than half of us knew the words, and try as I might I couldn’t quite make up for those who had faded away.

The show wasn’t all about the hits though. I loved hearing favourite album tracks like “Something More” and “Wildest Love,” who he dedicated to his partner in the audience. He also treated us to some music from his time performing under his birth name, Irwin Thomas. I remember seeing him at that time supporting Matchbox Twenty and it wasn’t my thing. Hearing these songs stripped back though has helped me appreciate them all these years later. There were new songs too from an EP or album to come. That’s right readers; Jack Jones isn’t done creating music.

As with the last time I saw Jack, he regaled us with generous stories with many tangents. We heard all about his lock down experiences and the recent losses in his life which still bring tears to his eyes. He joked that chatting to us was like therapy; his walls were certainly down. I love when an artist lets us in like that and we get to see the human behind the music.

This was one of the longer concerts I’ve attended at Avoca Picture Theatre. Jack was so chatty that he had to ask whether there was a curfew because he understood his stories had taken up a lot of time. Thankfully there wasn’t and none of us had a better place to be. And so we all took our time, and yet it still felt like it wasn’t enough when Jack hit the opening notes of “Heart in Danger.” And yes, we all sang along.

Later this month Jack will start celebrating the 35th anniversary of Southern Sons with a string of shows around the country. Check back here for a review of the Darkinjung Country/Wyong gig after it happens. Tickets are limited so make sure you snap up yours soon.

31 January 2025 – Kings Theatre @ Event Centre, Kabi Kabi and Jinibara Country/Caloundra
1 February 2025 – Twin Towns Showroom, Bundjalung Country/Tweed Heads
7 February 2025 – The Wedge, Wayput/Sale
8 February 2025 – Wonthaggi Union Community Arts Centre, Boonwurrung Country/Wonthaggi
21 February 2025 – Lighthouse Theatre, Gunditjmara Country/Warrnambool
22 February 2025 – Wendouree Performing Arts Centre, Ballaarat/Ballarat
28 February 2025 – The Art House Theatre, Darkinjung Country/Wyong
1 March 2025 – Anita’s Theatre, Thurrural/Thirroul
7 March 2025 – Yan Yean Theatre, Wurundjeri Balug and Wurundjeri Willam Country/South Morang
8 March 2025 – Arts Centre, Monmar/Frankston
14 March 2025 – West Gippsland Arts Centre, Darug Country/Warragul
15 March 2025 – Ulumbarra Theatre, Dja Dja Wurrung/Bendigo
21 March 2025 – Country Club Showroom, Kanamaluka/Launceston
22 March 2025 – West Point Showroom, Nipaluna/Hobart
12 April 2025 – Astor Theatre, Boorloo/Perth
2 May 2025 – Alpine MDF Theatre WPACC, Bpangerang/Wangaratta
3 May 2025 – Palms at Crown, Naarm/Melbourne
19–26 October 2025 – Rock the Boat, leaving from Eora/Sydney

Photo credit: Lyn Foreman and Lauren Katulka

Posted on by Lauren Katulka

Ross Wilson @ Avoca Beach Theatre, Darkinjung Country/Avoca Beach

Ross Wilson’s music crosses generations. So when my husband and I heard he was celebrating 50 years in the business with a show at Avoca Beach Theatre we knew tickets would be the perfect Christmas present for my parents. On a Monday that felt like a Saturday, our two generations shuffled in to one of our favourite local venues.

Local band The Cat Snatchers warmed up the crowd with what can best be described as their own brand of yacht rock. But that doesn’t quite cover what this four-piece does. Arthur Pratt is a charismatic frontman who spices up his performance with Elvis Presley-esque karate moves and a little interpretive dance. We saw Toby Wells perform with Elaskia just before the pandemic, and it seemed like he was finding his feet as an artist. This band feels like home for him. He’s got space to shred and show off his sizeable guitar chops. Their set wasn’t perfect. Arthur struggled at times to hit the ambitious falsetto notes and the songs were pretty simplistic. But I imagine that if I saw The Cat Snatchers, a few times I’d be singing along. I was thoroughly entertained by this off-the-wall act. While many around me weren’t as enthusiastic, I followed their socials as soon as their set wrapped up.

While The Cat Snatchers were a little polarising, Ross Wilson had everyone on side from the triumphant opener, “Daddy’s Back”. His set was everything that I hoped it would be. He delivered hit after hit, with a smattering of unexpected songs to satisfy the die-hards. There were the Daddy Cool and Mondo Rock classics of course, along with some choice solo cuts. While Ross clearly appreciates the audience reception to his biggest hits, he’s not content to rest on his laurels. “She’s Stuck on Facebook All The Time” wasn’t released to a lot of fanfare in 2023, but it’s such a great addition to his set. I also appreciated watching him recreate the blues tunes that got him excited about music in the first place. His version of “Back Door Man,” made famous by Howlin’ Wolf. Other songs were rearranged to keep them fresh without straying too far from their original magic.

Ross is a joy to watch. He grooves around the stage, soaking up the energy from his band The Peaceniks and the crowd. He chats easily to the audience, sharing his passion and life story with his fans. And after 50 years in the business, his voice shows little signs of slowing down.

It’s a testament to Ross’s exhaustive catalogue that when we were cheering for an encore, my husband and I weren’t sure what he had left to play. He’d already gifted us “Eagle Rock,” “Come Said the Boy,” “Cool World,” “State of the Heart,” “Bed of Nails,” “Hi Honey Ho,” and so many more. I guessed “Touch of Paradise,” but that didn’t quite seem like a closer. He played it and it was amazing, before transitioning into “Summer of ‘81.” It was the cherry on top of an amazing night of music, a track I hadn’t anticipated but relished all the same.

Looking back at this blog, I hadn’t seen Ross perform for eight years. I’d had a wonderful time, so I wonder now why I left it so long. My only explanation is that people like Ross just seem like they’ll always be there. They tour relentlessly, so perhaps we don’t feel the same urgency to make the shows as we do when international acts visit. But it’s easy for the years to slip by. If it’s been too long since you’ve seen him perform, or you’ve never had the pleasure, make sure you don’t miss one of his upcoming shows.

31 December 2024 – Avoca Beach Theatre, Darkinjung Country/Avoca Beach (SOLD OUT)
3 January 2025 – Shearwater Resort, Panatana/Port Sorrell
4 January 2025 – Scamander Beach Resort, Paredareme Country/Scamander
5 January 2025 – Dodges Ferry Hotel, Panatana/Lewisham
12 January 2025 – The Pig & Whistle, Bunurong Country/Red Hill (SOLD OUT)
16 January 2025 – Lighthouse Theatre, Gunditjmara Country/Warrnambool
17 January 2025 – Sir Robert Helpmann Theatre, Berrin/Mount Gambier
25 January 2025 – MeMo Music Hall, Euro-Yroke/St Kilda
1 February 2025 – The Palms at Crown, Wurundjeri Woi-wurrung Country/Southbank
2 February 2025 – Archie’s Creek Hotel, Gunaikurnai/Archie’s Creek (SOLD OUT)
5 February 2025 – Federation Square, Naarm/Melbourne (FREE)
21 February 2025 – Bribie Island Hotel, Quandamooka/Bellara
22 February 2025 – Agnes Blues Roots and Rock Festival @ 1770 SES Grounds, Gooragan/1770
23 February 2025 – Soundlounge, Yugambeh Country/Gold Coast
28 February 2025 – The Lounge @ The Concourse Theatre, Gamaragal Country/Chatswood
1 March 2025 – Girrakool Blues Festival, Darkinjung Country/The Entrance (FREE)
2 March 2025 – Manning Entertainment Centre, Biripi Country/Taree
14 March 2025 – Tanks Art Centre, Yidinji Country/Edge Hill
16 March 2025 – Musicland, Wurundjeri Woi-wurrung Country/Fawkner
22 March 2025 – Theatre Royal Castlemaine, Dja Dja Wurrung Country/Castlemaine
6 April 2025 – Burrinja Theatre, Wurundjeri Country/Upwey
11 April 2025 – Centenary Hall, Ngarrindjeri Country/Goolwa (SOLD OUT)
12 April 2025 – Bridgeway Hotel, Tarntanya/Adelaide
13 April 2025 – Big Easy Radio, Ngaltingga/Aldinga (SOLD OUT)
1 May 2025 – Bird’s Basement, Naarm/Melbourne
2 May 2025 – Bird’s Basement, Naarm/Melbourne
3 May 2025 – Bundy Hall, Gunaikurnai/Bundalaguah (SOLD OUT)
8 May 2025 – Avoca Beach Theatre, Darkinjung Country/Avoca Beach
9 May 2025 – The Juniors @ Kingsford, Eora/Sydney
11 May 2025 – Evan Theatre @ Penrith Panthers, Eora/Sydney
12 June 2025 – The Playhouse @ Canberra Theatre Centre, Ngambri/Canberra
13 June 2025 – Bathurst Memorial Entertainment Centre, Dalman/Bathurst
14 June 2025 – Cowra Civic Centre, Ngoura/Cowra
20 June 2025 – Theatre Royal, Nipaluna/Hobart
21 June 2025 – Princess Theatre, Kanamaluka/Launceston
22 June 2025 – Burnie Civic Centre, Pataway/Burnie
27 June 2025 – Her Majesty’s Theatre, Ballaarat/Ballarat
28 June 2025 – Clocktower Centre, Wurundjeri Woi-wurrung Country/Moonee Ponds
11 July 2025 – The Art House, Darkinjung Country/Wyong
12 July 2025 – Glasshouse Theatre, Guruk/Port Macquarie
13 July 2025 – Capitol Theatre, Kamileroi Country/Tamworth
21 August 2025 – Mundi Mundi Bash @ Mundiville, Willyama/Broken Hill
26 October 2025 – Rock the Boat Cruise, Eora/Sydney

Photo credit: Stephen Katulka

Posted on by Lauren Katulka

Jesus Christ Superstar @ Capitol Theatre, Eora/Sydney – 4 December 2024

I’m easing myself back into work thanks to the wonders of speech-to-text technology. First on my to-do list was sharing my thoughts on the wonderful production of Jesus Christ Superstar playing in Eora/Sydney at the moment. I had tickets to the show the day after my car accident, so I was a bit sore and sorry as I bundled myself onto the train, but I’m so glad I pushed through the pain. I’ve seen three or four productions of Superstar over the years, and this was definitely among the best.

I felt excitement bubbling up as the familiar “Overture” began. Then with “Heaven on Their Minds” we were introduced to the incredible Javon King as Judas. What a great voice he has. What a presence. I didn’t know him before this production, but I will watch his career closely from now on. The entire cast was sensational. The casting of Mahalia Barnes as Mary was one of the key draw cards for me, and she did not disappoint. She brought such a beautiful warmth and heart to the role, and what a voice she has. I was also really excited to see Reuben Kaye playing Herod. He was brilliant. Honestly he may be my favourite Herod ever. He had just the right blend of humour and malice. My parents weren’t familiar with him but they walked away fans. I was also really impressed by Peter Murphy’s Pilate. Unfortunately Michael Paynter didn’t appear in our matinee. While the understudy was great, I was really looking forward to his Jesus. I also wonder whether Michael’s voice may have contrasted better with Javon’s. JC simply works better when you can hear the difference between Jesus and Judas.

This production feels so new and fresh. The music doesn’t seem to age. The energy of the cast is palpable. I also really liked artistic choices like bringing the microphones into the scenes and having the crucifix as a key part of the set. The use of glitter was very effective in places, although I’m not sure it was as powerful as it should have been while Jesus received his lashes. Overall, I think the team behind this version of JC has done an incredible job. Whether you’re a long-time fan like many or new to the musical, make sure you don’t miss it.

Jesus Christ Superstar will play at the Capitol Theatre until January 26. It’ll then head to Boorloo/Perth in February and play Naarm/Melbourne in March before travelling to Meeanjin/Brisbane in June.

Posted on by Lauren Katulka

A (Very) Musical Christmas @ Lyric Theatre, Eora/Sydney – 2 December 2024

It’s pretty hard to ignore that Christmas is mere weeks away. You can resist it, which doesn’t do much good I find, or simply embrace it. So in that spirit, I headed to Eora/Sydney last night for the taping of “A (Very) Musical Christmas.”

This review is a bit different than the ones I normally write, because I really don’t want to spoil it for anyone who’ll tune in to the ABC broadcast later this month. The lineup had been well-publicised so I will say that stars including Eddie Perfect, Casey Donovan, and that talented Laga’aia clan were every bit as wonderful as you might expect. I also hope this broadcast encourages people to see more shows like the traveling production of Dear Evan Hansen or Titanique, because their casts were fabulous. And I’ll also add that the surprise ABC personality, who wasn’t included in the original cast announcement, was an unexpected joy.

If you love Christmas, musical theatre, or (like me!) both do not miss “A (Very) Musical Christmas” when it screens on ABC on December 20. It was so good, I’ll definitely tune in to enjoy its fabulous renditions of beloved Christmas tunes all over again!

Photo credit: Whity @ Flickr

Posted on by Lauren Katulka

Cold Chisel @ Newcastle Entertainment Centre, Mulubinba/Newcastle

Like so many Australians, the music of Cold Chisel is part of my DNA. They’ve been pumping out hits since before I was born. East and Circus Animals were on regular rotation as I grew up. I don’t remember when I learned the lyrics to these songs, in much the same way I don’t know when I learned English. It just seems like I always have. So when the band announced their Big Five-0 tour, celebrating 50 years in the biz, I knew I had to be there. Dad passed, insisting he saw them enough times in local pubs and clubs that he didn’t need to brave the crowds now. But as someone who missed those heady days, who has had much more limited opportunities to see Chisel do their thing, I knew I had to be there.

Karen Lee Andrews warmed up the crowd and reminded me just how good she is. I’ve seen her perform a few times now with the Barnes family, but those sets were solo and stripped back. Normally acoustic sets are my bag, but with a full band Karen really shines. Sharing the stage with her band seemed to calm her nerves and she was more confident than I’ve seen before. Her songs are superb and she’s got such a cool, blues-rock voice. I definitely need to listen to more of her original music, because she’s exceptional.

Tickets for Chisel’s Big Five-0 tour were arguably as hot property as tickets for Coldplay or Taylor Swift, but unlike these international luminaries, there weren’t a lot of bells and whistles about the Cold Chisel experience. There were no pyrotechnics, no costume changes, not even any of those screens ensuring people near the back got a closer view of the action. Just a bunch of Aussie blokes on stage doing what they do best. The stages have gotten bigger over the decades but this band refuses to upgrade the spectacle, so the music remains the focus.

And what music it is. Cold Chisel have been mixing up the set list this tour, so you never know exactly what you’re going to get. But with such a rich catalogue, hits can come out early. “Standing on the Outside,” “Cheap Wine,” “Rising Sun,” and “My Baby” in just the first five songs? Incredible. Cold Chisel catered for all kinds of fans, those of us who flogged Chisel Gold and cranked up their tunes whenever they came on the radio and those hardcore enthusiasts who devoured each and every album. I’ve seen Chisel several times now, but I can’t recall them ever playing so many album tracks. Digging into the vault while keeping casual fans happy is a delicate balancing act, but Chisel walked that tightrope beautifully.

Chisel might not tour with the same kind of gruelling schedule that they did back in the day, but there’s such a beautiful chemistry when this band is on stage. You won’t find a tighter act around. Everyone has a crucial part to play. Jimmy attacks those vocals, performing with the sort of gusto that makes you forget he’s only just come back from hip surgery. Ian Moss blows me away each and every time I see him with his guitar skills and those warm vocals that never seem to age. After seeing so many acoustic shows in recent years, I relished seeing him rocking out. Nothing sounds quite as comforting as Don Walker on piano. Bass players never get enough credit, but Phil Small’s instrument is the glue that holds this sound together. Steve Prestwich’s loss created a hole in this band of brothers, but Charley Drayton does an admirable job stepping into his shoes. I’m sorry I missed the names of the saxophonist and harmonica player, but they were also incredible.

Don Walker teased a little “Star Hotel” during the introduction of “Breakfast at Sweethearts,” but strangely that Novocastrian rock anthem never came. It’s a minor quibble though, because this set really delivered so much. As they rocked out one final time to their traditional closer “Goodbye (Astrid Goodbye)”, after two encores, I felt well and truly satisfied. After 50 years in the business, Cold Chisel are at the top of their game. And there aren’t a lot of bands who can say that. So many shows are sold out, but if you get the opportunity to see Chisel on any of their upcoming shows, you will not be disappointed.

9 November 2024 – Red Hot Summer @ Victoria Park, Balaarat/Ballarat (SOLD OUT)
10 November 2024 – Mornington Racecourse, Bunurong Country/Mornington (SOLD OUT)
13 November 2024 – MyState Bank Arena, Nipaluna/Hobart (SOLD OUT)
16 November 2024 – Qudos Bank Arena, Eora/Sydney (SOLD OUT)
17 November 2024 – VAILO Adelaide 500 @ Adelaide Street Circuit, Tarntanya/Adelaide
22 November 2024 – Arts Centre Melbourne @ Sidney Myer Music Bowl, Naarm/Melbourne (SOLD OUT)
23 November 2024 – Arts Centre Melbourne @ Sidney Myer Music Bowl, Naarm/Melbourne (SOLD OUT)
28 November 2024 – Stage 88, Wiradjuri Country/Parkes (SOLD OUT)
30 November 2024 – Roche Estate, Wonnarua Country/Pokolbin (SOLD OUT)
4 December 2024 – Qudos Bank Arena, Eora/Sydney
18 January 2025 – Gibbston Valley Winery, Queenstown
25 January 2025 – Taupo Amphitheatre & Riverside Park, Taupo
26 January 2024 – Whitianga Waterways Arena, Whitaianga

Photo credit: Stephen Katulka

Posted on by Lauren Katulka

Electric Fields with the Sydney Symphony Orchestra @ Sydney Opera House, Eora/Sydney – 19 October 2024

There was a hum of excitement around Warrung/Circular Quay yesterday as the city showcased blak excellence. DanceRites, the country’s only First Nations dance competition had taken over the Opera House forecourt. And inside the House, Electric Fields joined the Sydney Symphony for a very special show in the Concert Hall.

The Opera House and the Symphony are cultural icons, not just for this city but for this nation. But Electric Fields are quickly establishing themselves as an act that’s every bit as important for this country. Witnessing the Symphony and Electric Fields coming together in this iconic place is something I’ll forever hold close to my heart.

There was a reverence in the air as Zaachariaha Fielding, Michael Ross, and their backing vocalists took their places in front of the Symphony. It hung in the air as they opened with “Anpuru Maau Kutjpa,” an Inma in the Yankunytjatjara language passed down through generations. The idea that music is a universal language has become somewhat of a cliché. But listening to this traditional song featuring lyrics that I didn’t understand rendered so beautifully here, all I could do was feel.

It was magic, leaving us all in a bit of a dream state, until Electric Fields woke us up with “Shade Away” and encouraged us all to get on our feet. We were happy to oblige, feeling the music in a different way as we moved in time with the irresistible beats. Electric Fields know how to create a dancefloor banger and they turned the Concert Hall into a party.

We bounced between those energetic bops and more sombre moments, embracing the twists and turns. I got goosebumps listening to their beautiful rendition of Paul Kelly and Kev Carmody’s “From Little Things Big Things Grow.” As a Eurovision fan, I relished dancing along to “2000 and Whatever” and “One Milkali (One Blood).”

I marvelled at Zaachariaha Fielding’s incredible voice. I knew it was good from those recordings and live performances on TV, but sharing space with him made me appreciate its commanding beauty even more. The orchestral backing elevated this music, giving it extra gravitas. There was something so beautiful about the coming together of the Symphony, a white symbol for arts and culture, and the oldest living culture on the planet. I loved being a part of that too. Zaachariaha encouraged us to sing along, taking the time to teach us some of those Indigenous lyrics and explain their meaning. It was all just so special.

This show with Electric Fields and the Sydney Symphony Orchestra was transformative. To witness such talent on stage in such a welcoming space, to feel moved and energised in equal measures, was incredible.

Image source: Stephen Katulka

Posted on by Lauren Katulka

RocKwiZ “Never Mind the Buzzers” @ The Art House, Darkinjung Country/Wyong – 15 October 2024

RocKwiZ is an Aussie institution. It’s been a part of our lives for nearly 20 years, in fits and starts on TV, but for many years as a touring franchise. It’s been one of those things I always meant to see but never quite got there, until the gang finally made their way to Darkinjung Country/Wyong this week.

I wasn’t quite sure what to expect, but we got everything I loved about the TV show and more. When I arrived at The Art House Brian Nankervis was already encouraging people to sign up to play. Those who put down their names and a few wildcards with invitations under their seat made their way to the stage to battle it out in a stripped-back version of the show. The questions came thick and fast, along with a splash of karaoke and dancing. The best of the best then prepared to face off in the main event.

Watching the night unfold, I was reminded how much I love the original format. With more time to play than Foxtel allows, we could really get to know our contestants, experience the undeniable chemistry between Julia Zemiro and Brian, and appreciate the music from the superb RocKwiz orchestra and our talented celebrity guests. I don’t want to reveal them, because that would spoil the fun for anyone who happens to see the same line-up at their show. Because gee it’s exciting to hear those “Who Can It Be Now?” clues, then get that big reveal that a favourite star is joining you! I will say that there was something for everyone among the line-up: an emerging artist generating plenty of buzz, a more established talent who’s spent plenty of time abroad, and a bona fide Aussie legend. I’ll also add that I’ve covered every one of them here on this blog, so watching them perform together and solo, a mix of their originals and some choice covers was really something special. I appreciated that this longer format allows time for more music, the very thing that brought this show together.

A night out with the RocKwiZ crew is bloody good fun. We sang along to classic songs, we laughed (a lot!), and we marvelled at the talent on stage. It’s so beautiful to see this team in action, continuing to keep this program’s legacy alive whether it’s on TV or not. If like me you’ve been thinking you should see one of their shows, but never quite gotten there, just buy the tickets. You won’t regret it. You’ll get plenty of opportunities too, with plenty of shows left on the Never Mind the Buzzers tour:

19 October 2024 – Odeon Theatre, Nipaluna/Hobart
20 October 2024 – Odeon Theatre, Nipaluna/Hobart
23 October 2024 – Riverside Theatre, Burramatugal Country/Parramatta
24 October 2024 – The Pavilion Performing Arts, Dharawal Country/Sutherland (SOLD OUT)
25 October 2024 – Shoalhaven Entertainment Centre, Yuin Country/Nowra
26 October 2024 – Anita’s Theatre, Thurrural Country/Thirroul
29 October 2024 – Townsville Civic Theatre, Wulgurukaba Country/Townsville
31 October 2024 – Cairns Performing Arts Centre, Gimuy/Cairns
5 November 2024 – Pilbeam Theatre, Darumbal Country/Rockhampton
6 November 2024 – Moncrieff Entertainment Centre, Taribelang Bunda, Gooreng Gooreng, Gurang, and Bailai Country/Bundaberg
7 November 2024 – The Events Centre, Kabi Kabi Country/Caloundra (SOLD OUT)
8 November 2024 – HOTA Theatre, Yugambeh Country/Gold Coast
9 November 2024 – Fortitude Music Hall, Meeanjin/Brisbane (Matinee)
9 November 2024 – Fortitude Music Hall, Meeanjin/Brisbane (Evening) (SOLD OUT)
10 November 2024 – Empire Theatre, Jagera, Giabal and Jarowair Country/Toowoomba
14 November 2024 – Frankston Arts Centre, Monmar/Frankston
15 November 2024 – Costa Hall, Djilang/Geelong
16 November 2024 – West Gippsland Arts Centre, Darug Country/Warragal
17 November 2024 – Gippsland Performing Arts Centre, Gunaikurnai Country/Traralgon (SOLD OUT)
20 November 2024 – Anita’s Theatre, Thurrural Country/Thirroul
21 November 2024 – Civic Theatre, Mulubinba/Newcastle
22 November 2024 – Canberra Theatre, Ngambri/Canberra
23 November 2024 – Canberra Theatre, Ngambri/Canberra
24 November 2024 – Enmore Theatre, Eora/Sydney
26 November 2024 – Albury Entertainment Centre, Bungambrawatha/Albury (SOLD OUT)
27 November 2024 – Ulumbarra Theatre, Dja Dja Wurrung Country/Bendigo
28 November 2024 – Ballarat Civic Hall, Ballaarat/Ballarat
29 November 2024 – Palais Theatre, Euroe Yroke/St Kilda
30 November 2024 – Swan Hill Soundshell, Wamba Wamba, Latji Latji, Tatti Tatti, Wadi Wadi and Barapa Barapa Country/Swan Hill
3 December 2024 – Chaffey Theatre, Naralte Country/Renmark
4 December 2024 – Northern Festival Centre, Nukunu Country/Port Pirie
5 December 2024 – Her Majesty’s Theatre, Tarntanya/Adelaide (SOLD OUT)

Image used with permission from Ferris Davies PRM

Posted on by Lauren Katulka

“Dear Evan Hansen” – Roslyn Packer Theatre, Eora/Sydney

During the pandemic, my husband and I missed musical theatre hard. So starved for that experience, we’d watch anything we could find. While scouring YouTube we came across a recording of the original Broadway cast performing Dear Evan Hansen. It was a world away from Disney+’s Hamilton pro-shot, a basic video captured by an audience member on their mobile phone. But it was enough to trigger an obsession with this show. We listened to the soundtrack with those incredible Pasek and Paul songs more times than I could count, and when an Australian production was announced, we snapped up tickets for the first performance.

I am so thrilled that Australia gets a chance to see this musical. It’s a fantastic story that explores themes of mental health, connection, growing up, and the cult of social media so beautifully. I don’t want to give too much away, but it’s so powerful and beautifully realised by our Australian cast. Beau Woodbridge is a revelation as Evan. It’s such a demanding part, both vocally and in terms of the role itself, but he excelled, making us care about him all while the character’s flaws shone through. Georgia Laga’aia was also the perfect Zoe. While I’m torn, my husband insists she was even better than the original Broadway Zoe, Laura Dreyfuss. It’s a big call, but I really appreciated what she did with the role and the gorgeous timbre of her voice. Verity Hunt-Ballard is always outstanding, but I especially loved seeing her in a grittier role after watching her all poised and polished years ago in Mary Poppins. All the adults were excellent though. After their parts were slashed so substantially in the film version, watching our cast reminded me just how pivotal they are to this story. Side note: please don’t base your opinion of Dear Evan Hansen on that dreadful film adaptation.

I’ve also got to give shout-outs to set designer Jeremy Allen, lighting designer Matt Scott, and video designer David Bergman. Normally I don’t notice what these professionals do, but the way they have elevated this production even beyond the Broadway version we watched deserves praise. They brought us into the Hansen and Murphy homes, and the spaces in between, so beautifully. The virtual world, and the fallout of events there, was perfectly realised.

This is such a gorgeous production, and so worth the wait for Dear Evan Hansen fans like myself. I’m so glad the whole creative team did this musical justice and that Aussies will finally get to see it so beautifully brought to life. If you’re a longtime fan like me, do not hesitate. Snap up all the tickets. And if you’re new to this musical, take a chance on it. I know there are plenty of known quantities out there, but please get out there and support this production. It plays at the Roslyn Packer Theatre in Eora/Sydney until December 1. It’ll be at the Playhouse Theatre in the Arts Centre in Naarm/Melbourne from December 14, Canberra Theatre Centre in Ngambri/Canberra from February 27, and finally Her Majesty’s Theatre in Tarntanya/Adelaide from April 3.

Posted on by Lauren Katulka

David Campbell @ Belmont 16s, Awabakal Country/Belmont – 20 September 2024

This blog tells that on Friday night I saw my ninth David Campbell show. And I’m not counting seeing him in “Dream Lover” and on the bill of George Michael and Disney tribute nights. So what keeps me coming back show after show? It’s just always a great time. It’s as simple as that.

He’s such a successful TV host that I think some people forget what an incredible singer he is. As that career in front of the camera has taken more time and focus, it seems even David questions it. He said that he wondered whether people would still come to the shows. Looking around at the beaming faces in the packed suburban auditorium, I think he got his answer.

After so many years in the recording studio and on the stage, David’s got such a wide catalogue of crowd-pleasers to choose from. The hits came thick and fast, peppered with banter from this charismatic entertainer. No matter when you came to his music and no matter your favourite era, you would have left satisfied. My parents were thrilled for the Good Lovin’ songs. My dad sang enthusiastically along to “Jackie Wilson Said,” a track from his favourite singer Van Morrison. My mum was instantly transported back to being a teenager, when her eyes locked with a singer performing in Battle of the Bands, when he flawlessly sang “How Can I Be Sure.” My husband and I were thrilled his ’80s album Let’s Go, far from a commercial success, wasn’t entirely forgotten. Most of DC’s fans probably don’t remember the decade as fondly as we do, but they couldn’t begrudge us spirited covers of “Come on Eileen” and “Tainted Love.”

We learned pretty early that DC’s mind was half on the Swannies game, but it certainly didn’t show in his performance. In fact, it seemed to spur him on. He insisted that he wouldn’t leave until the game was done, and when they did win it gave a little extra excitement to “Shout.” He must have sung that Johnny O’Keefe classic hundreds of times, but never felt quite as jubilant as in that moment.

David said many times that it had been far too long since he played for us all and thanked us so warmly for our warm reception. Hopefully that means he won’t leave us waiting too long for his return. I’m definitely ready to bring my show tally into the double digits. David will wrap up his current run of Good Lovin’ & More shows when he plays Twin Towns Services Club in Bundjalung Country/Tweed Heads on November 2.

Image source: Stephen Katulka