Category: Reviews

Posted on by Lauren Katulka

Confessions of a 40-Something Fangirl

I recently shared my jubilation after attending Matchbox Twenty’s first Eora/Sydney show on the long-awaited Slow Dream tour. That was one of three Matchbox shows I attended in just eight days this tour. I considered writing a review of each one, as each was special in its own right, but instead, with the dust settling on that frenetic, fantastic period I thought instead I’d write a post about embracing your deep passion for a band.

Twelve years is an awfully long time to be without live shows from your favourite band. It’s what inspired me to buy tickets to several concerts this tour. Depending on your perspective, three shows in a single tour might be a lot or it might be fairly conservative for a hardcore fan. For me it was the sweet spot. In 2012, the last time Matchbox played Australia, I bought tickets to a single show. I reasoned that I was a wife now, we were saving for a house, I had more important things to spend my money on. In truth though, nothing is more important than embracing a deep passion. I saw my single show and I loved it, but then I crashed hard. So much build-up to a tour and then it was all over in a matter of hours. I swore I’d never just do a single show for this band or Rob solo again.


I haven’t done three shows in a tour since Matchbox came out here for their More Than You Think You Are tour in 2003. I haven’t seen a local show and still travelled interstate since John Mayer came out for his Room for Squares tour in 2002. Back then I was a single woman, still living with my parents. I had no responsibilities beyond a retail job, so I thought nothing of just taking off for a little “me” time. What I learned this tour is that you’re never too far away from that person, no matter how years pass. And you owe it to yourself to nurture that part of you when you can.

So this time, three shows. A couple of days in between each one to catch my breath and get excited about the next one. I’m so glad I did it. The first show totally overwhelmed me. It was a whirlwind, with my emotions just on the surface through the whole thing. It was beautiful, but I was so glad I had Mulubinba/Newcastle a few days later to enjoy a little more calmly. I was a couple of rows further back, so I felt I could take that one in a little more, without all my heightened emotions getting in the way. In Meeanjin/Brisbane a few days after that I had second row seats, so I was just in it. I allowed myself to take photos in just two songs and put my camera away for the rest of it. In Mulubinba/Newcastle, without my husband there, I felt pressure to capture all the moments and that took me out of songs. In Meeanjin/Brisbane, I told myself just to remember them, feel them. They’re all in there. I danced hard, I sang loud (the evidence it all over my friend’s videos!), I was there.

Oh, and somewhere in there, I happened to catch a flight with my favourite band. I’m not a great believer in manifesting or things of that nature, but I’m thrilled I got some time to chat to them, to thank them for returning after all this time, to get signatures on my favourite album 15 years after my original signed copy was stolen. It really made this tour better than I could have ever hoped it to be.

The beautiful thing about seeing more than one show on a tour is that every extra gig feels like a bonus. I have had the most wonderful, exciting, week or so of my life, but I’m not crashing as I rejoin the real world. I’m holding memories close and they’ll satisfy me until the next time, whenever that may be. I know with the cost of living, not everyone is in the position to see multiple shows on a tour, to travel interstate. Not everyone has friends and family willing to put them up or drive them around when they’re there. Not everyone has a spouse willing to support them taking time out from their adult responsibilities for a while or a job that’s as flexible as mine. But if you CAN do it, I definitely recommend that you do. It’s good for the soul. As Rob Thomas encourages in one of their new songs “Rebels”, “Let go and be yourself right now.” Believe me, it’s really good advice.

Image source: Stephen Katulka

Posted on by Lauren Katulka

“Moments Between Dreams” – Ella Haber

Eora/Sydney-based singer-songwriter Ella Haber has wowed me with her new EP, Moments Between Dreams. It’s an exquisite collection of songs so that are both expertly crafted, yet so heartfelt.

It’s one of those EPs that transfixed me from the first atmospheric notes. The opening track “Hynogagic Bloom,” is so unique and dreamy, I felt like it cocooned me in a beautiful bubble. Its lyrics and gentle melody just wrapped me up and held me. I was in. It’s special, but so is every song on this EP. They explore relationships, from the paternal in “My Father” to the romantic “My Lover” and “Good For Me.” Ella’s voice is so striking and it can seemingly do anything. It’s got a great storyteller quality which is perfect for these revealing songs conceived in bedrooms on her piano. They’re often quiet, drawing you in and capturing you with their intimacy.

On writing this material in the summer of 2021-2022, Ella said “I needed to release myself from my own numbness, isolation, inactivity and loneliness induced by successive lockdowns, a long-term relationship coming to a close and a disconnection from my own body and heart. As soon as lockdown ended, I found new love, threw myself into activism and connected deeply with new friends for the first time in years. I felt a profound hope for the future, and I felt a restlessness to dive into the next chapter of my life with all senses open and alive with feeling.”

Moments Between Dreams is the sort of EP that deserves to be savoured. So make yourself a cup of tea. Grab a blanket. Turn it on. Take time to listen to every lyric, to catch every note. You can thank me later. You’ll find it on all the streaming services and you can buy a limited edition vinyl copy here. Ella will celebrate its release with a sold-out show supporting CYMANDE at Liberty Hall in Eora/Sydney on March 4.

Main photo credit: Thea Elder

Posted on by Lauren Katulka

“Veruca Moon” EP – Veruca Moon

Boorloo/Perth-based group Veruca Moon have been building a strong following through performances at Western Australian events like Nannup Music Fest, WAMFest, and RTR’s Winter Music Fest. Now with the release of their self-titled debut EP, it’s time for the rest of the country to hear what they can do.

A great debut EP should serve as the perfect introduction. This EP does that beautifully. From the atmospheric soundscape that ushers in the opening song “War,” we know instantly that Veruca Moon are doing things their way. This track is so cool and brooding, with spine-tingling harmonies and a driving, almost primal rhythm. Talk about making a strong first impression.

“Let Me Go” is a bit of a left turn, a rock ballad with an easy groove and insightful lyrics about the wrong relationship. “About You,” has such a playful feel that you might mistake it for a love song if you weren’t paying attention to the lyrics. Don’t miss them, because they’re superb. Veruca Moon leave us waiting until “Winter Solstice” to deliver a song about a pure, beautiful love. I’m unsure whether it’s about finding yourself in the right relationship or learning to love yourself, because it works both ways, but I’m not sure it matters much. Instead, it’s more important to tap into those lyrics and let yourself get swept up in the cinematic, cathartic instrumentation.

It could be the ideal closer, but instead Veruca Moon reprises “About You.” This acoustic version, recorded at the Vinyl Café, really shows how good this band is. When you can create music this good away from the studio, with simple instruments, it’s really special. I loved revisiting this song and hearing it presented in such a new way.

In this introduction, Veruca Moon give us a tantalising taste of what they can do. This EP takes so many twists and turns that I’m sure there’s plenty more in their arsenal. While the songs are quite sonically different, they’re drawn together by exceptional lyrics that aren’t afraid to get raw and real. It’s an excellent EP and one that shows the promise of this exciting WA outfit. Veruca Moon will launch the EP tomorrow night at The Bird in Noongar Country/Northbridge.

Images used with permission from Blue Grey Pink

Posted on by Lauren Katulka

Matchbox Twenty @ Qudos Bank Arena, Eora/Sydney – 20 February 2024

Music can be such a powerful force. It can help you feel seen and understood at times when you think no one in your orbit gets you. It can lift you up and it can comfort you. If you’re lucky, you find a band that resonates with you so deeply that their music becomes a companion for you throughout your life. The band evolves as you do, and you somehow stay in alignment. For me, that band is Matchbox Twenty. I can’t write a review of their Eora/Sydney show last night with any sense of objectivity, but I can share what it was like to see my favourite band after 12 long years.

Siobhan Cotchin was an interesting choice of opener for a night featuring two bands who had their biggest hits in the ’90s. Personally I was thrilled to see her perform live after being impressed by so many of her singles. She’s such a fierce presence on stage. She sounded incredible, and looked every inch the rock chick flanked by nearly identical long-haired male guitarists. But there were a few things working against her. She was a fresh artist playing on a bill with some fairly-established bands. And her set started at 6:45, so people were still shuffling around and finding their seats. If it got to her she didn’t show it, but I wish she’d been able to have the captive audience she deserved.

You could feel the energy levels lift a notch when the Goo Goo Dolls took the stage. These guys haven’t toured Australia for 22 years and I could tell there were many die-hard fans relishing their return. Just not enough for lead singer John Rzeznik’s liking apparently. I hate to be a downer when there was so much to like about their set. They played everything I wanted to hear in their generous 45 minutes on stage, which is impressive considering how closely I’ve followed their career over the years. They sounded great and performed with a lot of energy. But there was a sense of entitlement from John that I found so off-putting. He made comments that the people sitting near the front must really love their expensive seats, because they didn’t want to get off them, and later called them miserable. When people did respond enthusiastically, he commented that we did have a pulse. I’m not into artists who want to tell me how to spend my time at their shows. If it feels right to stand, I’ll stand. But often I want to sit, especially as I get older, and that’s my right too. I think he needs to remember that his band was the support act, one who had just two top 30 hits in this country. I love their music, and many more than those two big songs, but his attitude really took the gloss off their solid set.

Oh Matchbox Twenty. The love I have for this band runs so deep. I spent the whole first song, “Friends,” sobbing because I was just so overwhelmed. Listening to those lyrics which reference being surrounded by community, the way I always feel at a Matchbox show, really hit home. My feelings were so heightened all the way through this gig as I listened to the songs that were the soundtrack to my life and spent time with the men that created them.

Matchbox know how to get the balance right. There were almost as many songs from their debut album Yourself or Someone Like You as there were from their latest release, Where the Light Goes. Casual fans who only listened to the band on the radio could check off every hit. But then there were those deep album cuts like “Hand Me Down” and “Parade” that those of us who followed their careers more closely relished. More tears.

There’s a special magic about a band who’ve been together for decades. Especially when they aren’t constantly on the road, you can see the camaraderie, the love they have for one another and the music they make together. We missed bassist Brian “Pookie” Yale, who couldn’t make the trip, terribly, but getting to see Rob Thomas, Paul Doucette, and Kyle Cook together was beautiful. I’ve gushed about Rob Thomas before, but I honestly love every member of this band. They play so well together, and they surround themselves with some outstanding musicians who step up and fill the gaps. I can’t express how much I loved spending time with them and the songs that made me last night. I’m so thrilled that I have tickets to two more shows on the Slow Dream tour. I’ve waited far too long for these concerts to be done just yet. Bring on the next one.

Image source: Stephen Katulka

Posted on by Lauren Katulka

“Giving It Away” – Claire Anne Taylor

Claire Anne Taylor may just be the greatest singer you haven’t heard of yet. I know that sounds like an incredibly bold claim, but press play on her latest album Giving it Away and see if you don’t agree with me.

I’ve had this album on repeat since its release on Friday, and I think I love it a little more each time. It’s such a strong collection of songs. Each one is well-crafted, skillfully written with turns of phrase that speak to the heart and bring you to your knees. They come from such an honest place. You can hear the connection between Claire Anne and her musicians. This isn’t music made to sell records or promote a brand. It’s authentic, organic, raw, and real. And then there’s Claire Anne’s voice, like cigarettes and whiskey, so textured and compelling, full of soul and passion.

Giving it Away is an album that explores love, loss, grief, and acceptance. Writing and recording this material became a kind of therapy for Claire Anne as she struggled to process her 14-month-old son’s recent diagnosis of Angelman Syndrome. Others might retreat after such a blow, but not Claire Anne. This album bears the scars of that tumultuous period, but also her warrior spirit.

Giving it Away doesn’t shy away from the darkness. Tracks like “Lay You Down In the Cold Hard Ground” and “Giving It Away” are heart-breaking. But they’re balanced so well with lighter fare like “Dance With Death” and “Keep on Truckin’.” This album takes you on a journey through the entire human experience, and it’s beautiful.

I haven’t heard an album like this, or a voice like Claire Anne Taylor’s, in such a long time. It’s special. Take a listen, and if she’s anywhere near you, make sure you get out and see her play. Something tells me she might be even more amazing live.

22 February 2024 – Shotkickers, Naarm/Melbourne
23 February 2024 – Palais-Hepburn, Dja Dja Wurrung Country/Hepburn Springs
24 February 2024 – Archies Creek Tavern, Gunai Country/Archies Creek
25 February 2024 – Sedgwick Hall, Dja Dja Wurrung and Taungurung Country/Sedgwick
28 February 2024 – The Ellington, Boorloo/Perth
29 February 2024 – The Buffalo Club, Walyalup/Fremantle
1-4 March 2024 – Nannup Music Festival, Noongar Country/Nannup
16 March 2024 – Sandy Point Community Centre, Gunaikurnai Country/Sandy Point
17 March 2024 – The Old Gaol, Baarmutha/Beechworth
22 March 2024 – Tomerong Hall, Yuin Country/Tomerong
23 March 2024 – Frank’s Wild Years, Dthirrawell/Thirroul
24 March 2024 – Petersham Bowls Club, Eora/Sydney
30 March – 1 April 2024 – National Folk Festival, Ngambri/Canberra
18 April 2024 – Upper Lansdowne Hotel, Upper Lansdowne
20 April 2024 – Lowanna Community Hall, Burgong/Lowanna
26-28 April 2024 – The Gum Ball Festival, Wonnarua Country/Belford
3 May 2024 – Jetty Theatre, Gumbaynggirr Country/Coffs Harbour
4 May 2024 – Brunswick Picture House, Wurundjeri Woi-wurrung Country/Brunswick
5 May 2024 – Dust Temple, Yugambeh Country/Currumbin
10 May 2024 – The Citadel, Kalibai Country/Murwillumbah
11 May 2024 – It’s Still a Secret, Meeanjin/Brisbane
12 May 2024 – The Majestic Theatre, Karura/Pomona

Images used with permission from Jo Corbett Publicity

Posted on by Lauren Katulka

“The Woodshed Sessions” – Matt Joe Gow

While his next official studio album is some time away, Matt Joe Gow has dropped a special treat for his fans online. Exclusively available online, The Woodshed Sessions is a beautiful collection of Matt’s best loved songs stripped back to their very essence.

This is a live album with a difference. Instead of recording it in front of an audience, Matt recorded the stripped back, acoustic versions of these songs in the studio in just one take. It’s a brilliant idea. While I love the energy of live recordings, the crowd noise can get distracting and the sound quality is often poor. There’s an energy to these songs too, but that comes from the dynamic between Matt and the members of his long-time band The Dead Leaves. You can feel the chemistry as their voices combine in beautiful three-part harmonies. Hearing the way the vocals sat alongside the piano and strumming of an acoustic guitar, I thought this is what music should be. It’s organic and pure, coming from the soul so naturally, free from studio “enhancements” like autotune and drum machines.

If you’ve listened to Matt’s music before, you know these songs are ripe for this kind of treatment. In acoustic mode, their introspective lyrics and perfect melodies come to the fore. If you’re new to Matt’s music, this compilation of career highlights makes the perfect introduction. It’s really like a greatest hits with a beautiful acoustic twist. I can’t wait to hear new music from Matt, but this release will keep me satisfied until that time comes. I’m going to leave you with this video of “Grand Ambition” from The Woodshed Sessions; check it out and I’m sure you’ll want to discover the rest of the tunes. You’ll find The Woodshed Sessions on all your favourite streaming services. If you’d like to purchase a physical CD copy, head to Matt’s Bandcamp page.

Main photo credit: Lucas Packett

Posted on by Lauren Katulka

“Yours Forever” – Jessica Mauboy

Jessica Mauboy has one of the best voices in the country. It’s undeniable. She’s been wowing us since she stepped out in front of the Australian Idol judges as a shy teen in Alice Springs. But what isn’t said enough is what a talented songwriter she is. Yet that’s what really struck me on listening to her latest album Yours Forever.

“Yours Forever is me at my truest self, comfortable in my skin, not comparing myself or trying to be someone or something that anyone expects me to be,” Jess says. “When you strip it all back, musically it’s beautiful melodies, storytelling lyrics, rhythms that connect with the soul, and it has a depth that I’ve never gone to or shared before.”

She wrote and recorded these songs on home soil, and perhaps that’s helped her better connect to the music. Perhaps she’s just a bit older and wiser these days. Either way, it works. This album has the floor fillers that Jess is famous for but these fierce anthems have a lot more depth than most of the music that tops the dance charts. “Never Giving Up” is a powerful call to arms in the wake of last year’s No vote. “The Loneliest I Ever Was” is such a poignant look back at the wrong relationship. Hindsight is always 20/20, but it’s rarely brought to life in such technicolour detail. Those high-energy numbers are perfectly balanced with gentle ballads. The past also inspires “Whitney,” a gorgeous song which recalls the power of the musical icons who lifted her up through hard times. “I’m Sorry” is such a beautiful love song which acknowledges that a good relationship isn’t always easy. This is really Jess’ album, with Jess’ stories, but there’s a little space for some choice collaborations. “Give You Love”, featuring fellow Voice judge Jason Derulo, is undoubtedly catchy, but it’s not as moving as “Little Too Late,” featuring Miiesha. The chemistry of these two powerhouse First Nations women is off the charts. There are so many brilliant moments on this album though, it almost feels unfair to single any of them out.

Jess Mauboy has an incredible voice, but plenty of people have incredible voices. What sets her apart is the way that she can share her stories through incredibly crafted songs. That’s what makes Yours Forever a great album, one that has encouraged me to keep listening.

Jess wraps up a string of instores today before embarking on her Yours Forever national tour next month. Limited tickets are still available, but I wouldn’t wait too long before securing yours. Once everyone hears this album, they’ll want them too!

14 February 2024 – Westfield Fountain Gate instore, Boonwurrung Country/Narre Warren (SOLD OUT)
12 March 2024 – Gippsland Performing Arts Centre, Gunai Country/Traralgon (SOLD OUT)
13 March 2024 – West Gippsland Arts Centre, Darug Country/Warragul (SOLD OUT)
15 March 2024 – Costa Hall, Djilang/Geelong
16 March 2024 – Palais Theatre, Euro Yuroke/St Kilda
17 March 2024 – Ulumbarra Theatre, Dja Dja Wurrung and the Taungurung Country/Bendigo
21 March 2024 – West Tamworth League Club, Kamilaroi Country/West Tamworth
22 March 2024 – Newcastle Civic Theatre, Mulubinba/Newcastle
23 March 2024 – Enmore Theatre, Eora/Sydney (SOLD OUT)
5 April 2024 – Townsville Civic Theatre, Gurrumbilbarra/Townsville
6 April 2024 – MECC, Yuwibara Country/Mackay
7 April 2024 – Pilbeam Theatre, Darumbal Country/Rockhampton
9 April 2024 – Moncrieff Entertainment Centre, Kabi Kabi Country/Bundaberg (SOLD OUT)
11 April 2024 – Empire Theatre, Jagera, Giabal, and Jarowair Country/Toowoomba
12 April 2024 – HOTA Theatre, Yugambeh Country/Gold Coast
13 April 2024 – Fortitude Music Hall, Meeanjin/Brisbane (SOLD OUT)
18 April 2024 – Crown Theatre, Boorloo/Perth
20 April 2024 – Darwin Entertainment Centre, Garramilla/Darwin
24 April 2024 – Adelaide Entertainment Centre Theatre, Tarntanya/Adelaide
26 April 2024 – Princess Theatre, Kanamaluka Country/Launceston (SOLD OUT)
27 April 2024 – Wrest Point Entertainment Centre, Nipaluna/Hobart
2 May 2024 – Albury Entertainment Centre, Bungambrawatha/Albury (SOLD OUT)
3 May 2024 – Canberra Theatre, Ngambri/Canberra
4 May 2024 – Shoalhaven Entertainment Centre, Wandi-Wandandian Country/Nowra (SOLD OUT)

Images used with permission from Warner Music Australia

Posted on by Lauren Katulka

“RECKLESS” – Arig

Arig is one of those special talents that refuses to be pigeonholed. She showcases the full breadth of her artistry with the release of RECKLESS today, the long-awaited follow-up to her 2018 debut EP, Attrition.

I loved Attrition, an EP which explored Arig’s feelings about growing up with her mum in government housing in Australia after the pair fled conflict-ridden Eritrea, so I was keen to wrap my ears around this release. So I was a bit taken aback by the opening tracks, “His Nation” and “Pop Off”. They’re real party jams, with unashamedly swaggy lyrics, a real departure from the introspective music on the first EP.

But by the third track, “Lambos in Logan”, I was warming to this reinvented Arig. With its deep bass groove and confident lyrics, it makes a strong statement that Arig is a real force. “Intoxicated” is a more stripped back, like an old-school slow jam. Arig picks up the tempo again for “Goodness Gracious,” an infectious R’n’B bop with some powerful lyrics about loving someone who’s hurt you deeply.

While I appreciated Arig’s evolution, in my opinion she saves the best for last. From the moment you hear the opening acoustic notes of “Freedom.” A beautifully simple folk song, it’s simultaneously emotionally vulnerable and strong. This is such an intimate recording, one that lets you hear every movement of the guitarist’s hands and every break in Arig’s voice. I was determined to write a review of this EP based on the strength of this song alone. It’s that good.

While Arig played with genres with her first release, she seems even more determined to take risks here. A self-described “messy chameleon,” it’s hard to believe that the artist who bared her soul in “Freedom” is the same one fronting in “His Nation.” Some songs I fell for instantly while others took me a little longer, but I appreciate that she’s showing us all sides of herself and taking risks. It’s so diverse that you might not love the entire RECKLESS EP, but you certainly won’t forget it.

RECKLESS is out now. Arig’s got EP launch dates in the works, but until then people in her new hometown of Eora/Sydney can see her play an intimate free show at The Dock on February 18.

Main photo credit: James Kenny

Posted on by Lauren Katulka

Kate Miller-Heidke @ Avoca Beach Theatre, Darkinjung Country/Avoca Beach – 6 February 2024

Avoca Beach Theatre has a way of encouraging me to see those Australian artists I’ve always intended to see. Who can resist when these talents play in such a charming, intimate venue so close to home in front of such respectful, enthusiastic audiences? A night at Avoca Beach Theatre is always a real treat. So much so that I’m almost loathe to tell you, because I don’t want it to get so popular that I can no longer get tickets! It’s the risk I take though; it’s such a special place. And it was the perfect place to see Kate Miller-Heidke on her Catching Diamonds tour.

While I was looking forward to Kate’s set, I was honestly less enthusiastic about seeing Georgia Mooney’s support slot. I’d loved her work in All Our Exes Live in Texas, but her solo album wasn’t for me. The vocals were pretty, but the music just didn’t quite grab me. In the live arena though, I was captivated. Her voice is so unique and special. She’s such a giving performer, keen to share a joke and the stories behind her music. The songs were a little more stripped back than on the recording, with just Georgia and her guitarist Marcus Hamblett bringing them to life. Honestly, I think they were better for it. I also think getting to experience the songs like this, with no other distractions, was key. Georgia’s music doesn’t make the best workday soundtrack. Her songs are slow burners, with a beauty that you might miss if you’re not paying attention. I’ll have to revisit them.

Kate also stripped things back, playing the show with her husband Keir Nuttall on acoustic guitar rather than a big band. Honestly, I’m glad this was the way I got to experience my first full-length Kate Miller-Heidke show. Minimal instrumentation ensured those once-in-a-lifetime vocals could really shine. It was also a joy watching Kate watching her husband. She beamed with admiration as he relished his guitar solos, and I smiled right along with her.

The set was a beautiful celebration of all that is Kate, from her breakthrough single “Words” to music from her forthcoming album. There were songs from her latest musical theatre effort Bananaland, the stunning version of “Paint it Black” that kick=started her Masked Singer journey, and even a delightfully operatic take on Talking Heads’ “Psycho Killer” to close the show. There were too many highlights to mention, but one of the most special was when she brought 13-year-old local talent Erin up to sing “Caught in the Crowd”. This beautiful song had extra gravitas coming from the mouth of a teen still in high school and likely caught up in the kind of politics the song references. And what a brilliant singer Erin is! I didn’t have half the courage she did at her age. Watching Kate’s face full of admiration as she graciously took backing vocals was really something special. But honestly, the whole show was.

The Catching Diamonds tour has only just kicked off, so most of the country still has the opportunity to see one of these magical shows. Many dates have sold out though, so get tickets anywhere you can.

7 February 2024 – The Art House Wyong, Darkinjung Country/Wyong
9 February 2024 – The Pavillion Performing Arts Centre, Dharawal Country/Sutherland (SOLD OUT)
10 February 2024 – Blue Mountains Theatre, Oryang-Ora Country/Springwood (SOLD OUT)
11 February 2024 – Glen Street Theatre, Gadigal Land/Belrose (SOLD OUT)
13 February 2024 – Goulburn Performing Arts Centre, Gundungurra Country/Goulburn
14 February 2024 – Tallagandra Winery, Candariro/Gundaroo
29 February 2024 – Mandurah Performing Arts Centre, Mandjoogoordap/Mandurah
1 March 2024 – Margaret River HEART, Wooditup/Margaret River
8 March 2024 – Ipswich Civic Centre, Tulmur/Ipswich
9 March 2024 – Logan Entertainment Centre, Yugambeh Country/Logan
10 & 11 March 2024 – Port Fairy Folk Festival, Dhauwurd Wurrung Country/Port Fairy
13 March 2024 – Star Court Theatre, Tchukarmboli/Lismore (SOLD OUT)
26 April 2024 – Manning Entertainment Centre, Biripi Country/Taree
27 April 2024 – Long Point Vineyard, Guruk/Port Macquarie
28 April 2024 – Jetty Memorial Theatre, Gumbaynggirr Country/Coffs Harbour (SOLD OUT)
2 May 2024 – Queenscliff Town Hall, Wadawurrung Country/Queenscliff
3 May 2024 – Queenscliff Town Hall, Wadawurrung Country/Queenscliff (SOLD OUT)
10 May 2024 – Bunjil Place, Boonwurrung Country/Narre Warren
11 May 2024 – The Round, Wurundjeri Country/Nunawading
25 May 2024 – Riverside Theatre, Burramatugal Country/Parramatta
26 May 2024 – The Joan, Mulgoa Country/Penrith
30 August 2024 – Karralyka Theatre, Wurundjeri Country/Ringwood
31 August 2024 – Wendouree Centre, Ballaarat/Ballarat
1 September 2024 – Theatre Royal, Dja Dja Wurrung Country/Castlemaine (SOLD OUT)
7 September 2024 – Caloundra Events Centre, Kabi Kabi and Jinibara Country/Caloundra
11 September 2024 – The J Theatre, Noothera/Noosa
14 September 2024 – Wangaratta Performing Arts Centre, Bpangerang Country/Wangaratta
20 September 2024 – Frankston Performing Arts Centre, Kulin Country/Frankston
21 September 2024 – Burrinja Theatre, Wurundjeri and Bunurrong Country/Upwey
27 September 2024 – Albury Entertainment Centre, Bungambrawatha/Albury
28 September 2024 – Griffith Regional Theatre, Wiradjuri Country/Griffith
11 October 2024 – Geelong Arts Centre, Djilang/Geelong

Image source: Stephen Katulka

Posted on by Lauren Katulka

“Inside Voices” – Tig

Tig captured my heart back in October when she released her single “Too Late Heartbreak.” The EP it came from has been a long time coming, but finally she’s released her debut EP Inside Voices. If you’re wondering whether it’s been worth the wait, you only need to press play. I know that it won’t take too long before like me, you’re answering a resounding yes.

Tig is one of those special artists who can capture her innermost thoughts, then turn them into songs we can all relate to. Her voice is rich and warm, with the kind of tone that draws you in and makes you feel at peace. That voice coupled with her love of the piano had me thinking of some of my favourite artists of the past; women like Tori Amos, Sarah McLachlan, and Fiona Apple who made such strong impressions with their musicality and messages.

This four-track EP left me wanting more, but also being thrilled by everything it is. Four total standouts. Four songs that matter, each one so exquisite that it seems unfair to single any out. I just want you to listen to them. Remember too, this is Tig’s debut EP. She also recorded it at home rather than heading to a big fancy studio. Let all that sink in. What you are hearing is raw, organic talent. And it’s fabulous.

Tig will officially launch Inside Voices at the Evelyn Hotel in Ngár-go/Fitzroy on February 23.

Main photo credit: Britt Murphy