Lyn Bowtell made a splash on The Voice in 2017, but she’s been far from idle since that show propelled her into the spotlight. While she plays to smaller crowds now, she’s been releasing some incredible music. Her latest single “Woman to Woman” is the perfect reintroduction to her talent.
When so many young starlets dominate the charts, it’s so exciting to hear music from a mature woman sharing her experiences. Diverse voices are so important. It’s a timely song which speaks of the importance of real human connection in the digital age.
“I hope listeners to ‘Woman To Woman’ might be a little less influenced by social media in their everyday life and consider going to the source of information before they cast judgment on people,” Lyn said. “It’s great to be able to reach out across boundaries and borders to talk to people, but social media does come with negative effects as well and we are understanding that more and more now. I’ve never had anything particularly damaging said to me on social media, although there were a few moments after The Voice, but I’m lucky in that respect. Country music people are usually friendly, supportive and good-natured. Words can be so hurtful, faceless lies are painful. Don’t fool yourself into think that it’s nothing when it might mean something to someone else.”
“Woman to Woman” comes from Lyn’s forthcoming album, appropriately titled Wiser. She’s touring all over the country at the moment to support its release. See her at one of the following gigs:
24 April 2022 – The Longyard, Tamworth
12 May 2022 – Lizotte’s, Lambton
14 May 2022 – Halekulani Bowling Club, Budgewoi
15 May 2022 –Leichhardt Bowling Club, Lilyfield
26 May 2022 –The Front Gallery & Café, Lyneham
27 May 2022 – Tumut River Brewing Co, Tumut
28 May 2022 –Bowral Bowling Club, Bowral
29 May 2022 – Joyce Wheatley Community Centre, Kiama
17 June 2022 – The Beer Shed Brewing Co, Leumeah
18 June 2022 – Muswellbrook RSL Club, Muswellbrook
19 June 2022 – Armidale City Bowling Club, Armidale
22 July 2022 – The Press, Tamworth
23 July 2022 – Glen Aplin Hall, Glen Aplin
24 July 2022 – Dalby Events Centre, Dalby
27 & 28 July 2022 – Oodies Café, Bundaberg North
29 July 2022 – Maleny Community Hall, Maleny
30 July 2022 – GTM Music Studios, Beaudesert
31 July 2022 – Cabarlah Hall, Cabarlah
4 September 2022 – Mantra, Yarraville
9 September 2022 – The Wesley Anne, Northcote
10 September 2022 – The Palais, Hepburn Springs
11 September 2022 – The Old Church On The Hill, Quarry Hill
15 September 2022 – Murray Delta Juke Joint, Goolwa
16 September 2022 – The Wheatsheaf, Thebarton
17 September 2022 – The Barn, Wombat Flat
14 October 2022 – Nethercote Hall, Nethercote
15 October 2022 – Murrah Hall, Murrah
Image used with permission from The Country Journo
On a grey and gloomy day, ILUKA’s long-awaited debut album Queen of Turbulent Hearts brings the sunshine. With irresistible pop melodies and danceable beats, this is the perfect album to take you into the weekend.
No moment is wasted here. As the old adage goes, it’s all killer, no filler. I was instantly hooked from the opening notes of girl power anthem “The Limit.” As ILUKA namechecks history’s most iconic female trailblazers, you get the sense that this Blue Mountains singer-songwriter is proudly following in their footsteps. She may not be as well known yet, but she’s got such a powerful, distinctive voice. Not just sonically, although that’s undeniable. But ILUKA really has something to say. I’m listening.
The songs that come next bring the picture of ILUKA into focus. “Higher Love” is pure and optimistic. There’s a fierce determination in “Get Free”. She reveals her wild side in “Mess”, a brilliant collaboration with Lime Cordiale. This upbeat song hints at a vulnerability that tracks like “Hercules” and “Willing to Break” explore more deeply. The title track “Queen of Turbulent Hearts” is achingly nostalgic. These songs reveal so many facets of ILUKA’s personality, the positive and the flawed. While the music is eclectic, the honesty with which ILUKA shares herself ties this collection together beautifully.
I’ve been following ILUKA’s career since 2016. I’ve loved listening to her evolve from sweet folk-pop songstress to a bold indie-pop act. Queen of Turbulent Hearts shows how fearless she’s become. She knows who she is and she’s not afraid to share it. You don’t have to like it, but it’s much more fun if you get on board.
Queen of Turbulent Hearts is out today. ILUKA is currently touring the country with Lime Cordiale. Limited tickets are still available for some of the following shows:
As the working week winds down, Cairns-based Jelly Oshen is bringing the chill vibes you need. His new single “Bordalonely” is a cool mix of R&B and indie-pop in the vein of Frank Ocean and Rex Orange County. He describes it as “island flava”, and who am I to argue? It sounds so smooth, but that’s more a testament to the quality of Jelly’s voice than technical wizardry.
“Most of my music is recorded at home with my stepdad,” he admitted. “My writing process is just making a poem and then creating a good music genre melody to fit, or vice versa. I was bored in lockdown and kinda lonely. My mum was imposing her own self-isolation on us, above and beyond any government rules, and this track sprung from that.”
Jelly Oshen has already supported some of the country’s hottest talents including Tones & I, Dami Im, and Ben Lee. Next up he’ll play a couple of cool festivals. Make sure you catch his set at the following events.
21 May 2022 – Festival of the Sun, Port Macquarie
19 November 2022 – Rolling Hills Festival, Brisbane
Image used with permission from Good Intent; credit: Bridie J Egan @bridies.journal
Don’t mistake Motor Ace’s return to the music scene as one resting on nostalgia. The release of their new single “Knock Knock” proves these guys have got more hits left in them. With hard-rocking riffs and solid vocals from Patrick Robertson, this track might just be worth the 17-year wait.
“It’s an idea that was kicking around back in the day, but we never got around to finishing it,” Pat admitted. “We’d always loved the sound, but it was written between the first and second records and didn’t really fit with what we were aiming for on the second. Probably should have finished it then!”
Motor Ace are gearing up to tour the country to celebrate the 20th anniversary of Five Star Laundry. Tickets are selling fast, so get them while you can!
10 June 2022 – Freo Social, Fremantle
11 June 2022 – Badlands, Perth
16 June 2022 – The Triffid, Brisbane
17 June 2022 – The Factory Theatre, Sydney
18 June 2022 – The Cambridge Hotel, Newcastle
23 June 2022 – The Gov, Adelaide
24 June 2022 – 170 Russell, Melbourne
Image used with permission from One the Map PR; credit: Rhys Graham
Alt-rock group Platonic Sex have just released a bold new single “Disappoint Another.” It’s raw and rebellious, with a garage rock quality that really brings out the angst in its lyrics. The track is bound to strike a chord with the queer community and anyone who’s ever felt their happiness wasn’t a partner’s priority.
“When I wrote the song, I needed to release insecurities that stemmed from my relationship with somebody who wasn’t entirely ‘out’,” explained Platonic Sex’s lead singer, Bridget Brandolini. “My ex-girlfriend wanted to show her love for me in a different way than I wanted, and writing the song helped me separate my feelings for her from the way it felt to be kept a secret.”
“Choosing to come out can feel like dealing out a lot of disappointment – whether it’s to your parents, the parents of the kid you babysit, or other loved ones – and it’s hard to cope with, as a young person trying to present themself authentically,” they added. “As somebody who is openly queer, the song feels really liberating. It’s up-tempo, joyous, fun,” they say. “I’m so grateful that I have the privilege to exist as my true self in the world safely and without shame. At the end of the day, the joy that comes with discovering an accepting community gives you strength to reach the end of the tunnel and dust yourself off after you’ve disappointed the people whose boxes you can’t fit into.”
Platonic Sex are about to tour the country with Hope D and Noah Dillon. Catch them at the following venues:
8 April 2022 – The Factory Theatre, Sydney
9 April 2022 – Lion Art Centre, Adelaide
29 April 2022 – Altar, Hobart
6 May 2022 – The Northern, Byron Bay
7 May 2022 – The Princess Theatre, Brisbane
13 May 2022 – Corner Hotel, Melbourne
27 May 2022 – Miami Marketta, Gold Coast
Image used with permission from Aleisha McLaren; credit: James Caswell
It’s an exciting time for musicians and their fans. After COVID-19 brought the world to a screeching halt, we’re all starting to reconnect with one another and live music. In that spirit of connection, Western Australia’s Last Quokka and Victoria’s Plaster of Paris have joined forces for a “full-tilt punk rock extravaganza” travelling the country this April and May. Before it kicks off, I caught up with the bands to chat about the tour, how the pandemic hit them, and what comes next.
Last Quokka, we’re chatting because you’re about to kick off a national tour, which must be so exciting for you as a Western Australian band. How are you feeling about it?
LQ: Honestly it feels like a bit of dream right now, so until we’re there it’s hard to know how to feel! But we’re incredibly excited. This has been such a long time coming and obviously like every band not having the opportunity to tour these last two years has been a struggle. We’ve also had a bit of a line-up change so it’s going to be rad to get to travel together as a new five-piece. And of course we’re super pumped to be able to hang with Plaster of Paris.
What have you missed most about touring the country?
LQ: Last Quokka is really all about the live energy and the community connection we make through playing so we’ve missed that a lot. It’s also just such a rad thing to be able to travel with your mates and play shows.
Plaster of Paris, you’re joining Last Quokka on this tour. How did that come about?
POP: We just kept talking after our Sonic Masala shows together got cancelled in Brisbane last year and we all just seem connected. Both bands are running DIY gigs and self-releasing and working in these scenes that centralise politics and feminism and community so it just feels symbiotic to come together. And so fun!
After all the lockdowns in Victoria, it must be pretty exciting to simply get back to playing for audiences. How did the pandemic treat you?
POP: We had an album to mix and release during the pandemic so Melbourne’s crazy long lockdown gave us time, if nothing else, to focus on what we wanted to achieve. We drove Paul Maybury a little mad I’m sure with remixes and redos, but by the end we got something we are incredibly proud of and I’m not sure we would have made the same album pre-pandemic. A silver lining perhaps?
Last Quokka, as a Western Australian band you’ve probably had a really different experience of the pandemic than a lot of East Coast acts. I saw photos from gigs that looked almost normal while we were in lockdown, yet you were cut off from the rest of the country for so long. What was that experience like for you?
LQ: It was exactly as you’ve said really. It felt super weird and privileged to be playing shows like RTRFMs In The Pines or Yardstock to thousands of people while our mates over east were in lockdown, but that said the isolation has definitely been pretty intense. While it feels dumb to complain about it, we’re already so very isolated over here and that was just hugely reinforced, especially with East Coast bands not being able to come over. Also, Perth is an odd place. While there is a great DIY and lefty community in general, it’s a very conservative place and can feel very suffocating at times. So it is great to get out.
Plaster of Paris, during the pandemic you released your album, Lost Familiar. What was it like to put that out in the world at a time when you couldn’t tour the country?
POP: Hitting ‘Public’ on Bandcamp and collectively opening beers in our lounge rooms. Doing a band Zoom when we were nominated for Best Rock Punk Act in the Music Victoria Awards and clinking virtual champagne flutes. Connecting with online fans and making email buddies across the globe in places like Estonia and Portugal. Doing interviews on Instagram Live with Spanish blogs at 3 am (and getting the day wrong and having to do it all over again). Making the “Danceflaw” filmclip in the exercise hour we had each day (literally Nicola and Zec exercise/dancing in empty streets of Thornbury with a camera). These are the weird things you do for album releases in a pandemic!
Why did you release the album during the pandemic? Was there ever a time that you considering holding it back?
POP: We started recording this album in 2015/2016 and had a lot of setbacks. By the time the pandemic hit we just went along and kept pushing and took it as another challenge. A big scary one! But being with our creative family was all we wanted to do. The album is so much about the family you create, particularly as queer-identifying humans. You build this new family that let you be yourself and we wanted to celebrate that because lockdowns often separated us from safe spaces and chosen families. Our lost familia.
The music you make is so ballsy and bold, I’m sure it takes a lot of people by surprise. The post-punk genre is so dominated by men. What’s it like for Plaster of Paris playing in that space?
POP: Ha! Ballsy! Imagine if we described music as Breasty! I’m not having a crack … I just wonder if we’ll ever ungender strength and anger and loudness. Even now it scares people when female-identifying people are loud. All you have to do is cross the river in Melbourne and play a crowd that has never seen a punk band and watch them squirm and get confused in 2022! Their idea of loud women is Miley Cyrus covering Metallica. (Hashtag I love Miley FYI). We’re all fans of hard rock, the riot grrrl movement was instrumental to me understanding I was allowed to be in the band not just hang out with them. I used to sit on the floor of my male friends’ rehearsals watching them. All of a sudden I started seeing women playing instruments and I picked up a guitar. We still need representation, especially as instrumentalists. As older women we need to see ourselves too, ageism is real in the music industry. As Zec sings in “State of Emergency” – we “want Social Currency” and “a community to speak to me”.
I was reminded of a lot of female punk pioneers as I listened to your album. Who are some of your influences?
POP: My heart will always be with the ’90s ladies like Bikini Kill and Bratmobile and other affiliated acts like Helium and Sleater Kinney and the ’70s UK punks: The Slits, Raincoats, XRay Spex. Zec loves Siouxsie Sioux, Nina Hagan, Wayne County and her love of Kate Bush and Bowie is clear in her phrasing. As a guitarist, I also love bands like Gossip and Yeah Yeah Yeahs because Plaster is a two-piece band mostly: guitar and drums. Three people just locking in. Having said that, we are touring as a five-piece!
How about you Last Quokka? What artists have made a big impression on you?
LQ: We did a whip around the band: Kirill – Michael Jackson, Carlota – Tool, Justin – IDLES, Ray – Fugazi, Trent – Phoebe Bridges.
What can music lovers expect from these shows?
LQ: Drunken shenanigans, conversations about Geoff Gallop, some booty shaking, and maybe some good music.
After the tour wraps up, what’s next for you?
LQ: We’re working on our fifth LP so that’s exciting and trying to eventually get over to the EU! A few of us are also thinking about getting more pets, maybe learning to play tennis. That kind of thing.
POP: Extend the tour with more dates!! Let’s do Tassie and Darwin and then Europe. Quokkas watch out!
If you’re ready to rock (and let’s face it, who isn’t?), you can catch Last Quokka and Plaster of Paris at the venues below. Check out the Last Quokka and Plaster of Paris socials for tickets and more details about the shows:
1 April 2022 – The Outpost, Brisbane (with Tape Off)
2 April 2022 – Eleven Dive Bar in Maroochydore (with Tape Off)
3 April 2022 – Sonic Sherpa, Brisbane (instore)
7 April 2022 – The Servo, Port Kembla (with The Elastic Waste Band)
8 April 2022 – Graveyard Shift @ The Lansdowne, Chippendale (with Yes I’m Leaving)
9 April 2022 – The Old Bar, Fitzroy (with Zig Zag)
10 April 2022 – Arvo show at the Barwon Club, Geelong (with Zig Zag)
6 May 2022 – The Bird, Northbridge (with Dead Tooth Hottie)
7 May 2022 – Yardstock! Fremantle
8 May 2022 – The Shed, Albany (with Pack Hoarse)
Images used with permission from Last Quokka and Plaster of Paris; photo credit for Plaster of Paris photo: Kalindy Williams
On a gloomy day in a week that seems far too long, Driving in the Dark, the new EP from East Coast act Columbus is the perfect punky pick-me-up. This three-piece band has punk-pop down to a fine art. Combining a nostalgia for the genre’s glory days of the late ‘90s and early ‘00s with a fresh perspective, I can’t get enough.
The five-track EP starts with recent singles “Temporary Summer”, “Full Heart”, and “Pain is a Mirror” bringing new fans up to speed and reminding those of us who’ve been on the bandwagon for months just how good this music is. Things take a little left turn with “The Holiday,” with the band trading in the electric guitars for acoustic ones. It’s still got the band’s trademark energy, but it’s delivered with more sweetness. I love when the band is full throttle, but it’s exciting to hear them working with a different gear. Columbus cranks it up for the EP’s closer “Care About You”. It’s anthemic and glorious, the perfect final impression.
“I wrote the Driving in the Dark EP about learning how to love – my life, others, and myself,” frontman Alex Moses explained. “With each release we’re adding to the fire what Columbus means to us. This EP represents where we’re at right now. It’s been a wild time driving in the dark, but I think we’ve finally arrived.”
Driving in the Dark is out now. Columbus will play the following shows next month to support its release.
9 April 2022 – Crowbar, Sydney
14 April 2022 – The Brightside, Brisbane
17 April 2022 – North Gong, Wollongong
29 April 2022 – Fat Controller, Adelaide
30 April 2022 – Stay Gold, Melbourne
Waxflower’s ability to lift your mood in less than three minutes shouldn’t be underestimated. Just like previous singles “Soak” and “Ring,” their new track “The Drama Scene” clocks in at under that magic three-minute mark. And just like those other singles I adored, this one makes a massive impact in such a short space of time. Surely it’s a superpower.
“‘The Drama Scene’ is a reflection of my social life at the time,” explained frontman Tristan Higginson. “There was just so much negativity swirling around, and I was contributing to that. I was generally unhappy. The song is me airing out some of the agitation I had with where my own actions were placing me. The song is mostly the same as the demo, with exception of the second verse which ended up a more DnB style effort. Stevie [Knight] helped us add more programming to make that section of the song stand out from the rest.”
The release of “The Drama Scene” isn’t the only exciting thing happening for Waxflower today. They’re also kicking off their supporting duties for Trophy Eyes, starting with the first gig tonight on the Sunshine Coast. Arrive early to catch their set at one of the following shows:
24 March 2022 – Eleven Dive Bar, Sunshine Coast
25 March 2022 – The Northern, Byron Bay
26 March 2022 – Coolangatta Hotel, Coolangatta
27 March 2022 – The Triffid, Brisbane
1 April 2022 – Torquay Hotel, Torquay
2 April 2022 – Pier Bandroom, Frankston
7 April 2022 – Corner Hotel, Melbourne
8 April 2022 – Sooki Lounge, Belgrave
20 April 2022 – UC Refectory, Canberra
21 April 2022 – Uni Bar, Wollongong
22 April 2022 – Cambridge Hotel, Newcastle
23 & 24 April 2022 – Oxford Art Factory, Sydney
Image used with permission from Habit Music Co.
DICE have only been together for 15 months, but they’ve made a big impression during that time. Aside from winning my heart, they’ve released six singles, clocked up 900,000 streams, and sold-out headline shows. They might just crack the magic million with their latest effort “Bad Tattoo.”
“’Bad Tattoo’ steers away from deeper meanings like our past tracks had (self belief, the mental and physical strain of gigging, how to cope with young relationships),” the band said. “We wanted to create a track which can embody our cheeky, light-hearted side of experiencing young adulthood. With reference to past experiences, we portray bad tattoos as a good thing, a representation of a memory rather than regret.”
DICE are also preparing to drop their first EP Adolescent Arcade. To celebrate its release, the Perth band will tour their home state next month.
“Our upcoming EP tour is a huge milestone for us and a major achievement after only 15 months as a band. We have been privileged to be able to support other bands tours such as Dear Sunday and Death by Denim but there is something extra exciting and special about doing it yourselves,” the band added. “This is definitely a big mark in our career and we are ecstatic to be able to perform our own shows at some of our favourite places such as Margaret River and also do our first all-ages show at YMCA HQ.”
Get those tickets while they’re hot!
1 April 2022 – Mandurah Top Floor, Mandurah (with Ra Ra Viper & Little Guilt MANDURAH, WA
8 April 2022 – YMCA HQ, Leederville (All Ages with Ra Ra Viper)
9 April 2022 – The River Margs, Margaret River (with Ra Ra Viper and King Blue)
30 April 2022 – DICE Fest @ Badlands, Perth
Image used with permission from Beehive PR; credit: Odin Fahey
I’m turning the volume right up this morning. It’s the best way to listen to “Miles Away,” the latest single from Melbourne punk-rock act Captives. The song features on their sophomore album Return to Mars, which drops on March 31. Captives wrote “Miles Away” during last year’s lockdowns, when they longed to be anywhere but Victoria’s capital.
“Miles Away has got all the feels about feeling trapped, stuck in a cycle, partying to excess and being so far away from everything and anyone you love. It sounds romantic in a sense,” explained vocalist Aaron Damon. “It also channels some inspiration from the Hoodoo Gurus, which was a band I grew up loving and still admire, so that’s OK with me.”
Or at least, turning up the volume is the best way to listen to the song at home. Something tells me the track gets some extra energy live. Thankfully Captives are just about to embark on a tour taking in major capitals and the Gold Coast. Get your tickets to these shows, because Captives are ready to raise the roof.
2 April 2022 – Halloween Hysteria, Brisbane
9 April 2022 – The Vanguard, Sydney
16 April 2022 – Crown and Anchor, Adelaide
23 April 2022 – Gasometer Hotel, Melbourne
29 April 2022 – Mo’s Desert Clubhouse, Gold Coast
7 May 2022 – Wallapalooza Festival, Gold Coast
Image used with permission from Beehive PR; credit: @rcstills
On a grey and gloomy day, 
On a gloomy day in a week that seems far too long, Driving in the Dark, the new EP from East Coast act 
