Category: Film Clips

Posted on by Lauren Katulka

A Swift Farewell and Clay J Gladstone Team Up For “Stressed Out”

Sydney punk acts A Swift Farewell and Clay J Gladstone have joined forces for the collaboration of your dreams. Their new single “Stressed Out” perfectly showcases everything that makes these two local acts so special. If you’re feeling frustrated or struggling in any way today, you’re going to want to turn the volume all the way up on this one.

“The song is about not expressing emotions and often hiding and burying feelings until it gets too much.” A Swift Farewell explained. “We wanted to show our darker side with this track, as we felt our two previous singles were a fair bit more pop-influenced and mid-tempo. Funnily enough, its working title was actually ‘angry boi’.”

Creating the film clip at Marrickville’s Sydney Props Studio was a labour of love, according to A Swift Farewell frontwoman Emma Mather.

“We built the set ourselves,” she said. “It was a hustle! First, we had to build huge panels of fake grass. It represents the chaotic ‘inside’ of that same person who’s pretending they’re fine but hiding all their bad feelings. Then, at the end of the video, we tried representing ‘getting buried’ by having people throw gardening soil at us while we played. We thought this was a good idea, but it was so painful as the soil was getting into our eyes and mouths and clothes.”

A Swift Farewell will support the release of “Stressed Out” with a show at the Burdekin Hotel on March 27 supporting Heroes for Hire. If you heard the buzz when they supported FANGZ, Headstrong, or Cambridge, you’ll want to check this gig out.

Image used with permission from Good Intent; photo credit: Robbie Walcott

Posted on by Lauren Katulka

Meg Mac Goes Deep With “Is It Worth Being Sad”

Meg Mac has just released a powerful, thought-provoking new single “Is It Worth Being Sad” that I know you’re going to love. Her music always gets me with its intimate, introspective lyrics and strong vocals. This track is no exception. Whatever you’re struggling to move past in your life, hopefully you can use this song as therapy as Meg did.

“I had just run away to the country,” she recalled of the time she wrote her new single. “I was running away from my troubles. I was living in peace and quiet finally and really thought I’d figured it all out, and it was all smooth sailing ahead. It was the start of sorting out my life. This song was like my first step—I didn’t know it then, though.”

I’m a big believer that the right song finds you when it’s supposed to. With so many of us feeling like 2022 will mark a new chapter, I’m sure this song will resonate with many of you.

Image used with permission from Meg Mac

Posted on by Lauren Katulka

Polish Club Rock Out With “Unstable”

Ahead of their Aussie tour, Polish Club are back to rock you with their latest single “Unstable.” Doing mid-tempo rock well is a bit of an art, but Polish Club nail it here. It’s even got a classic guitar solo! John-Henry Pajak and David Novak are on such a roll, and they’re not ready to stop any time soon.

“We found ourselves not wanting to stop the momentum after our last record,” David admitted. “We couldn’t tour, and we had so many good songs left unfinished. So there was zero hesitation when it came to deciding to regroup with Wade in the studio and just punch out some rock songs.”

With COVID restrictions lifted, there are more tickets available for all Polish Club’s East Coast shows but they won’t last long. Don’t muck around if you want to get yourself to one of the following shows:

1 April 2022 – Miami Marketta, Gold Coast
2 April 2022 – The Tivoli, Brisbane
7 April 2022 – The Cambridge, Newcastle
8 April 2022 – UOW Unibar, Wollongong
9 April 2022 – Roundhouse, Sydney
14 April 2022 – The Gov, Adelaide
16 April 2022 – Badlands, Perth (SOLD OUT)
22 April 2022 – Torquay Hotel, Torquay
23 April 2022 – The Croxton, Melbourne

Image used with permission from Island Records Australia

Posted on by Lauren Katulka

Kirrah Amosa Owns New Single, “Possessive”

Canberra is better known for its buttoned-up politicians than its awesome R&B acts, but Kirrah Amosa is working hard to change that perception. Her latest single “Possessive” seems effortlessly cool. Her vocals are confident, whether she’s playing in her lower register or delivering angelic high notes. The presser compares her to fresh new artists like SZA and Kehlani, but as I listen I’m also reminded of old-school jams from Aliyah and Monica. The song is deeply personal, recounting times of struggle while celebrating growth and her potential for the future.

“2020/2021 bestowed on me the best of the worst; crushed my dreams, dissolved years of hard work, ended my relationship, introduced me to my new bestie, Anxiety, and helped me understand that the niggling feeling in the back of my head wasn’t motivation to be healthier – it was body dysmorphia,” Kirrah admitted. “2022 is officially the new year of birth as I have completely shed all remnants of the shame and doubt that fuelled my being and have fully embraced my good and semi-toxic traits e.g., ‘Possessive’. Accepting this darker side of me was nothing short of absolute liberation, so if you’re anything like me, I offer you this. Instead of entering the always-vicious screening cycle with a new potential partner, feel free to play them ‘Possessive’. Let ‘em know what to expect, and if they get surprised by your ‘passion’ (or emotion-filled mood swings), that’s on them.”

The music video is just as personal as the song, as it was shot on location at her grandparents’ home.

“I grew up in my grandparents’ house, so I’ve only ever seen it as another home until very recently realising it was the ultimate, ‘70s-vintage, jackpot and location for all my content, including ‘Possessive’,” Kirrah added. “I needed this video to be very different to everything I’d done in the past, so I just let my inner-crazy alter-ego take over. She knew exactly how she wanted each shot, exactly where she needed each scene, exactly how to deliver each line. Combine this with [filmographer] Isack Hoppit’s unmatched ease behind a lens, and the underutilised acting expertise of my good friend and talented artist, Kirklandd, this song and video is my proudest piece of work so far. I am nothing without my loyal team.”

If this song is any indication, I can’t wait to hear what else 2022 brings for Kirrah Amosa.

Image used with permission from Beehive PR; photo credit: Siapo Screen

Posted on by Lauren Katulka

Sasha March’s “Can I Call” is Worth the Wait

Sasha March casts a spell with her latest single “Can I Call.” This song kind of snuck up on me. It’s subtle, but it has a way of getting under your skin with its languid electro beat and Sasha’s beautiful voice. The minimalist treatment gives the song space to breathe, ensuring you feel the full impact of her words.

“’Can I Call’ could be a dark place or a kind of comfort depending where you’re at,” Sasha admitted. “It could be a love song, or a place where you fight yourself as the super hero and the villain. But there’s always hope that there’ll be someone or something to sober you and ground you again before the next round.”

Sasha’s had the song in her back pocket for a while, but collaborating with Tristan Jvmes has transformed it into the special single you hear today.

“I left it aside for ages and then eventually took it to Sydney producer Tristan Jvmes last year,” Sasha added. “Tristan built up a bunch of ideas sonically and each time his production developed, I’d do another vocal take. This was a fun process which went on for a few months until we found together what the song meant and eventually I did a vocal take I was happy with. We lost count of the different versions, but landed on the final loved one and sent it off to be mastered by Harvey O’Sullivan at Studio 301 in Sydney.”

Sometimes music is worth the wait. This song certainly is.

Image used with permission from Beehive PR

Posted on by Lauren Katulka

Viral Hitmaker Sarah Saint James Captures My Heart With “fake ass friends”

Sarah Saint James has made a splash on TikTok, amassing 2.4 million streams and more than 1.5 million views for user-generated content using her 2021 track “mad at god.” With her latest track “fake ass friends,” she might just make the transition from viral musician to mainstream star.

This single is heartbreakingly beautiful. I feel the loneliness in her vocals and the powerful lyrics, the result of a collaboration with former X Factor winner Cyrus. The understated production lets those two elements shine, drawing you into her world and daring you to listen to her story. I wish I’d heard this song as a teenager. It resonates with me now, but it definitely would have made me feel less isolated then.

“I only got invited to a few parties when I was younger. My small group of friends and I always wanted to go out, but we were so unpopular that we had nowhere to go,” Sarah recalls. “When I was at a party in Year 11, I overheard those so-called friends calling me a loser on the other side of a bathroom door, and that experience inspired this song. I thought about how I’d rather be surrounded by fake friends at parties looking cool, than be at home on a Saturday night watching their stories alone. When I look back, I feel really sad that I compromised myself to be surrounded by fake people – but everyone feels that way at some point, regardless of where you sat in the high school hierarchy.”

Sarah Saint James has more new music coming, with her debut EP Home Is Where The Hell Is scheduled for a March 18 release.

Image used with permission from Bianca Blancato; credit: Jess Gleeson

Posted on by Lauren Katulka

Get Your Groove On With New Cosmo’s Midnight, “Can’t Do Without (My Baby)”

Saturdays call for tunes that make you want to groove. Whether you’re heading out to one of the country’s many venues that have recently opened their doors or you’re enjoying a party at home, “Can’t Do Without (My Baby)”, the latest release from Cosmo’s Midnight, is your perfect soundtrack.

The track samples a long-forgotten gem from the ’70s, “I Can’t Do Enough For You Baby” by Tommy Tate. With those silky soulful vocals, I have no clue why Tommy wasn’t bigger, but maybe this track will be enough to put him back in the spotlight. Cosmo’s Midnight have worked real magic here, incorporating irresistible elements of electronic and funk production into the track. Listening just makes you feel good!

“It’s strange how people can be nostalgic for eras they’ve never experienced,” Cosmo’s Midnight mused. “For ‘Can’t Do Without (My Baby)’ we wanted to capture the feel of coming of age at the turn of the millennium (even though we were just lil babies at the time) when house music was in its golden age. It was celebratory and ecstatic, which is something we really try to bring out in our tunes. This song is really a celebration of that, which feels especially poignant to us, as we all emerge from 24 months of self-reflection, isolation, and anxiety.”

Cosmo’s Midnight wowed crowds in the back-end of last year with sets at Wildlands Festival, Beyond the City, Lost Disco, and even South Korea’s virtual Busan International Rock Festival. They’re not slowing down either, with plenty of shows supporting Flight Facilities before they jet off to Portugal. If you don’t already have your tickets for one of these gigs, you know what to do!

13 March 2022 – The Cunningham Pier, Geelong
19 March 2022 – Victoria Park, Sydney (supporting Flight Facilities)
26 March 2022 – Sidney Myer Music Bowl, Melbourne (supporting Flight Facilities)
2 April 2022 – Riverstage, Brisbane (supporting Flight Facilities)
9 April 2022 – Bonython Park, Adelaide (supporting Flight Facilities)
23 April 2022 – Darwin Amphitheatre, Darwin (supporting Flight Facilities)
15 July 2022 – Super Bock Super Rock 2022, Sesimbra

Image used with permission from Neighbourhood PR

Posted on by Lauren Katulka

Get Your Groove On With The Vultures’ Stellar New Single, “Conversations”

Gold Coast indie rockers The Vultures have blown me away with their awesome new single “Conversations.” This track has such a cool indie rock vibe with just a hint of disco sparkle. It’s fresh and fun, with such a great laidback groove. It might just be the last great summer anthem to drop this year. Can’t you just imagine sitting poolside, sipping cocktails, while this bad boy plays? While it reminds me of good times with friends, the lads from The Vultures actually penned this song in response to the isolation they felt during the 2020 Melbourne lockdowns.

“‘Conversations’ is about turning to dreams as a mode of communication at the emergence of a newly chaotic world, separated from our family, friends, and the outside,” they explained. The song is complemented by a dreamy new video clip which the band describes as “a sleek retro green screen throwback of trippy visuals, mirroring the concepts and vibe of the music.”

The Vultures will launch the single officially at hometown venue Mo’s Desert Clubhouse on March 17. It’ll be their first live show in more than six years, so you don’t want to miss it. Listen out for their debut album ESCOBAR dropping later this year.

Image used with permission from GYRO PR

Posted on by Lauren Katulka

Eliza & The Delusionals Get Me Nostalgic With “Give You Everything”

Eliza & The Delusionals are kicking off an action-packed 2022 with a brand new single, “Give You Everything.” This song is everything I love about the band, earnest and emotive with a floaty, fresh feel that encourages you to press play time and time again. It hearkens back to music from so many female singer-songwriters I loved in the ‘90s. If you had Lisa Loeb and Michelle Branch on regular rotation back then, I think you’re going to love this.

Guitarist Kurt Skuse and frontwoman Eliza Klatt started writing the song in Los Angeles with acclaimed US songwriters Sarah Aarons (Zedd, The Rubens, Childish Gambino) and John Hill (Cage The Elephant, Lykke Li, Charli XCX). Some refinements at home make “Give You Everything” the incredible track you hear today.

“We were sitting around John’s studio talking with Sarah about how we both have had similar bitter experiences within the music industry with certain people taking advantage of our benevolence,” Kurt recalled. “It was nice to be able to open up to someone who could also relate to that situation which made the whole writing process feel really natural and organic. It’s a collective favourite for us on the album and it really shaped the rest of the record thematically and sonically.”

As I hinted to earlier, Eliza & The Delusionals are preparing for a busy few months. They’ll support The Vanns on their national tour before taking their own lap of the country as headliners. Then they’re off to the United States to play Bottlerock alongside artists like P!nk, Twenty One Pilots, and Metallica. Their highly anticipated debut album Now and Then also drops on May 20. Here are all the dates you need:

5 March 2022 – Forum, Melbourne (supporting The Vanns)
6 March 2022 – Torquay, Hotel Torquay (supporting The Vanns)
12 March 2022 – Altar, Hobart (supporting The Vanns early show SOLD OUT)
12 March 2022 – Altar, Hobart (supporting The Vanns late show SOLD OUT)
13 March 2022 – Forth Pub, Forth (supporting The Vanns)
18 March 2022 – Cambridge Hotel, Newcastle (supporting The Vanns)
19 March 2022 – Manning Bar, Sydney (supporting The Vanns)
25 March 2022 – Wollongong Uni, Wollongong (supporting The Vanns)
1 April 2022 – Kambri @ ANU, Canberra (supporting The Vanns)
9 April 2022 – The Leadbeater, Melbourne
17 April 2022 – The Brightside, Brisbane
22 April 2022 – OAF Gallery, Sydney (early show)
22 April 2022 – OAF Gallery, Sydney (late show SOLD OUT)
23 April 2022 – La La La’s, Wollongong
24 April 2022 – Huxley’s, Caringbah
29 May 2022 – Bottlerock Festival, Napa Valley

Image used with permission from Beehive PR; credit: Luke Henery

Posted on by Lauren Katulka

Listen to FANGZ’s “Falling is Pretty Normal” Loud

If Hump Day is hitting you hard, press play and crank up the volume on “Falling is Pretty Normal.” I can’t promise that FANGZ’s latest single will take away any of the frustrations of your workday, but this aggressive and ultra-catchy track might just make you forget about them for a little while. It’s bold and ballsy with stellar vocals from frontman Joshua Cottreau.

“‘Falling Is Pretty Normal’ was written just after I lost someone close to me,” Joshua explained. “I wasn’t coping at all, and I found myself spiralling without even realising. I would have these vivid dreams in which the departed would be there and it’d feel so real. In that moment I’d be happy. Then my alarm would sound, and the reality would hit me like a tonne of bricks. It’s about learning to deal with loss and knowing that the person maybe gone but the lessons they taught you still live on as long as you remember.”

The song comes from a dark place, but the music video, which pays homage to blink-182’s iconic clip for “What’s My Age Again?”, is pure joy. Keep your eyes peeled for the cameos!

FANGZ is celebrating the release of “Falling is Pretty Normal” with a 10-date tour of the Eastern states kicking off next month. Check them out at the following venues:

5 March 2022 – 4 On the 4loor, Orange
12 March 2022 – Hamilton Station, Newcastle
25 March 2022 – Crowbar, Sydney
26 March 2022 – The Basement, Canberra
1 April 2022 – The Baroque Room, Katoomba
2 April 2022 – Halloween Hysteria, Mansfield
22 April 2022 – Pelly Bar, Frankston
23 April 2022 – The Evelyn, Fitzroy
24 April 2022 – The Eastern, Ballarat
28 May 2022 – La La La’s, Wollongong

Image used with permission from Good Intent; credit: Rhys Bennett – @highvoltagephotography