Cook up Serves Up Hot New Aussie Music Online

Trouble Juice and baked have joined forces for cook up, a new live music platform dedicated to bringing you some of the freshest new Aussie acts. The content comes thick and fast from these guys. Just a couple of days ago they dropped a video of Hachiku performing “I’ll Probably Be Asleep” at Milk! Records. This evening they’re releasing a video of Chitra performing “Better Than Before” live from Our Golden Friend HQ. You’ll see these artists and others cook up shares in the coming weeks at the Brunswick Music Festival.

There’s a lot to love here. Regular content is always good, especially right now when there’s not nearly enough live music around. They’re showcasing diverse local artists who really need a platform right now. And they’re taking the time to really explore what these artists are about. Interviews on the Instagram page complement the videos on Facebook.

Make sure you hit those follow buttons so you can keep up to date with all the great content from cook up!

Image used with permission from Trouble Juice

Discover Port Macquarie Music Scene With Dark Alley Sessions on YouTube

The pandemic hasn’t given us a lot to celebrate, but one thing that has got me excited is watching businesses and industries pivot. I miss the thrill of live gigs, which are still far too few and far between for my tastes, but I’ve been devouring live streams and recorded shows on YouTube. The latest videos to cross my path are the Dark Alley Sessions, a series of intimate short gigs recorded in Port Macquarie record store, Dark Alley Collectables.

The mid-North Coast town was the hub of a vibrant music scene that many of us never had the opportunity to experience. Through the Dark Alley Sessions, we can. The latest episode features mikk, a brilliant young singer-songwriter, multi-instrumentalist and producer. Her three songs, including a breathtaking cover of Bon Iver’s “Heavenly Father” have me wanting more. Thankfully she’ll release an EP coming out soon to scratch that itch.

And that’s just for starters. The Dark Alley Sessions YouTube channel features several performances and interviews showcasing the talents of up-and-coming artists who might otherwise slip under your radar. Give them a follow and catch up on all their great clips!

Image used with permission from RAWR Music

The Smith Street Band Goes Semi-Acoustic For COVID-Safe Shows

The last year has taught us all to pivot as we’ve attempted to thrive in this new normal. If you’ve had told me 12 months ago that The Smith Street Band were planning semi-acoustic seated shows I’d have laughed, and yet here we are. And funnily enough, it all makes perfect sense.

As soon as Victorian restrictions were eased, the band set about rehearsing and rewriting many of their songs to suit a more mellow, COVID-safe environment. The band will take these reworked tracks to fans across Victoria and New South Wales in the coming months.

The shows coincide with an album of those reworked tracks, Unplugged in Wombat State Forest. The first single, “It’s OK” isn’t too dramatic a departure from the original, but I expect we’ll hear a few left turns when the album drops on March 5. If you love what you see, you can also stream a video featuring all the songs here. And remember to get on to those The Smith Street Band Unplugged shows. With limited capacity in all venues and some shows already sold out, the remaining tickets won’t last long.

26 February 2021 – Ulumbarra Theatre, Bendigo
27 February 2021 – Lighthouse Theatre, Warrnambool
4 March 2021 – The Forum, Melbourne
5 March 2021 – The Forum, Melbourne (SOLD OUT)
6 March 2021 – The Forum, Melbourne (SOLD OUT)
12 March 2021 – The Enmore, Sydney
17 April 2021 – Yours + Owls Festival, Wollongong

Image used with permission from Little Giant Agency; credit: Ian Laidlaw

The 2020 ARIA Awards Wrap-Up

Judging by the fairly dismal ratings, it seems many of you missed the 2020 ARIA Awards last night. These nights are rarely ratings bonanzas, but there’s always some gold amongst the broadcast. I was also fascinated to see how this year’s awards would function given the current global pandemic. Funnily enough, crosses to artists around the country and a virtual mosh pit felt more natural than that year outside the Opera House. I could have done without the international acts, but I suppose they added a bit of glamour to proceedings.

Tame Impala continued their winning run, taking home five awards including album of the year. Major props to Sampa the Great who no doubt raised her profile with three ARIA wins. On a personal note, I was thrilled to see Miiesha take home the best soul/R&B release for Nyaaringu, one of my favourite releases of the last year.

I think the ARIA awards are a great platform for helping the average Australian catch up with the local music scene. Performances from Lime Cordiale and Amy Shark were especially stellar. But there were two moments for me that really hit my heart. Watching Archie Roach taking his place in the ARIA Hall of Fame, hearing him sing “Took the Children Away” with Paul Kelly, Linda Bull, and other real talents was so moving. The final number, a tribute to Helen Reddy, brought Australia’s leading female artists together for her feminist anthem “I Am Woman.” Generations of strong Aussie female performers were represented, from Marcia Hines and Kate Ceberano to Tones & I and Montaigne. A video wall brought more famous voices into the chorus. This was packed, and as a woman I’ve got to admit I got a little misty by all that strong feminine energy.

If you missed the show, I encourage you to check out these performances if nothing else. And listen to those albums and songs celebrated this year. Here are all the winners:

ALBUM OF THE YEAR: Tame Impala – The Slow Rush
BEST MALE ARTIST: Archie Roach – Tell Me Why
BEST FEMALE ARTIST: Sampa The Great – The Return
BEST DANCE RELEASE: Dom Dolla – San Frandisco
BEST GROUP: Tame Impala – The Slow Rush
BREAKTHROUGH ARTIST: Lime Cordiale – 14 Steps To A Better You
BEST POP RELEASE: Amy Shark – Everybody Rise
BEST HIP HOP RELEASE: Sampa The Great – The Return
BEST SOUL/R&B RELEASE: Miiesha – Nyaaringu
BEST INDEPENDENT RELEASE: Sampa The Great – The Return
BEST ROCK ALBUM: Tame Impala – The Slow Rush
BEST ADULT CONTEMPORARY ALBUM: Archie Roach – Tell Me Why
BEST COUNTRY ALBUM: Fanny Lumsden – Fallow
BEST HARD ROCK/HEAVY ALBUM: King Gizzard & The Lizard Wizard – Chunky Shrapnel
BEST BLUES & ROOTS ALBUM: The Teskey Brothers – Live At The Forum
BEST CHILDREN‘S ALBUM: Teeny Tiny Stevies – Thoughtful Songs for Little People
BEST COMEDY RELEASE: Anne Edmonds – What‘s Wrong With You?
BEST VIDEO: Guy Sebastian – Standing With You
BEST AUSTRALIAN LIVE ACT: Amy Shark – Amy Shark Regional Tour
SONG OF THE YEAR: 5 Seconds Of Summer – Teeth
BEST INTERNATIONAL ARTIST: Harry Styles – Fine Line
BEST COVER ART: WASHINGTON – Batflowers
ENGINEER OF THE YEAR: Kevin Parker for Tame Impala – The Slow Rush
PRODUCER OF THE YEAR: Kevin Parker for Tame Impala – The Slow Rush
BEST CLASSICAL ALBUM: Richard Tognetti & Erin Helyard – Beethoven & Mozart Violin Sonatas
BEST JAZZ ALBUM: Paul Kelly & Paul Grabowsky – Please Leave Your Light On
BEST ORIGINAL SOUNDTRACK OR MUSICAL THEATRE CAST ALBUM: Chelsea Cullen – I Am Woman (Original Motion Picture Soundtrack)
BEST WORLD MUSIC ALBUM: Joseph Tawadros – Live at the Sydney Opera House

Perth Brother Act Coterie Stuns With “Salvation”

Perth act Coterie speaks to the heart with their moving sophomore single “Salvation.” This band of brothers was raised on a musical diet of R’n’B mixtapes and Jimi Hendrix, but this song reminds me of Hozier or Rag’n’Bone Man with its bluesy gospel feel.

The music video for “Salvation” was filmed at Fremantle Prison, and it has just the right mix of darkness and hope.

Coterie might be relatively new on the scene, but these guys have the kind of chemistry that comes from jamming together your whole life. Discover why they might just be your new favourite band at one of their upcoming shows.

26 February 2020 – El Grotto, Perth
16 April 2020 – Waywards, Sydney
17 April 2020 – The Penny Black, Melbourne
19 April 2020 – Tattersalls Hotel, Goulburn
23 April 2020 – Waywards, Sydney
24 April 2020 – The Penny Black, Melbourne
26 April 2020 – North Gong Hotel, Wollongong
30 April 2020 – Waywards, Sydney
1 May 2020 – The Penny Black, Melbourne
7 May 2020 – Waywards, Sydney
8 May 2020 – The Penny Black, Melbourne
10 May 2020 – Beach Road Hotel, Sydney

Alexander Biggs Scrubs Up for New Single Ahead of SXSW

Melbourne singer-songwriter Alexander Biggs has dropped a new single to celebrate his forthcoming shows at Austin’s prestigious South by Southwest festival. “Laundromat” delivers more of the mellow vibes and sweet, poetic lyrics we’ve come to expect from Alexander.

Listening to “Laundromat” is the perfect antidote to the stress of the working week, with all its hustle and bustle. The single version is on your favorite digital streaming services, but I thought I’d share this live version with you. Recorded at Paste Studio in New York City, this video gives you a little taste of what you can expect at Alexander’s shows.

Alex will warm up for his next U.S. dates with a single launch show for hometown fans at Common Rooms on February 21. Americans and expats can catch him in Austin from March 16 to 22.

Montaigne Off to Eurovision

We’ve had time for the glitter to settle on the news that Montaigne will head to Rotterdam in May to represent the nation in Eurovision with her song “Don’t Break Me.” It’s been a polarising decision, with many online comments I’ve read bemoaning the choice, insisting Casey Donovan or Vanessa Amorosi were worthier picks.

Of course, the very best art is often polarising. If everyone loves what you do, you’re probably not pushing the boundaries. I personally advocated for Montaigne years ago, when she first burst onto the scene, insisting her artistry and sense of theatre would be perfect for the big stage. However, when it came to watching the Australia Decides show, it was Casey Donovan and Didirri that stole my heart. However, that doesn’t mean I think Montaigne was the wrong choice. After all, Electric Fields was my favourite act in last year’s event, yet when it came time for the big show I felt Kate’s act was the strongest. It was the first time I could cheer wholeheartedly for my country rather than feeling someone else was doing Eurovision better. So I trust this process works.

Having said that, I would have liked to see more transparency in the voting process. When it comes to Eurovision, it’s all very clear. The top pick from the public gets the douze points, all the juries vote in a similar fashion, and we get our result. However, from where I sat, the numbers assigned to each act seemed arbitrary. Could the people’s choice, Casey, have ever represented us if the jury didn’t agree? I’m not sure, and I think that needs to be clarified.

When all is said and done though, I think it’s time to get behind our winner, even if it wasn’t our personal pick. I’ve listened to “Don’t Break Me” again this morning and it’s a fab song. With the full budget behind it, I think it’ll be spectacular. Montaigne might even win Eurovision for us.

Cloe Terare Goes Acoustic For “Easy” Release

All too often production takes centre stage when electronic acts release singles. So it’s refreshing to hear Brisbane’s Cloe Terare strip her music back for her new single “Easy.” This treatment puts her heartfelt lyrics and soulful voice up front. Releasing a treatment that’s so raw might have been a difficult choice for other artists, but Cloe said it felt completely natural.

“We [Cloe and fellow electronic act DVNA] wrote it on the side of a big lake in the most beautiful rain forest area so whenever I sing it I picture myself there. It’s been produced a few times a few different ways but we decided it really sounds its most genuine and organic as the acoustic it was originally written as; so that’s how we are releasing it,’ she explained.

In keeping with the single’s no-frills release, the music video is a live-take studio session featuring the guitar skills of the Sunshine Coast’s Dorah Jacson. It’s got a beautiful, organic authenticity about it that I really warm to. With plenty of other collaborations in the works, we should be hearing a lot more from Cloe Terare.

Image used with permission from GYRO PR

Ali Barter Covers Julia Michaels Ahead of Summer Gigs

Ali Barter has wowed music lovers with the tracks from her sophomore album Hello, I’m Doing My Best, but she’s also capable of releasing a stunning cover. She recently released her take on Julia Michaels’ “Issues,” and it’s really something special.

It’s a beautiful, delicate reworking that doesn’t stray so far from the original that it’ll alienate listeners. You’ll find it on Spotify, but I think there’s something magical about watching it take shape at Prime Recording in Nashville.

Ali is spending more and more time Stateside as her star rises. She’s got a couple of local gigs lined up next year before she returns to the US for South by Southwest.

3 January 2020 – Espy Gershwin Room, St Kilda
5 January 2020 – Summer Sundays, Ballarat
13-22 March 2020 – South by Southwest, Austin

Image used with permission from Inertia Music

Vale Greedy Smith

Sometimes you get music news that knocks the wind out of your sails. Hearing that we’ve lost Andrew “Greedy” Smith is one of those pieces of information I wasn’t quite ready for.

For years he’s been the man keeping Mental as Anything’s legacy alive, the only original member still rocking. Still touring right up to the end. The band were due to start a string of shows in Victoria on Thursday. This wasn’t a guy who thought he was going anywhere.

Greedy passed away after suffering a heart attack on December 1. He was just 63 years old. He is survived by his son Harvey, fiancée Fiona Docker, brother Stuart, and a legion of Aussie music fans who will keep celebrating the music of The Mentals in his honour. Here’s a start.