Category: Video

Posted on by Lauren Katulka

Rock Out With Catholic Guilt

Naarm/Melbourne alt-rock act Catholic Guilt have just released their fantastic new song “Can You See Me?” It’s brand new, but there’s a beautiful nostalgia about it. It feels instantly familiar and accessible, the sort of song you immediately like and want to turn right up. The lyrics, which deal with feeling like you’ve lost your identity, are also so relatable.

“For me personally, that feeling was brought on by a period of intense emotional and physical upheaval caused by a variety of interpersonal issues and a few serious life and career setbacks,” explained Catholic Guilt frontman Brenton Harris. “All of these issues coalesced around the time of the lockdowns and ended up impacting life on the other side of it, resulting in me living life as a version of myself that felt so unfamiliar, so unconfident, so shaken, so entirely unlike ‘me’. Writing the song allowed me to process and heal and move onto the next evolution of ‘myself’. It’s our ‘feel sad hit of the summer’.”

Catholic Guilt will launch “Can You See Me?” tomorrow night at The Tote. There are still some tickets remaining, so grab them while you can! If you miss out, don’t stress. You can catch them supporting Guttermouth next year.

18 November 2023 – The Tote, Naarm/Melbourne
15 Match 2024 – Stay Gold, Naarm/Melbourne (supporting Guttermouth)

Photo credit: Dean Gordon

Posted on by Lauren Katulka

Dane Tutty and Jen Buxton Duet On “church”

Mulubinba/Newcastle alt-folk artist Dane Tutty has teamed up with fellow Novacastrian Jen Buxton for a fantastic new single “church.” I love the way Dane’s textured vocals contrast with Jen’s sweeter ones. You can hear the emotion in their voices as they sing this powerful duet. It’s really good stuff.

“church” gives us our first taste of Dane’s upcoming EP. If this song is any indication, it’s going to be pretty special!

Image used with permission from Dane Tutty

Posted on by Lauren Katulka

This Space is Ours Release Epic New Single, “All the Things I’ve Been Avoiding”

We’re used to hard-hitting songs from Naarm/Melbourne emo act This Space is Ours, but they’re showing us a softer side with their latest single “All the Things I’ve Been Avoiding.” Frontwoman Gemma Dunsmore’s delicate vocals draw you in before the song shifts gears and those trademark drums and guitars kick in. This one’s given me chills.

“The lyrics are written about mental health struggles and the gruelling path to getting better; when you’ve come to terms with there being something wrong but only just begun the journey to fix it,” Gemma explained. “Over time, the personal meaning of this song has transformed for me. When I first wrote it, it was almost an apology, as if to say, ‘I don’t know what’s wrong with me, but I’m trying.’ I’ve since been diagnosed with being on the Autism spectrum, and now when I sing it, it feels more like I’m saying something along the lines of, ‘There is nothing wrong with me, this is who I am and I’m still learning about myself.’”

“All the Things I’ve Been Avoiding” is the fourth single from This Space is Ours’ collaborative efforts with producer Beau Mckee. There’s one more left from their time with Beau, so keep an ear out for that in the near future.

Photo credit: ActFour

Posted on by Lauren Katulka

Future Static Drop Electric New Single “Chemical Lobotomy”

Naarm/Melbourne metal act Future Static have blown me away with their latest single “Chemical Lobotomy.” It hits hard, with big thrashing drums and furious guitar riffs, and lead singer Amariah Cook has never sounded better. At times powerful, at times angelic, her voice can do absolutely anything.

“It’s no mystery that this song is about getting a little too excited with substances during lockdown. It was a boring time and, apart from writing music, there really wasn’t much else to do,” Amariah said. “I had a massive bout of inspiration and decided to start writing the vocals to the instrumental (written by Ryan) when I was suffering from a massive hangover. I got up out of bed and decided to write about my lack of control in the hopes it would help me understand why I was putting myself through this and how to get out of it. As the song developed, I realised that if I just sang the chorus a third time at the end, it would allude to nothing changing, whereas I wanted to write something ending on the positive side of these experiences: the connection with my friends and how we were all in this situation together.”

“Chemical Lobotomy” comes from Future Static’s upcoming debut album Liminality, which drops on November 24. It’ll be an exciting time for Future Static, who will kick off their sold-out national tour with Electric Callboy the next day. Here are all Future Static’s upcoming shows.

25 November 2023 – Metropolis Fremantle, Boorloo/Perth (supporting Electric Callboy)
27 November 2023 – Hindley Street Music Hall, Tarndanya/Adelaide (supporting Electric Callboy)
29 November 2023 – PICA, Naarm/Melbourne (supporting Electric Callboy)
30 November 2023 – Hordern Pavilion, Eora/Sydney (supporting Electric Callboy)
1 December 2023 – Eatons Hill Hotel, Meeanjin/Brisbane (supporting Electric Callboy)
5 April 2024 – 170 Russell, Naarm/Melbourne (supporting CLOWNS)
26 July 2024 – Radar Festival @ O2 Victoria Warehouse, Manchester

Photo credit: Beth Morrison

Posted on by Lauren Katulka

Kobie Dee and Stan Walker Team Up For “Father’s Eyes”

Gomeroi man Kobie Dee channels the frustrations and lessons learnt from his childhood into his powerful new single “Father’s Eyes.” Featuring former Australian Idol champ Stan Walker, the lyrics touch on breaking familiar cycles, creating generational change, and beating the system. It’s hard-hitting, but ultimately so uplifting.

Kobie and Stan traveled to unceded Bidjigal Lane for the video, directed by Kieran Satour of GARUWA, who is a Gurindji, Pertame Arrernte, and Worimi man.

“Working with Kobie and Stan on this clip was such a blessing,” Keiran said. “This special song, deeply grounded in their own experiences as Indigenous fathers and sons, is about highlighting the strength and resilience of all the families out there striving to break cycles.”

“It was really important to me to work with someone I trust and have a Creative Director like Kieran lead this project and help apply a cultural lens and make sure both our Aboriginal and Māori cultures were represented appropriately and in a strong, beautiful way,” Kobie added. “It was a great collaboration and I feel everyone that was involved really resonated with what the track was about and really captured the vision for the video clip.”

“Father’s Eyes” is Kobie’s first solo release since he dropped “Basics” in 2022. Way to come back to the game!

Photo credit: Tristan Stefan Edouard

Posted on by Lauren Katulka

Matt Corby Releases Smooth Summer Anthem, “Desert Land”

Matt Corby is bringing some serious summer vibes with his latest track “Desert Land.” It’s a cool, breezy number that makes me think of sipping cocktails and relaxing in the sun. It takes its cues from classic yacht rock, but there’s a modern freshness that I know you’re going to love.

Matt says the song was “inspired by the close relationships we have that operate in tandem with our vices and addictions, and how both of those things influence each other”.

Matt wrote this one with his good friends and regular collaborators Chris Collins (Gang of Youths, Middle Kids, Skegss) and Nat Dunn (Rita Ora, Charli XCX, Tkay Maidza). Matt and Chris also produced “Desert Land.”

Following recent shows in the United Kingdom, Europe, and North America, Matt should be in fine form when he plays some solo shows and festivals here and in New Zealand in the coming months.

1 December 2023 – Powerstation, Auckland
2 December 2023 – Anderson Park, Wellington (with Allen Stone)
8 December 2023 – Fremantle Prison, Walyup/Fremantle
10 December 2023 – Fremantle Prison, Walyup/Fremantle
14 January 2024 – SummerSalt @ Mornington Racecourse, Bunurong Country/Mornington
28 March – 1 April 24 – Bluesfest 2024, Cavanbah/Byron Bay

Photo credit: Matt & Madeline Johnson

Posted on by Lauren Katulka

Moonsea Celebrates Emotional Side With “Sensitive”

Like so many women, I’ve been called “too sensitive” more than once. So I really connect with moonsea’s moving new single “Sensitive,” which celebrates this tendency to feel things deeply.

“I grew up as a pretty sensitive kid,” moonsea recalled. “I would cry readily, laugh unreservedly and feel things fully and deeply. This got the well-meaning adults in my life worried. If I cried every time I heard a sad story, saw a bug get squashed or got told off by a teacher, how would I make it through this life in one piece?”

Over time she came to discover that “being sensitive could possibly be a good thing, a superpower even. Some of the strongest and most empathetic women were sensitive kids. Feeling deeply allows you to experience the depth of the human experience and connect with other people in a really meaningful way.”

“Sensitive” is paired with a heartwarming music video, which sees the character of Cece Moon enter the Moonville Talent Show ten times, persevering until she finally wins the judges over. Watch it and I know you’ll feel better about the world and your place in it.

Photo credit: Barbara Luyza

Posted on by Lauren Katulka

Zachary Leo Gets Me Grooving With “Time After Time”

A little funk never goes astray on a Sunday morning, right? If you’re still coming down from the night before, you’ll appreciate the smooth vibes of “Time After Time,” the latest track from Naarm/Melbourne-based artist Zachary Leo. It sounds every bit as cool as he looks!

“‘Time After Time’ is a song about a conflict that has arisen between two people in a relationship, when one person isn’t being the best version of themselves,” Zachary explained. “The song is sung from that person’s perspective as they try to piece together what has caused these problems and how they can make amends. The song constantly shifts between external and internal dialogue and is a mirror into overthinking and overanalysing situations.”

Zachary will perform a couple of shows for hometown fans in the coming months to support his release. You know you’ll have a good time at one of the following gigs:

4 November 2023 – Northcote Social Club, Naarm/Melbourne (supporting Great Gable)
8 December 2023 – The Gasometer, Naarm/Melbourne

Image used with permission from Good Intent

Posted on by Lauren Katulka

Ridzyray Drops Inspiring Single “Keep Ya Head Up” As Part of Singing Our Futures Program

Such amazing music is coming out of the Singing Our Futures program. If you’re not already across is, the Archie Roach Foundation initiative pairs emerging First Nations artists with more established mentors for songwriting and recording sessions. The latest track released as part of the program is “Keep Ya Head Up,” a feelgood song of hope from Wemba-Wemba MC Ridzyray, who worked with hip hop act DOBBY.

“I don’t really know how to describe it; music is still such a new thing for me so most of the time I just throw some sounds and words together till I feel good about it so I guess it’s a ‘feel good sound’,” Ridzyray admitted. “’Keep Ya Head Up’ is kind of like a message and reminder to myself to be proud of the things I’ve over come in life, what I have accomplished and who I am and to not let that self-doubt and negativity consume my brain. And I’m hoping that people can relate. Plus, all the family always ask for a shout out in the songs so I threw in as many as I could at the end there.”

Speaking of working with DOBBY, Ridzyray said “The experience was so simple and smooth. I had an idea of what I wanted and shared it with him. It’s like he knew exactly what I wanted and what it needed to bring it to life and next thing I know we had a track there ready to go.”

“For me, Uncle Archie Roach stands as a symbol of what is possible for Indigenous artists,” he added. “He’s paved the way for so many of us, and I’m honoured to be mentioned in the same sentence. I was always playing sport and was sure that would be what I’d end up doing but injuries led to mental health issues which led to addictions and substance abuse and the only way out of that hole for me seemed to be music. I’m just doing what brings me joy, I feel very, very lucky.”

The program’s music will come together with the release of the Singing Our Futures Vol. 1 EP, slated for release on November 17.

Photo credit: Jacinta Keefe

Posted on by Lauren Katulka

SOULSLEEP Impress on Debut With “Glass Heart”

Eora/Sydney-based alt-rockers SOULSLEEP have just dropped their debut track “Glass Heart,” and I can’t stop listening. It’s so innovative, blending elements of alternative metal, emo, pop-punk, and dance together for a really fresh sound.

SOULSLEEP guitarist Jayden Zago got raw when explaining the inspiration and meaning behind “Glass Heart.” “When the COVID pandemic began, my mental health deteriorated. I was depressed and angry and felt like I had no quality of life. I was encouraged to see a psychologist and was lucky to get an appointment. I ended up on medication, and for someone who always thought things like that were ‘all in your head’, it was a huge reality check, and I am now aware of how naive I was,” he said. “Music is how I express myself. With all of the lockdowns and restrictions, my outlet was taken away. Like glass, we are breakable, not indestructible, and speaking up and getting help is not weak.”

The music video, directed by Colin Jeffs, was filmed at a warehouse and SOULSLEEP keyboardist Jimi Fischer’s home studio.

“We built a stage out of an MDF board, which we found quite challenging, as we had to design it in a way that it could be put together and dismantled in a time efficient way and still be able to hold the weight of all of us and our equipment,” Jayden recalled.

If the release of “Glass Heart” is any indication, SOULSLEEP will be a band to watch.

Image used with permission from Good Intent