“Time Has Come” – 1200 Techniques

1200 Techniques new EP Time Has Come won’t drop until the New Year, so I was thrilled to enjoy a preview stream this month. I remember being so excited by this act in the 90s. I hadn’t warmed to a lot of hip hop acts, but I found the way that they combined rapping with funk and soul so accessible.

A lot has changed since then. Hip hop has well and truly been embraced by the mainstream. I wondered whether 1200 Techniques could still feel as unique in the modern musical landscape. Time Has Come gave me the answers I was looking for.

The title track and single is the ideal opener, a great reflection on the 1200 Techniques journey. It is an excellent introduction to the band for new listeners and a catch-up for the rest of us. “Undress My Soul” is so sexy cool, and “Speed of Light” should pack the dance floors. By the time I got to the closing number, “Move On,” I was enjoying myself so much I didn’t mind hearing the standard version and the DJ Peril remix. The song’s a lovely bookend to “Time Has Come,” a track which looks forward and welcomes the next chapter of the 1200 Techniques story.

Time to work on solo projects and other endeavours has undoubtedly been good for 1200 Techniques. They seem to have a new creativity and energy that should delight long-time fans and help them find a brand new audience.

1200 Techniques’ Time Has Come EP hits stores on 23 January 2015.

Image used with permission from Paris is Patient

Q & A with 1200 Techniques’ N’Fa Jones

In the ’90s N’Fa Jones made a splash on the Australian music scene fronting 1200 Techniques, a unique act that effortlessly blended hip hop and soul. Their breakthrough smash single “Karma” saw the band earn a place on the top 40 charts and a swag of ARIAs. A second album, Consistency Theory, followed in 2004. However, in 2005 the band parted ways. Now in 2014, this pioneering act looks set to do it all again. I caught up with N’Fa to chat about this exciting new chapter for 1200 Techniques.

It’s been 10 years since you last took the Aussie music scene by storm. Why did you decide it was time for a comeback?
What’s interesting is that we don’t really see it as a comeback. Just unfinished business. We never intended it to be a 10 year break. It’s cray how time flies really. We’ve wanted to write more music, and it’s good to be doing so.

You’re about to release a brand new EP, Time Has Come. What can you tell me about it?
It’s got plenty of chug-a-lug to it, and a lot if musical experimentation, which is a major part of the 1200 Techniques sound and ethic. Everythng has a connected pulse to it, but every song is an individual sound and feel.

How did it feel making music together again after so much time had passed?
It felt good. Making music should always feel good, hopefully. We’ve all developed in our own ways over the years, and to see what we could from now has been an awesome thing. The music we are making is more musical than sample based, and I think this is due to our own musical maturation over the years.

Before that you’re playing a show to support the 25th anniversary of Rubber Records. How important has the label been to your career?
Rubber Records gave us our first shot at anything and believed in us. They’ve always been there for us and are working with us once again to make this EP a reality. So, I’d say they are very important, and we are excited to be part of their journey and 25th anniversary,

What can music lovers expect from the show?
Energy, noise, sweat, and good times! We will be bringing the funk, and the stomp like we always did. We will rock old classics along with our new material. It’s been dope jamming and finding our way around the older and new material. Looking forward to it.

You’re one of the latest bands to turn to crowdfunding to support your music. What made you decide to do that?
We though it would be cool to give our audience a chance to get involved early, and grab some vintage stock as well as other cool options. It just made sense to us to get the vibe out there in a person to person way as a lead up, rather than just dropping the EP in stores Jan 23.

Have you been surprised by the support of the fans so many years after your last release?
Of course. We’ve been surprised over the years with peeps coming up and telling us how they loved our music and miss us. A big part of doing this EP is for those supporters who encouraged us to write more music together.

Australian hip hop has really exploded since last time you released your music. What’s your opinion of the current scene?
It’s good to see people up on it, doing well and surviving. Music is a hard game, and the scene has had to develop and change in order to grow. I remember playing venues where hip hop had never been allowed in the doors, and we were like the test dummies for the sound. A lot of hip hop venues today were strictly no hip hop back then, and we had to work hard to change that. So yeah the scene, and industry has changed in many ways.

Which of the current Australian hip hop crop are really impressing you?
Ah, now your trying to get us in trouble with who we do, and don’t mention … ha ha. Look, we are happy to be making music, being a part of the music, having been a part of the early steps. To see peeps survivng off hip hop, and to see some cats pushing the boundaries in so many way, is dope to us. We defo prefer boundary pushing music to safe music.

After this EP drops, what’s next for 1200 Techniques?
I guess we’ll see. Hopefully a few awesome tours though 2015, and maybe an LP. Step by step!

1200 Techniques’ Time has Come EP hits stores on January 23. They’ll launch the title track at Howler on December 17.

Image used with permission from Paris is Patient

Rubber Records’ Best Play 25th Birthday Shows

From humble beginnings in a Melbourne bedroom, Rubber Records are just about to clock up 25 years in the Aussie music business. That means they’re still young enough to let their hair down, but they’re probably starting to regret it a little in the morning. No doubt there’ll be a few sore heads when the label celebrates the milestone with a string of very special shows featuring some of their most revered artists this December.

“I’ve always preferred being in the background and just releasing records by artists that I love working with,” explained label founder David Vodicka. “This series of shows is just as much a celebration of being around a long time and sticking with those artists, as it is an excuse to try and get some of them to play again!”

It all kicks off with The Casanovas, who will play their first show in several years at Northcote Social Club on December 3. Then Melbourne legends bZARK will reform albeit briefly, at Northcote Social Club on the 10th. Next cab off the ranks is Hamish Cowan, the Cordrazine singer who’s been living in exile in Scotland for the last couple of years. He’s also at the Northcote Social Club, on the 17th.

The final two shows will take us to Howler. 1200 Techniques will remind us what we’ve been missing with their reunion show on December 12, before undergroundLOVERS wrap things up on December 19.

It’s one hell of a month of music, and a fitting celebration for Rubber Records’ big birthday bash.

N’Fa Jones Releases Fab Stop-Motion Animation Music Video for “March On”

N’Fa Jones has blown my mind with the video for his new single “March On.”

The clip sees the former 1200 Techniques frontman singing along some cute little cartoon critters. The Grizzly Brothers worked on the clip which was shot live using stop-motion animation techniques. There’s right, there was no post-production to clean it up. Impressive stuff indeed!

The cool clip is just what N’Fa needs to promote his new EP Babylon, which hits music stores everywhere on April 6. To celebrate its release N’Fa will play the following launch shows around the country. Tickets are on sale from Moshtix now.

30 March 2012 – The Manor, Leederville (with DJ Charlie Bucket)
12 April 2012 – The Factory Floor, Marrickville (with Tom Showtime)
13 April 2012 – The Cambridge Side Bar, Newcastle (with Tom Showtime)
19 April 2012 – The Grace Darling, Collingwood (with Remi Kolawole & Tom Showtime)