1927 @ The Art House, Wyong – 2 April 2022

After so many months without live music, nobody takes it for granted. Not the audience and not the musicians who are so excited to reconnect with fans again. I’m not sure how long this wonder will last, but it’s beautiful to witness. I felt genuine excitement as I took my seat at The Art House in Wyong for 1927’s show on Saturday night.

I think this is the first time I’ve ever seen a band’s lead singer doing double-duty as support act. I wasn’t sure what to expect from Eric Weideman’s set. Stripped back versions of the 1927 songs we’d hear later? Covers? It turns out he has some stellar solo material that I was so thrilled to hear. He told us he’d much rather come out and play for us than keep sitting backstage, adding that these were the songs he plays in his bedroom. With just an acoustic guitar and minimal staging, we were transported there. It was a short but intimate set. Without the other members on stage, Eric was free to chat a little more about the songs and the people who inspired them.

I’ve seen 1927 at pubs and festivals, but never quite like this. While I loved being smashed against a barrier back in the day, this more sedate sit-down theatre show feels much safer in these pandemic times. The band certainly didn’t take it easy, delivering tracks like “You’ll Never Know” and “Propaganda Machine” with as much energy as they ever did. That’s especially impressive when you remember the band released their acclaimed debut album …Ish 30 years ago. I know. I don’t like that fact either.

This show wasn’t just about nostalgia though. While tracks from that beloved album dominated, 1927 also showcased some new material. I particularly loved a track called “Shine” which Eric dedicated to all of the fans who’d been there since the beginning. The appreciation this band has for us was evident through the show, from the generous set featuring all the hits and fan favourites to the way Eric spoke to us. He gave thanks to us and reminded us that we are the reason for their success and longevity. Watching him sit on the edge of the stage during “Compulsory Hero” to get just a little closer to us all was beautiful. Even the band’s decision to return quickly to the stage rather than milking us for an encore showed respect. “If I Could” is always the encore. If the band is tired of it though, they don’t show it. Instead, Eric encouraged us to sing along and it was beautiful. And after so many months when we couldn’t do that, I think we all appreciated it just that little bit more.

1927 will be on tour for many more months yet. Catch them at one of the following venues near you.

8 April 2022 – Byron Theatre, Byron Bay
9 April 2022 – Jetty Memorial Theatre, Coffs Harbour
10 April 2022 – Manning Entertainment Centre, Taree
22 April 2022 – Lighthouse Theatre, Warnambool
23 April 2022 – The Cube, Wodonga
27 May 2022 – Mildura Arts Centre, Mildura
28 May 2022 – Chaffey Theatre, Renmark
3 June 2022 – Norwood Concert Hall, Norwood
4 June 2022 – Northern Festival Centre, Port Pirie
10 June 2022 – Middleback Theatre, Whyalla
11 June 2022 – Barossa Arts Centre, Tanunda
17 June 2022 – Montreal Theatre, Tumut
18 June 2022 – Orange Civic Theatre, Orange
1 July 2022 – Capitol Theatre, Tamworth
2 July 2022 – Dubbo Regional Theatre and Convention Centre, Dubbo
22 July 2022 – Karralyka Theatre, Ringwood
23 July 2022 – West Gippsland Arts Centre, Warragul
12 August 2022 – The J Theatre, Noosa
13 August 2022 – Moncrieff Entertainment Cente, Bundaberg
20 August 2022 – Princess Theatre, Brisbane
26 August 2022 – Country Club Showroom, Launceston
27 August 2022 – Wrest Point Showroom, Hobart
2 September 2022 – Glasshouse Theatre, Port Macquarie
3 September 2022 – Cessnock Performing Arts Centre, Cessnock
9 September 2022 – Griffith Regional Theatre, Griffith
10 September 2022 – Civic Theatre, Wagga Wagga
16 & 17 September 2022 – Opera House Studio, Sydney
23 September 2022 – Laycock Street Theatre, Gosford
24 September 2022 – Blue Mountains Theatre, Springwood

Image source: own photo

Red Hot Summer @ Mt Penang Parklands (Central Coast) & Cockatoo Island (Sydney) – 24 & 25 February 2018

In my teenage years, it wasn’t unusual for me to see several shows back-to-back. Now in my late 30s, after two days at the Red Hot Summer shows, I’m feeling every one of my years. I’m tired. My feet hurt. My lower back is achy. I’m thankful that I gave myself a little time to recover before going back to work, because I need it. Was it all worth it though? Absolutely!

I decided to write a combined review of both shows because while the weather varied, this was essentially the same concert. It makes sense really, with each act crafting a set full of the right songs to delight the fans.

But as I mentioned, the weather. It really went from one extreme to the other, and neither was ideal. This is the risk with staging an outdoor concert. The gods might smile down and gift you the perfect sunny day, not too hot or too cold. Or you might get the sort of heatwave conditions I experienced at Mt Penang Parklands on the Central Coast. The kind that make you feel so lightheaded you wonder whether you’ll make it to the first band. Or you might get the kind of gloomy cold day with torrential rain that soaked us to the skin at Cockatoo Island in Sydney. Neither is ideal for a live show, but if you get right the things you can control, the crowds won’t mind too much.

The organisers of Red Hot Summer must be commended for that. The line-up was exceptional, perhaps even better than the one I saw in 2017. There was a diverse array of food vendors serving quality eats fast. There were plenty of toilets. We weren’t left waiting too long between acts; the MC’s giveaways helped keep us all interested until we were ready to rock again.


I also appreciate that Red Hot Summer is more than a nostalgia fest. Every year I look forward to discovering new talent. In 2018, Red Hot Summer delivered with Taylor Sheridan, an up-and-coming singer-songwriter from country Victoria. It’s always easy for an entertainer with pop-rock leanings playing an acoustic guitar to pique my interest. But to hold it takes something special. While his cover of “Billie Jean” was inspired, I was impressed with his excellent originals which rewarded anyone willing to listen to the lyrics. “Beauty of the Plan” and new single “Friends Like Me” were standouts. Finishing with a cover of “April Sun in Cuba” was the perfect way to win over anyone who wasn’t already on his side.


1927 are one of my favourite childhood bands, and as I discovered last year they’ve lost nothing. The band are tight and Eric Weideman’s voice is still so powerful. I wish I was feeling better for the Mt Penang show, as I felt I didn’t get to enjoy their set quite as much as I should have. I made up for lost time in Sydney though, jumping around and pumping my fists in the air during “You’ll Never Know.” “Compulsory Hero” gave me chills both shows. And those massive singles, “That’s When I Think Of You” and “If I Could,” has us all singing along.


The Black Sorrows were one of the standouts of last year’s Good Times tour, and they stamped their authority on the Red Hot Summer stages too. Joe Camilleri might be one of Australia’s most charming front men. I could watch him sing, wail on his saxophone, and dance around with wild abandon all day. Add in the divine voices of Vika and Linda Bull and you’re always going to have a good time. It was another superb set, with hit singles and some lesser known cuts represented. I loved watching the chemistry between Linda and Joe during “Baby It’s a Crime” and seeing Vika totally owning “Never Let Me Go.”


The Baby Animals were the only one of the big acts I’d never seen live before. Now that I have, I wonder why I left things so long. Suze DeMarchi oozes cool, even if she’s battling the heatstroke that plagued so many of us at Mt Penang. She’s definitely one of the most charismatic people I’ve ever seen performing. The way she moves, her commanding voice, her look, it’s all so impressive. The big hits like “Early Warning” and “Painless” sounded every bit as good as they did on the records, but had that extra special something that can only come from a live show. New single “Tonight” proved this is a band still in its prime, not one that needs to simply trade on nostalgia.


Daryl Braithwaite is such hot property right now. I’m not quite sure when it happened, but somewhere along the way he became really cool again. Millennials fell in love with “The Horses,” and there were plenty of them at the show, waving inflatable hobby horses and wearing rubber horse heads as they clapped along. But Daryl is much more than “The Horses.” While that song was the natural closer, it came after Dazza reminded us of his stellar career with Sherbet and solo smashes. Songs like “Summer Love” and “One Summer” are made for festivals like this.


The roar that came from the crowd suggested it wasn’t just the women with custom-made John Farnham shirts hanging out for Farnsy. There’s a certain air of excitement when he takes the stage, an indescribable feeling that magic will happen. Ably supported by his band of recognisable faces, musicians and vocalists who have been with him for decades, John belted out hit after hit. His was the sort of set you can sing along to, no matter whether you’ve ever bought a Farnsy album. These songs are in our DNA, from tender ballads like “Burn For You” to the show stoppers like “The Voice.” In between John chatted happily to the crowd, cracking jokes easily, then speaking with sincerity of the gratitude he has for those of us who stood in the heat or rain to hear his music. When the sets of most artists didn’t change, John made each show unique for his fans. The Central Coast was treated to “Don’t You Know It’s Magic” and the much maligned “Sadie the Cleaning Lady.” For Sydney it could be nothing other than “Raindrops Keep Falling on My Head.” They did, but with John to keep us company it was easier to grin and bear it.

The two Red Hot Summer shows in New South Wales didn’t happen under ideal circumstances, but by getting the essentials right the organisers ensured the crowds had the best time they could have hoped for. Bring on 2019, hopefully with better weather than this year brought!

Image source: own photos

Pseudo Echo & 1927 @ The Entrance Leagues Club, Bateau Bay – 21 July 2017

As a child of the ’80s, Pseudo Echo and 1927 are two local bands I’ve always enjoyed. I saw Pseudo Echo supporting Culture Club in the ‘90s, but it’s been an awfully long time between drinks. Timing always seemed to be against me when it came to catching 1927, but the stars aligned when both ’80s powerhouses graced the Entrance Leagues Club last Friday night.

The first thing that struck me when Pseudo Echo took the stage was how much the line-up has changed. Lead singer Brian Canham is still out front, but his band mates are much younger these days. I couldn’t help but think of Anthony Field, and the way he is still waving the Wiggles flag yet looking a little out of place in his merry band of skivvy wearers. There’s a similar strangeness about the way this band is put together these days. Yet despite that, Brian still clearly believes in what he does. He delivers Pseudo Echo’s back catalogue with passion that is so infectious. I found myself remembering songs I hadn’t listened to in years like “A Beat for You” and “Listening,” singing along with lyrics that were buried somewhere deep in my brain. Covers of “Nutbush City Limits” and “Send Me An Angel” delivered more of the nostalgia the crowd was desperate for. I don’t think there was a person standing still when the band broke into “Funky Town.”

Pseudo Echo got my feet moving, but 1927 moved my heart. It doesn’t seem so long ago that I was swooning over Eric Weideman as I watched Rage in the morning. Watching their set took me right back. It seems Eric is the last man standing in 1927 too, but the line-up he’s assembled feels a bit more cohesive. They’re so tight, a real band rather than just players supporting a singer. Their set felt less like revelling in nostalgia and more like just catching up with a band still in the height of their fame. Perhaps the difference is the songs, which don’t sound nearly as dated as Pseudo’s synth-heavy numbers. Lyrically, 1927 has always had a bit more depth too. I felt myself getting choked up singing along with the crowd on tracks like “Compulsory Hero” and “If I Could.” I’d forgotten how much I loved “Tell Me a Story” and “You’ll Never Know.”

I entered the Entrance League Club thrilled to see both bands, but it was 1927 that really impressed me. Pseudo Echo were fun, but I don’t think I’ll rush to see them again. 1927 though … the next tour can’t come quickly enough.

Pseudo Echo and 1927 are still touring around the country together. You can catch them at their remaining shows.

5 August 2017 – The Tivoli, Fortitude Valley
11 August 2017 – Harvey Road Tavern, Clinton
12 August 2017 – Dalrymple Hotel, Garrett
18 August 2017 – Anita’s Theatre, Thirroul
19 August 2017 – Wenty Leagues, Wentworthville
25 August 2017 – Wrest Point Casino, Hobart
26 August 2017 – Country Club, Launceston

Image source: own photos

Lest We Forget

It’s ANZAC Day, a time when we’re all stopping to reflect on the men and women who so bravely serve in the armed forces so that we can enjoy one of the best qualities of life in the Western world. It’s not just about those who’ve made the ultimate sacrifice, but the people who continue to bravely battle for freedom, who leave their partners, children, and parents behind so that the rest of us can enjoy the day to day privileges of being Australian.

This isn’t the time or place to get into an argument about whether it’s right that we continue to lose lives in Afghanistan, or send soldiers to wars that don’t seem like ours. It’s just a time to sit, contemplate, and give thanks.

In my opinion 1927 were one of the most underrated bands of the 80s and 90s. “Compulsory Hero” was one of those underappreciated songs that certainly holds up. Today its lyrics have some extra resonance. So listen, take it in, and take a moment to think of the soldiers. Lest we forget.