Angie McMahon Wows Me With “Fireball Whiskey”

Angie McMahon’s upcoming album Light, Dark, Light Again promises some very revealing, personal songs. It’s not here yet, but I predict her latest single “Fireball Whiskey” will be one of the highlights. It’s so intimate, with confessional lyrics about managing anxiety that really shine against its minimalist musical backdrop. After it fades out, don’t be surprised if you have to take a moment to take it all in before rejoining the world.

“‘Fireball Whiskey’ touches on using alcohol to navigate my anxiety, and also just realising over time that caring for your mental health is so important and will affect the way you can love and be with people,” she admitted. “I think I’m afraid of change and didn’t know that about myself, but the process of writing this one helped bring it to light.”

Angie took charge of the video, editing footage captured by friends on lands belonging to the Wurundjeri and Bunurong peoples of the Kulin Nation and the Chumash tribe in California.

“I’ve never edited a video before, but I used this Handycam footage taken by my friends to try and tell a visual story of dancing and swaying myself out of the darkness,” she said. “Travelling to this mountain range outside of Ojai felt like visiting a place where all my silly little worries and bruises could be transformed into something open and time could be suspended and I could empty everything out again, and that’s the reward for leaving behind what I loved but wasn’t right for me.”

Angie wraps up a string of sold-out shows here and overseas with a gig in Naarm/Melbourne tonight. You might not be able to score tickets now, but I’ll be surprised if she doesn’t announce more local shows to coincide with the album’s release on October 27. Watch this space.

Image used with permission from Super Duper; credit: Taylor Ranston

Angie McMahon Wows Me With “Letting Go”

I am so in love with Angie McMahon’s new single “Letting Go.” If your day needs a dose of truth and wisdom (and quite frankly, who’s doesn’t?), you’ll want to wrap your ears around this. It’s so good!

“‘Letting Go’ is a place to keep the lessons that I’ll keep on needing. Reminders to go easy and gentle, be imperfect, let things leave,” Angie explained. “The learning is never-ending. I’m always in the process of remembering to release what my brain clings to – thoughts, people, comfort zones – and land in the present moment. It’s so hard for me to do, and then such a euphoric relief when it happens, so that’s what we tried to capture in the recording. I hope someone screams ‘Letting Go’ in the car on an open road somewhere.”

“Letting Go” comes from Angie McMahon’s new album Light, Dark, Light Again, which drops again. Fans will get the chance to hear new material before its release when Angie embarks on her Make Mistakes tour. There are just two Aussie dates, so get in quick:

11 September 2023 – The Moroccan Lounge, Tongva Land/Los Angeles
13 September 2023 – Sultan Room, Lenapehoking/Brooklyn
18 September 2023 – St. Pancras Old Church, London
27 September 2023 – Metro Theatre, Eora/Sydney
28 September 2023 – Northcote Theatre, Naarm/Melbourne

Image used with permission from Super Duper; credit: Bridgette Winten

Meadow Back in April with King Gizzard & The Lizard Wizard, Angie McMahon

If you’ve been hanging out for a proper music festival, your prayers have been answered. Meadow is heading back to Bambra, in Victoria’s Surf Coast Shire, this ANZAC long weekend. The all-Aussie lineup is stacked, with King Gizzard & the Lizard Wizard, Angie McMahon, Close Counters, Surprise Chef, Elizabeth, and heaps more on the bill.

Organisers are taking every precaution to keep the festival safe without impacting on the fun. It’ll be a smaller event this year, with temperature checks and basic COVID screening on arrival. Coloured wristbands will indicate your designated viewing zone. The front, middle, and back zones will rotate at the end of each day, and once between Saturday daytime and night so all festivalgoers get some time at the front. Standing, sitting, singing, and dancing are all permitted within your zone.

Meadow will take over the Bambra Bowl from April 23 to 25. To keep the event COVID-safe, tickets are limited. Get yours for $189 plus booking fee, including your car pass, now. You can bring one teen for every paying adult and as many kids under 12 for free as you like to keep the family-friendly vibes flowing.

Image used with permission from This Much Talent

Leif Vollebekk Heading Down Under for Shows With Ainslie Wills

When Montreal artist Leif Vollebekk collaborated with our own Angie McMahon on his 2019 album New Ways, we might have known it was only a matter of time before he’d head our way for some shows. Smart chap, he’s waiting until cooler autumn weather comes to arrive on our shores for a string of gigs.

I must admit, Leif wasn’t on my radar until the press release came through. But I took one listen to his single “Apalachee Plain” (the one Angie guests on) and I was hooked. I had to go back and listen to the rest of New Ways. I’m pretty sure I’ll slip on his other albums next. If you love indie-folk music that comes from an honest place, this will be right up your alley.

In the last couple of weeks Leif has sold out all his U.S. shows, including big dates at the Bowery Ballroom and Troubadour. Discover exactly why the crowds love him when he touches down in Australia in March for a Brisbane festival and coheadlining dates with our own Ainslie Wills.

1 March 2020 – Nine Lives Festival, Brisbane
2 March 2020 – Jet Black Cat, Brisbane (instore – coheadline with Ainslie Willis)
4 March 2020 – Northcote Social Club, Melbourne (coheadline with Ainslie Willis)
5 March 2020 – The Vanguard, Sydney (coheadline with Ainslie Willis)

Image used with permission from Remote Control Records

JIM ALXNDR & Angie McMahon Team Up For Stunning Single, “Slave”

Aussie expat JIM ALXNDR has teamed up with Angie McMahon for a breathtaking new single “Slave.” I know you’re probably looking for an excuse to disconnect from work for a little while this Tuesday afternoon and this is it. It doesn’t deserve to be background to you tapping away at your keyboard. Stop, take a listen, and fall in love.

“’Slave’ was a song I wrote when I felt very out of control of the remnants of an incredibly toxic relationship,” JIM explained. “I’d been with someone on and off for some time and loved them deeply but felt as if my feelings for them enabled me to be taken advantage of; I realised I was more in love with the idea of being in love than the person themself. I wasn’t in a place mentally to say it to them so I put in a song how I felt (what a cliche), what I would say if I could overcome my huge fear of confrontation and my huge fear of them.”

This collaboration is just so special. It came about after the pair met in a music class a few years ago. Angie remembers being impressed by JIM’s musical brain when he delivered a “beautifully nerdy” orchestral arrangement of Beyonce’s “Love on Top.” When he asked her to guest on this song, she didn’t hesitate. And the rest, as they say, is history!

Image used by permission from This Much Talent

Angie McMahon Playing Everywhere With New Single Release

Angie McMahon is scoring some high-profile supporting gigs of late, warming up crowds for Alanis Morissette earlier this year and preparing to do the same with Angus and Julia Stone later this year. But if she keeps releasing songs the calibre of new single “Missing Me,” the follow-up to “Slow Mover,” she’s going to graduate to permanent headliner before too long.

“Missing Me” is another strong indie rock ballad that packs a serious emotional wallop. There’s so much tension and angst in Angie’s resonate, husky voice. It’s a different kind of female voice than the one we typically hear in music, and it really strikes a chord with me.

Angie says “’Missing Me’ is about releasing all that punchy sass and angst that bubbles under the surface when somebody isn’t listening to you, or they’re letting you down, or breaking your heart.”

Angie has plenty of dates scheduled between headlining her single shows and supporting Angus & Julia Stone. Here are all the places you can catch her in the coming months.

14 March 2018 – The Gasometer, Melbourne
15 March 2018 – Lansdowne Hotel, Sydney
17 March 2018 – The Peninsula Picnic, Mornington
29 March 2018 – Nan’s Birthday, Bendigo
28 April – Eatons Hill Hotel, Brisbane (with Angus & Julia Stone)
29 April – Pilbeam Theatre, Rockhampton (with Angus & Julia Stone)
1 May 2018 – Entertainment Centre, Mackay (with Angus & Julia Stone)
2 May 2018 – Entertainment Centre, Townsville (with Angus & Julia Stone)
4 May 2018 – Munro Martin Parklands, Cairns (with Angus & Julia Stone)
5 May 2018 – Ski Club, Darwin (with Angus & Julia Stone)
9 May 2018 – Anitas Theatre, Thirroul (with Angus & Julia Stone)
10 May 2018 – UC Refectory, Canberra (with Angus & Julia Stone)
11 May 2018 – Civic Theatre, Newcastle (with Angus & Julia Stone)
12 May 2018 – Hordern Pavilion, Sydney (with Angus & Julia Stone)
15 May 2018 – Enmore Theatre, Sydney (with Angus & Julia Stone)
17 May 2018 – Ulumbarra, Bendigo (with Angus & Julia Stone)
18 May 2018 – Costa Hall, Geelong (with Angus & Julia Stone)
19 May 2018 – Festival Hall, Melbourne (with Angus & Julia Stone)
20 May 2018 – Forum Theatre, Melbourne (with Angus & Julia Stone)
22 May 2018 – Odean, Hobart (with Angus & Julia Stone)
23 May 2018 – Princess Theatre, Launceston (with Angus & Julia Stone)
25 May 2018 – Flinders University Plaza, Adelaide (with Angus & Julia Stone)
26 & 27 May 2018 – Arts Centre, Fremantle (with Angus & Julia Stone)
9 June 2018 – Sea N Sound, Mooloolaba
6 July 2018 – Corner Hotel, Melbourne
7 July 2018 – Oxford Arts Factory, Sydney

Image used with permission from This Much Talent

Alanis Morissette @ ICC Theatre, Sydney – 24 January 2018

A couple of weeks have passed now and I’ve actually caught a couple of shows since, but I’m still feeling buoyed by the buzz that comes when you see one of those once-in-a-lifetime gigs. You know the ones, where you have such a heightened sense of anticipation, yet somehow the artist matches it and gives you everything you could have dreamed of. That’s how I feel about Alanis Morissette’s show at Sydney’s ICC Theatre last month.

Alanis is one of those special musicians I thought I’d never see. I was a teenager when she broke onto the music scene and her angsty, powerful songs struck such a chord with my moody self. I soaked up every album, coming to see her as a kind of wise sister who could help support me through all of those angsty things teens go through. I remember when she toured. I was making just a little bit of money working in retail and I wasn’t allowed to make the journey from Newcastle to Sydney anyway, so I had to let it go. Then she went off and got married and had babies, and I resigned myself to this feeling that I’d missed the boat.

I see so many concerts that most times I don’t get the butterflies. But they were certainly fluttering as I made my way to Sydney for this gig. While I was excited to see Alanis, I was also thrilled to catch Angie McMahon, who wowed me with her song “Slow Mover” a few months back. What a talent she is. The conditions were less than ideal, with people streaming into the venue and chattering amongst themselves. It’s hard to win people over with just an acoustic guitar and original songs. But I loved tuning in to her music. She’s a real talent.

While people chattered through Angie’s set, you could feel the reverence when Alanis took the stage. The applause was rapturous, quickly giving way to a hush. Every one of us just wanted to hang onto her every lyric, a task made so much easier with a stripped back acoustic set. Recognising she hasn’t seen us in an awfully long time, Alanis set about giving us a set that celebrated her career. Hit after hit came, all the songs we wanted to sing along to. For me the highlights came when she performed songs I didn’t quite expect like “Wake Up” and “Mary Jane.” Watching her perform “Everything,” a song that perhaps sums up myself and my relationship with my husband better than any other, saw me wiping back tears.

Alanis has such a beautiful aura about her. She’s gracious and humble, at ease with the crowd, incredibly funny and sweet, and so willing to share herself with her audience. Simply being in her presence for the night was so special.

It’s impossible for a performer as iconic as Alanis to do everything you want to hear. We all have songs that are special to us, the hidden tracks and album songs that never charted that we hold close to our heart. Some might say her set was safe, and in some ways perhaps it was, but I can’t fault Alanis for sticking to the songs we bought in droves. It’s the best way to make sure people go away happy. I for one left ICC Theatre grinning from ear to ear, content that this bucket list gig was everything I hoped for.

Image source: own photos

Angie McMahon Books High-Profile Supports With “Slow Mover” Release

What’s better than discovering an awesome new song that you can’t stop playing? Finding out that the artist is supporting a musician you already have tickets for! The song in question is “Slow Mover,” and the woman behind it, Melbourne’s Angie McMahon, will warm up the crowds at Alanis Morissette’s upcoming shows.

This track just oozes heart and charm. I love Angie’s low, smokey vocals and its great groove. Those lyrics too really strike a chord.

“’Slow Mover’ is a song about putting energy into things that are worthwhile, and taking plenty of time to get to a good place,” she explained. “I’d spent a lot of time pining after love, but at this point, my head was shifting, and what I actually wanted and needed was to pursue my music career.”

If you didn’t secure tickets to those sold-out Alanis gigs, don’t worry. Angie is headlining a show tomorrow and supporting The Shins in December. Here are all the places you can see her showcasing tracks from her debut album, due out next year!

2 November 2017 – Workers Club, Melbourne
4 December 2017 – Palais Theatre, Melbourne (with The Shins)
5 December 2017 – QPAC Concert Hall, Brisbane (with The Shins)
8 December 2017 – Enmore Theatre Sydney (with The Shins)
22 & 23 January 2018 – Palais Theatre, Melbourne
24 January 2018 – ICC Sydney Theatre, Sydney

Image used with permission from This Much Talent