5 Best Places to see Live Music in Sydney, NSW

The Entertainment Centre and Allphones Arena might get the lion’s share of the big-name acts, but there are plenty of better places to see bands in Sydney. Read on to discover five of the best.

1. Sydney Opera House

Image via Flickr by cogdogblog

There’s a reason why international artists revere the Sydney Opera House. Its Concert Hall was purpose-built to offer some of the best acoustics around. Of course it hosts symphonies and operas, but in recent years it’s also played host to an eclectic mix of big-name acts like Tori Amos, Ben Folds, Michael Buble, and Jason Mraz. Seeing a show there always feels extra special.

2. State Theatre

Image via Flickr by Eva Rinaldi Celebrity and Live Music Photographer

I get chills whenever I hear that one of my favourite musicians is performing at the State Theatre. This beautiful heritage-listed building feels a lot like the Civic in my old stomping ground of Newcastle, with its dramatic staircases and eclectic mix of Gothic, Italian, and Art Deco design features. The sound is always exquisite, and it’s so intimate that there really are no bad seats. David Byrne, Human Nature, Cyndi Lauper, and Dave Matthews Band are some of the amazing artists I’ve seen here over the years.

3. Enmore Theatre

Image via Flickr by Eva Rinaldi Celebrity and Live Music Photographer

The Enmore’s another intimate venue that has a real charm. It’s a long way from the beauty of the State; there are no frills about it at all. But you’ve got to have respect for a venue that’s still going strong 106 years after it opened its doors. That makes it the longest-running, currently operational live music venue in the state. The Rolling Stones, Counting Crows, Coldplay, and John Mayer are just a handful of the artists who’ve played in this hallowed hall.

4. The Annandale Hotel

Image via Flickr by Newtown Graffiti

Of course it can’t all be about posh venues with plush seating though. If you want to see a band before they break you need to brave the sticky floors of Sydney’s pubs and clubs. Some of my fondest early music memories centred around the Annandale. I remember catching artists like Howie Day and Thirsty Merc here for next to nothing back in the day. I haven’t been for years, but a quick look at its website shows me the Annandale’s still showcasing the best up and comers.

5. The Standard Bowl

I was so impressed with The Standard when I visited a few years ago, even if I did feel far too old for its hipster crowd. If, like me, you’re too old to stand around all night waiting for the bands to appear, arrive early and sneak up to the top level where you can enjoy a few bevvies while you survey the action below. I loved the bird’s eye view I got upstairs, but there’s also plenty of space on the lower level for punters wanting to get a little closer to the action. And it just got even cooler this year with the addition of a bowling alley!

Where do you like to see live music in Sydney? Add your views to the discussion below!

Howie Day @ Annandale Hotel, Sydney – 28 November 2008

On Friday I made the trip to the Annandale Hotel in Sydney to check out one of my favourite acts in the world, Howie Day.

That my country still hasn’t quite latched onto the music of this talented American is both a blessing and a curse. I’d love to see him in a venue that isn’t quite so cramped, and minus the sticky floors. But I can’t complain too much about the $22 cover charge!

An indulgent Italian meal in Leichardt kept me away from the first support act Fairy Light, but I arrived just in time for Sophie Koh. I’d heard good things about this Melbourne singer-songwriter and she didn’t disappoint. She reminded me a lot of Bic Runga, with a sweet voice and compelling folk melodies. That sounds like the formula of so many girls with guitars, but Sophie’s poetic lyrics and intricate music ensure she stays always just that little bit left of centre. Most of us didn’t know her songs, but she kept us enthralled so that by the time she played Radiohead’s “Creep” we were all happy to sing along.

It was nearly 11 by the time Howie took the stage. I must be getting old, because I was fading. I’m used to concerts that finish at 11, not start. But Howie roused me with a set that was perhaps even better than the last time he graced our shores. He seemed more relaxed this time around, willing to joke around with the audience. We were all with him, laughing as he showed us how he could speak backwards and make uncanny bird noises.

Howie often performs with a full band, but he doesn’t need one. Just as his personality is big enough to fill a stage, so is his sound. He exploits technology, creating loops which allow him to play lead guitar, bass guitar, and percussion all at the same time. It’s clever but never gimmicky, just another colour in Howie Day’s box of crayons.

Once his set was done I just about fell over with exhaustion, knowing I still had to make it home to the Central Coast before I could drop. When I returned to Central station at a little after midnight to find the next train wouldn’t leave until 1:45 am, I nearly cried. But would I do it all again to see a show like Howie’s? In a heartbeat!

Image source: own photo

Howie Day @ Annandale Hotel, Sydney and Northern Star, Newcastle – 16 and 17 May 2008

I’m here feeling a little sad and sorry for myself, after taking in three gigs in three days. I’m clearly not as young as I used to be. The first was Chris Murphy. The second two were Howie Day.

You might remember me gushing about this Boston native’s first trip to Australia when it was announced some months ago. In fact, I was so excited by it that I couldn’t restrict myself to just one show.

Firstly, if you’re a Whitley fan reading this review hoping to hear what I thought of the headliner, you’re not going to find it. I had the best of intentions of catching his set. But as I drove to Sydney’s Annandale Hotel for the first show on my own, I figured I was better off leaving once Howie was done and seeing it the following night. My husband made the journey to Newcastle’s Northern Star with me, and we were shocked to find Howie wasn’t playing until 10:30 or so. The way I felt after his set was another glaring reminder that I’m just not as young as I used to be, so we ended up leaving to catch some sleep. I’m sure he was brilliant nonetheless.

But he was perhaps not as brilliant as Howie, although I’m completely aware that I’m biased. Howie Day is the kind of guy who can inspire me to drag my butt to a pub and stand for hours in a throng of largely obnoxious people. These aren’t the kind of gigs I like at all. But once that man took the stage I managed to (mostly) block out the people pushing me and the folks talking too loudly and just focus on the music.

As a support act his set was short, but he made sure to cram as much in for the fans who’d eagerly awaited his first Aussie shows. Both nights began with a slowed down version of “Sorry So Sorry.” This paired down acoustic arrangement was markedly different to the version which appeared on his debut album Australia, and it brought a new resonance to the lyrics.

It was that album that made me fall in love with Howie, so I was thrilled to hear two of my favourites, “Ghost” and “She Says” make the sets both nights. “Ghost” was a real highlight, with a frenetic guitar jam created by Howie’s trademark loops. I was also thrilled to hear “Collide” on both occasions, especially in Sydney where the crowd surprised me by launching into an enthusiastic sing-along. I’d clearly underestimated Howie’s popularity here, as most people I meet have never heard of him. We were also treated to some new songs which I hope to see on an album soon.

I was so excited the first time I saw Howie Day on a holiday the United States, I wasn’t sure whether these Aussie shows could possibly live up those memories. They did. I can’t wait to see him back in Australia really soon.

Image source: own photo