Ziggy Alberts Releases ” Singing for Country Ahead of New Album & Homecoming Tour

Ziggy Alberts is easing you into your working week with his latest single, “Singing for Country.” This patriotic, chilled-out folk song is the latest track from Ziggy’s forthcoming seventh album New Love which drops on February 21.

“I wrote ‘Singing For Country’ along the Mid-North Coast of Australia. It’s a song about what it means to be Australian, to love this land and our planet. For me, being Australian is about embracing a unique mix of cultures on this sunburnt land,” Ziggy explained. “This song was my way of celebrating what and how it feels to be Australian. I performed this song across my tour in Europe, UK and North America and despite it being about my love for Australia, people really connected to it. I think that for anyone who loves the natural beauty of their homeland will relate and feel camaraderie in this too. It speaks to the core reason I write songs; to sing and celebrate people and nature.”

Ziggy has played plenty of shows all over the world, but he’ll be back home in February with gigs in the capitals and regional centres supporting New Love’s release.

“After being on tour all year, there’s nothing quite like the feeling of coming home,” he said. “You don’t realise how much you love a place until you’re back, breathing it in again. There’s something raw and grounding about being back on home soil, smelling the bottlebrush, and returning to the ocean. Originally, this song was just going to be part of the album, but when I got back home, that visceral feeling reminded me how important it was to share it as a single ahead of summer. I’m grateful my team helped make it happen.”

Some shows have already sold out so don’t wait to get yours.

21 February 2025 – The Station, Kabi Kabi and Jinibara Country/Sunshine Coast
22 February 2025 – Miami Marketta, Yugambeh Country/Gold Coast
23 February 2025 – Liberty Hall, Eora/Sydney
25 February 2025 – Hindley St Music Hall, Tarntanya/Adelaide
26 February 2025 – Palais Theatre, Naarm/Melbourne
27 February 2025 – Metropolis, Walyalup/Fremantle
1 March 2025 – 3 Oceans Winery, Wooditup/Margaret River
6 March 2025 – Tanks Arts Centre, Gimuy/Cairns
8 March 2025 – The Powerhouse, Giabal Country/Toowoomba
9 March 2025 – Kingscliff Beach Hotel, Bundjalung Country/Kingscliff (SOLD OUT)
12 March 2025 – Bellingen Memorial Hall, Baligin/Bellingen (SOLD OUT)
13 March 2025 – Bellingen Memorial Hall, Baligin/Bellingen (SOLD OUT)
14 March 2025 – Bar on the Hill, Mulubinba/Newcastle
19 March 2025 – Anita’s Theatre, Thurrural/Thirroul
20 March 2025 – Anita’s Theatre, Thurrural/Thirroul (SOLD OUT)
21 March 2025 – UC Refectory, Ngambri/Canberra
22 March 2025 – Tilba Winery, Yuin Country/Corunna
26 March 2025 – The Cube, Wiradjuri Country/Wodonga
27 March 2025 – Civic Hall, Balaarat/Ballarat
5 April 2025 – Oak and Anchor Hotel, Dhauwurd Wurrung Country/Port Fairy (SOLD OUT)

Photo credit: Janneke Storm

Yellowcard & Pop-Punk Pals Heading to Oz

Yes, I know I said I was taking a break, but when I heard American pop-punk legends Yellowcard are heading to Australia for a massive tour I couldn’t resist making one more post today. Hearing Yellowcard are heading our way to celebrate the 20th anniversary of Ocean Avenue was exciting enough, but then I saw the headliners. We get Motion City Soundtrack and Plain White T’s too?! Yes please!

“It has taken us a long time to sort out bringing the 20th anniversary of Ocean Avenue to Australia, but we promise it will be worth the wait!” Yellowcard said in the press release. “This lineup is so good and we can’t wait to reconnect with our fans down under.”

Yellowcard haven’t played Australia since 2017 so I know fans will be hungry for these shows. Sign up for presale tickets from December 10 or try the general sale from December 12.

2 April 2024 – Metro City, Boorloo/Perth (18+)
4 April 2024 Hindley St Music Hall, Tarntanya/Adelaide (Licensed ALL AGES)
5 April 2024 – Margaret Court Arena, Naarm/Melbourne (Licensed ALL AGES)
9 April 2024 – Hordern Pavilion, Eora/Sydney (Licensed ALL AGES)
11 April 2024 – Bar On The Hill, Mulubimba/Newcastle (18+)
13 April 2024 – Fortitude Music Hall, Meeanjin/Brisbane (Licensed ALL AGES)

Nick Shoulders & Margo Cliker Team Up for Aussie Shows

Two of America’s most exciting emerging country artists are teaming up for one big tour this October. Arkansas “punk cowboy” Nick Shoulders and Columbia River native Margo Cliker will join forces for some performances at the Out on the Weekend festivals and a very special show in Eora/Sydney.

I’m especially excited about Margo gracing our shores after listening to her OurVinylSessions EP a few times this morning. She’s really something special. I imagine her gentle folky sound will be a great foil for Nick’s darker, grittier music.

Tickets for all shows are on sale now.

9 October 2024 – Factory Floor, Eora/Sydney
11 October 2024 – Out on the Weekend Festival @ Itinerant Spirits, Ballaarat/Ballarat
12 October 2024 – Out On The Weekend Festival @ Seaworks, Naarm/Melbourne
13 October 2024 – Out On The Weekend Festival @ Coal Creek Community Park & Museum, Bunurong Country/Korumburra

Image used with permission from Dave Laing Publicity

Hurray for the Riff Raff Heading Down Under

New Orleans-based Americana sensation Hurray for the Riff Raff, aka Alynda Segarra, is heading to Australia this October for a string of headlining shows and festival appearances.

Since I heard the news, I’ve had Alynda’s fabulous 2024 album The Past is Still Alive on repeat. It’s so good. Recorded just a month after the passing of their father, the songs see Alynda grappling with love, loss, time, and the memories we make. Honestly, make sure you take a listen because you don’t want to know how good it is after the shows are done!

You can catch Hurray for the Riff Raff at one of their local shows:

4 October 2024 – Dashville Skyline Festival, Wonnarua Country/Hunter Valley
5 October 2024 – Factory Theatre, Eora/Sydney
6 October 2024 – The Eltham Hotel, Bundjalung Country/Eltham
9 October 2024 – The Triffid, Meanjin/Brisbane
11 October 2024 – The Croxton Bandroom, Naarm/Melbourne
12 October 2024 – Out On The Weekend Festival @ Seaworks, Naarm/Melbourne
13 October 2024 – Out On The Weekend Festival @ Coal Creek Community Park & Museum, Bunurong Country/Korumburra

Photo credit: Tommy Kha

Toby Mobbs Announces In Between The Words Album Tour

Fresh from the release of his fabulous sophomore album In Between The Words, Toby Mobbs is hitting the road. His national album tour will see Toby play some of the country’s most charming venues, including art galleries and bookstores, in every one of the country’s states and territories.

Toby will start the tour in October playing duo shows with his mate Matt Cross before going it alone for the bulk of these dates. He’ll close things out with a big full band gig in Bungambrawatha/Albury-Wodonga this November. Visit Toby’s website or simply click the links below for all the details on these events and tickets.

2 October 2024 – The Curious Rabbit, Wiradjuri Country/Wagga Wagga (duo show with Matt Cross)
3 October 2024 – The Baso, Ngambri/Canberra (duo show with Matt Cross)
4 October 2024 – The Press Book House, Mulubinba/Newcastle (duo show with Matt Cross)
8 October 2024 – Elixir Music House, Gimuy/Cairns
13 October 2024 – Godinmayin Rijard Rivers, Emungalan/Katherine
18 October 2024 – Regional Arts Gallery, Goomburrup/Bunbury
23 October 2024 – 5290 Bar, Berrin/Mount Gambier
25 October 2024 – Beav’s Bar, Djilang/Geelong
27 October 2024 – Valentino Safe Co, Kanamaluka Country/Launceston
3 November 2024 – The Lincoln, Bungambrawatha/Albury-Wondonga (full band)

Image used with permission from Toby Mobbs

NYC Sensation Infinity Song Heading to Australia

New York act Infinity Song have come a long way since busking around Central Park, Times Square, and Grand Central Station. Jay-Z handpicked them for his label Roc Nation, they’ve made appearances on shows like The Late Show with Stephen Colbert and The View, and they’re making their way to Australia for the first time this December. The group will play three intimate shows in the East Coast capitals.

If you’re not already across Infinity Song’s music, it’s time to fire up your preferred streaming platform. They make beautiful nostalgic music with rich harmonies and soul. They’ve been likened to everyone from the Fifth Dimension to ABBA, yet they count contemporary artists like Doja Cat and Keke Palmer among their fans.

Trust me, you don’t want to learn about this act after tickets sell out. Catch Infinity Song at one of the following shows:

6 December 2024 – The Brightside, Meeanjin/Brisbane
7 December 2024 – Nightcat, Naarm/Melbourne
8 December 2024 – Oxford Art Factory, Eora/Sydney

Image used with permission from beehive

“Lustre” – The Buoys

For the last few days, I’ve been cranking Lustre, the debut album from Aussie rockers The Buoys. There’s not enough women making rock music in the world these days. There are even fewer examples of really good all-female rock acts. But these women are making some of the best I’ve ever heard.

I’ve been rocking out to The Buoys for some time, lapping up singles like “Check Mate”, “Guard My Heart”, and so many more. In fact, I’m not sure I’ve come across a track from The Buoys that hasn’t inspired me to put my fingers to the keyboard and share it with you all. After listening to Lustre, I’m convinced they just don’t have a bad song in them. Sustaining the quality over 14 tracks is no mean feat, but it proves just how good these women are.

I could call out individual tracks, but that would feel unfair to the rest. In actuality, this album grabbed me with the first honest, impactful lyrics of “Settle Petal” and didn’t let go. I was in raptures right until the final singalong notes of “Totally Completely Fine.” And then I hit play again. And again. And again. In fact, I’ve had to convince myself to stop procrastinating and write about this album so you could all get onto listening to it. So do it. Honestly. Don’t waste another moment before getting it on.

Lustre is out now. The Buoys will celebrate its release with shows in the major capitals in August and September. Tickets are on sale now for all of the following dates:

16 August 2024 – Republic Bar, Nipaluna/Hobart
17 August 2024 – Corner Hotel, Naarm/Melbourne
23 August 2024 – The Valley Loft, Meeanjin/Brisbane
30 August 2024 – The Factory Theatre, Eora/Sydney
6 September 2024 – Jive, Tarntanya/Adelaide
7 September 2024 – Jack Rabbit Slim’s, Boorloo/Perth
19 October 2024 – Stonefest @ University of Canberra, Ngambri/Canberra

Main photo credit: Dougla Gorman

Teenage Wrist Ready to Rock Aussie Capitals

In just a few weeks, Los Angeles duo Teenage Wrist will play their first Australian shows. The band will showcase songs from their three studio albums, including 2023’s Still Love.

“Honestly Australia is a place we never thought we’d make it to,” said the band’s vocalist and guitarist Marshall Gallagher. “But we keep getting all these comments and messages about coming, and somehow we have a listener base there and will be fairly close by in Asia, so we figured this was our opportunity! We can’t wait, it’s a literal dream come true!”

Tickets for all shows are still available, but I wouldn’t wait too long. These venues are so intimate, I wouldn’t be surprised if some sell out.

1 August 2024 – Stay Gold, Naarm/Melbourne
2 August 2024 – The Baso, Ngambri/Canberra
3 August 2024 – Mary’s Underground, Eora/Sydney
4 August 2024 – The Brightside, Meeanjin/Brisbane

Image used with permission from Bigmouth PR

Macy Gray @ The Art House, Darkinjung Country/Wyong – 10 July 2024

Cast your mind back to 1999. The video that played at the start of last night’s concert made it easy for me, but I’ll give you a refresher. “Mambo No. 5” was Australia’s highest charting single. Cher was on the comeback trail with “Believe.” A young starlet called Britney Spears made a splash with “Hit Me Baby One More Time.” And we were introduced to Macy Gray, thanks to her smash debut On How Life Is.

While that footage took us on a trip down memory lane, it didn’t quite capture what made listening to music in 1999 so special. Radio and television programs like Rage and Video Hits were a springboard for discovering albums. Once you’d buy one, it would live in your stereo until your next purchase. We didn’t have Limewire yet, let alone Spotify, so you’d immerse yourself in a record for much longer before moving on to the next. I hadn’t picked up On How Life Is for years, but when I revisited it a couple of months ago I found I still knew every word. After a quick refresher, I was pumped for Macy’s show at the Art House in Wyong.

I’ve got to say, what a thrill it was to see an international artist of her calibre at our intimate local theatre. It holds just 500 people; there are no bad seats. It’s a special place where you feel like you can make a real connection with the performer and their fans. I can only hope Macy’s appearance paves the way for more massive acts so close to home.

Macy was here to celebrate the 25th birthday of On How Life Is, which she played virtually front to back in the first part of the show. Of course she’d leave us waiting for her monster smash “I Try,” and the album’s final track “The Letter” was such a natural closer that would need to wait too. But otherwise the nostalgic tracks flowed easily from one to the next. Macy stopped briefly to introduce us to her incredible band, and invite us to yell our own names so she could get to know us too. There was an off-the-wall story about meeting a koala on the streets of Wyong, who promptly jumped for her when he heard she hoped to meet a kangaroo. It was weird and wonderful, and totally Macy.

I’d be remiss if I pretended that it was a perfectly executed show. Without any backing singers, moments exposed weaknesses in her vocals, especially the stripped-back ballad “Still”. But Macy’s vocals have never been flawless. They’re richly textured, and while some parts may be a little weaker than they once were other parts of her voice left me speechless. Every song she delivered with such heart and conviction and joy that it was difficult to fault even the imperfections.

I knew Macy planned to sing songs from On How Life Is early in the show, but I was intrigued by how she’d fill the back end. As she launched into the jazz standard “Sunny,” I knew we were in for some surprises. I strapped myself in and enjoyed the ride. Her unexpected cover of Radiohead’s “Creep” was a delight. Her bandmates had a time to shine with a drum solo and a 90s-inspired DJ set which gave Macy time to change from one fabulous outfit to the next. She told us that tonight would be a “fuck everything” night and encouraged us to forget about the rules and what other people might think of us before urging us to our feet for “Sexual Revolution.” I, for one, took her words to heart. I’m not sure I’ve ever felt more free.

Listening to the cries of “Finally” when Macy played “I Try,” I’d wager a few people bought tickets on the strength of that song. I personally can’t imagine seeing a show for one song, but tracks with that kind of power and potency so many years after their release are rare. It’s a special song, and while I’d heard many favourites that night, I loved being a part of the sing-along that clearly touched Macy’s heart.

I thought she’d move straight on to “The Letter” and we’d be done, but Macy had other ideas. While the night traded heavily on nostalgia, Macy was proud to show us she’s still got some fresh tunes. She played us a little of her latest single “I Am”, then taught us vocal parts and dance moves before leading us in a somewhat chaotic (our fault!) but fabulously fun version. The song is so catchy I heard people singing it as we left the theatre! Macy sent us on our way with “The Letter”, the final track from her landmark debut, such a feel-good ending for an excellent night out. It ensured I wasn’t left wanting in this show that was 25 years in the making for me. Macy was everything I hoped for: a magnificent, colourful (in every sense of the word), talented delight. I am so glad I finally got the chance to see her in all her glory.

Macy has just a few more dates left on her Australian tour. Catch her anywhere you can:

11 July 2024 – The Playhouse, Ngambri/Canberra
12 July 2024 – Anita’s Theatre, Woolyungah/Wollongong
13 July 2024 – Enmore Theatre, Eora/Sydney

Images: own photos

The Dreggs @ Enmore Theatre, Eora/Sydney – 28 June 2024

2024 might be the year of The Dreggs. Seven years since releasing their debut single, they dropped their incredible first album Caught in a Reverie. It’s one of my favourites this year. They’ve also just played their first show at the Enmore Theatre, a bucket list venue for the duo from Yarun/Bribie Island. I was so thrilled to be there to share this milestone with the band.

While Friday was The Dreggs’ night, it was really a celebration of local talent. I was unfamiliar with This New Light from Kabi Kabi and Jinibara Country/Sunshine Coast, but he made such a big impression on me. It’s challenging for an emerging artist to fill a theatre with only an acoustic guitar for the majority of the set, but he had me hanging on his every word. His chilled-out folk music was the perfect primer for the evening. He was so sweet too, genuinely humble as he told us how much he’d appreciate us checking out his tunes on Spotify or giving him a follow on Instagram. How could we say no?

I’ve been raving about GRAACE’s music since 2018 (about as long as The Dreggs!), so I was thrilled to finally catch her on stage. Her pop tunes weren’t a natural fit for a night like this, but she owned the stage. I loved watching her dance around as she delivered some of my favourite songs like “Jealous Type” and “Love is Getting Wasted.” Rather than a full band, GRAACE shared the stage with an incredible guitarist. Again, it wasn’t the most natural choice for an alt-pop artist, but I loved seeing her shred. They both got their rock star moment when GRRACE slipped in an unexpected cover of Kings of Leon’s “Use Somebody” that had everyone singing along.

You could feel the energy shift when Then Dreggs’ stepped out. I’m not sure I’ve ever seen such an enthusiastic reception for a local act. Sure, I’ve seen people excited when big names like John Farnham and Jimmy Barnes step out, but those guys are so big that their audience becomes a little diluted by people who’ve simply enjoyed the songs on the radio. When you see an act like The Dreggs, everyone there is incredibly passionate. It’s a beautiful thing to be part of. New songs? Already across them. Old favourites? Everyone was following the band then too so we’re all prepared to sing along to every word.

I knew The Dreggs would sound good, but I don’t think I was quite prepared for exactly how good. The music I loved on their recordings went to the next level on the stage. Paddy Macrae’s banjo was incredible, and the full band brought a new depth to some of those early tracks. These guys are tight. There’s a natural chemistry between Paddy and Zane Harris forged from years of friendship. Their harmonies are second to none. But the whole band gelled together so fabulously. It was a joy to watch the music they created.

They may have a few more rungs on the board than their first support act The New Light, but The Dreggs have a similar humility. They remarked several times that playing the Enmore was something they’ve strived for throughout their career. You could see they didn’t take that moment for granted. They thanked the crowd for their support earnestly and even gifted a fan singing every lyric a merch pack. That pack could have gone to so many people, because every song was a singalong. So many numbers had fans up on their feet, dancing enthusiastically, whether they were on the floor or up in the dress circle. That’s right, even among the seats where people normally want to chill, the show was often a party.

Those party vibes were balanced with sombre moments when Paddy spoke about the duo’s commitment to discussing mental health issues. They’ve explored these issues throughout their time as a band, but perhaps never as eloquently as on the album Caught in a Reverie, a record anchored in grief and what it takes to work through it. It was so powerful seeing these guys using this platform to speak about a topic few men willingly discuss. Hats off to them. Those dark moments were balanced so beautifully with lighter tracks like “She Picks Flowers,” “Keepsake,” and the triumphant final number “Hold Me Closer,” which had us all singing along with its “da da” refrain.

The Dreggs will soon take their show to Aotearoa/New Zealand before closing out the year with a few local dates. Catch them anywhere you can. I promise you’ll have a ball.

19 July 2024 – Hotel Brunswick, durring/Brunswick Heads
26 July 2024 – The Church, Christchurch
27 July 2024 – U Bar, Dunedin
28 July 2024 – Yonder, Queenstown
1 August 2024 – San Fran, Wellington
2 August 2024 – The Tuning Fork, Auckland
7 August 2024 – The Station, Ngarigo Country/Jindabyne
6 October 2024 – Long Jetty Festival, Darkinjung Country/Long Jetty

Photo credit: own photos