Baychimo Kin’s album Understood snuck up on me. I remember being sent the Soundcloud of the lead single “Marianne” a few weeks ago, listening to it, just not quite being able to get into it, so moving on. Then I was sent the video. It was animated and beautiful, but again the song didn’t quite resonate with me. Those persistent publicity folks then sent me an album stream. I know all too well not to judge a band by one song, so I slipped it on.
I still hadn’t made up my mind after the first listen, or the second, yet I found myself compelled to keep on playing it. There was something there, and somewhere around the third or fourth listen I got it. I can’t describe what “it” is, dear readers. I’m not really sure how this album got under my skin, or what it was that made the penny drop, but suddenly I found myself taking notes. I wrote down several adjectives: delicate, fragile, unique, special. The songs on Understood are all these things. You might not catch them on the first listen either, but I’m sure you will.
These songs are deceptively simple, but they get richer with each listen. The Melbourne band creates moods with the haunting vocals and beautiful instrumentation. I love the heartfelt romance of “Anna,” especially since the band can balance it with the edge of a track like “B Sting.” “Honey” might have a bit of an identity crisis, but I am right there now as it takes the listener through every movement. “You’ve Got a Hold Of Me” is such a striking closer. And “Marianne,” that song that I grappled with for so long is now one of my favourites. It was such a slow burner for me, but when I got it, boy did I get it.
I took some time to fully grasp Understood, but I think it’s one of the most original albums I’ve heard all year.
Image source: Baychimo Kin Bandcamp page