Sting @ Bimbadgen Estate, Hunter Valley – 18 February 2023

By now you might realise that this won’t be a standard concert review. However, while Saturday’s Sting concert wasn’t what any of us wanted and expected, we still received an afternoon filled with great music so I decided it was important to write about what I did experience.

When you buy tickets to an outdoor show, you never know quite what you’re going to get. The weather in late summer can be fickle. While I was in pants earlier in the week, the mercury hovered somewhere around 40 degrees in the Hunter Valley on Saturday. Shout-out to my dad, the real MVP, who drove Mum and I to the Hunter for a nice lunch, then some wine-tasting in air-conditioned cellars until the show was nearly about to begin. With our AAMI Lucky Club membership we were ushered through our special line without queuing and quickly found our seats. No lines at the exclusive AAMI Lucky Club bar either. No, this isn’t a paid promotion, but those perks make sticking with my insurance provider so worthwhile. Mum told me the seats were much better than they were last time she saw Sting, even though we didn’t splurge on close to the top tier.

I didn’t have high expectations for Joe Sumner, assuming he just got the gig because his dad was the headliner, but I really enjoyed his set. He reminded me a lot of his father vocally, although his top register was a little weaker. But he has some really solid pop-rock songs. He’s definitely got the goods as a singer-songwriter, and he’s super charismatic. One of the things I really love about these Day on the Green shows is you can often be pleasantly surprised by an artist who you wouldn’t ordinarily have seen. Rest assured, I’ll be checking out his back catalogue.

Unlike Joe, I knew exactly what I was getting with James Reyne. He’s one of Australia’s most dependable musicians, with one of the country’s most impressive back catalogues. When you can throw “Reckless” into the middle of your set, because you know there is plenty more people want to hear, you know you’ve got the goods. He has us all singing along, even if we were probably wrong with most of the words. I’ve lost count of the number of times I’ve seen James, but it’s always a thrill.

Sting is another one of those artists who has so many hits that he doesn’t need to save them for an encore. He walked out without fanfare, just a man with his guitar ready to put on a great show. “Message in a Bottle,” bam, “Englishman in New York,” bam, “Every Little Thing She Does is Magic,” bam. Sounding just as good as he ever has, with so much charm. With a triple-treat of hits so early, we didn’t even mind when he apologised for playing a couple of new songs. They were less familiar but still superb songs, and they gave us all a chance to catch our breath and take our seats for a bit. We were back to the hits for “If I Ever Lose My Faith in You,” a song made a bit more pleasant as the breeze picked up. We had been so hot that the wind was a welcome relief. I was honestly shocked when security ushered Sting off the stage. He said he’d be back if he could, and we were sure he would be. I called my dad, who was already on the way to pick us up, and told him the show might take a little longer as we were on a break waiting for the high winds to pass. He turned around to go home, and almost got there when I called him back to say we were being evacuated. We were a bit shocked really. It wasn’t raining, and I’ve been in some pretty heavy rain for Day on the Green shows, but I guess the wind and forecast lightning was the deciding factor.

I’ve attended countless Day on the Green shows and never had an experience like that. So perhaps it’s not a surprise that I felt the venue staff were ill-prepared for the turn of events. My mum and I were told to leave our seats, but we had no where to go, with my Dad around 50 minutes away. And then the rain started. Another shout-out to the amazing couple who let us take shelter in their car, insisting that they wouldn’t be moving for ages (they were right). Would we have been waiting in the conditions that were deemed too unsafe for a concert if they weren’t willing to help?

Now we’re left wondering what happens next. The team behind A Day on the Green say they’ll be in touch in the next day or so, suggesting there’ll be some kind of compensation. A reschedule seems unlikely given Sting’s busy schedule. Some people online have suggested we don’t deserve any sort of compensation, because we saw all three acts we paid for. However, if you’d asked me to pay $200 to see Sting sing seven songs, I’d have told you where to go. It’s the sort of experience that makes you wonder whether you should buy tickets to the shows at the safe, if somewhat sterile, indoor venues instead of the wineries. So I’m glad to hear A Day on the Green are looking to make up for our disappointment. It certainly wasn’t the show we hoped for, even if there was plenty to smile about early on.

Image source: own photos

Ben Folds @ Bimbadgen Estate, Pokolbin – 8 May 2021

As I shiver through this unseasonably chilly May weather, it’s hard to believe I was basking in the sunshine at Bimbadgen Estate’s first (and hopefully not last) Cellar Door Series concert less than two weeks ago. There was so much to like about this event. The weather was glorious, warm without being sweltering as it is so often during the Day on the Green series. With a reduced COVID-safe capacity, we had plenty of space to spread out in our allocated squares. As an added bonus, the queues for lunch, booze, and the toilets were blissfully short. With just two acts on the bill, we were heading home by 6. How very civilised! And of course, those two acts were a big reason to love this show.

I’ve long admired Gordi’s gentle, folky music, so I was thrilled to see her in this setting. Her songs would have been too subtle for a big Day on the Green audience, but here among a smaller group of serious music fans they hit the right note. She held our attention with her hypnotically soothing voice and poetic lyrics. She chatted openly with the crowd, relishing the chance to get up in front of fans and support Ben, an artist she’s long admired. The surprise addition of Gordi’s long-time friend and sometimes collaborator Alex Lahey on a few songs they wrote together was a real thrill.

While I appreciated Gordi’s set, my excitement hit fever pitch for Ben Folds. After the COVID pandemic put the brakes on the local music scene, I’ve appreciated any chance to see live musicians doing their thing. But watching an international star play live is such a rare experience in the current climate. I relished it.

Ben seemed just as excited at the setup, marvelling at the parents swinging their kids around and the wild kangaroos who stopped to watch his set. And why wouldn’t you when such a talent is on stage? He chatted easily to us, sharing stories of his life. Hearing how he saw legendary fighters before they turned pro with his dad set the scene for “Boxing.” Hearing stories of the people in his life who inspired “Uncle Walter” and “Bastard” gave them extra power. His nostalgic mood might suggest he’s missing the US, but he assured us there’s no place he’d rather spend the pandemic than Sydney.

I’ve seen Ben perform countless times over the years, but this set was probably my favourite. The pandemic might have something to do with it. I think I appreciate concerts a little more now my calendar isn’t stacked with them. But there was more than that. He was in fine voice, so enthusiastic to be back in front of audiences, and that glee was infectious. In a traditional gig, the lights go out and the connections dim. The performers can’t see beyond the first few rows and you struggle to make out the people around you. Here I could see the faces of people who adored this gig as much as I did. Holding my husband’s hand as we both looked at each other during “The Luckiest” is a concert moment I’ll hold close to my heart forever. Everyone in attendance that day shared something and it was beautiful.

This was a set for fans, which we all were judging by the way we enthusiastically sang Regina Spektor’s parts in “You Don’t Know Me,” clapped along to “Annie Waits,” and danced around to “Effington” and “One Angry Dwarf and 200 Solemn Faces.” We were much more excited to hear him close with “My Philosophy” than “Brick” or “Rocking the Suburbs.” No one seemed to care that those radio staples weren’t included in the set, because what we heard was so good.

The team behind A Day on the Green set their bar tremendously high with their first Cellar Door Series show. I’m not sure they could possibly top it, but I’m keen to watch them try.


Image source: own photos

Rob Thomas – Sydney and Hunter Valley, 13 and 16 November 2019

Live music always makes my heart beat faster. However, there is one artist on the planet that takes my excitement to the next level: Rob Thomas. Whether he’s fronting Matchbox Twenty or playing solo, he is the performer who has the largest piece of my heart. His Chip Tooth Tour was a long time coming, nearly four years since his last Australian dates, so by the time last week rolled around I was more than ready.

One Rob Thomas show isn’t enough for me. I considered writing two reviews, one for Sydney and another for the Hunter Valley, but frankly the week passed in a whirlwind and now here I am, basking in the afterglow. Sydney was the perfect warm-up. First State Super Theatre strikes the right balance; it’s small enough to feel intimate but not so tiny that it can’t attract big acts for their only gigs in the NSW capital. The Hunter Valley show was part of the Day on the Green series. These events always seem so leisurely and relaxed, with so many good vibes. Sorry Sydney, but it also seemed to have the best crowd. Maybe I was just unlucky with seating in Sydney, but it was so nice to travel up the freeway to be amongst fans who seemed to care more about the music than making trips to the bar!

I’m glad that Daryl Braithwaite was the support act we doubled up on. I’ve made mention in the past of his voice fading, but I think he was in the best form I’ve seen in a while. You can still hear the limitations at time, but it’s a minor quibble from an artist who delivers so much. His set was packed with his Sherbet and solo hits, although an unexpected cover of The Kinks’ “All Day and All Of The Night” was a welcome addition in Sydney. What a shame the Hunter Valley security decided to try to make everyone sit down just before “The Horses.” Thank you, Daryl, for insisting it wouldn’t hurt us to rise to our feet for a couple of minutes! Staying seated for this unofficial anthem just wouldn’t have felt right!

The Hunter Valley’s extended line-up saw Russell Morris and Pete Murray joining us. I raved about Russell when I saw him at the same venue a couple of years ago and he was every bit as appealing this time around. His voice shows no sign of fatigue, impressive at the age of 71. He has so many hits to his name and they came thick and fast, rewarding those of us who arrived early enough to catch his set. He really deserved better than so many vacant seats. He was excellent.

I wish I could get as excited about Pete Murray, but for not the first time I just wasn’t feeling it. Ordinarily I can’t get enough of good-looking men who play guitars, but his songs never seem to get out of second gear for me. He performs them well, sounding virtually identical to the way he does in the studio, but I just can’t muster any kind of enthusiasm for them. Putting Pete after Daryl Braithwaite, who had me and so many of the folks around me, so fired up also seemed a bit cruel.

Whether I couldn’t wait for the support act to vacate the stage (sorry Pete) or I embraced their set (love your work Dazza!), I was primed for Rob Thomas. Opening with a new album track like “I Love It” was a risky move, but it was really the perfect introduction to Rob’s set; upbeat, engaging, and sexy as hell. It might have been called the Chip Tooth Tour, but Rob knows how to strike the right balance for serious fans and casual listeners. I would have liked to hear more from the new album, Chip Tooth Smile, but the four or five songs he played from it made space in the set for more songs from the back catalogue. The solo hits and Matchbox cuts came thick and fast, along with a smattering of lesser known songs for the diehards like me. I was thrilled to hear “Sunday Morning New York Blue,” an EP track, and fan favourite “Pieces” make the cut in the Hunter, while “Heaven Help Me” was an unexpected delight in Sydney. “Fire on the Mountain isn’t one of my favourite album tracks, but it really gets a new power on the stage. Adding Indigenous dancers to the mix in Sydney brought some extra gravitas.

Speaking of surprises, they don’t get much bigger than Andrew Farriss from INXS gracing the stage for a cover of “Never Tear Us Apart” in the Hunter. The chemistry between the longtime friends and the quality of this Aussie classic made it a real moment to remember. If you can’t get Santana out here for “Smooth,” then 10-year-old guitar prodigy Taj Farrant makes an impressive substitute.


It seems to me like Rob is aging in reverse. I think it’s the only reasonable explanation for his boundless energy. He put on a rock star performance, without the bells and whistles of so many modern rock shows. Without projections or pyrotechnics, the focus was squarely on the music and the way Rob delivered it. Most of his band has been with him since his first solo tour, and it shows. However, as much as I appreciate the big full-band numbers, it was the quieter, more reflective times in the set that really got me. I don’t mind saying that I found myself wiping away tears in acoustic performances of “Ever the Same” in Sydney and “Bent” in the Hunter. With an acoustic guitar and Rob’s voice, supported by a choir of enthusiastic fans, those songs were as raw as the emotions they stirred in me.

When you anticipate a tour as much as I did this one, it can sometimes be hard for the performer to meet your expectation. But I know Rob never lets me down. Like a fine wine, he only seems to get better with age. The dust may still be settling on my recent shows, but I’m already hanging out for the next tour. Rob Thomas plays Margaret Court Arena in Melbourne tonight before concluding the Chip Tooth Tour at Perth’s Kings Park on November 23.

Image source: own photos

Day on the Green 100th Anniversary @ Bimbadgen Estate, Pokolbin – 22 March 2014

Fresh from my Glen Hansard show, I found myself concert bound again and on the road to the Hunter Valley. It seemed impossible to believe that we were heading out to celebrate the 100th Day on the Green show. It didn’t seem like that long ago that I was sitting with my parents at Bimbadgen Estate during the first run of the winery festival shows. Day on the Green has grown since those humble beginnings. It regularly attracts top notch international acts. But for the anniversary celebrations organisers went back to their roots and assembled one of the best line-ups of Aussie talent I’ve seen in some time.

What a shame that my parents were predictably running late. I found myself looking at my watch repeatedly, calculating just how much of Boom Crash Opera I’d get to see. The answer was, just one and a half songs as I was finding my seat. I was lucky to see that really; my dad let me out of the car early, despite the protests of security, and I ran up to the gates while he was parking. They sounded superb playing two of the big hits – “The Best Thing” and “Onion Skin – and I am kicking myself that I didn’t get to see more. They’ve lost nothing over the years, except for Dale Ryder’s hair.

Thankfully there was plenty more talent on the bill. While my formative years were spent perving on Mr Ryder, my mum’s were spent drooling over Daryl Braithwaite. She was transformed back into a 16-year-old as he took the stage and delivered hit after hit. Dazza’s another of those blokes who seems to lose nothing over the years. He hits those high notes with ease and always puts on such an amazing show. Singing out “The Horses” and “Higher than Hope” with the crowd was magic.

Next up was one of our favourites, Mr Richard Clapton. Oh how we love Richard. Having said that though, after such an incredible set from Daryl, Richard’s seemed to lack a little sparkle. I knew the majority of the songs from seeing him countless times in the past, but they seemed to leave a lot of people scratching their heads. “Girls on the Avenue” went down a treat though. Even when he’s not incredible, Richard’s still bloody good.

Incredible was what we got with another my of mum’s crushes, Ian Moss. The consummate professional, adored by the masses, he delivered a stellar set packed with the hits and a few surprised. As someone who remembers buying Matchbook on cassette (my first album bought with my own money if I’m ever on RocKWiz!), I was thrilled to hear him perform “Mr Rain.” The only thing better than Mossy solo is Mossy with Jimmy. We got a little Cold Chisel reunion during “When the War is Over” which was something I’ll never forget.

Next up were The Angels, the band with the biggest question mark for me. I was well aware of the split, and had wondered just how this incarnation would feel without Doc Neeson up front. I shouldn’t have worried. Rather than feeling like a pale imitation of the original, this Dave Gleeson-fronted outfit has a new lease on life. I might be a bit biased here. I’m Newcastle-bred, and many of the first pub gigs I ever attended were Screaming Jets shows. But he is the perfect frontman for this band he clearly loves so much. He brought real energy to the hits and won over the crowd from the get go. I’ve got to tell you though, the only thing weirder than seeing your parents chanting “that bit” in “Am I Ever Gonna See Your Face Again?” is watching your American husband’s reaction to it all. The poor boy was caught completely unawares. I love that despite eight years here, every now and again Aussie culture can throw him a curveball.

Jimmy Barnes teased us with his appearance during Mossy’s set. We were so ready for him, and he delivered. Jimmy was actually the first musician I ever saw live, way back in the Soul Deeper days, and I’ve been a massive fan ever since. It was a wonderful set which spanned his entire career. He rocked hard and we loved it. I found myself on my feet more often than not, and I screamed myself hoarse. God knows how he keeps up those vocals. Mossy came back to play a few Chisel numbers and it was every bit as special as that first appearance. This time I put my camera down and just soaked it in though. Wow. Being amongst that crowd singing out “Working Class Man” and “Khe Sahn” was out of this world.

All that amazing Australian music in one day is something I’ll never forget. This is the sort of show we’ll still be talking about years later.

Image source: own photos

Spiderbait, Gyroscope, and More for Hunter Valley’s Funk n Grooves Festival

The line-up for this year’s Funk n Grooves festival, which will hit the new site at 1882 Broke Road, Pokolbin on September 11, has been announced.

Groovin The Moo 2008 Festival


The bill features an eclectic mix of acts including Spiderbait, Gyroscope, British India, Bertie Blackman, Urthboy, Washington, Resin Dogs, The Bamboos, and Skipping Girl Vinegar. This festival is really finding its own identity as a kind of little sister to Jazz in the Vines. The blend of pop, rock, blues, and soul on the menu this year is really intriguing and should see a solid turnout for the event.

Tickets are available now for $80 plus booking fee from the Funk n Grooves website.

Simply Red @ Bimbadgen Estate, Hunter Valley – 21 February 2009

When I was a young teenager I saw Simply Red play at the Newcastle Entertainment Center. I admit that I wasn’t a big fan of the band, but I enjoyed “Fairground” which was all over radio at the time, and I didn’t want to be left at home while my parents saw the show. I may not have adored the band before the show, but when I left I was converted.

I admit it; as I looked back years later I wondered whether I was just excited by such a large-scale show. I had only seen one or two concerts before, so seeing any band was a big deal. Were they really as good as I remembered?

After catching Simply Red again at Bimbadgen Estate on Saturday, my answer is an unreserved yes. But of course any Day on the Green show is about more than the main act so allow me to backtrack a little.

It was a soggy day in the Hunter Valley on Saturday. We were all thankful when Dragon took to the stage, providing some respite from the relentless downpour. Mark Williams did his best to fill the very big shoes left by Marc Hunter, but he didn’t quite cut it. The vocals didn’t have quite enough punch, but the crowd helped to fill in the gaps. Hit after hit after hit came. “Rain” was a real highlight considering we were all soaked through to our underwear!

Kate Ceberano has always struck me with her warmth and sunny disposition, so it seemed fitting that the clouds parted for her performance. She treated us to a covers-heavy set, drawing from her recent albums Nine Lime Avenue and So Much Beauty. But fans of her original recordings weren’t disappointed either, with “Brave,” “Pash,” and a reggae-flavoured “Bedroom Eyes” finding their way into the set. I think we all had as much fun dancing along to those songs as the permanently smiley songstress did performing them.

Just when we thought we might have seen the last of the rain it began to bucket down again. I was beginning to really resent being cold and wet until Simply Red appeared. They are just that good.

Mick Hucknall is the quintessential frontman. He knows how to work a stage, and his voice isn’t showing any signs of old age. In this age of technical wizardry it’s so rare to see a band that can reproduce that studio quality in their live performance, but Simply Red can. His vocals are effortless, flawless.

His sexy dance moves and charisma may ensure all eyes are on Mick, but every member of the Simply Red band has a role to play. They are such superb musicians, bringing these iconic songs to life with guitars, saxophone, and keys.

This concert was a celebration of 25 years of fabulous music, and celebrate we did. I only wish I hadn’t found myself stuck amongst drunken yobbos. Have fun by all means, but no one needs to drink so much they’re falling over and becoming obnoxious. They may not remember this concert for years to come, but I certainly will.

Image source: own photo

Lionel Richie, Marcia Hines, and Mahalia Barnes @ Bimbadgen Estate, Hunter Valley – 8 December 2007

Attending a concert the day before moving house may be insane to some, but that’s exactly what I did last Saturday. I left the chaotic mess of boxes in my apartment for a little music therapy at one of the Hunter Valley’s famous Day on the Green events. This time around I was treated to the musical stylings of Mahalia Barnes, Marcia Hines, and Lionel Richie.

Jimmy Barnes’ little girl Mahalia proved she’s all grown up with a killer set of original soul tunes and some classic covers. She’s got an amazing set of pipes, and injects such passion into her performance that it matters little whether you know the songs or not. Her closer of “Proud Mary” was every inch as good as Tina Turner’s.

Next up was Australian Idol judge and soul diva Marcia Hines. Miss Marcia’s been doing this for around thirty years, and it shows. She had us dancing in the aisles with disco standards like “Shake Your Groove Thing,” “Disco Inferno,” and her own smash hit “You.” We were also treated to some more reflective moments from her new album Life, including brilliant takes on “Everybody Hurts,” “No Ordinary Love” and “Get Here.”

While Marcia and Mahalia wowed us, it was clear that there was just one person the crowd was there to see. That man was Lionel Richie. He’s not the most handsome man in the world, but there’s something about him that had the females from 15 to 50 on their feet.

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Steely Dan, World Party and Gangajang @ Bimbadgen Estate, Hunter Valley – 15 September 2007

This update has been a little slow coming, but I have a good reason I swear. You see, I’ve spent the weekend in the Hunter Valley catching Steely Dan at Bimbadgen Estate. The show was one of the fabulous A Day on the Green events, which is one of my favourite ways to see concerts. Where else can you enjoy a concert under the stars with delicious wine and a spread of gourmet cheeses and smoked salmon?

The afternoon kicked off with a performance by Australian rock pioneers Gangajang. I must admit, I didn’t have very high expectations, believing I knew nothing more than “Sounds of Then.” As it turned out, I knew a great deal more of their songs than I realised, but there was more than sing-a-long classics to their repertoire. They reminded me a lot of an older Cat Empire, with their eclectic tunes and good vibes.

I had similarly low expectations of the next act, Great Britain’s World Party. Again I felt I only knew one song, “Ship of Fools,” and on watching them I realised why. They weren’t bad, but there wasn’t anything remarkable about them at all. The songs melded together in a wave of bland until that signature tune, which failed to live up to the hype. Lead singer Karl Wallinger struggled to reach that high note, his age clearly showing.

The highlight of their set was the arrival of Australian Idol judge, Ian “Dicko” Dickson who actually took a seat virtually in front of me. Perving on Idol’s hot judge definitely made World Party’s boring music a bit easier to swallow.

Of course, the opening acts would never compare to the band we all came to see, Steely Dan. I must admit, the first few songs left me feeling frustrated. I’m not sure whether they were tracks from the most recent albums, but they certainly weren’t familiar to most of us. They were good, but after so much anticipation we were all dying to sing along.

They gave us that chance with the next song, “Hey Nineteen.” This is actually my favourite Steely Dan track, and I lapped it up. After that the hits seemed to come thick and fast: “Peg,” “Josie,” “Dirty Work,” “Black Friday,” and “Do It Again” were all highlights.

The band was one of the tightest I’ve ever seen. Every performer was individually brilliant, but together they were phenomenal. Drummer Keith Carlock deserves a special mention for the most amazing hand speed and energy I think I’ve ever seen. Of course original members Walter Becker and Donald Fagan were also sensational, still on top of their game despite doing this together for four decades.

However, towards the end the concert sadly lost its gloss for me, and many other fans. They did a big finish, then came back for the obligatory encore which ended with “Kid Charlemagne.” It’s a great song, but we were sure that wasn’t it. After all, they still hadn’t played “Rikki Don’t Lose That Number” or “Reelin’ in the Years.” We were all sure there’d be another encore, that there’s no way they’d leave us without playing at least one of those big hits, but soon the crew started to clear the stage.

I understand that performers can’t play everything, but these songs are the signature tunes. They were even featured on the ads for the tour. To use them to lure fans to the shows, but neglect to play them, almost feels like false advertising. Everything Steely Dan did on stage was wonderful, but sadly most of us will remember what they didn’t do.

Image source: Frontier Touring