As a proud Coastie, I don’t tend to travel more than an hour up or down the freeway to attend shows. My easy proximity to Sydney, Newcastle, and the Hunter Valley is one of my favourite parts about living on the Central Coast. However, when Cold Chisel announced their Blood Moon tour, I knew it was time to put a full tank of petrol in my Nissan Micra and head off on a road trip. I haven’t quite gotten over my beef with Hope Estate and while this Parramatta fan loves Bankwest Stadium as a place to watch the footy, it’s not where I want to see live music. With friends living in the Central West, a trip to Orange for Heifer Station’s first-ever Day on the Green seemed just the ticket.
I’ve attended Day on the Greens that were all-day events, but thankfully the organisers were smarter than that. They probably had an inkling that it would still be pushing 40 when the gates opened at 4. With concerts like this when seats aren’t reserved, I would normally be amongst the first to walk in. But I am not built for Central West heat. Spending more time in the air-conditioned wineries was a much more appealing option than braving the conditions outdoors. Consequently, we missed up-and-comer Josh Maynard, arriving just as Magic Dirt started their set.
I must admit, I wasn’t a Magic Dirt fan back in the ‘90s. Today it seems I’m still not a Magic Dirt fan. I have great respect for the way Adalita rocks out, presenting a strong female image that we don’t see enough of. But the band’s songs just don’t resonate with me. I tried, but it’s just not my cup of chai. I’m really not sure they were the right choice for the bill, because they certainly weren’t the Triple M staples, but I have to respect that they did things their way.
Birds of Tokyo though were pitched just right. I have always enjoyed their music on the radio but never felt compelled to see them live or buy any of their music. I thought them pleasant, but just a little middle of the road. I have completely changed my tune though. What a charismatic frontman Ian Kenny is. What a tight band they are, sounding just as strong as they do on their recordings. I also didn’t realise quite how many songs I knew. I was pretty excited about Chisel, but I was happy to watch these guys perform for as long as they were prepared to. I’ll definitely have to check them out again.
Cold Chisel was really what got me there though. We might have been roasting, but we somehow found the energy to get to our feet and give these guys the welcome they deserved. They might have officially been on the road to promote the new album, but I’m not sure they got that memo. They seemed far more interested in giving us a greatest hits set. They opened up with “Standing On the Outside” and never really took their foot off the pedal. They played the occasional track from the new release of course, but that seemed like an act of goodwill so we could take a moment and catch our breaths.
We bought the tickets in the back section, where camp chairs were allowed, believing we were too old to stand around all day. However, these guys gave us all a second wind. We’d take a load off for a moment, but then find ourselves standing second later because we had to dance to this one or that.
I was especially thrilled that two of my underrated favourites, “Four Walls” and “Breakfast at Sweethearts” made the set. There’s probably nothing more Australian than singing along to tracks like “Khe Sahn” and “When The War is Over.” And there’s really something special about being in a crowded field on a Saturday night, joining Jimmy and the boys for a raucous rendition of their song celebrating that special part of the week. Ian Moss’s starring turn on “Georgia On My Mind” was another absolute highlight.
By the time the band played “Goodbye Astrid Goodbye,” the traditional closer, I was spent. It was still hot as hell, and the dust storm that had rolled in was playing havoc with my sensitive asthmatic’s lungs. But would I do it all again for a show this good? In a heartbeat. Apparently Heifer Station gets its next Day on the Green in November. Don’t be surprised if I make that trip down the freeway again for more.
Cold Chisel wrap up their Blood Moon tour with two shows at Sirromet Wines in Mt Cotton this weekend.
Image source: own photos
For the third week in a row we have a new Australian album sitting on the top of the ARIA Charts. This week the honour goes to Birds of Tokyo, who’ve earned their first number one with March Fires.
Australia has a new local album on the top of the ARIA Charts. While Nick Cave & The Bad Seeds’ Push the Sky Away has dropped to number five, Hillsong United’s Zion has succeeded it at number one. Zion is the Sydney religious group’s 59th album, and their second number one.
Nick Cave & The Bad Seeds are sitting at the top of the ARIA albums chart this week with their brand new album Push the Sky Away. Remarkably their 15th studio album, their first in five years, is their first Aussie number one.
We’ve got some local talent back on top of the ARIA charts once again! Sydney electronic artist Flume has managed to land the top spot with his debut album.
“[Birds Of Tokyo] wish to announce that we have come to the end of a journey [the band’s Canadian tour] with one of our own. Our mate Anthony will no longer be playing with Birds,” a statement on the band’s Facebook page read. “We have always believed in organic movement and following the heart and gut. We love our friend and sincerely wish all the best for him. We are very positive about the future and look forward to walking down some amazing new avenues shortly. Stay tuned. ;)”
