Tag: City Recital Hall

Posted on by Lauren Katulka

Darren Criss @ City Recital Hall, Eora/Sydney – 11 September 2023

Darren Criss is undeniably one of Glee’s true success stories. While some cast members have been taken too soon, had their legacies marred by scandals, or faded into obscurity, his star has continued to rise after Ryan Murphy’s teen musical juggernaut. He’s starred on Broadway, performed for President Barack Obama on his second inauguration, and earned an Emmy and a Golden Globe for his role in The Assassination of Gianni Versace. He’s released a couple of EPs of original material and a Christmas album to little fanfare, but you wouldn’t know it if you were anywhere near the City Recital Theatre on Monday night. The sold-out crowd gave him a rock star welcome, the kind reserved for chart-toppers. He repaid their kindness with one of the most entertaining nights of music I’ve experienced in a while.

I must admit, I wasn’t quite sure what to expect from this show, but it certainly wasn’t Darren busting out a cover of Jet’s “Are You Gonna Be My Girl?”, then backing it up with The Pointer Sisters’ “I’m So Excited” to whip this already excited crowd into a frenzy. The high-energy numbers worked their magic, letting us all know we were in for a party.

The set was an eclectic one celebrating Darren’s career. But that career has been nothing if not eclectic. His original music never stays in the same space for too long. I must admit, I didn’t do my homework and immerse myself in it fully before the gig, but I’m making up for lost time now because I was so impressed. There was a little jazz, some acoustic folk, a dash of new wave, and some straight-up rock.

I discovered Darren through Glee, so I was thrilled to hear he still loves singing the songs from that program that really broke through. He gave songs like “Teenage Dream” and “Somewhere Only We Know” every bit as much enthusiasm as he did his originals, and we lapped it up. I was especially excited to hear him perform “Cough Syrup,” perhaps my favourite cover from his time on “Glee.” It was every bit as good as I hoped for.

My husband became a Darren Criss fan much earlier than me, when he stumbled on A Very Harry Potter Musical on YouTube. He fanboyed hard seeing StarKid alum Joey Richter and Lauren Lopez on back-up vocals, but things went to the next level when they brought us songs from that musical like “Granger Danger” and “Harry Freakin’ Potter”. He said to me later that to be in a space with so many people that share this very obscure musical passion was an experience like no other.

And then there were the real surprises. You could have knocked me down with a feather when I heard the unmistakeable opening notes of “Straight Lines” by our own Silverchair. His slowed-down version of Carole King’s “One Fine Day” was exquisite. And just when I thought I couldn’t love the show more, he played one of my very favourite songs, Ben Folds’ “The Luckiest.” Looking at the set lists, the first Sydney show was the only night this made an appearance. What a lucky audience we were.

I also feel lucky to have experienced Darren perform a show like this, in a theatre as small as the City Recital Hall. While he aspires to play the Opera House next time, he clearly relished the opportunity to connect with the audience that such an intimate room provides. It allowed him to compliment the snappy dresser a few rows from the front and chat to Jay, who was dragged along to the show by his enthusiastic girlfriend. Darren created one of the most inclusive spaces I’ve ever been in, where young and old and all colours of the rainbow flag are welcome. As I looked at the people around me as we made our way out of the theatre, I felt confident every one of them had as much fun as I did. And every one of them is likely to return when Darren inevitably plays the Opera House next time around.

Image source: own photos

Posted on by Lauren Katulka

Tori Amos @ City Recital Hall, Sydney – 20 November 2014

I thought I was going to resist the lure of Tori Amos tickets this time. I’d been spending too much on big-ticket concerts, the inevitable Christmas splurge was looming, and the last few of her albums hadn’t struck me the way that her earlier material had. But then a by-request show at the intimate City Recital Hall was announced and all of my calm, rational decision making flew out the window. When I was rewarded with front row seats in the closest box to the stage, it felt like confirmation that I’d made the right call. I wish I had some photos to show you just how close I was to the incomparable Tori, but considering that I listened to the “no cameras” warning on the back of the ticket you’ll just have to take my word for it. But I’m getting ahead of myself.

Before Tori we were treated to the musical stylings of Melbourne singer-songwriter Matt Walters. Now you might remember me gushing about Matt’s music way back in 2009 and 2010. He sort of fell off my radar in recent years, but I was so excited to see him doing his thing in the flesh, all stripped back with just an acoustic guitar and his incredible voice. He effortlessly moved from husky masculine tones to a soaring falsetto, and sang lyrics that I really connected with. I was in raptures, and actually kind of disappointed when he announced his last song. His set must have been six or seven songs long but it felt far too short for me, even though it meant we were that bit closer to Tori.

There’s such a wonderful energy about Tori Amos. I’ve seen her live a few times now and I’m always struck by her presence. Always a woman of few words, preferring to let her music speak, there was a little more banter between her and the crowd than I’ve seen at recent shows. Perhaps it was the intimacy of the venue, which holds only around 1200 people, that helped the walls come down.

The good people of Sydney didn’t disappoint when it came to helping Tori create the perfect set list. I was thrilled to hear “Putting the Damage On,” one of the five songs I submitted through her website, and “Northern Lad” and “Cooling,” the two songs I thought probably should have made my top five after I hit send, on the set list. Hearing those songs that have such a special place in my heart performed in person brought tears to my eyes. She also made me remember how much I loved tracks like “The Power of Orange Knickers” and “Sleeps with Butterflies,” even though I haven’t listened to The Beekeeper in ages.

I’m not sure I’ve ever seen Tori having as much fun on stage as she did last night. Cheeky songs like her cover of Rick Springfield’s “Jesse’s Girl,” “She’s Your Cocaine,” “Raspberry Swirl,” and that breakthrough single “Cornflake Girl” were all delivered with such joy and pure abandonment. She fed off the beautiful people in the crowd who gave her so much love all night. I sometimes found myself watching them, dancing in their seats, rapturous, punching their fists in the air. I sort of wish I was down there with them, even though I had such a great bird’s eye view.

When you’re asked to submit a list of songs you want to hear, it’s hard to walk away without wishing you heard a little more of them. But having said that, I think this was the most well-rounded, exciting, and satisfying Tori Amos show I’ve been to. Too often I’ve felt like I’ve heard more of the new album than I wanted to, at the expense of that rich back catalogue. Last night, not one song from Unrepentant Geraldines made the cut. It was a concert not for promotion, but for connecting with and giving back to the people who’ve been there from the beginning. I feel so privileged to have been a part of it.