The Australian hip hop scene may be the strongest that it’s ever been in history. Where once there was a cultural cringe and artists were accused of simply copying the musicians in the United States, we’re realizing that many Australian hip hoppers have some really important, interesting things to say. Acts like Bliss N Eso and Hilltop Hoods dominate the charts, but personally the artist that’s impressed me most is Citizen Kay. As I listened to his long awaited mini-LP Demokracy today, I found myself falling even more in love with his music.
At eight tracks, the mini-LP tag is perfect. Far too long for an EP, too short for a regular album, Demokracy feels the ideal length. There are no filler tracks. Indeed, the first half have already been released as singles since the start of 2013. But the remaining four are definitely not just making up the numbers. While I already loved “Yes!,” “Raise a Glass,” “Manage,” and “Freedoom,” they were the songs that really confirmed to me that Citizen Kay is the real deal. “Chosen,” a collaboration with the velvety-voiced Benjamin Joseph, is particularly breathtaking. “Nice &” is such an unusual blend of cocktail jazz and rap. This is the real deal.
It’s Citizen Kay’s ability to move from party tracks to political songs to smooth romantic jams which I find most endearing. So many hip hop artists seem to exist in a box. They’re railing against the system or they’re hanging out with the honeys living large. Citizen Kay is unashamedly a hip hop act, but you gets the sense that he wants to push that label as far as he can. The result is a record that’s really diverse, but so well done that it works as a beautiful, complex whole. I feel like we’re only just starting to see the many facets of Citizen Kay.
Citizen Kay has two final shows to launch Demokracy. Catch him at Sydney’s Roller Den on November 28 on the CoLab Festival at Perth’s UWA on November 29.
Image used with permission from Shake Appeal