Colin Lillie Releases Feelgood Single “We Got Love”

Sometimes you hear voices that stay with you. Colin Lillie’s is one of those voices for me. I remember being wowed by him on The Voice a year ago. I’m pretty sure he didn’t get that far, but I never forgot about it. So I’m thrilled to hear some new music in the form of his latest single “We Got Love.”

This is joyful soul-rock, a true celebration of life and getting through the hard times.

“The song is about believing in yourself no matter how life kicks you, if you believe you’re on the right road you can get through anything,” he explained. “Real change is only relevant to the individual because no one really wants to know about the past, only the present. I guess ‘We Got Love’ is also about coming to peace with your past and walking down the new road with confidence.”

“We Got Love” comes from Colin’s forthcoming album, which is set for release near the end of the year. It’s only a matter of time before Colin is the headliner, but until then you can catch him supporting Diesel at the following shows.

2 August 2019 – Commercial Hotel, South Morang (with Diesel)
3 August 2019 – Village Green Hotel, Mulgrave (with Diesel)
8 August 2019 – Mt Pleasant Tavern, Mackay (with Diesel)
9 August 2019 – Kirwan Tavern, Townsville (with Diesel)
10 August 2019 – Edge Hill Tavern, Cairns (with Diesel)
15 August 2019 – Star Hotel, Emerald (with Diesel)
16 August 2019 – Allenstown Hotel, Rockhampton (with Diesel)
17 August 2019 – Harvey Road Tavern, Gladstone (with Diesel)
18 August 2019 – Bay Central Tavern, Harvey Bay (with Diesel)
22 August 2019 – Ramsgate Hotel, Henley Beach (with Diesel)
23 August 2019 – Norwood Hotel, Norwood (with Diesel)
24 August 2019 – Victoria Hotel, O’Halloran Hill (with Diesel)
30 & 31 August 2019 – Brass Monkey, Sydney (with Diesel)

Image used with permission from Footstomp Music

Red Hot Summer @ Roche Estate, Pokolbin – 2 February 2019

In just a few years Red Hot Summer has become one of the highlights of the annual concert calendar, a series of events that showcase classic Aussie acts and some choice international artists. With a number of bills winding their way around Australia’s capitals and regional centres, there’s really something for everybody. The music is always superb; coupled with the good vibes that always seem to surround the concert series I just can’t resist.

This year was the first I’ve seen Red Hot Summer at a winery though. Roche Estate is the perfect venue, a natural amphitheatre which offered the sell-out crowd plenty of space for spreading out. The outstanding wine also made the performers sound just a little bit sweeter!

Chocolate Starfish kicked things off, curiously enough with a cover of Meatloaf’s “Bat Out of Hell.” It was a left-of-centre choice, but one which resonated with this crowd ready to sing along. They got their chance later too with Chocolate Starfish’s own radio-friendly singles “Four-Letter Word,” “Mountain,” and the epic cover of “You’re So Vain.” These moments got the loudest cheers, but the punters were right there throughout the set thanks to the charisma of lead singer Adam Thompson. He was every inch the rock star, dancing up a storm and commanding our attention. What a way to kick off the show.

I’ve seen Richard Clapton more times than I can count because he never disappoints. With such a short time on stage, he could have simply played the hits. “Best Years of Our Lives” and “Down in the Lucky Country” were notable absences in this set for me. But as a real fan, I didn’t mind too much. I was excited to hear less well-known songs like “Dancing With the Vampires” and “Something About You.” The crowd had enough moments to sing along with tracks like “Glory Road,” “Deep Water,” and “Girls on the Avenue.” Richard was in fine form, but then again, I’ve never seen him have an off day. The consummate professional.

Speaking of professionals, how good is Diesel? I saw him once about 20 years ago and I think I forgot how good he was. There’s no risk of getting a case of amnesia again though. Everything came together in this set. He’s such a talent, flawless voice, blues guitar on point, and an exceptional catalogue of songs. It was exciting to hear the way tracks from his Injectors days have evolved. You can still sing along, but a little more blues-rock edge has freshened them up. I really shouldn’t leave it so long before catching him again.

The Living End took me back to my teenage years. Their energetic set woke up anyone who was caught napping in the sunshine. It was furious, frenetic, and so much fun. Crowds rushed the stage, punching their fists in the air enthusiastically to hits like “Roll On” and “Prisoner of Society.” Some punk bands can seem a little tragic railing against the system in their advancing years, but The Living End somehow managed to avoid that. What a tight sound. What passion. They were one of the acts I hadn’t seen before, and they did not disappoint.

Joan Jett and The Blackhearts might not have been the headliner, but the international rock stalwarts were the drawcard for many punters. The standing zone was packed for the performance that featured all the hits, including many I’d forgotten about, and some unexpected surprises. Covers of the “Laverne and Shirley” theme and “Crimson and Clover” were a delight. Smash singles like “Bad Reputation,” “Cherry Bomb,” and “I Love Rock and Roll” were delivered with so much gusto. There was no sign of the fatigue that can often set in when bands have such a storied history. Clearly they still love playing together and doing it for Australian audiences was a real thrill. Joan Jett was every bit as fierce and fabulous as I’d hoped she’d be.

Jimmy Barnes is another act I’ve seen countless times, but it’s been a little while since I’ve seen him rock out. Acoustic shows are a brilliant treat, but I didn’t realise how much I’d missed seeing him really rocking out. The hits came thick and fast, including tracks I didn’t expect to hear like personal favourites “Stone Cold” and “Ride the Night Away.” More surprises came with “Working Class Hero,” a cover of the John Lennon song, and Chris Cheney joining Jimmy for a raucous rendition of “Rising Sun.” As the set drew to a close and the whole crowd united as one for Aussie anthems like “Working Class Man,” “Khe Sanh,” and “Flame Trees,” it made perfect sense why Jimmy was the headliner. He might not have the international profile of Joan Jett, but the love so many of us have for Mr Barnes trumps that. What a way to close out another stellar Red Hot Summer show.

Image source: own photos

George Michael: Praying for Time @ Sydney Opera House, Sydney – 7 July 2017

I remember so vividly the punch to my gut that came on Boxing Day morning last year. My phone alerted me to a news report which told me George Michael had passed away. I can’t remember what I said, but I remember the way my knees buckled. I was still reeling from losing Prince in April and now another of the musical figures who had shaped me was gone.

George might be gone but his music lives on in the albums and live performances like George Michael: Praying for Time, a start-studded tribute night staged at the Sydney Opera House last week. On paper artists like David Campbell, Diesel, Sam Sparro, and Brendan Maclean are very different. But George Michael was one of those artists of such breadth that entrusting his music to such a wide range of artists was essential I think. These four musicians largely took the lead, supported ably by Gary Pinto, Jade McRae, Carmen Smith, Natasha Stuart, and the always incredible Sydney Symphony Orchestra. The supporting players were mostly relegated to back-up vocals, but each had time to shine. Aretha Franklin set a high bar, but Jade McRae filled her shoes admirably when she duetted on “Knew You Were Waiting For Me” with David Campbell. The three women showed they could become the next big female vocal group if they ever wanted to with super-tight renditions of “Fast Love” and “Too Funky.” Gary Pinto showed a side of him I never saw in CDB with a killer version of “Wham Rap.”

I’m a long-time David Campbell fan, and his takes on iconic tracks like “Kissing a Fool” and “Careless Whisper” was flawless. I wasn’t so sure how Diesel’s rougher rock vocals would sit on George’s smooth tracks, but listening to him cover songs like “Waiting for that Day” and “Praying for Time” made so much sense. Sam Sparro’s cover of “Spinning the Wheel” hit just the right emotional note. I was familiar with the work of all these artists, except Brendan Maclean who proved to be the biggest revelation for me. Fabulously camp and committed, he had in his diverse cover versions. Watching him sing into the mirror for “Older,” my heart broke. But soon enough he was there in ‘80s acid wash overalls delivering a high-energy rendition of “Monkey.” When he paired up with Sam Sparro for “Outside,” it was every bit as flamboyant and defiant as the song should be.

As a long-time fan, I loved that this show celebrated the breadth of George’s artistry. It went beyond the commercial hits that Anthony Callea’s tribute concert showcased a couple of years ago and brought us many of the album tracks fans like me and the artists on stage hold close to our hearts. My mum attended the show, standing in for my sick husband. Even though I blasted George’s music while I was growing up, it was something she never really absorbed. She leaned over to me at one point and asked “Did George Michael write all these songs?” She told me that for the first time, she realised he was much more than simply a pop singer.

I like to think the audience was made up of people who loved George and people who were fans of the artists on the bill who got the opportunity to truly discover George’s music for the first time. If it was, looking at all the people up on the feet during the encore, it seems both groups got what they came for. I know I did. I like to think that if George were looking down on our celebrations, he’d be happy with the way these Aussie artists honoured his legacy.

Image source: own photos

Diesel’s "Days Like These" Tour

Aussie music legend Diesel is heading out on the road for a massive tour to promote his latest album Days Like These.

The disc is a return to the rock sound Diesel’s famous for, and this back-to-basics approach will be reflected in the intimate shows.

“It was just the three of us,” says Diesel. “Myself, Richie Vez on bass and Lee Moloney on drums. I kept it really off-the-cuff. I went with the flow, where the style was going when we were jamming. It’s a new spin on old ground.”

When Diesel says he’s touring Australia, he’s really touring Australia. South Australia, Victoria, New South Wales, Queensland, the ACT, Western Australia, and Tasmania all get a look in. It sort of makes you sorry for the Northern Territory, doesn’t it?

Here are all the dates!

3 and 4 October 2008 – Norwoood Tavern
10 October 2008 – Ballina RSL
11 October 2008 – Hoey Moey Hotel, Coffs Harbour
12 October 2008 – Harrigan’s, Harrington
18 October 2008 – York Theatre @ The Seymour Centre, Sydney
24 and 25 October 2008 – Palms @ Crown, Melbourne
29 and 30 October 2008 – Brass Monkey, Cronulla
31 October 2008 – Epping Club
1 November 2008 – Belmont 16 Footers
7 November 2008 – Charles Hotel, Perth
8 November 2008 – Bridgetown Blues Festival
9 November 2008 – Fly By Night, Fremantle
12 November 2008 – The Globe, Brisbane
13 November 2008 – Redcliffe RSL Club
14 November 2008 – Victoria Point Sharks Club
16 November 2008 – The Coolangatta Hotel
20 November 2008 – Hunter Valley Brewery, Maitland
21 November 2008 – Mittagong RSL
22 November 2008 – The Auditorium, Canberra
23 November 2008 – Waves, Wollongong
27 November 2008 – Davey’s Hotel, Frankston
28 November 2008 – East Brunswick Club
29 November 2008 – Ferntree Gully Hotel
30 November 2008 – Hallam Hotel
4 December 2008 – Annandale Hotel
5 December 2008 – Revesby Workers Club
6 December 2008 – Rooty Hill RSL
11 and 14 December 2008 – Republic Bar, Hobart
12 December 2008 – Sirocco’s, Burnie
13 December 2008 – Batman Faulkner, Launceston
18-21 December 2008 – Lizotte’s, Kincumber

Image source: Diesel media gallery

Diesel Gives Guitar Lessons

If you’ve ever wanted to play guitar like Diesel, here’s your chance. He’s just released an instructional kit called Song Companion.

The guitar tab book and DVD were designed as a starting point for aspiring guitarists. It will teach you how to play some of Diesel’s biggest hits, including “Tip of my Tongue,” “15 Feet of Snow” and “Cry in Shame.” Song Companion is available in all good music shops now.

In the meantime, Diesel’s also been working hard on a new album with long-time bandmates Lee Moloney and Richie Vez.

“I’m really enjoying the dynamic of a three-piece band. After going through the recording process together, we have definitely forged something and are starting to hit our stride as a unit”, he said in a press release.

The album is due out in early 2008, but you can get a sneak peek of the new material when he visits a town near you soon. He’ll hit the Chelsea Heights Hotel in Victoria tonight, and is travelling all around the country over the next few months. Check his website for all the dates.

Image source: S B @ Wikimedia Commons