Vale Doug Parkinson

The Australian music industry took another hit last night with the passing of Doug Parkinson. The larger-than-life, absolute legend was just 74.

My first introduction to Doug came when he took on the role of the Big Bopper in the musical Buddy. I was still in primary school when my family made the trip to Sydney. I didn’t know anything about Doug at the time, but I was struck by how he stole the show in a relatively minor role.

Over the years I’ve caught him live a couple of times: a set at Jazz in the Vines and his Joe Cocker tribute show a few years back. It saddens me some flaws in the Joe Cocker show will be my last memories of this incredible talent. I’d love a do-over. But while the gigs might not have always been perfect, Doug’s voice never faltered. It is one of the most striking, soulful Australia will ever hear, and the music landscape will be much poorer without it.

I want to leave you with this video for Doug’s version of “Dear Prudence,” always the highlight of his sets. It might be a controversial opinion, but I think it’s far superior to The Beatles’ original.

Vale Doug Parkinson.

Image source: own photo

Doug Parkinson @ West Leagues, Newcastle – 2 March 2016

After seeing six concerts in the last two weeks, I’m feeling a bit exhausted. Of course none were on the Central Coast, so those trips up and down the freeway have taken their toll. I might be bleary-eyed and running on empty right now, but among them were some of the best shows I’ve ever seen. I love the excitement of a big-name show by an A-List artist but I think there’s also something so special about catching a great act in an RSL. He might not have been Prince or Rob Thomas, but I was pretty psyched about seeing Doug Parkinson paying tribute to Joe Cocker at Newcastle’s West Leagues.

A Newcastle boy himself, as Doug informed us, he seemed to be in good spirits as he took to the stage. The first half of the set was made up of familiar covers that you’ve likely heard him performing before. He regaled us with tales of the times he recorded this song or fell in love with that. “Unchained Melody” and “You Don’t Know Me.” Doug must have sung “Dear Prudence” more times than he can count, but you wouldn’t know it based on his heartfelt delivery. Doug’s voice doesn’t have quite the precision it once did, but what it lacks in refinement it makes up for in richness. Even in his advancing years, he has one of the most stunning voices on the Australian musical landscape. I couldn’t wait to see what he’d do to the songs of Joe Cocker in the second half.

In many ways the life of Joe Cocker echoed Doug’s own journey. Both were boys from industry towns, a little wild in their day, that made their living singing passionate renditions of other people’s songs. It should have been the perfect marriage, but there were a few things that left me wanting more. Clearly Doug is more comfortable with the covers in the first half than the Joe Cocker songs in the second. He forgot the lyrics countless times and didn’t hide the fact very well either. That sort of stuff really should be sorted out before a tour goes live I think. Doug can certainly sing better than Joe ever could. His rendition of “You Are So Beautiful,” with a much sweeter ending than Joe Cocker’s slightly out-of-tune squeaking, left no doubt about that. But there’s a real passion for the material that I found lacking a few times. It was especially apparent in “With a Little Help From My Friends.” I remember watching the live footage from Woodstock shortly after Joe’s passing and marvelling at the way it can still give me goosebumps. You will not find a cover that’s delivered with more passion. Doug sang it well, but he certainly didn’t dig in to the song the way I wanted him to.

That being said, I still had a fun night. And for $35, I’ve got no right to complain. It was worth that to see Doug doing “Dear Prudence” again and unleashing his sexy side in “You Can Leave Your Hat On.” “Up Where We Belong,” which saw Doug duetting with his stellar backing vocalists, was another special moment. A night out with Doug and such quality songs can never be a bad thing. However, the flaws detracted a little and they made this night out less than it might have been.

Image source: own photo

Jazz in the Vines @ Tyrell’s Winery, Pokolbin – 30 October 2010

When I’m unwell, it takes a lot for me to leave the comfort of home and venture out. But I found myself doing just that on Saturday when I took in the annual Jazz in the Vines festival. This is always a highlight of my yearly concert calendar, and I wasn’t going to let any virus hold me back.

Being sick made this a different kind of Jazz in the Vines for me. I couldn’t indulge in the all that brilliant wine, or dance up the front near as the stage as I usually do. But I could enjoy the music, and enjoy it I did.

Sadly it took me a bit longer to get out than it might have if I were well, and I missed the Silver Bell Quartet. But I’m so glad I arrived for the Adrian Cunningham Quartet. Led by the incredibly sexy and talented Adrian Cunningham, the quartet treated us to instrumental jazz gems. The set only became stronger when Steve Clisby joined them for several numbers. Their version of “God Bless The Child” was exquisite, and I also loved their swinging version of “Moondance.”

Somewhere around the end of their set the unseasonably summery weather started to get to me. It’s terrible to be sick when you’re supposed to be out having fun, but the gentle acoustic guitar strains of Bruce Mathiske were probably the best medicine for it. I must admit, I was a bit dizzy and faint to remember much of his set, but his version of “Classical Gas” was outstanding.

After getting plenty of water and some yummy calamari in me I started to feel a little better, just in time for James Morrison to take the stage. He’s always a Jazz in the Vines highlight, and this year was no exception. His exceptional talent and charisma just makes for a wonderful show. It was also kind of thrilling to see my new crush Adrian Cunningham taking his place in James’ band. While I was lapping up the instrumental stuff, the energy levels went up a notch when Doug Parkinson joined James. I can’t believe it’s taken me this long to see this Australian legend doing his thing; he really is a truly magnificent artist. My parents have been seeing him since the ’70s and swear that his voice is only getting better. I really don’t doubt it. Those reality TV show contestants could learn a thing or two about performing a cover version from Doug; whether he was encouraging us to get up and dance with some Blood Sweat and Tears or Joe Cocker numbers, or wowing us with a show stopping version of “Somewhere,” he was incredible.
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Kate Ceberano, James Morrison and More for Motown Inspired Jazz in the Vines

The line-up for Jazz in the Vines, one of my favorite music festivals, has been announced.

This year’s chilled out event will feature a veritable who’s who of Aussie talent, including Kate Ceberano, Doug Parkinson, festival regular James Morrison, and Bruce Mathiske.

The 2010 show will have a soul flavour to commemorate the 50th anniversary of Motown. But don’t think the festival has abandoned its jazz roots; we can expect both styles of music to feature prominently in this year’s set.

If you’ve always thought about going, why not make 2010 the year? Grab your picnic blanket and head to Tyrells Vineyard for one of the most chilled out, positive festivals on the music calendar. It all happens on October 30, and tickets are on sale now from the Jazz in the Vines website.

Image source: The Harbour Agency