Tag: Gosford

Posted on by Lauren Katulka

Tim Freedman @ Laycock Street Theatre, Gosford – 12 March 2021

The Whitlams were one of my concert casualties of last year. While that gig has been postponed to August, Tim Freedman is putting himself in front of smaller crowds with his Hot Autumn Nights shows.

Byron Bay-based singer-songwriter Sam Buckingham warmed up the crowd. Holding the attention of a sold-out theatre there to see someone else with only an acoustic guitar and your voice is no mean feat, but you could have heard a pin drop during her performance. I remember seeing her play at a little bar in inner-city Sydney what has to be at least 15 years ago, and it’s thrilling to see how far she’s come. She’d delight us with a witty, light-hearted number, then go for the emotional jugular with something weightier. She chatted easily with the crowd, clearly delighted to be out in the world amongst music lovers again. Her set was a big reminder that I need to catch up on the music I’ve missed because she’s such a talent.

While we were appreciative of Sam, there was a buzz of excitement when Tim took the stage. We were thrilled to see him and it seems the feeling was mutual. I’ve seen him play live so many times over the years, both with the Whitlams and on his own, but I can’t recall him being in such a chatty, upbeat mood. He stopped to pause and talk between most songs, regaling us of tales of their origins. Not even the steady stream of people exiting and entering the venue for the bars and toilets seemed to faze him, as he joked that while he’d lose them for a while they always seemed to come back.

In some ways, a Tim Freedman show isn’t too dissimilar from a Whitlams show. The hits and fan favourites from the band’s back catalogue still make up the bulk of the set. Nothing was neglected, from the songs that climbed the charts like “No Aphrodisiac” and “Blow Up the Pokies” to earlier singles like “Gough” and “I Make Hamburgers,” released before the band really gained mainstream attention. A selection of choice covers peppered the set. I saw Tim paying homage to Harry Nilsson years ago, so I was thrilled to hear him deliver the poignant “Mr Richland’s Favorite Song.” He nearly forgot to deliver the Randy Newman cover the show’s ads promised, but “Short People” was a fun addition to the encore. Nilsson and Newman covers were natural choices for a piano-playing singer-songwriter, but his take on Joni Mitchell’s “Both Sides Now” was more unexpected. I’m so glad I could witness it.

I don’t have photos from the night to share; Laycock Street Theatre forbids photography. I don’t mind that rule too much though. It forces you to stop looking for that perfect shot and simply appreciate what’s happening in front of you. After the year we’ve all had, so starved of live music, sharing in those moments with Tim, Sam, and the appreciative Central Coast audience was so welcome. Tim will take his Hot Autumn Nights tour to the following venues in the coming weeks:

18 March 2021 – Theatre Royal, Castlemaine
19 March 2021 – Burrinja Cultural Centre, Upwey
20 March 2021 – Corner Hotel, Melbourne
21 March 2021 – Corner Hotel, Melbourne
24 March 2021 – Lizotte’s, Newcastle
25 March 2021 – Soundlounge, Gold Coast
26 March 2021 – The Triffid, Brisbane
27 March 2021 – The Triffid, Brisbane
30 March 2021 – Rockford Winery, Tanunda
31 March 2021 – The Gov, Adelaide
1 April 2021 – The Gov, Adelaide

Posted on by Lauren Katulka

Paul McDermott & Gatesy Go Solo – Laycock Street Theatre, Gosford – 12 November 2019

Paul McDermott and Stephen “Gatesy” Gates are Aussie comedy royalty. I’ve admired both their careers for so long. As a teenager I listened through headphones to Doug Anthony All-Stars music that I’d taped onto cassettes borrowed from friends. They were deliberately mislabelled because my parents forbade me from hearing such smut. Tripod were one of the first Aussie bands I introduced by comedy-loving American husband to. I have such fond memories of their respective musical outputs, so when I heard they were teaming up for a Laycock Street Theatre in Gosford, I snapped up tickets.

Normally when I buy tickets for a show, I have some idea what I’m going to get, but I was flying blind on this one. I expected laughs, and I got them. Music with blissful harmonies of course, check. But as for the material, I wasn’t quite sure. As it turns out, these shows are fresh as a daisy with brand new collaborative material. That might disappoint some fans of DAAS or Tripod, but I think the shows are better for it. I have such fond memories of hearing the songs from these acts in the original trios. I don’t need to hear them taken out of that environment. Some of that comedy material has also dated too. It’s much more fun today to hear songs about hot button issues like white male privilege and our current leader’s failings, for example.

This might be a fairly new musical collaboration for Paul and Gatesy, but their 18-year friendship has created a rapport that’s delightful to watch. They bickered and bantered, creating moments every bit as hilarious as the songs. Laycock Street Theatre is divided into two halves, perfectly setting up a Paul’s side versus Gatesy’s side dynamic. I’m not sure we ever determined whose side was better, but it was so much fun to play along.

It wasn’t all laughs though. Tragedy is always the flipside of comedy, something I was reminded of in the final numbers of the show. While the “The Marvellous Mr Me” was a side-splitting response to a particularly scathing phone call Paul received, the next song was a much more sombre take on the same criticism. I found myself dabbing at tears as Paul and Gatesy sang a beautiful number about a mutual friend who lost her life too soon. These poignant moments were unexpected, but that added to their potency.

With the fire threat looming, only a small crowd turned out for the show. What was already so intimate became moreso when Paul and Gatesy told us to head out to the foyer for the encore. Paul took his place atop tables and they played a few more numbers, unaided by microphones or amps. Paul insisted he doesn’t like to get too close to the people, but after witnessing this delight of a show, I’m not sure I believe him one bit.

Paul McDermott & Gatesy Go Solo will play the following venues next!

15 November 2019 – Orange Civic Theatre, Orange
22 November 2019 – Ballarat Civic Hall, Ballarat
23 & 24 November 2019 – Caravan Music Club, Bentleigh
24 November 2019 – Queenscliff Music Festival, Queenscliff
5 November 2019 – Canberra Theatre Centre, Canberra
6 November 2019 – Riverlinks Westside, Shepparton

Image source: own photo

Posted on by Lauren Katulka

Nathan Cavaleri @ The Rhythm Hut, Gosford – 4 November 2018

When Lizotte’s closed the doors of the “cubbyhouse” in Kincumber around three and a half years ago, I worried the Central Coast might start missing out on shows. I don’t mind driving up and down the Pacific Highway if I need to, but there’s something so lovely about seeing gigs close to home. Rather than missing out though, other venues have stepped up to fill the void. Laycock Street Theatre is securing more musicians, and Wyong’s built The Art House. These venues are wonderful, but they don’t quite have that welcoming, comforting quality a night out at Lizotte’s had. So last night I was thrilled to discover a venue that does: The Rhythm Hut.

I’ve been intending to visit this Gosford arts space for some time, but the stars never quite aligned. When I was offered a pair of tickets for the Nathan Cavaleri show last night, I couldn’t refuse. The Rhythm Hut isn’t like most music venues. You feel like you’re heading towards someone’s house for a backyard barbeque rather than performance space as you walk down the steps to its outdoor patio area bordered by succulents. Inside there are mismatched couches at the back and along the sides and pillows and beanbags around the front near the stage. One half of the bar is for drinks, like the local Six Strings beers and decent wine served in real glasses, while the other serves hearty dishes and desserts. Last night it was vegetarian or chicken paella and brownies, but I hear the menu changes depending on what the volunteers make.

That’s right: volunteers. The Rhythm Hut is a non-profit performance space. When it’s not hosting local and international musicians, there are open mic nights and drumming workshops. Everyone seems to know everyone, and even if you’re a newcomer you’ll feel you’re going home part of the community. The hosts encourage the audience to make new friends between acts. So it seemed totally natural that I got chatting to the gentleman next to me and his adorable long-haired chihuahua. He wasn’t even the only dog enjoying the music.

This unique space really was the perfect venue for this show. Support act Dylan Wright might have gotten swallowed up in a larger venue, but here you could have heard a pin drop as he delivered his spine-tingling folky tunes. His original songs were outstanding, but I couldn’t help smiling at his slowed-down take on Rick James’ “Super Freak.” I was excited to see Nathan, but I must admit I was a little disappointed when his set ended. I snapped up his EP so I can listen more. I’m an instant fan.

Nathan Cavaleri has been out of the spotlight in recent years, but when I was growing up he was a household name, the cute kid who had leukemia and a natural gift for the guitar. It’s a gift that has taken him all over the world and seen him share bills with BB King, Elton John, Robert Plant, and Jimmy Page, to name but a few. As you can imagine, now all grown-up Nathan has some stories to tell. While there were the superstar anecdotes, he wasn’t afraid to reveal more personal tales of his battles with anxiety, depression, and self-doubt.

The stories helped punctuate a set that was truly something special. With good mate Kenny by his side, Nathan left no doubt that the guitar skills he showcased as a kid on numerous TV shows haven’t gone anywhere. In fact, he might play even better now, combining his natural flair with a dirtier blues sensibility. Originals sat comfortable among tributes to his influences, including Ben Harper, Fleetwood Mac, and of course, the great BB King. They were played with such joy and the whole crowd responded, whether they were nodding their heads from their seats or dancing with wild abandon around the sides of the venue.

Last night Nathan Cavaleri put on one of those performances that just feels good for the soul. I can’t imagine a better venue for this show or to wrap up his “Demons” tour. It felt like a house party, one of those nights where someone has a guitar and starts to jam spontaneously. Except as we all know, Nathan is much handier with an axe than your average party guest.

Image source: own photos