Aussie expats Gypsy & The Cat have been enjoying some time back home supporting Foals and The Strokes and playing Splendour in the Grass. Today I caught up with one half of the duo, Lionel Towers, to talk about these shows, the band’s forthcoming debut album, and the challenges of being a support act.
You’ve been living in London for some time now. What’s it like to be back on home soil?
It’s wicked. It’s actually pretty funny because it’s hot in London at the moment and cold over here.
Have you been able to catch up with family and friends?
Yeah. It was kind of difficult last night because we played our gig at The Toff. All our family and friends were down there, so it was a little bit hard afterwards catching up with everyone. So I just kind of bailed. I’ll catch everyone on Facebook or something.
You’ve got such an interesting retro sound. Where does that come from?
We listen to a lot of music from the 70s and the 80s, so most of our influence is drawn from those periods I guess. It comes from everyone from The Bee Gees to Tears for Fears to Michael Jackson.
You’ve supported some amazing acts in Foals and The Strokes during your time back in Oz. What have they been like to work with?
They’ve been amazing. Both bands have really nice guys in them, so it’s been really good. It’s been a bit weird though because their music’s a little bit more left of centre, a little bit more targeted towards an indie audience as opposed to ours. So it’s kind of been a little bit weird sort of playing to an uber-cool crowd.
So how do you approach that when the crowd isn’t necessarily there to see you and your music is so different?
We just carry on and do our thing. And it’s cool though, because we have picked up some of their following which is weird, but yeah. The Melbourne gig was quite difficult at The Hi-Fi bar, the second night which apparently sold out first, for the Foals gig. That was probably the toughest audience that we’ve played to so far. They were just kind of standing there and not getting into it, but having said that they were listening.
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