“Hote’ Hote'” – Charles Maimarosia

Proving that music really is the universal language, Charles Maimarosia has captured my heart with his sophomore album Hote’ Hote’. Born in the Solomon Islands and now based in Naarm/Melbourne, Charles celebrates his Are’ Are’ roots with this special collection of songs.

From the bold native drums of album opener “Parani O’o,” this album makes one thing clear: this isn’t like anything else you’ll hear 2025. That might be a bold statement to make in February, but I can make it confidently knowing that it’s such a rare gem.

As a word nerd, I tend to listen to albums listening for lyrics I can connect with. I couldn’t do that here, as Hote’ Hote’ is recorded entirely Are’ Are’. That approach forced me to listen to the music in a different way than I’m used to. Are’ Are’ is such a beautiful Polynesian language, it becomes almost like another instrument on these recordings. They combine with guitars and traditional Polynesian panpipes to tell stories that you might not understand, but you certainly feel. The stirring “Nanaratana Hu’ A Kurmauri” uplifted me. Laidback “Na A’ Ma Si’ O” transported me to the beaches of Charles’ original island home. “Roropau,” a traditional Are’ Are’ lullaby, soothed me. Individually these songs are beautiful, but listen to the way they weave together and you get a sense of the culture that Charles honours so beautifully.

“The album explores themes of voyaging, family, love, and cultural preservation,” he explained. “It celebrates the beauty of the Pacific, the strength of community, and the stories of my ancestors. It’s also a call for unity and respect across all cultures and generations. And also my own journey from small Pi Pi Su village in Malatia Solomon Islands to Australia and touring the world following and sharing My culture and music from the age of 17.”

Hote’ Hote’ probably isn’t like anything you’ve heard before, but that’s a good thing. Open your ears and heart and let yourself be transported away by this release. Hote’ Hote’ is out now. Charles will bring this music to the masses at the following shows:

21 February 2025 – Wauchope Arts Hall, Birrpai Country/Wauchope
22 February 2025 – Red Rattler, Bulanaming/Marrickville
23 February 2025 – Smith’s Alternative, Ngambri/Canberra
3 May 2025 – Theatre Royal, Dja Dja Wurrung Country/Castlemaine (supporting Ruth Moody)

Images used with permission from On the Map PR

Charles Maimarosia Celebrates Culture With “Hote’ Hote'”

Solomon Island-born, Naarm/Melbourne-based singer, guitarist, and auu (panpipe) player Charles Maimarosia proves music really is the universal language with his gorgeous new single “Hote’ Hote’”. Like most listeners I don’t speak the Are’ Are’ language, but I’m moved by this gorgeous track. While Charles has to take a lot of the credit for that, he remains humble and acknowledges the part that Andrew Robison, who recorded, mixed, and produced “Hote’ Hote” played.

“Hote’ Hote’ is organic, rhythmic, soulful, and deeply rooted in the Are’ Are’ traditional ‘parani o’o’ rhythm, which shares similarities with rhythms found in many other cultures around the world. None of those rhythms would have been realised without Andrew Robinson,” Charles said. “He arranged the music chord progressions, and I layered the lyrics on top. If the words didn’t fit perfectly with the chords, we would try different ones until everything sat right, knowing that the words had to align with the context. For me, when I put Are’ Are’ lyrics in a song, I always make sure those words are true, make sense to ‘Are’Are’ people, and remain meaningful when translated into other languages, like English or Japanese. We’ve changed this song Hote’ Hote’ about three times already, and now we have this amazing version.”

Marcus Longfoot directed the song’s music video, which charts Charles’ personal journey from the Solomon Islands to Australia.

“The concept of the video is centred around voyaging in the ocean to the islands, which resonates with my own journey from Pipisu Village to Melbourne,” Charles explained. “I was shooting in the Melbourne city during winter, wearing shorts, which was quite an experience! I never imagined the video clip would turn out so well. The video was directed by Marcus Longfoot, with assistance from his team from RMIT media students: Rachel Kemp and Ruari Walsh. Natty [Dolaiasi] provided spoken word contributions from Lau Malaita Islands, whose people we call ‘masters of the ocean.’ Natty D’s spoken word and footage was filmed in Honiara Solomon Islands, my homeland, by Dream Cast Studios’ Mr Collin Leafasia. Marcus is a talented filmmaker and musician who has worked with Radical Son, another amazing artist from the First Nations community. It was a collaborative effort, and I’m grateful for all the creative minds who helped bring the video to life.”
The year’s not done yet, but Charles is already setting his sights on 2025 when he’ll release a new album and play several shows.

“I want my audiences to know that I come from a remote village and that I’ll probably yarn a little bit on stage, share some stories, and make them laugh and reflect on their own life and journey while explaining each song,” Charles said. “Every time I’m on stage, I think of my mentor, and elder the late Donation Manu, an Are’ Are’ legend, and it reminds me that music is always here with us, before we are born and long after we are gone.”

Tickets for most of Charles Maimarosia’s February shows are on sale now, so don’t miss out!

8 February 2025 – Odessa at Leaver’s Hotel, Dja Dja Wurrung Country/Creswick
15 February 2025 – George Lane, Euro-Yroke/St Kilda
21 February 2025 – Wauchope Arts Hall, Birrpai Country/Wauchope (on sale in January)
22 February 2025 – Red Rattler, Bulanaming/Marrickville
23 February 2025 – Smith’s Alternative, Ngambri/Canberra

Photo credit: Ali MC