Howlite Back to Their Best With “Still I Find”

After the pandemic halted their creative flow, Naarm/Melbourne act Howlite are back with a beautiful new single “Still I Find.” This is their first release in two years, and it’s definitely worth the wait. If you love the hauntingly beautiful tunes of acts like London Grammar and Sylvan Esso, I know this will be right up your alley. The vocals from Alison Thom draw you into an epic electronic soundscape.

“The refrain line was originally ‘Still I find, I can’t cry’. It was about going past the threshold of emotion and just feeling numb to everything,” explained Alison, who wrote the song during her hometown’s lockdowns. “But while workshopping the demo, I had a realisation that this darkness wasn’t really helping me anymore, it wasn’t making me feel any better. So, instead, we shifted the lyrics to: ‘Still I find, hope inside’. The song represents itself in that way: our human ability to choose to be optimistic and reorient ourselves to see the best in the situation.”

The cinematic feel of “Still I Find” is reflected in the stunning music video, the first in a trilogy of interconnecting clips for the band. Filmed in Melbourne’s inner north and directed by Guy Perkins and Mike Ridley (Fractures, Gordi, Rolling Blackouts Coastal Fever), the video pays homage to retro science fiction TV programs. Through its depiction of an alien who crashes into Earth, Howlite explores themes of connection, acceptance and the belief in the capacity for good.

After recently launching the single for hometown fans, Howlite are planning a string of dates to reconnect with their fans. Follow their socials for news of those shows when it breaks. Until then, you can catch Howlite supporting Tia Gostelow at Naarm/Melbourne venue The Night Cat on October 7.

Image used with permission from Canteen Agency

Howlite Release Beautiful New Single, “Reducer”

There’s really no one making music quite like Howlite. The Melbourne trio cast a spell with their sounds, creating music that is sheer magic. Their latest track “Reducer” is another stellar example of what this outfit is capable of.

I love the way Howlite use samples and loops here to create an ethereal electronic soundscape. Those vocals from Alison Thom are so haunting and achingly beautiful.

“‘Reducer’ has a noticeable pop edge to it, which was a decisive choice. We wanted to strip away the layers, and really focus on the things that we felt defined our soundscape,” the band noted.

Howlite will launch the single for hometown fans at Cactus Room on August 30.

Image used with permission from Beehive PR

Melbourne’s Howlite Impress With “Orchestra”

Melbourne’s Howlite have captured my heart with their exquisite new single “Orchestra.”

This is one of those tracks that just stops you, no matter what else you’re doing. It’s a captivating soundscape, so mesmerising and haunting it’ll leave an impression on you long after the music fades away.

Howlite have a couple more shows lined up in their hometown before they take off to Toronto for Canadian Music Week. Catch them at The Tote Front Bar tonight and again on April 24.

Howlite Releases Haunting New Single Saviour

It’s not quite Halloween fodder, but there’s certainly a haunting quality to Howlite’s new single “Saviour.” It’s a sultry, languorous slow burner with killer vocals from Alison Thom.

“The song draws a lot from religious imagery, as well as deep southern blues and gospel, and I tried to capture the raw emotions and joy of choral singing – when I wrote the refrain in the chorus of the song I imagined it being sung a’capella by a church choir,” Howlite explained. “Much of the lyrical content was inspired by one of my favourite poems called “Ishtar Awakens In Chicago” by Mohja Kahf, which talks about feminine strength and self assurance”

Follow Melburnians can catch Howlite at a couple of shows next month.

4 November 2017 – Revolver Bandroom, Melbourne (with Seattle Fix)
16 November 2017 – The Toff In Town, Melbourne (with General Assembly)

Image used with permission from Beehive PR