Sting @ Bimbadgen Estate, Hunter Valley – 18 February 2023

By now you might realise that this won’t be a standard concert review. However, while Saturday’s Sting concert wasn’t what any of us wanted and expected, we still received an afternoon filled with great music so I decided it was important to write about what I did experience.

When you buy tickets to an outdoor show, you never know quite what you’re going to get. The weather in late summer can be fickle. While I was in pants earlier in the week, the mercury hovered somewhere around 40 degrees in the Hunter Valley on Saturday. Shout-out to my dad, the real MVP, who drove Mum and I to the Hunter for a nice lunch, then some wine-tasting in air-conditioned cellars until the show was nearly about to begin. With our AAMI Lucky Club membership we were ushered through our special line without queuing and quickly found our seats. No lines at the exclusive AAMI Lucky Club bar either. No, this isn’t a paid promotion, but those perks make sticking with my insurance provider so worthwhile. Mum told me the seats were much better than they were last time she saw Sting, even though we didn’t splurge on close to the top tier.

I didn’t have high expectations for Joe Sumner, assuming he just got the gig because his dad was the headliner, but I really enjoyed his set. He reminded me a lot of his father vocally, although his top register was a little weaker. But he has some really solid pop-rock songs. He’s definitely got the goods as a singer-songwriter, and he’s super charismatic. One of the things I really love about these Day on the Green shows is you can often be pleasantly surprised by an artist who you wouldn’t ordinarily have seen. Rest assured, I’ll be checking out his back catalogue.

Unlike Joe, I knew exactly what I was getting with James Reyne. He’s one of Australia’s most dependable musicians, with one of the country’s most impressive back catalogues. When you can throw “Reckless” into the middle of your set, because you know there is plenty more people want to hear, you know you’ve got the goods. He has us all singing along, even if we were probably wrong with most of the words. I’ve lost count of the number of times I’ve seen James, but it’s always a thrill.

Sting is another one of those artists who has so many hits that he doesn’t need to save them for an encore. He walked out without fanfare, just a man with his guitar ready to put on a great show. “Message in a Bottle,” bam, “Englishman in New York,” bam, “Every Little Thing She Does is Magic,” bam. Sounding just as good as he ever has, with so much charm. With a triple-treat of hits so early, we didn’t even mind when he apologised for playing a couple of new songs. They were less familiar but still superb songs, and they gave us all a chance to catch our breath and take our seats for a bit. We were back to the hits for “If I Ever Lose My Faith in You,” a song made a bit more pleasant as the breeze picked up. We had been so hot that the wind was a welcome relief. I was honestly shocked when security ushered Sting off the stage. He said he’d be back if he could, and we were sure he would be. I called my dad, who was already on the way to pick us up, and told him the show might take a little longer as we were on a break waiting for the high winds to pass. He turned around to go home, and almost got there when I called him back to say we were being evacuated. We were a bit shocked really. It wasn’t raining, and I’ve been in some pretty heavy rain for Day on the Green shows, but I guess the wind and forecast lightning was the deciding factor.

I’ve attended countless Day on the Green shows and never had an experience like that. So perhaps it’s not a surprise that I felt the venue staff were ill-prepared for the turn of events. My mum and I were told to leave our seats, but we had no where to go, with my Dad around 50 minutes away. And then the rain started. Another shout-out to the amazing couple who let us take shelter in their car, insisting that they wouldn’t be moving for ages (they were right). Would we have been waiting in the conditions that were deemed too unsafe for a concert if they weren’t willing to help?

Now we’re left wondering what happens next. The team behind A Day on the Green say they’ll be in touch in the next day or so, suggesting there’ll be some kind of compensation. A reschedule seems unlikely given Sting’s busy schedule. Some people online have suggested we don’t deserve any sort of compensation, because we saw all three acts we paid for. However, if you’d asked me to pay $200 to see Sting sing seven songs, I’d have told you where to go. It’s the sort of experience that makes you wonder whether you should buy tickets to the shows at the safe, if somewhat sterile, indoor venues instead of the wineries. So I’m glad to hear A Day on the Green are looking to make up for our disappointment. It certainly wasn’t the show we hoped for, even if there was plenty to smile about early on.

Image source: own photos

Sunset Sounds Announce Amazing Bill for Hunter Valley and Mornington Shows

With all of New South Wales either under stay-at-home orders or facing other restrictions and Victoria still smarting from countless lockdowns, I think we could all do with something to look forward to. Thank god for the team, from Sunset Sounds who promise to bring great music to outdoor venues in both states this summer.

The line-up is stacked with Kasey Chambers, Pete Murray, Xavier Rudd, Ben Lee, and Josh Pyke all on the bill. Expect laidback vibes and a whole lot of fun, with music scheduled from the afternoon through the evening.

“I’m stoked to join the lineup for Sunset Sounds festival on Wonnarua Country (Hunter Valley) and to share some new music on stage. It’s an exciting time for people, a time to reset, a time for gratitude, a time to remember how lucky we are that we can celebrate life, love, music etc so freely in this magical country that we get to call home. And it’s been a very long time since I’ve been to the Mornington Peninsula and I’m stoked to be traveling there for Sunset Sounds festival. This is gonna be special day on magical Bunurong country, let’s light it up!! Can’t wait!” said Xavier Rudd.

Sunset Sounds hits Roche Estate in the Hunter Valley on November 20 before travelling to Hastings Foreshore Reserve in the Mornington Peninsula on November 28. Tickets for both shows are available now through Ticketek. These will be COVID-safe, over 18s shows. If organisers need to postpone, all ticket holders can transfer their tickets to the new date or claim a full refund.

Image used with permission from On the Map PR

Chant du Vin @ Brokenwood Wines, Pokolbin – 1 May 2021

I’ve been thrilled there are more gigs on the concert calendar lately, but I’m also pretty selective about what I’m seeing. Rising hotel quarantine cases mean I can’t quite breathe easy, and the cooler weather makes hermitting so easy. However, I found myself venturing out on Saturday night, and I’m so glad I did. Chant du Vin is a new concert series, but hopefully it’ll be around for some time.

If like me you love the laidback vibes of winery shows but aren’t quite ready to sit among a massive crowd, Chant du Vin’s concerts are for you. Chant du Vin plays several shows in each wine region, choosing small wineries for their venues rather than the massive vineyards that host the Day on the Green events. There couldn’t have been more than 150 of us at Brokenwood Wines on Saturday night, one of four Hunter Valley shows for the event. Those of us with general admission tickets relaxed on our own picnic rugs and the chairs and beanbags organisers had thoughtfully left while the VIP ticket holders looked down from the event’s double-decker bus. A quality menu of food options and top-notch wines added to the atmosphere. Can I just say what a welcome change it is to be able to buy a bottle at any time during a winery show? Heaven!

It was like the organisers looked at my own personal wish list before booking acts for this all-acoustic night of entertainment. It’s been too long since I’ve seen Mahalia Barnes shining in the spotlight. She’s always stellar providing backing vocals for her dad, Jimmy Barnes, but I relished the opportunity to see her playing her own set. Hard Expectations was one of my favourite albums of 2018, so I was thrilled to see some of its tracks making the set. She peppered the originals with singalong classics including “I Am Woman” and “Heading in the Right Direction,” a beautiful way to pay tribute to some of the female pioneers of the Aussie music scene.

Mahalia reminisced about falling in love with Jack Jones’ music when she was just 8. I marvelled that I was only a couple of years older. Surely that makes the music of Southern Sons some of the first I fell in love with independent of my parents’ influence. The funny thing is, when he plays it doesn’t seem like more than 30 years have passed. Songs like “You Were There,” “Lead Me to Water,” and “Heart in Danger” still stand up. Jack’s voice hasn’t wearied at all over the years. When you play acoustic, there’s nowhere to hide, yet it rang out clear as a bell. He might have dismissed them as perfect toilet breaks songs, but for this fan hearing some new tracks was a real thrill.

If it was meant to be a mellow night of music, Sarah McLeod didn’t get the memo. She might have played an acoustic guitar, but her irresistible energy brought the night home strong. It was an eclectic and slightly unhinged set, featuring everything from Gershwin and Mahalia Jackson standards to solo songs and Superjesus tracks. After seeing Sarah supporting John Waite a few years ago, I had an inkling what to expect and knew just to hang on and enjoy the ride. And what a ride. She’s brilliant.

The Chant du Vin website suggested the show would finish around 9 but the artists were having none of it. They joined forces for some singalong tracks, making the show feel even more like we were just hanging with friends. I can’t remember how long it’s been since I was at an event and encouraged to sing, but gee it felt good to join in for songs like “Slipping Away” and “Proud Mary.”

As I walked back to the car at around 10, I marvelled that this show was the most relaxed I’ve felt in public since the pandemic began. We all had our own space, yet still felt like we were sharing something with the musicians and other concert-goers. I didn’t feel like reaching for my mask. I chatted happily with the people beside me. It all felt so normal and so wonderful. If you want to get in on some of that, check out Chant du Vin at one of the remaining shows. Limited tickets are still available.

6 May 2021 – Ross Hill Wines, Orange
7 May 2021 – Stockman’s Ridge Wines, Orange
8 May 2021 – Tamburlaine Wines, Borenore
9 May 2021 – JS Wines, Nashdale
13 May 2021 – Calabria Family Wines, Griffith
14 May 2021 – Lillypilly Wines, Leeton
15 May 2021 – De Bortoli Wines, Bilbul
16 May 2021 – Casella Family Wines, Yenda
20 & 21 May 2021 – Lake George Winery, Lake George
22 & 23 May 2021 – The Vintner’s Daughter, Murrumbateman

Image source: own photos

Rob Thomas – Sydney and Hunter Valley, 13 and 16 November 2019

Live music always makes my heart beat faster. However, there is one artist on the planet that takes my excitement to the next level: Rob Thomas. Whether he’s fronting Matchbox Twenty or playing solo, he is the performer who has the largest piece of my heart. His Chip Tooth Tour was a long time coming, nearly four years since his last Australian dates, so by the time last week rolled around I was more than ready.

One Rob Thomas show isn’t enough for me. I considered writing two reviews, one for Sydney and another for the Hunter Valley, but frankly the week passed in a whirlwind and now here I am, basking in the afterglow. Sydney was the perfect warm-up. First State Super Theatre strikes the right balance; it’s small enough to feel intimate but not so tiny that it can’t attract big acts for their only gigs in the NSW capital. The Hunter Valley show was part of the Day on the Green series. These events always seem so leisurely and relaxed, with so many good vibes. Sorry Sydney, but it also seemed to have the best crowd. Maybe I was just unlucky with seating in Sydney, but it was so nice to travel up the freeway to be amongst fans who seemed to care more about the music than making trips to the bar!

I’m glad that Daryl Braithwaite was the support act we doubled up on. I’ve made mention in the past of his voice fading, but I think he was in the best form I’ve seen in a while. You can still hear the limitations at time, but it’s a minor quibble from an artist who delivers so much. His set was packed with his Sherbet and solo hits, although an unexpected cover of The Kinks’ “All Day and All Of The Night” was a welcome addition in Sydney. What a shame the Hunter Valley security decided to try to make everyone sit down just before “The Horses.” Thank you, Daryl, for insisting it wouldn’t hurt us to rise to our feet for a couple of minutes! Staying seated for this unofficial anthem just wouldn’t have felt right!

The Hunter Valley’s extended line-up saw Russell Morris and Pete Murray joining us. I raved about Russell when I saw him at the same venue a couple of years ago and he was every bit as appealing this time around. His voice shows no sign of fatigue, impressive at the age of 71. He has so many hits to his name and they came thick and fast, rewarding those of us who arrived early enough to catch his set. He really deserved better than so many vacant seats. He was excellent.

I wish I could get as excited about Pete Murray, but for not the first time I just wasn’t feeling it. Ordinarily I can’t get enough of good-looking men who play guitars, but his songs never seem to get out of second gear for me. He performs them well, sounding virtually identical to the way he does in the studio, but I just can’t muster any kind of enthusiasm for them. Putting Pete after Daryl Braithwaite, who had me and so many of the folks around me, so fired up also seemed a bit cruel.

Whether I couldn’t wait for the support act to vacate the stage (sorry Pete) or I embraced their set (love your work Dazza!), I was primed for Rob Thomas. Opening with a new album track like “I Love It” was a risky move, but it was really the perfect introduction to Rob’s set; upbeat, engaging, and sexy as hell. It might have been called the Chip Tooth Tour, but Rob knows how to strike the right balance for serious fans and casual listeners. I would have liked to hear more from the new album, Chip Tooth Smile, but the four or five songs he played from it made space in the set for more songs from the back catalogue. The solo hits and Matchbox cuts came thick and fast, along with a smattering of lesser known songs for the diehards like me. I was thrilled to hear “Sunday Morning New York Blue,” an EP track, and fan favourite “Pieces” make the cut in the Hunter, while “Heaven Help Me” was an unexpected delight in Sydney. “Fire on the Mountain isn’t one of my favourite album tracks, but it really gets a new power on the stage. Adding Indigenous dancers to the mix in Sydney brought some extra gravitas.

Speaking of surprises, they don’t get much bigger than Andrew Farriss from INXS gracing the stage for a cover of “Never Tear Us Apart” in the Hunter. The chemistry between the longtime friends and the quality of this Aussie classic made it a real moment to remember. If you can’t get Santana out here for “Smooth,” then 10-year-old guitar prodigy Taj Farrant makes an impressive substitute.


It seems to me like Rob is aging in reverse. I think it’s the only reasonable explanation for his boundless energy. He put on a rock star performance, without the bells and whistles of so many modern rock shows. Without projections or pyrotechnics, the focus was squarely on the music and the way Rob delivered it. Most of his band has been with him since his first solo tour, and it shows. However, as much as I appreciate the big full-band numbers, it was the quieter, more reflective times in the set that really got me. I don’t mind saying that I found myself wiping away tears in acoustic performances of “Ever the Same” in Sydney and “Bent” in the Hunter. With an acoustic guitar and Rob’s voice, supported by a choir of enthusiastic fans, those songs were as raw as the emotions they stirred in me.

When you anticipate a tour as much as I did this one, it can sometimes be hard for the performer to meet your expectation. But I know Rob never lets me down. Like a fine wine, he only seems to get better with age. The dust may still be settling on my recent shows, but I’m already hanging out for the next tour. Rob Thomas plays Margaret Court Arena in Melbourne tonight before concluding the Chip Tooth Tour at Perth’s Kings Park on November 23.

Image source: own photos

Red Hot Summer @ Roche Estate, Pokolbin – 2 February 2019

In just a few years Red Hot Summer has become one of the highlights of the annual concert calendar, a series of events that showcase classic Aussie acts and some choice international artists. With a number of bills winding their way around Australia’s capitals and regional centres, there’s really something for everybody. The music is always superb; coupled with the good vibes that always seem to surround the concert series I just can’t resist.

This year was the first I’ve seen Red Hot Summer at a winery though. Roche Estate is the perfect venue, a natural amphitheatre which offered the sell-out crowd plenty of space for spreading out. The outstanding wine also made the performers sound just a little bit sweeter!

Chocolate Starfish kicked things off, curiously enough with a cover of Meatloaf’s “Bat Out of Hell.” It was a left-of-centre choice, but one which resonated with this crowd ready to sing along. They got their chance later too with Chocolate Starfish’s own radio-friendly singles “Four-Letter Word,” “Mountain,” and the epic cover of “You’re So Vain.” These moments got the loudest cheers, but the punters were right there throughout the set thanks to the charisma of lead singer Adam Thompson. He was every inch the rock star, dancing up a storm and commanding our attention. What a way to kick off the show.

I’ve seen Richard Clapton more times than I can count because he never disappoints. With such a short time on stage, he could have simply played the hits. “Best Years of Our Lives” and “Down in the Lucky Country” were notable absences in this set for me. But as a real fan, I didn’t mind too much. I was excited to hear less well-known songs like “Dancing With the Vampires” and “Something About You.” The crowd had enough moments to sing along with tracks like “Glory Road,” “Deep Water,” and “Girls on the Avenue.” Richard was in fine form, but then again, I’ve never seen him have an off day. The consummate professional.

Speaking of professionals, how good is Diesel? I saw him once about 20 years ago and I think I forgot how good he was. There’s no risk of getting a case of amnesia again though. Everything came together in this set. He’s such a talent, flawless voice, blues guitar on point, and an exceptional catalogue of songs. It was exciting to hear the way tracks from his Injectors days have evolved. You can still sing along, but a little more blues-rock edge has freshened them up. I really shouldn’t leave it so long before catching him again.

The Living End took me back to my teenage years. Their energetic set woke up anyone who was caught napping in the sunshine. It was furious, frenetic, and so much fun. Crowds rushed the stage, punching their fists in the air enthusiastically to hits like “Roll On” and “Prisoner of Society.” Some punk bands can seem a little tragic railing against the system in their advancing years, but The Living End somehow managed to avoid that. What a tight sound. What passion. They were one of the acts I hadn’t seen before, and they did not disappoint.

Joan Jett and The Blackhearts might not have been the headliner, but the international rock stalwarts were the drawcard for many punters. The standing zone was packed for the performance that featured all the hits, including many I’d forgotten about, and some unexpected surprises. Covers of the “Laverne and Shirley” theme and “Crimson and Clover” were a delight. Smash singles like “Bad Reputation,” “Cherry Bomb,” and “I Love Rock and Roll” were delivered with so much gusto. There was no sign of the fatigue that can often set in when bands have such a storied history. Clearly they still love playing together and doing it for Australian audiences was a real thrill. Joan Jett was every bit as fierce and fabulous as I’d hoped she’d be.

Jimmy Barnes is another act I’ve seen countless times, but it’s been a little while since I’ve seen him rock out. Acoustic shows are a brilliant treat, but I didn’t realise how much I’d missed seeing him really rocking out. The hits came thick and fast, including tracks I didn’t expect to hear like personal favourites “Stone Cold” and “Ride the Night Away.” More surprises came with “Working Class Hero,” a cover of the John Lennon song, and Chris Cheney joining Jimmy for a raucous rendition of “Rising Sun.” As the set drew to a close and the whole crowd united as one for Aussie anthems like “Working Class Man,” “Khe Sanh,” and “Flame Trees,” it made perfect sense why Jimmy was the headliner. He might not have the international profile of Joan Jett, but the love so many of us have for Mr Barnes trumps that. What a way to close out another stellar Red Hot Summer show.

Image source: own photos

John Farnham @ Bimbadgen Estate, Pokolbin – 1 December 2018

You know it’s summer in Australia once the mercury soars and you find yourself with a bottle of semillon at a Day on the Green event. I wasted no time getting into the summer spirit, visiting Bimbadgen Estate in the Hunter for its first Day on the Green show of the season on Saturday.

It’s been so long since I’ve been to a Day on the Green that I didn’t anticipate the traffic. My party were enjoying a leisurely lunch in the same suburb and were sure 15 minutes would be enough time to get to the venue. Unfortunately, it was not to be. I was so looking forward to Bachelor Girl’s set too. Sadly though, by the time I got to my seat they were walking off stage. They sounded amazing though. Next time.

Thankfully I was happily in my seat with that important bottle of sem, necessary for combatting that summer heat, by the time Russell Morris graced the stage. He was the only artist on the bill I hadn’t seen before, so I was really excited to see what this Aussie legend could do. What a wonderful performance he gave, full of technical prowess and charisma, with classics, more recent bluesy hits from his latest smash albums, and some choice covers. I’d forgotten how much I love “Wings of an Eagle.” His takes on Dylan’s “It’s All Over Now Baby Blue” and “Hush” were inspired. And of course, “The Real Thing” was a psychedelic delight.

He might have been sandwiched in the middle of the bill, but Richard Marx was my headliner. His set was all too brief, but that meant there was no time for fillers. The hits came thick and fast. Most drew from Richard’s early days with a “fluffy mullet.” I adored these chart toppers like “Endless Summer Nights” and “Should’ve Known Better.” But I was also thrilled to hear “Angelia,” a favourite song that didn’t crack the top 30, and “Long Hot Summer,” a song perfect for this weather he penned for Keith Urban. Those tracks I didn’t expect to hear helped make amends to the fans like me who would have loved to hear him play longer. By the time he played his torch ballad and HotelsCombined anthem “Right Here Waiting,” he had the whole crowd singing along. I’m not sure whether the sound mix was a little off early or whether I simply got used to the problem though. It’s a shame that this factor beyond his control marred an otherwise stellar performance.

You know you’re in good hands when two of Australia’s most beloved artists, Daryl Braithwaite and John Farnham, close out a show. Dazza’s voice took a little time to warm up, struggling to hit the higher notes in opener “Higher Than Hope,” but we sang loud enough to cover his failings until he hit his stride. His greatest hits set, drawing from the days of Sherbet and his solo career, was perfect for an event like this. No sooner had I sat down for a rest I was back up on my feet dancing to another favourite. None is greater than “The Horses” though, the kind of track that today encourages millennials to don horse heads and thrust hobby horses to the sky as they sing out that chorus. I was in fine voice alongside them.

John Farnham remains the consummate Australian performer. He’s a man whose voice needs no warm-up, whose songs are embraced by Australians of all ages. Like so many Aussies I’ve seen John several times over the years. Recently the sets were sounding a little samey, so I was thrilled to hear a few tracks from the classic album Whispering Jack he rarely plays. I’d forgotten how much I love “One Step Away.” The beautiful ballad “Touch of Paradise” was a real highlight, along with the rocking crowd pleaser “Take the Pressure Down.” But I’m not sure anything beats being in a crowd of Aussies joining voices with Farnsy belting out “You’re The Voice.” What a special moment.

With a stellar line-up of Aussie talent and a special import, A Day on the Green has kicked off its 2018/2019 season with a bang. Bring on the rest of the events!

Image source: own photos

Live @ Roche Estate, Pokolbin – 18 November 2017

I’m not sure what it is about Hunter Valley winery gigs, but so often they go hand-in-hand with rain. Somewhere along the way my excitement about the show turns in to trepidation and relentless weather checks.

Roche Estate was already a muddy swamp by the time I arrived on Saturday. It didn’t take long for the ground, and us, to get a whole lot wetter. It poured virtually nonstop for the first two acts. My raincoat quickly became as soaked as the rest of me. My feet were squelching in my shoes. I’ve had rain at concerts before, but never so much that I was still soaked to my skin by the time I got home.

It’s a cliché to suggest rain didn’t dampen the crowd’s enthusiasm, because it was certainly unpleasant. But the music was so outstanding that it actually seemed worth the downpour. I last saw Thirsty Merc playing acoustically. Before that, Rai Thistlethwayte was playing solo. I hadn’t seen the Merc is all their plugged-in splendour for ten long years. So I was thrilled to see these guys playing a set for the real fans. They’ve had so many hits over the years, certainly enough to fill their six-song set. While songs like “Someday, Someday” and “In the Summertime” featured, they were interspersed with killer album tracks like “Claude Monet” and “I Wish Somebody Would Build a Bridge (So I Could Get Over Myself).” Their set was full of energy and appreciation. While the crowd was relatively small by that point, they lapped up what Thirsty Merc gave us.

I worried I might spend The Calling’s set simply waiting for “Wherever You Will Go,” but the California act were a real surprise package for me. It turns out thanks to Spotify’s suggestions, I knew more songs than I thought. However, even the ones I weren’t familiar with didn’t feel like fillers. Alex Band is one dynamic front man. I barely took my eyes off him. His presence made their set so enjoyable.

Lifehouse continued the nostalgia with a tight set peppered with more of those Spotify favourites. I couldn’t fault any of the musicians, but after being so impressed by The Calling, this set felt a little lacking to me. Maybe some jetlag or a busy tour schedule has caught up with them, because it felt a little “by the numbers.” Bass guitarist Bryce Soderberg’s cover of “You’re The Voice” was great fun though, and the band’s biggest hits “You and Me” and “Hanging By a Moment” also had everyone singing along.

You want the headliners to take things up a notch and boy did Live deliver, bursting onto the stage with “All Over You.” The set drew mainly from early albums, especially the breakthrough Throwing Copper, and like so many fans I lapped it up. “I Alone” was an absolute standout; I wish I could have bottled the electricity when we all let loose. “White, Discussion” might have been penned decades ago, but it resonated strongly as I thought of the current political climate. “Selling the Drama” went off just as much as it should. Even debut album Mental Jewelry got a look-in with “Pain Lies on the Riverside.” “Lakini’s Juice” from Secret Samadhi was positively electric.

Live is a band that rocks hard, but they’re every bit as powerful in the quieter moments. An acoustic cover of Johnny Cash’s “Walk the Line” was breathtaking. “Turn My Head,” the tender ballad from Secret Samadhi and one of my favourite Live tracks, was so moving. I saw more than a few misty eyes when the band played Audioslave track “I Am The Highway” in dedication to Chris Cornell.

The seven-year break hasn’t made Live rusty. They sound so tight and Ed Kowalczyk is every bit as magnetic as he ever was. He is such a charismatic performer, a kind of Messiah figure who is utterly mesmerising to watch. I’ve always admired him, but after experiencing the show he puts on I’d put him within the top five front men I’ve ever seen. He was that good.

Despite Ed’s importance, Live is a brothership and that seems stronger than ever after the band’s taken an extended break from one another. There’s a renewed sense of energy about Live these days. I saw them a couple of times in the late ‘90s and early ‘00s, but I can’t remember feeling so blown away by their performance. Ed let slip that they’re planning another Aussie tour for March. It can’t come soon enough. Because quite simply, this was for me the best gig of the year.

Image source: own photos

Jazz in the Vines Announces Line-Up for Final Festival

I still can’t quite believe that this year the Hunter Valley will host its last ever Jazz in the Vines. My favourite music festival is going out with a bang though, with arguably its best line-up. Announced today, James Morrison, Leo Sayer, Mental as Anything, John Morrison’s Swing City Big Band, Monica Trapaga, Emma Pask, and Lisa Hunt are all on the bill. And that’s just for starters!
Add some amazing wine from Tyrell’s, fantastic food from some of the Hunter’s best restaurants, and good vibes into the mix and you’ve got a recipe for a superb day out.

Jazz in the Vines hits Tyrell’s Winery in the Hunter Valley on October 29. Tickets are on sale now and are bound to sell out, so get yours via the Jazz in the Vines website today.

Image source: own photo

Best Music Festivals in Newcastle and the Hunter, NSW

For decades Newcastle’s seemed like Sydney’s poor cousin, a city overshadowed by the big smoke a couple of hours down the Pacific Highway. However, in recent years I’ve seen my hometown and the nearby Hunter region experience a real renaissance thanks to festivals which as impressive as any you’d find in the New South Wales capital. Events like these make Newcastle and the Hunter much more than Sydney’s lesser relative.

Fat as Butter

Fat as Butter is one of Newcastle’s leading music festivals, with an eclectic line-up of retro acts and up-and-comers taking over the Newcastle Foreshore around September or October since 2007. Where else would you see acts like Wheatus, Naughty by Nature, and Eiffel 65 sharing a stage with our own Living End, Calling All Cars, and The Jezebels? Sadly the 2014 event didn’t go ahead after organisers failed to secure a worthy line-up, but they promise they’ll “definitely be back in 2015 with a smashing show.”

Jazz in the Vines

Image via Sounds of Oz

Jazz in the Vines is one of my favorite festivals for its chilled-out atmosphere and consistently stellar line-up. I hated missing this year’s event; my parents travelled abroad and I didn’t think it’d be the same without sipping Semillon with mum while we sang along to artists like Joe Camilleri, Leo Sayer, and Tom Burlinson. Add in some of the Hunter’s best food and I’ll definitely be grabbing early bird tickets next year.

Newcastle Jazz Festival

It doesn’t have the wine, but it’s still worth checking out the Newcastle Jazz Festival, held at the Newcastle Jockey Club on the last full weekend of August. The line-up’s always eclectic with traditional jazz artists and big bands performing alongside modern masters who fuse jazz with funk and soul, like Psycho Zydeco, Fish Fry, and the Funky Do Das. This premier festival, which has run for 27 years, is considered one of the best in its genre in the nation.

Wollombi Music Festival

Image via Sounds of Oz

When I took my sister to Wollombi a few years ago, she fell instantly in love. As a single mum, she loved that there was a music festival where we could enjoy awesome new blues and roots acts while her young daughter played happily in the Kidsfest zone. I was out the moment she mentioned camping the next year, but she’s been attending ever since. I might be too much of a princess to embrace the overnight accommodation, but I could definitely appreciate the quality line-up, which this year featured King Tide, The Peep Tempel, and Holly Who, as well as the family-friendly atmosphere.

The Newcastle Weekender Festival

This year saw the launch of a new kid on the block, The Newcastle Weekender Festival run in conjunction with the This is Not Art event. A massive crowdfunding campaign saw up-and-coming and experimental acts like Horse Macgyver, Philippa Omega, Hedonist, and King playing intimate shows across four days at the Terrace Bar and the Croatian Club. Its commitment to celebrating the talents of left-of-centre acts make it one to watch.

Have I missed any Novacastrians? I’d love to hear your thoughts on the music festivals that make Newcastle and the Hunter great.

Dungog Festival Comes to the Hunter

Good music, film, food, and wine will come together this August at the first annual Dungog Festival. From August 28 to 31, a full line-up of entertainment will be showcased in the Upper Hunter.

“I’m delighted to be here on behalf of the NSW Government for the launch of the new Dungog Festival,” George Souris, Member for Upper Hunter, said at official announcement. “The Government is committed to supporting the creative industries and the Australian film industry, as well as fostering great regional events that bring so much to the local community. With this in mind, we have entered into a partnership with the Dungog Arts Foundation to support The Dungog Festival for the next three years, through our tourism and major events agency, Destination NSW.”

Details are a little thin on the ground at this point, but the strong sense of community spirit and picturesque location should help make the Dungog Festival something special. The event is expected to bring 3,000 visitors to the area, and inject around $3.6 million into the local economy.

Early bird tickets will be available from June 10 from the Dungog Festival website.

Image used with permission from Secret Service Public Relations