“Hyperspace Clearance” – Dan Webb

Dan Webb takes his cues from the world of classic rock with his sophomore EP, Hyperspace Clearance.

It’s a suitably far out name for a disc which revels in the music of the 60s and 70s. It’s not a carbon copy of the acts that came before, but Dan certainly wears his influences on his sleeve. He allows the artists of the past to inform his music, adding a hint of psychedelia here and a whiff of progressive rock there.

Perhaps it’s my love of The Doors that makes “These Walls” the standout for me. I love its cool, rollicking bass line and lush Hammond organ. Vocally Dan Webb is a world away from Jim Morrison’s lush baritone, but if the band were to have gone in a different direction I imagine they’d have made a song like this.

Dan’s heavy handed piano style, quirky songwriting, and musical smarts make a big impression. He creates a really lush sound by layering up to six keyboards over one another; it’s reminiscent of Phil Spector’s Wall of Sound in the very best way. Clearly this is an artist who enjoys experimenting. On this disc we see him learning about his potential and sound. But rather than feeling simply like we’re listening to someone testing things out, we enjoy being taken on this musical journey.

In just four songs Dan Webb makes a big impression with Hyperspace Clearance, one which leaves me wondering where he’ll take us next.

Image source: JB HiFi website

Q & A with Dan Webb

Singer-songwriter Dan Webb is preparing to load up the van and get out on the road to support his new EP Hyperspace Clearance. But before he does I caught up with Dan to chat about the tour, the EP, and his love of the keys.

You’re touring along the east coast next month. Are you looking forward to getting out on the road?
I’m not gonna lie – it’s been hard organising this tour, but I am really looking forward to playing these shows. Myband members have been on holiday overseas for a few months so I’ve used that time to develop some new songs. I’ve never performed outside Melbourne so it’s really exciting.

This tour is in support of your new EP Hyperspace Clearance. What can you tell me about it?
I really set out to prove a point on my first EP. It was quite heavy compared to this new one. Capitulation was all about showing people that you can play rock music without relying on guitar. Hyperspace Clearance is taking that same concept but taking it to a whole new level by experimenting with some other styles and genres. It’s an EP with a focused direction, tied together by the theme of travel.

You produced this EP yourself. Why was that important for you?
I wanted to head back to the same studio with the same team of people and see if we could make something that sounded completely different to my first EP. I like setting myself challenges. I had a clear idea of which instruments and microphones I wanted to use and so I wanted to have as much of a creative input as possible.

What’s it like being on the other side of the musical desk?
I have to say straight up that the whole project wouldn’t have been possible without my engineer Matt Voigt. He’s responsible for all of the mixing and he did a really great job. I might be able to give directions, make suggestions and requests but at the end of the day, I can’t make a good recording without a talented engineer.

This is your second EP. How do you think you’ve grown since the recording of the first one?
I feel like I’m developing as a songwriter and I’m becoming a bit more confident and adventurous when it comes to writing songs. I was able to take more risks on this EP as a result. I wanted to explore a few different styles and approaches this time round. I recorded clavinet on a track called “Weekends” for example; it’s only there for a few bars but it’s really funky!

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Dan Webb Impresses with “Way Out” New Single

There’s something irresistible about a good-looking young man at a piano. So when I heard “Way Out,” the first track to emerge from Dan Webb’s new EP Hyperspace Clearance I was smitten.

More than just a pretty face, Dan’s been pounding the keys since the tender age of five. He uses his instrument to provide a driven back beat for his unique brand of alterna-rock.

The new EP saw Dan working with producer Matt Voigt (Powderfinger, The Living End), while the final mix was done by Steve Rooke (The Beatles, Animal Collective) at the legendary Abbey Road studios. No wonder it sounds slick.

“Way Out” is slated for a July 9 release, while the Hyperspace Clearance EP should hit stores in September.

Image used with permission from AAA Entertainment