I was already pretty psyched about the release of Press Club’s new album in a couple of weeks, but the release of the band’s latest single “I Can Change” has me even more pumped.
“‘I Can Change’ is about constantly being on the road, and needing to slow down/stay still because of the challenges it brings, emotionally and physically – fighting that feeling and wishing you could change cause it all you ever dreamt about. Then BAM, Covid comes along, smacks you in the face and takes it all away from you! And obviously you’ll never take it for granted again, if you ever get it back cause it’s everything you ever wanted,” explained lead singer Nat.
“I Can Change” is the latest track lifted from Press Club’s new album Endless Motion, which drops on October 14. The album came about through the downtime forced on them during the pandemic, but they’re making up for lost time. Press Club will tour this album around the country before heading to the UK and Europe. Here are all the dates you need!
13 October 2022 – The Cambridge, Awabakal Land/Newcastle
14 October 2022 – UOW, Dharawal Land/Wollongong
15 October 2022 – Crowbar, Gadigal Land/Sydney
16 October 2022 – The Zoo, Turrbal Land/Brisbane
17 October 2022 – Brunswick Ballroom, Wurundjeri Land/Melbourne
18 October 2022 – Singing Bird, Bunurong Land/Frankston (All Ages)
28 October 2022 – Kasbah Club, Limerick
29 October 2022 – Whelans Upstairs, Dublin
31 October 2022 – Hyde Park Book Club, Leeds
1 November 2022 – Stereo, Glasgow
3 November 2022 – The Flapper, Birmingham
4 November 2022 – Deaf Institute, Manchester
5 November 2022 – OSLO, London
6 November 2022 – The Exchange, Bristol
8 November 2022 – 1999, Paris
9 November 2022 – Trix, Antwerp
10 November 2022 – Paradiso, Amsterdam
11 November 2022 – Vera, Groningen
14 November 2022 – Cassiopeia, Berlin
15 November 2022 – Chapeau Rouge, Prague
16 November 2022 – Chelsea, Vienna
18 November 2022 – Bogen F, Zurich
19 November 2022 – Strom, Munich
20 November 2022 – MTC, Cologne
Image used with permission from Little Gian Agency; credit: Nick Manuell