Day on the Green 100th Anniversary @ Bimbadgen Estate, Pokolbin – 22 March 2014

Fresh from my Glen Hansard show, I found myself concert bound again and on the road to the Hunter Valley. It seemed impossible to believe that we were heading out to celebrate the 100th Day on the Green show. It didn’t seem like that long ago that I was sitting with my parents at Bimbadgen Estate during the first run of the winery festival shows. Day on the Green has grown since those humble beginnings. It regularly attracts top notch international acts. But for the anniversary celebrations organisers went back to their roots and assembled one of the best line-ups of Aussie talent I’ve seen in some time.

What a shame that my parents were predictably running late. I found myself looking at my watch repeatedly, calculating just how much of Boom Crash Opera I’d get to see. The answer was, just one and a half songs as I was finding my seat. I was lucky to see that really; my dad let me out of the car early, despite the protests of security, and I ran up to the gates while he was parking. They sounded superb playing two of the big hits – “The Best Thing” and “Onion Skin – and I am kicking myself that I didn’t get to see more. They’ve lost nothing over the years, except for Dale Ryder’s hair.

Thankfully there was plenty more talent on the bill. While my formative years were spent perving on Mr Ryder, my mum’s were spent drooling over Daryl Braithwaite. She was transformed back into a 16-year-old as he took the stage and delivered hit after hit. Dazza’s another of those blokes who seems to lose nothing over the years. He hits those high notes with ease and always puts on such an amazing show. Singing out “The Horses” and “Higher than Hope” with the crowd was magic.

Next up was one of our favourites, Mr Richard Clapton. Oh how we love Richard. Having said that though, after such an incredible set from Daryl, Richard’s seemed to lack a little sparkle. I knew the majority of the songs from seeing him countless times in the past, but they seemed to leave a lot of people scratching their heads. “Girls on the Avenue” went down a treat though. Even when he’s not incredible, Richard’s still bloody good.

Incredible was what we got with another my of mum’s crushes, Ian Moss. The consummate professional, adored by the masses, he delivered a stellar set packed with the hits and a few surprised. As someone who remembers buying Matchbook on cassette (my first album bought with my own money if I’m ever on RocKWiz!), I was thrilled to hear him perform “Mr Rain.” The only thing better than Mossy solo is Mossy with Jimmy. We got a little Cold Chisel reunion during “When the War is Over” which was something I’ll never forget.

Next up were The Angels, the band with the biggest question mark for me. I was well aware of the split, and had wondered just how this incarnation would feel without Doc Neeson up front. I shouldn’t have worried. Rather than feeling like a pale imitation of the original, this Dave Gleeson-fronted outfit has a new lease on life. I might be a bit biased here. I’m Newcastle-bred, and many of the first pub gigs I ever attended were Screaming Jets shows. But he is the perfect frontman for this band he clearly loves so much. He brought real energy to the hits and won over the crowd from the get go. I’ve got to tell you though, the only thing weirder than seeing your parents chanting “that bit” in “Am I Ever Gonna See Your Face Again?” is watching your American husband’s reaction to it all. The poor boy was caught completely unawares. I love that despite eight years here, every now and again Aussie culture can throw him a curveball.

Jimmy Barnes teased us with his appearance during Mossy’s set. We were so ready for him, and he delivered. Jimmy was actually the first musician I ever saw live, way back in the Soul Deeper days, and I’ve been a massive fan ever since. It was a wonderful set which spanned his entire career. He rocked hard and we loved it. I found myself on my feet more often than not, and I screamed myself hoarse. God knows how he keeps up those vocals. Mossy came back to play a few Chisel numbers and it was every bit as special as that first appearance. This time I put my camera down and just soaked it in though. Wow. Being amongst that crowd singing out “Working Class Man” and “Khe Sahn” was out of this world.

All that amazing Australian music in one day is something I’ll never forget. This is the sort of show we’ll still be talking about years later.

Image source: own photos

Aussie Legends Play Regional Red Hot Summer Shows

Some of Australia’s most beloved artists will perform for regional audiences this summer. Dubbed the Red Hot Summer Tour, the travelling concert series features a bumper line-up including Cold Chisel comrades Jimmy Barnes and Ian Moss, Baby Animals, Dragon, Ross Wilson, and Chocolate Starfish.

Unfortunately not every act will perform at every show, but fans will still see value with tickets starting from just $79.90. The line-up for each event is also posted on the Red Hot Summer Tour website, so you can make sure your favourites are playing near you.

Line-ups like this don’t come along every day, especially in some of these country towns! Tickets go on sale this Thursday, October 25.

5 January 2012 – Tumut Showgrounds, Tumut
6 January 2012 – Harry Sawkin Park, Nowra
10 January 2012 – Centenary Oval, Port Lincoln
12 January 2012 – Mary Ann Reserve, Mannum
13 January 2012 – Nowingi Place Soundshell, Mildura
19 January 2012 – Mulwala Waterski Club, Mulwala
20 January 2012 – Morning Star Estate, Mt Eliza
26 January 2012 – Parklands Resort, Mudgee
27 January 2012 – Crossing Theatre Lawns, Narrabri
2 February 2012 – Kryal Castle, Ballarat
3 February 2012 – Victory Park Soundshell, Traralgon
9 February 2012 – Country Club Lawns, Launceston
10 February 2012 – On the Point – Wrestpoint, Hobart
30 March 2012 – Warrnambool Racecourse, Warrnambool
31 March 2012 – Mansfield Showgrounds, Mansfield

Image source: Ticketmaster

Charlie Musselwhite, Ian Moss, and & Lanie Lane Headline Sydney Blues & Roots Festival

We haven’t even seen the full line-up yet, but the Sydney Blues & Roots Festival is already looking like a tempting proposition. Acclaimed American harmonica guru Charlie Musselwhite is making the trip to share top billing with local acts Ian Moss and Lanie Lane.

Other notable musicians on the bill include Canadian rockers The Trews, internationally acclaimed local songstress Mia Dyson, blues legends The Backsliders, and legendary guitarist Ray Beadle. And we’re expecting another announcement with more bands later this month.

Festival creative directors Geoff Trio and Steve Griffiths knew it would take some effort to top 2011’s line-up, but they’ve given it a red hot go.

“The blend of established and new ‘discovery’ acts is sensational and we expect crowds to flock to Windsor like never before,” they said in a statement.

The Sydney Blues & Roots Festival will hit various venues in the Hawkesbury region from October 25 to 28. First-release tickets are available now from Oztix from $79 for a one-day adult pass.

Image used with permission from Revolutions Per Minute

Ian Moss @ Lizotte’s, Kincumber – 12 July 2007

I admit it; I’ve still got a crush on Ian Moss. It’s been 18 years since he released Matchbook and first set my nine-year-old heart a flutter. He’s older now, with shorter hair and a few more wrinkles, but there’s still a spark about this rock stalwart. It was this spark, and the promise of great food, that drew me to Mossy’s show at Lizotte’s last night.

I was happily tucking into my delicious fillet steak when the support act, Mike McCarthy, graced the stage. I didn’t know him, but was instantly taken in by his beautiful melodies and guitar skills. It’s a tough job to support a music legend. It’s even tougher for an unknown artist to sing originals. Yet Mike took the experience in his stride, playing with a quiet confidence that won over many of us.

Then Mossy took the stage, with acoustic guitar in hand. What followed was magical, and the crowd lapped up. You could heard a pin drop during his understated performance of “Georgia On My Mind,” this hush contrasting with raucous sing-a-longs to Cold Chisel classics. We doo doo doo-ed along with “Saturday Night,” and belted out “Choir Girl.”

Just when we thought he wasn’t going to play them, Ian Moss launched into the anthemic 80s hits, “Tucker’s Daughter” and “Telephone Booth.” When we were sure our voices were too hoarse to continue, he closed with a rollicking version of “Bow River.”

Through decades in the business, Ian Moss has developed a calm confidence in his delivery. He’s a selfless entertainer, aware of what the audience wants to hear and keen to deliver it. He may have risen to prominence for his guitar-playing prowess, but last night’s stripped-back show confirmed Ian Moss is a truly well rounded performer.

If you want to experience Ian Moss’ acoustic skills, check out his latest album, Let’s All Get Together.

Image source: own photo