Tag: Karen Lee Andrews

Posted on by Lauren Katulka

Cold Chisel @ Newcastle Entertainment Centre, Mulubinba/Newcastle

Like so many Australians, the music of Cold Chisel is part of my DNA. They’ve been pumping out hits since before I was born. East and Circus Animals were on regular rotation as I grew up. I don’t remember when I learned the lyrics to these songs, in much the same way I don’t know when I learned English. It just seems like I always have. So when the band announced their Big Five-0 tour, celebrating 50 years in the biz, I knew I had to be there. Dad passed, insisting he saw them enough times in local pubs and clubs that he didn’t need to brave the crowds now. But as someone who missed those heady days, who has had much more limited opportunities to see Chisel do their thing, I knew I had to be there.

Karen Lee Andrews warmed up the crowd and reminded me just how good she is. I’ve seen her perform a few times now with the Barnes family, but those sets were solo and stripped back. Normally acoustic sets are my bag, but with a full band Karen really shines. Sharing the stage with her band seemed to calm her nerves and she was more confident than I’ve seen before. Her songs are superb and she’s got such a cool, blues-rock voice. I definitely need to listen to more of her original music, because she’s exceptional.

Tickets for Chisel’s Big Five-0 tour were arguably as hot property as tickets for Coldplay or Taylor Swift, but unlike these international luminaries, there weren’t a lot of bells and whistles about the Cold Chisel experience. There were no pyrotechnics, no costume changes, not even any of those screens ensuring people near the back got a closer view of the action. Just a bunch of Aussie blokes on stage doing what they do best. The stages have gotten bigger over the decades but this band refuses to upgrade the spectacle, so the music remains the focus.

And what music it is. Cold Chisel have been mixing up the set list this tour, so you never know exactly what you’re going to get. But with such a rich catalogue, hits can come out early. “Standing on the Outside,” “Cheap Wine,” “Rising Sun,” and “My Baby” in just the first five songs? Incredible. Cold Chisel catered for all kinds of fans, those of us who flogged Chisel Gold and cranked up their tunes whenever they came on the radio and those hardcore enthusiasts who devoured each and every album. I’ve seen Chisel several times now, but I can’t recall them ever playing so many album tracks. Digging into the vault while keeping casual fans happy is a delicate balancing act, but Chisel walked that tightrope beautifully.

Chisel might not tour with the same kind of gruelling schedule that they did back in the day, but there’s such a beautiful chemistry when this band is on stage. You won’t find a tighter act around. Everyone has a crucial part to play. Jimmy attacks those vocals, performing with the sort of gusto that makes you forget he’s only just come back from hip surgery. Ian Moss blows me away each and every time I see him with his guitar skills and those warm vocals that never seem to age. After seeing so many acoustic shows in recent years, I relished seeing him rocking out. Nothing sounds quite as comforting as Don Walker on piano. Bass players never get enough credit, but Phil Small’s instrument is the glue that holds this sound together. Steve Prestwich’s loss created a hole in this band of brothers, but Charley Drayton does an admirable job stepping into his shoes. I’m sorry I missed the names of the saxophonist and harmonica player, but they were also incredible.

Don Walker teased a little “Star Hotel” during the introduction of “Breakfast at Sweethearts,” but strangely that Novocastrian rock anthem never came. It’s a minor quibble though, because this set really delivered so much. As they rocked out one final time to their traditional closer “Goodbye (Astrid Goodbye)”, after two encores, I felt well and truly satisfied. After 50 years in the business, Cold Chisel are at the top of their game. And there aren’t a lot of bands who can say that. So many shows are sold out, but if you get the opportunity to see Chisel on any of their upcoming shows, you will not be disappointed.

9 November 2024 – Red Hot Summer @ Victoria Park, Balaarat/Ballarat (SOLD OUT)
10 November 2024 – Mornington Racecourse, Bunurong Country/Mornington (SOLD OUT)
13 November 2024 – MyState Bank Arena, Nipaluna/Hobart (SOLD OUT)
16 November 2024 – Qudos Bank Arena, Eora/Sydney (SOLD OUT)
17 November 2024 – VAILO Adelaide 500 @ Adelaide Street Circuit, Tarntanya/Adelaide
22 November 2024 – Arts Centre Melbourne @ Sidney Myer Music Bowl, Naarm/Melbourne (SOLD OUT)
23 November 2024 – Arts Centre Melbourne @ Sidney Myer Music Bowl, Naarm/Melbourne (SOLD OUT)
28 November 2024 – Stage 88, Wiradjuri Country/Parkes (SOLD OUT)
30 November 2024 – Roche Estate, Wonnarua Country/Pokolbin (SOLD OUT)
4 December 2024 – Qudos Bank Arena, Eora/Sydney
18 January 2025 – Gibbston Valley Winery, Queenstown
25 January 2025 – Taupo Amphitheatre & Riverside Park, Taupo
26 January 2024 – Whitianga Waterways Arena, Whitaianga

Photo credit: Stephen Katulka

Posted on by Lauren Katulka

Mahalia Barnes + The Soul Mates @ Avoca Picture Theatre, Darkinjung Country/Avoca Beach – 23 February 2023

I’ve always felt pretty lucky to have Avoca Beach Picture Theatre in my local area. It’s the kind of movie theatre that has just one screen and favours independent films of quality to the big blockbusters. You can buy wine and local arts and crafts in the foyer, and at one point a cat would wander around the cinema and sit on the lap of chosen guests. It’s the kind of place that is becoming all too rare. But now that they’re welcoming some of Australia’s best musicians to their intimate space, I’m even more thrilled. You might remember me catching The Whitlams Black Stump Band there recently, and last night I was back again for Mahalia Barnes.

To say her pal Bek Jensen warmed up the stage would be an understatement. Her voice is red hot, bluesy and soulful. She’s got a real warmth about her that draws you in. Captivating an audience for a set of originals isn’t easy, but she made it look effortless. Apparently, she’s recently moved to the coast, so I look forward to seeing a lot more of her. Incredible.

I’ve seen Mahalia Barnes a few times before, but I’ve never seen a set quite like this. She let us know this was a by-request show, with heckling encouraged, with a big smile on her face. Without a set list, this show had a real spontaneity which made it so much fun. Mahalia was also surrounded by her “chosen family,” long-term band members The Soul Mates and gal pals Bek and Karen Lee Andrews (who you might remember as Miss Murphy from The Voice). Supported by musicians and vocalists she trusted, she told us they could do anything so long as one or two of them knew the song. That certainly seemed to be the case. Mahalia’s admiration over Bec’s whistling in her supporting slot naturally led to an impromptu cover of “(Sittin’ On) the Dock of the Bay.” A throwaway line to Karen as she exited the stage was an easy segue into “I Will Survive”. Mahalia insisted she wouldn’t do it, but couldn’t refuse as the band carried her away.

The audience was kind, mostly suggesting soulful hits like “Proud Mary” and “Midnight Train to Georgia.” Not like Bowral, who apparently insisted she try out a little Metallica! Of course, there were the inevitable requests for music from her famous dad’s back catalogue, but her takes on “When Something is Wrong With My Baby” and “Flame Trees” showed she was up to the challenge. Her version of “Heading in the Right Direction,” a tribute to the late great Renee Geyer, who Mahalia credited for paving the way for artists like herself, was another real highlight.

I’ve always enjoyed Mahalia’s original material so I was glad that some of those songs bookended this set. However, watching her play with originals so joyfully was a real treat. Her voice is one of the best in the business, and she has such a presence on stage. I’d be remiss if I didn’t shout out to her incredible band too. Watching Lachy Doley attack the keys, Franco Raggatt deliver blistering guitar solos, and Mahalia and crew so wrapped up in appreciating their contributions, was magic. I love a good jam, and this show really delivered on that score.

Mahalia insisted she’d be back, and I hope she’ll stay true to her word. To see an artist of her calibre, backed by such a quality band, in an intimate venue like Avoca Beach Picture Theatre, is too good to pass up. Mahalia has a few more of these shows to go. If you’re local, you don’t want to miss them:

24 February 2023 – The Great Club, Bulanaming/Marrickville
25 February 2023 – Centro, Woolyungah/Wollongong
5 March 2023 – Tallagandra Hill Winery, Gundungurra Country/Southern Highlands
12 March 2023 – Brighter Days Festival, Dhudhuroa, Taungurung, Waywurru, Gunaikurnai and Jaithmathang Country/Bright

Image used with permission from Ferries Davies PRM

Posted on by Lauren Katulka

“Far From Paradise” – Karen Lee Andrews

Critics of The Voice like to say the reality show hasn’t produced any stars. Perhaps if you take that to mean artists selling truckloads, it’s true. The singers from The Voice certainly don’t have the profiles of Australian Idol’s Guy Sebastian, Shannon Noll, Jess Mauboy, or Anthony Callea. Personally I take a different view of stardom. While fame is exciting, true stars shine simply because they’re doing something fabulous. When you consider that definition, Karen Lee Andrews, better known to The Voice audience as Miss Murphy, is the genuine article.

Of course, The Voice didn’t make Ms Murphy shine so bright. Her talents were already in her. But they gave her a platform to showcase them. Surely they helped open the doors that see her releasing her latest EP Far From Paradise.

What a collection of songs this is. Soulful and bluesy, with so much heart and pain. They feel like instant classics, delivered with so much class.
Opening track “Love You” eases us into a more soulful space, with its earnest declarations and easy groove. “Troubled Mind” is a delicate soul piece which shows the power of restraint. It’s driven by pure emotion and Karen’s powerful voice, which slays each and every time.

After the tenderness of the first two tracks, the dark swampiness of “Going Down” is like a bolt from the blue. If you thought Karen Lee was all sweetness and light, this is the track that dispels the notion. The EP is rounded out by an extended version of “Higher,” an earlier upbeat release which feels right at home here.

What a talent Karen Lee Andrews is. Hopefully she won’t leave us waiting too long for a full-length album. Far From Paradise is a stellar EP, but it leaves me wanting more.

See Karen Lee Andrews performing at Blues on Broadbeach, the country’s largest freee music festival, from May 17 to 20.

Image used with permission from Jessica Davidson

Posted on by Lauren Katulka

Karen Lee Andrews Leaves Miss Murphy Behind For “Higher” Release

It’s hard to believe it’s been five years since we first met Miss Murphy on The Voice. Since then the season two standout has shrugged off her moniker and started releasing music under her own name, Karen Lee Andrews.

The name might be unfamiliar right now, but her soulful voice is unmistakable. I wish I could share her new track “Higher,” the first from her new EP Far From Paradise, with you in its entirety because it’s such a great track. It’s got a classic soul meets blues meets rock feel that makes me think of Janis Joplin, albeit with a smoother, huskier delivery. See what I mean in this song snippet.

Far From Paradise is released next month. If there’s more tracks like this on it, I can’t wait to hear it.