Tag: Lizotte’s

Posted on by Lauren Katulka

Daryl Braithwaite @ Lizotte’s – 1 November 2008

Last night I was back at Lizotte’s. I’m beginning to think I should just set up a bed out back and be done with it! This time I was enticed there by the prospect of seeing Aussie music legend Daryl Braithwaite.

But before all that we were treated to the musical stylings of Jess Locke. I was initially entranced by this folk singer with the pure voice and her quiet acoustic guitar strummings. But pretty soon the lack of variety in her songs made me lose interest. Her introspective tunes were well crafted, but ultimately depressing. When she introduced a track called “Happy Song” I perked up looking forward to the change of pace. Yet as the lyrics told us, she tried to write a happy song but it didn’t work out! Jess has a real talent, but some light and shade would make her music a lot more accessible.

Jess might not know how to have fun, but Daryl sure does. I’m not sure how I’ve made it to my age without seeing him live, but I definitely won’t wait long before repeating the experience. From Sherbet to his solo career, Daryl’s been around for an awfully long time. He’s had hit after hit, and he crammed as many of them as he could into his set.

Daryl’s appeal crosses all generations. My mum used to squeal over him when he was the long-haired frontman of Sherbet, while I remember Rise being one of my primary school soundtracks. No matter when you knew him, his songs are classics ingrained in us all. So it took little prompting for Daryl to engage us all in a little sing-along session.

Iconic tunes like “Howzat,” “One Summer,” and “As The Days Go By” sat comfortably alongside covers of James Reyne’s “Slave” and Free’s “Wishing Well.” Daryl performs with energy and a healthy dose of humour, and as a member of his audience you find yourself having just as much fun as he appears to.

By the closing number, “The Horses,” we were all on our feet and singing raucously. Our applause was enthusiastic and the smiles on our faces wide. After a show like that, it’s not hard to see why Daryl Braithwaite continues to be a strong force in the Australian music industry.

Image source: own photo

Posted on by Lauren Katulka

Lizotte’s Restaurant Gets Cooking!

Yesterday I was lucky enough to be back at Lizotte’s: this time for the launch of their brand new cookbook Live & Cookin’ @ Lizotte’s Restaurant.

What’s a cookbook got to do with music I hear you ask? Plenty. Just as Lizotte’s marries good food and good music, so does this book. The traditional entrees and mains are known as support acts and headliners. The recipes offer stories of the bands that restaurant owner Brian Lizotte has cooked for over the years. As a caterer for the likes of Frank Sinatra, Elton John, and Nirvana, he has plenty of stories to tell! What music fan wouldn’t want to try the shepherd’s pie Joe Cocker ate after every show, or the char-grilled baby octopus salad Michael Hutchence requested for his 30th birthday dinner? You’ll find them here, and much more.

The launch was a real treat because it brought us those two great indulgences Lizotte’s is known for: great music and that fantastic food. The friendly staff brought out trays of the dishes found in the book’s pages. I can’t wait to try my hand at the yummy macadamia nut chicken schnitzel or the delicious szechaun pepper squid.

While we tasted these tempting treats we were entertained by some of the finest musicians in the country. Up-and-coming talents Karl Broadie and Amber Lawrence warmed us up before Adam Harvey, Deni Hines, and Brian’s brother Diesel took to the stage. The undeniable highlight for us all was to see Brian and his father join Diesel for a soulful cover of Otis Redding’s “Sitting on the Dock of the Bay.” It was truly magical stuff.

I’ve made no secret for my love of Lizotte’s. It’s a venue like no other, and I feel truly spoiled to live on the Central Coast so I can visit regularly. We’re not all that lucky, but now thanks to the cookbook release everyone can bring a little Lizotte’s magic home.

Live & Cookin’ @ Lizotte’s Restaurant is available at good bookstores everywhere and online from Lizotte’s.

Image source: own photos

Posted on by Lauren Katulka

Live and Local @ Lizotte’s, Kincumber – 29 October 2008

Last night I headed to Lizotte’s to catch their Live and Local music showcase. These nights are a wonderful initiative designed to encourage music fans to get out midweek and discover some wonderful new talent. We were lured there by former Australian Idol contestant Ben McKenzie’s slot on the bill, and were delighted to find he wasn’t the only artist worth seeing.

Joe Kalou was first up with a set of originals peppered with a few crowd-pleasing covers. This was music at its most basic, and its most pure. An acoustic guitar, some cleverly crafted lyrics, and a sweet voice is all you really need to captivate an audience. His flawless good looks don’t hurt either! Joe had the audience in the palm of his hand, and when he broke into his own renditions of Ben Harper’s “Steal My Kisses” and Jason Mraz’s “I’m Yours” we were all happy to sing along.

Hayden French followed with his unique blend of pop, soul, and blues. As I listen back to his recordings on his MySpace I remember just how good his music is, but for some reason his performance didn’t draw me in. Technically Hayden and his band were beyond reproach, but right now they seemed to be missing that X factor. Still, with songs this good it’s only a matter of time before it all clicks. Maybe I’d have been a little more receptive if I wasn’t so tired!

Mark Cashin and The Lil Hussy’s woke me up with their explosive rock numbers. These guys were a real surprise package. They took the stage looking like they’d just stepped off a pirate ship, but delivered surprisingly rich acoustic rock numbers in the vein of Fuel or Stone Temple Pilots. Mark Cashin is a charismatic frontman, and his supporting musicians are all top notch. All the right elements were there, and I was sorry to see their set end.

Ben McKenzie closed the show with a set that can only be described as sublime. Ben first captivated me on the last season of Australian Idol. He’s clearly left the show behind him though, relishing the opportunity to perform his originals. He still dabbles in cover versions, but they’re more obscure choices than the judges would ever approve of. Songs by George, Angus & Julia Stone, and Brooke Fraser seem right at home next to Ben’s own lush compositions. He becomes one with the piano, and it’s impossible to look away. Again, Ben’s set was over far too soon.

With bellies full of delicious Lizotte’s food and our heads full of such amazing music, my husband and I left determined to visit another Live and Local showcase. What a wonderful way to break up your working week! Click here to see who’s playing at the next one!

I know we aren’t all lucky enough to live close to Lizotte’s, so here’s a video of one of Ben’s original songs for all those fans out there!

Image source: own photos

Posted on by Lauren Katulka

James Reyne @ Lizotte’s, Kincumber – 12 July 2008

Last night I headed out to my favourite venue, Lizotte’s, to see one of my favourite performers, James Reyne. The reasons why I love both venue and performer so much are similar: they deliver exceptional quality each and every time.

So I was in a good mood long before James took to the stage. It might have had something to do with the exquisite barramundi spring rolls and herbed rack of lamb I devoured, or the good company of my husband and parents, or the delicious pinot grigio we were all drinking. Nevertheless, when the support act Lianna Rose stepped out we were ready to have a good time.

Lianna was excellent, a storyteller with a rock rasp. She reminded me a little of Sheryl Crow with her knowing way and earnest performance. Her cover version of “Time After Time” was a highlight for me, but I also adored her originals. It’s just a shame that the folks sitting at the tables surrounding us didn’t make the effort to listen to her. Trying to hear her over their chatter was a little frustrating.

Thankfully they gave more attention to Mr Reyne. It’s been years since I’ve seen him perform with a full band, and Lizotte’s is the perfect setting for that acoustic mode he favours. Stripped back with two backup singers and a handful of acoustic guitars, these classic songs and their words become the focus.

And what classics they are. We joined James on tracks like “Slave,” “One More River,” “Way Out West,” “Hammerhead,” “Errol,” “Fall Of Rome” and “Reckless.” It’s impossible not to have a wonderful time with a soundtrack like that. James is one of those performers who loves to sing the songs we love to hear, which is why I keep coming back time and time again.

Image source: Mandy Hall @ Wikimedia Commons

Posted on by Lauren Katulka

Chris Murphy @ Lizotte’s, Kincumber – 15 May 2008

Last night I had the pleasure of catching Chris Murphy at Lizotte’s. The last time I saw this affable singer-songwriter he was singing head-to-head with the likes of Damien Leith, Dean Geyer, and Bobby Flynn. The stripped-back setting of this Central Coast icon is a world away from the Australian Idol stage, and it allowed Chris to shine.

The first thing that struck me about Chris is just how funny he really is. We saw glimpses of this during his reality TV journey, but without anyone to rein him in Chris was hilarious. In fact, I’m not sure he actually got through a whole song without throwing in a couple of jokes.

Rather than distract, Chris’ hysterical banter broke down the traditional walls between singer and audience, and made you feel like you were a part of the concert experience.

But it wasn’t just about fun and games. When you strip away the humor, Chris still has the power to entertain. He’s simply that good. While performing his original songs or encouraging a cover version sing-along, he always had the audience in the palm of his hand. Chris didn’t restrict his cover repertoire to the songs he made famous during Idol, but treated us to unexpected gems like Bob Marley’s “Is This Love” and The Eagles’ “Heartache Tonight.” But of course, he closed the show with his Idol touchdown track “Evie.”

It’s so refreshing to see an artist like Chris, a man who has come out the other side of reality TV fame thankful for everything it has given him. In fact, he shared with us a song he’s written as a potential winner’s single. It’s got the right amount of inspiration without ever becoming cheesy, but only time will tell whether it’s the next “Angels Brought Me Here.”

In the meantime, I encourage you to see Chris when he’s in your neck of the woods. If you loved what he did on Idol, you’ll lap it up. And if you’re an Australian Idol skeptic, he just might convince you to think differently.

Posted on by Lauren Katulka

Live & Cookin’ @ Lizotte’s Restaurant – Various

The Live & Cookin’ @ Lizotte’s Restaurant CD has been permanently lodged in my stereo since I picked it up at the Rick Price/Jackie Bristow show a few weeks ago. The disc features an all-Australian cast, with big names like Daryl Braithwaite, Christine Anu, Rick Price, and Richard Clapton appearing alongside Central Coast locals Mike McCarthy and Sarah Humphries.

The songs are stripped back and raw. We all know the words to just about every track, but their acoustic treatments breathe new life into these songs, giving the familiar tunes new meaning. To hear Diesel and Jon Stevens jamming on “Dock of the Bay” is truly something special.

I’ve often gushed about my time at Lizotte’s. I feel so blessed to live on the Central Coast, where we have such an intimate venue serving the simple pleasures of good food, good wine, and good music. We aren’t all so lucky. But this album allows all of us to experience a little bit of Lizotte’s. The CD slick even features some recipes so we can recreate the experience at home.

Just like a night out at my favourite venue, Live & Cookin’ @ Lizotte’s is a satisfying and indulgent experience to be enjoyed again and again.

Image source: Lizotte’s website

Posted on by Lauren Katulka

Jackie Bristow, Rick Price, and Mark Punch @ Lizotte’s, Kincumber – 12 January 2008

Gigs are a lot like singles really. Most of the time you’ve got your standard format: the big commercial success and the B-side. Everyone’s there for the big hit while the B-side, which may actually be very good, tends to act as a bit of padding.

But occasionally you happen upon a show that’s a double A-side: two accomplished artists sharing the bill without any hint of ego. Last night I was lucky enough to attend such a show when Jackie Bristow, Rick Price, and session guitarist extraordinaire Mark Punch graced the stage at Lizotte’s.

I wasn’t familiar with Jackie’s work before the show, but the New Zealand songbird instantly drew me in. She performs with such joy and honesty, it’s impossible not to like her. Jackie’s songs are simple and heartfelt, and their stripped back acoustic delivery allowed the lyrics to shine. I was captivated by her voice: pure and sweet like honey. Needless to say, I willingly forked over some cash for a copy of Jackie’s album after the set.

In constrast, Rick Price seems like an old friend. I first saw him in the early 90s when, as a pimply-faced teenager, I skipped school to see him perform at my local shopping centre. We’ve both aged tremendously since then, but some things never change. He can still take me back to my youth with songs like “Not a Day Goes By,” “Walk Away Renee,” and “Heaven Knows.”

But Rick is more than a faded popstar looking to cash in on a nostalgic crowd. His new songs were magical, showing us that he’s definitely still got it. Without a trace of ego, Rick invited Jackie on stage to accompany him on a cover of The Everly Brothers’ ballad “Let It Be Me.” Watching Rick, Jackie, and Mark together on stage was one of those moments where you know you’re witnessing something special.

I left Lizotte’s with that sensation still lingering. What a night.

Posted on by Lauren Katulka

Bobby Flynn @ Lizotte’s, Kincumber – 1 November 2007

Who’s the most influential artist to come out of Australian Idol? Is it Shannon Noll, whose skills saw him working with some of America’s best songwriters on his new album? What about Anthony Callea, who’s earning rave reviews for his work in musical theatre? Well, if you believe this year’s Australian Idol finalists, the one that’s made the greatest impact is Bobby Flynn.

He may not have set the charts alight or packed out an entertainment centre, but last year’s seventh place-getter inspired more Idols this year than any other.

“I believe he completely changed Aussie Idol,” said Matt Corby. “He changed the rules,” added Jacob Butler.

That Bobby could do so much during his relatively short time in the competition is a testimony to his talent. It’s something I was lucky enough to witness for myself last night at Lizotte’s. This intimate little venue in Kincumber is a world away from the massive Idol stage, but that’s a very good thing.

Bobby was ably supported by Canadian singer/songwriter Brian Campean. I can’t decide whether Brian was a genius or a madman. He could be both. His soaring voice was reminiscent of Jeff Buckley’s, and his guitar skills were incredible. But his unconventional melodies and lyrics struggled to connect with the crowd, who seemed more intent in gossiping amongst themselves. It’s a shame, as there was a lot to enjoy in his unique performance.

The chatter died down once Bobby took the stage. His original songs draw you in, with their ethereal melodies and his haunting vocals. I didn’t know most of these songs, but it allowed me to focus on their beautiful words. He’s not conventionally handsome, but his natural charisma casts a spell on his adoring audience. Watching him is indeed magical.

Songwriting is Bobby’s first love, but he’s not afraid to pepper his set with the cover versions Idol fans voted for. I was delighted to hear his evocative cover of The Church’s “Under the Milky Way” and his show-stopping rendition of “Superfreak.”

I caught up with Bobby after the show and was impressed by his gentle nature and his willingness to spend time with his fans. This was his third sold-out show at Lizotte’s, and he’s already making plans to return. I personally can’t wait.

Image source: Jaymis Loveday @ Flickr

Posted on by Lauren Katulka

Kaya @ Lizotte’s, Kincumber – 26 July 2007

Not a lot of good came from Channel Ten’s failed reality talent quest, The X Factor. The series winner’s Random, had two forgettable singles and faded into oblivion. Mark Holden embarrassed himself further. But there was a shining light in the lacklustre affair. It introduced Australia to Kaya.

These unconventional stars, with bare feet, quirky songs, and unmistakable harmonies worked their way into the hearts of the voting public. Their music defied classification, blending jazz, soul, blues, pop, and folk. That was almost two years ago now, and Kaya have stepped away from the spotlight to further develop their craft.

Last night they took to the stage at Lizotte’s. It was my third time seeing Kaya at this wonderful venue, and once again they delivered the kind of show that keeps me coming back.

Kaya’s set showcased their original songs, many of them familiar now that I’ve seen the group so many times, others new to my ears. However, no matter how many times I’ve heard each song, it always feels like the first time. Their harmonies weave effortlessly, with playful improvisations adding to the fun. The quartet also breathed new life into cover versions of “Buffalo Soldier,” “Big Yellow Taxi,” and John Butler Trio’s “Zebra.”

Unlike many modern acts, Kaya are truly a vocal group. The mellow tones of an acoustic guitar, drum brushes, and a spot of beatboxing accompanied a handful of tracks, but their voices are always the center. Many songs are fearlessly performed a capella, with the girls gaining strength from one another.

Individually, the talents of Alexandra Kaye, Juleiaah Boehm, Sally Stevens, and Emma Deans are fantastic. Together, they are truly sensational.

Image source: own photo

Posted on by Lauren Katulka

Ian Moss @ Lizotte’s, Kincumber – 12 July 2007

I admit it; I’ve still got a crush on Ian Moss. It’s been 18 years since he released Matchbook and first set my nine-year-old heart a flutter. He’s older now, with shorter hair and a few more wrinkles, but there’s still a spark about this rock stalwart. It was this spark, and the promise of great food, that drew me to Mossy’s show at Lizotte’s last night.

I was happily tucking into my delicious fillet steak when the support act, Mike McCarthy, graced the stage. I didn’t know him, but was instantly taken in by his beautiful melodies and guitar skills. It’s a tough job to support a music legend. It’s even tougher for an unknown artist to sing originals. Yet Mike took the experience in his stride, playing with a quiet confidence that won over many of us.

Then Mossy took the stage, with acoustic guitar in hand. What followed was magical, and the crowd lapped up. You could heard a pin drop during his understated performance of “Georgia On My Mind,” this hush contrasting with raucous sing-a-longs to Cold Chisel classics. We doo doo doo-ed along with “Saturday Night,” and belted out “Choir Girl.”

Just when we thought he wasn’t going to play them, Ian Moss launched into the anthemic 80s hits, “Tucker’s Daughter” and “Telephone Booth.” When we were sure our voices were too hoarse to continue, he closed with a rollicking version of “Bow River.”

Through decades in the business, Ian Moss has developed a calm confidence in his delivery. He’s a selfless entertainer, aware of what the audience wants to hear and keen to deliver it. He may have risen to prominence for his guitar-playing prowess, but last night’s stripped-back show confirmed Ian Moss is a truly well rounded performer.

If you want to experience Ian Moss’ acoustic skills, check out his latest album, Let’s All Get Together.

Image source: own photo