Come From Away @ Civic Theatre, Mulubinba/Newcastle – 4 March 2023

My husband and I watched the pro-shot of Come From Away when it dropped on Apple+ in September 2021, 20 years since terrorists drove their planes into the Twin Towers and other aeroplanes en route to the United States were diverted to the small Newfoundland town of Gander. We instantly fell in love with this musical that managed to somehow find the balance between comedy and tragedy. It was so truly heartwarming that when it travelled to Mulubinba/Newcastle, we couldn’t wait to introduce my mother to it.

I must admit, I had my reservations though. The Apple+ pro-shot featured the original Broadway cast. Jenn Colella won Drama Desk and Outer Critics Circle awards for her role, and arguably should have taken home the Tony. Could this Aussie cast possibly measure up? How could they convincingly bring us this American story that still resonates so deeply with the people of that country? As with Hamilton, I needn’t have worried. There was not one person in this production that wasn’t at the very least the equal of the Broadway cast. From the soul-stirring opening “Welcome to The Rock,” I found myself swept away again.

In fact, I think this time I was even more invested. While I knew the outcome, I found myself wiping away tears at a poignant moment that hadn’t made me weepy the first time around. While pro-shots are fabulous at drawing your attention to small details, seeing the show from the dress circle I could take it all in.

If like me, you’ve enjoyed the pro-shot of Come From Away, don’t make the mistake of thinking that you’ve already seen the show. You need to see this musical in person. And if you’re yet to discover Come From Away, there’s a reason why so many people rave about it. Do yourself a favour and check it out. Come From Away finishes its Mulubinba/Newcastle season today but will soon open at Her Majesty’s Theatre in Tartanya/Adelaide. It’ll then head to Boorloo/Perth’s Crown Theatre in May and Ngunnawal Country/Canberra in June.

Jagged Little Pill @ Theatre Royal, Eora/Sydney – 30 July 2021

Jagged Little Pill may be the greatest musical most people won’t see. The pandemic cut its original Broadway run heartbreakingly short. While it returned to New York’s Broadhurst Theatre, it closed soon after as America’s COVID-19 numbers picked up again. Here in Australia, the return season in Eora/Sydney is also being cut short as increasing case numbers become a concern. I feel pretty lucky I snuck in before the company pulls the plug. I bought tickets for the original run but transferred them when my husband ended up in hospital. Had I chosen a later date, it might not have happened.

It’s heartbreaking that we don’t all get more time with this musical, because it is so special. Featuring the songs of Alanis Morisette, you might be forgiven for thinking it’s just another jukebox musical. However, this piece is so much more. The songs are used so cleverly as a launchpad for a series of stories that are so relevant for the modern age. Through the Healy family and those close to them, the musical explores prescription drug addiction, sexual violence, sexuality, societal pressure, trauma, and healing. It’s heavy material and difficult to watch at times, but Diablo Cody’s witty book and the joyous energy of the cast balance it beautifully.

Speaking of the cast, I’m not sure I’ve ever seen such a solid group of performers. I admit, I was pretty skeptical when I heard Natalie Bassingthwaite had landed the plum role of MJ Healy. I’d seen her in theatrical productions before, but her roles in Rent and Footloose were nowhere as meaty as this one or as challenging vocally. But I can freely admit I was wrong. She was an absolute revelation. I didn’t know she had this performance in her. MJ is such a complex character, but she really rose to the occasion. I was also particularly impressed with the young actors. Emily Nkomo brought such a light and passion to Frankie. Bella is relatively small but pivotal, and Grace Miell was sensational in the role. A character like Nick could easily become wooden, but I thought Liam Head was excellent. People have raved about Maggie McKenna’s performance as Jo, but on the Saturday matinee Mo Lovegrove stepped into the role. Honestly, I think we lucked out. What an incredible talent they are. “You Oughta Know” and “Your House” are some of Alanis’ most challenging songs to nail in my opinion. Few can convey their messy emotions the way that Alanis can, but I was captivated by Mo’s take on these songs, not to mention their more subtle moments. The ensemble were also such incredible dancers and singers. There were no weak links. Just incredible.

Honestly, I haven’t stopped thinking about Jagged Little Pill since I left the theatre on Saturday. It’s truly special. You’ve got two weeks before it closes. The producers say they’re committed to bringing this story back to Australian stages in the future, but in these uncertain times, there’s no telling when that will be if it happens at all. So see it while you can. There are limited tickets for performances at the Theatre Royal to August 14.