Victorian singer-songwriter Nigel Wearne has teamed up with UK songstress Lauren Housley for “To the Edge,” one of the coolest duets I’ve heard in some time. When I say cool, I mean cool. Smoky bars in the American Wild West kind of cool. Americana with a hint of jazz kind of cool. Horns, minor keys, and just the right amount of tension kind of cool. Just listen and you’ll hear what I mean.
The pair met in early 2019 at the Arts Café in Montreal when they were both in town for the Folk Alliance International. With a mutual respect for John Prine and some dry witty banter, they became firm friends. After reconnecting in New Orleans in early 2020, they began working together remotely during the pandemic and this fantastic song was born.
Nigel has a couple more Victorian dates before he flies out to the United Kingdom to play shows with Lauren. UK music lovers, you are in for a treat! Then he’ll jet to the US for the Folk Alliance International showcase MerleFest, the country’s top roots festival. Here are all the dates you need:
10 December 2022 – Odessa at Leaver’s Hotel, Dja Dja Wurrung Country/Creswick
11 December 2022 – Union Hotel Brunswick, Bulleke-bek/Brunswick
13 January 2023 – West End Centre, Aldershot (Lauren Housley)
14 January 2023 – Chapel Arts, Bath (Lauren Housley)
15 January 2023 – Edge of The Wedge, Portsmouth (Lauren Housley)
17 January 2023 – The Witham, Barnard Castle (Lauren Housley)
18 January 2023 – The Crescent, York (Lauren Housley)
19 January 2023 – The Met, Bury (Lauren Housley)
20 January 2023 – Philharmonic, Liverpool (Lauren Housley)
21 January 2023 – Alder Bar, Sheffield (Lauren Housley)
22 January 2023 – The Hive, Shrewsbury (Lauren Housley)
24–25 January 2023 – OFFICIAL SHOWCASE UK Americana Music Week, London
27 January 2023 – The Stables, Milton Keynes (Lauren Housley)
28 January 2023 – Thimblemill Library, Birmingham (Lauren Housley)
2-5 February 2023 – Folk Alliance Showcase, Kansas City
27-30 April 2023 – MerleFest USA, Wilkesboro
Image used with permission from I Hear Django; credit: Ian Laidlaw