Matchbox Twenty @ Qudos Bank Arena, Eora/Sydney – 20 February 2024

Music can be such a powerful force. It can help you feel seen and understood at times when you think no one in your orbit gets you. It can lift you up and it can comfort you. If you’re lucky, you find a band that resonates with you so deeply that their music becomes a companion for you throughout your life. The band evolves as you do, and you somehow stay in alignment. For me, that band is Matchbox Twenty. I can’t write a review of their Eora/Sydney show last night with any sense of objectivity, but I can share what it was like to see my favourite band after 12 long years.

Siobhan Cotchin was an interesting choice of opener for a night featuring two bands who had their biggest hits in the ’90s. Personally I was thrilled to see her perform live after being impressed by so many of her singles. She’s such a fierce presence on stage. She sounded incredible, and looked every inch the rock chick flanked by nearly identical long-haired male guitarists. But there were a few things working against her. She was a fresh artist playing on a bill with some fairly-established bands. And her set started at 6:45, so people were still shuffling around and finding their seats. If it got to her she didn’t show it, but I wish she’d been able to have the captive audience she deserved.

You could feel the energy levels lift a notch when the Goo Goo Dolls took the stage. These guys haven’t toured Australia for 22 years and I could tell there were many die-hard fans relishing their return. Just not enough for lead singer John Rzeznik’s liking apparently. I hate to be a downer when there was so much to like about their set. They played everything I wanted to hear in their generous 45 minutes on stage, which is impressive considering how closely I’ve followed their career over the years. They sounded great and performed with a lot of energy. But there was a sense of entitlement from John that I found so off-putting. He made comments that the people sitting near the front must really love their expensive seats, because they didn’t want to get off them, and later called them miserable. When people did respond enthusiastically, he commented that we did have a pulse. I’m not into artists who want to tell me how to spend my time at their shows. If it feels right to stand, I’ll stand. But often I want to sit, especially as I get older, and that’s my right too. I think he needs to remember that his band was the support act, one who had just two top 30 hits in this country. I love their music, and many more than those two big songs, but his attitude really took the gloss off their solid set.

Oh Matchbox Twenty. The love I have for this band runs so deep. I spent the whole first song, “Friends,” sobbing because I was just so overwhelmed. Listening to those lyrics which reference being surrounded by community, the way I always feel at a Matchbox show, really hit home. My feelings were so heightened all the way through this gig as I listened to the songs that were the soundtrack to my life and spent time with the men that created them.

Matchbox know how to get the balance right. There were almost as many songs from their debut album Yourself or Someone Like You as there were from their latest release, Where the Light Goes. Casual fans who only listened to the band on the radio could check off every hit. But then there were those deep album cuts like “Hand Me Down” and “Parade” that those of us who followed their careers more closely relished. More tears.

There’s a special magic about a band who’ve been together for decades. Especially when they aren’t constantly on the road, you can see the camaraderie, the love they have for one another and the music they make together. We missed bassist Brian “Pookie” Yale, who couldn’t make the trip, terribly, but getting to see Rob Thomas, Paul Doucette, and Kyle Cook together was beautiful. I’ve gushed about Rob Thomas before, but I honestly love every member of this band. They play so well together, and they surround themselves with some outstanding musicians who step up and fill the gaps. I can’t express how much I loved spending time with them and the songs that made me last night. I’m so thrilled that I have tickets to two more shows on the Slow Dream tour. I’ve waited far too long for these concerts to be done just yet. Bring on the next one.

Image source: own photos

Siobhan Cotchin Gets Political With “If God Is a Man”

Siobhan Cotchin has returned with her defiant new single “If God Is a Man.” It’s got a fabulous country-rock sound, but make sure you tap into those lyrics. This is a passionate anthem of opposition to the discrimination she’s recently witnessed in the United States, including the banning of abortions across after the overturning of Roe vs. Wade and attacks on LGBTQIA+ rights. We haven’t heard Siobhan tackle such meaty political topics before, so it’s exciting to hear her delivering such powerful lyrics!

“‘If God is A Man’ is a song with a super strong message, and one that is important to me. It’s about rejecting forced conformity and celebrating who you are and not wanting to change for other people. It’s also a song about losing faith and hope, and I feel as though that’s extremely relevant to the times we are living in. I want to be on the right side of history and stand up for what I believe in. I’m grateful to have a platform like music to spread this message. There’s no room for hatred and discrimination at my shows, and I want people of all walks of life to know that my music is a safe place and they are heard.” Siobhan explained.

“I wrote this song with Dylan and Carmen from The Money War and Paige Valentine. Paige, Carmen, and Dylan came up with the concept of the song and I fell in love with it, especially that chorus. Dylan and I wrote the verses and bridge together, and we sat on it for a while. I left it on the back burner for about a year and waited until it was the right time. I knew I wanted to record this song when I revisited the song and showed it to the band. They got the vibe straight away and it all fell into place. I feel like this song is still super relevant to the times we’re living in, maybe now more than ever, so it felt right to record and release it.”

“If God Is a Man” is the third single lifted from Siobhan’s sophomore EP Miss Reckless, which drops on May 31. She’s about to start touring with Kingswood before headlining her own shows.

25 May 2023 – Dunsborough Tavern, Quedjinup/Dunsborough (with Kingswood)
26 May 2023 – Mojos Bar, Walyup/Fremantle (with Kingswood)
27 May 2023 – The Rosemount, Boorloo/Perth (with Kingswood)
28 May 2023 – The Carine, Mooro Country/Carine (with Kingswood)
1 June 2023 – Nannup Town Hall, Wardandi & Bibbulmun Country/Nannup (with Kingswood)
2 June 2023 – The River, Noongar Country/Margaret River (with Kingswood)
3 June 2023 – Six Degrees, Kinjarling/Albany (with Kingswood)
4 June 2023 – Farm Hotel, Binjareb & Wardandi Noongar Country/Treendale (with Kingswood)
7 June 2023 – Sound City, Galinyala/Port Lincoln (with Kingswood)
8 June 2023 – Sound City, Galinyala/Port Lincoln (with Kingswood)
9 June 2023 – Fat Controller, Tartanya/Adelaide (with Kingswood)
10 June 2023 – Western Hotel, Curdnatta/Port Augusta
11 June 2023 – Hotel Victor, Wirramulla/Victor Harbour (with Kingswood)
15 June 2023 – The Royal, Gadigal Country/Bondi
16 June 2023 – The Retreat Hotel, Naarm/Melbourne
17 June 2023 – Felons, Meeanjin/Brisbane
23 June 2023 – The Rosemount, Boorloo/Perth

Image used with permission from beehive; credit: Jarrad Levy

Siobhan Cotchin Drops Beautiful New Single, “When the Curtains Close”

Siobhan Cotchin has impressed me with every release, so I knew I was going to enjoy her latest single “When the Curtains Close” before I even hit play. I wasn’t quite prepared for this song’s beautiful vulnerability though. It shows a much gentler side, drawing the listener in to the simple guitar, vocals, and powerful lyrics.

“’When The Curtains Close’ is about not being able to recognise someone you love after their actions show their true colors. It’s about feeling betrayed, thinking you should’ve seen the signs earlier but loving someone so much that you don’t want anything to jeopardise it,” Siobhan explained. “This song was one that basically wrote itself. I was going through a lot at the time, dealing with realisations about someone I was close with. In order to write the song, I just remembered how it felt to be in the presence of this person and the effect it had on me and others around me. It’s a very visceral song and I get transported back to the time I wrote it every time I sing it.”

Siobhan will play the stacked Bluesfest Boorloo/Perth show on April 1.

Image used with permission from beehive; credit: Jarrad Levy

Siobhan Cotchin Embraces Her Inner Rock Chick With “How Does It Feel?”

It feels like Siobhan Cotchin really arrived this year. I couldn’t stop listening to her solo singles “Fill My Cup” and “Growing Pains” and I loved her work on Kav Temperley’s album, Machines of Love & Grace. She also wowed at BIGSOUND and earned a stack of nominations at the WAM Awards. So I’m thrilled that she’s delivering one more single this year, the gorgeous new cut “How Does It Feel?” It’s got more of a rock edge than her previous releases. I really hope she leans more into that genre, because her voice is perfect for it.

“I had the lyrics for a while and wrote the melody and chords after watching a Baby Animals documentary. I was so inspired by Suzie DeMarchi and her powerful vocals and just pure rock n roll energy, so I wanted to recreate it in my own way,” Siobhan explained.

“‘How Does It Feel’ is about being with someone that doesn’t give you exactly what you deserve. Instead of returning the love you give them, they just take it and take you for granted. The message I want listeners to take away from this song is to never change for someone else and know your worth.”

Siobhan is currently on tour to support the single’s release. Catch her at one of the remaining shows:

16 December 2022 – Mojos Bar, Walyalup/Fremantle
30 December 2022 – Settlers Tavern, Wooditchup/Margaret River (FREE)
1 January 2022 – Clancy’s, Quedjinup/Dunsborough

Image used with permission from beehive; credit: Jarrad Levy

Siobhan Cotchin Does Country-Rock Right With “Fill My Cup”

I fell in love with Siobhan Cotchin’s brand of country-rock when I heard “Growing Pains” a couple of months ago. Now I’m even more enamoured with the release of the follow-up single “Fill My Cup.” If you ever thought music with a country bent wasn’t for you, this track might just change your mind.

“‘Fill My Cup’ is a song about being exhausted from life and wanting to know if there’s anything more than what we already have right now. It’s about my fear of not reaching my potential and trying to understand my place in the world,” Siobhan explained. “I have written a lot of songs about this existential dread that I think everyone feels and it really helps me cope with those thoughts. I’ve also always wanted to write a drinking song that goes a little deeper and more introspective, but is also fun and anthemic. This song is for anyone who feels a little lost and is struggling to find meaning in these insane times. It has been a crazy few years and I want people to know that they’re not alone.”

Siobhan is currently at BIGSOUND but she’ll be back in her home state of Western Australia soon enough Catch her anywhere you can!

6-8 September 2022 – BIGSOUND, Meeanjin/Brisbane
9 September 2022 – Green Door Wines, Dardanup/Henty (with Didirri)
10 September 2022 – Mojo’s Bar, Walyalup/Fremantle (single launch)
15 September 2022 – Rechabite Hall, Boorloo/Perth (with Bob Evans)
24 September 2022 – Good Day Sunshine Festival, Undalup/Busselton
28 September 2022 – Astor Theater, Boorloo/Perth (with The Whitlams)
29 September 2022 – Astor Theater, Boorloo/Perth (with The Whitlams)

Image used with permission from Beehive PR; credit: Duncan Wright

Siobhan Cotchin Rocks Out With “Growing Pains”

Perth artist Siobhan Cotchin has released her relatable new single “Growing Pains”, a track which she calls an “ode to anxiety”. After an angsty couple of years for the planet, this song really hits. It sees Siobhan veer slightly from her country roots for a more indie-rock sound.

“‘Growing Pains’ is a super personal song about the realities of growing up,” Siobhan explained. “It’s about wanting to avoid all responsibilities of adulthood and the anxieties I think we’ve all faced at some point about who we are and where we fit in the world. It’s kind of an ode to my anxiety and the way it makes me act by ‘ghosting my friends’ and just generally avoiding people. I hope with ‘Growing Pains’, people can find solace and comfort in the lyrics and know it’s completely okay to be scared of the future and not know who you are. It’s all part of being human!”

Sam Ford, known for his work with POND, Psychedelic Porn Crumpets, and Abbe May, produced, engineered, and mixed the track at Perth’s Tone City Recording Studio.

“It was so incredible to work with Sam Ford at Tone City,” Siobhan confirmed. “I feel like I’m starting fresh and exploring aspects of my music I haven’t had the chance to yet. I always have the best time in the studio with my band, it was a super easy process and all just naturally flowed.”

Siobhan will celebrate the release of “Growing Pains” with a hometown show at The Bird on June 11.

Image used with permission from Beehive PR; credit: Micheal Tartaglia