Retro rock fans everywhere are getting excited about the release of Laser Graffiti, the debut album from The Galvatrons next month. Today I received the band’s studio diary from Warner Music and was told I could share it with you all. It’s definitely whetted my appetite for the long-play!
Studio Diary for the making of Laser Graffiti Or When Keyboards try to be Guitars
Chapter 1 – Pre- Production, or how the bloody hell are we gonna do this?
The first week of December 2008 we spent doing pre‐ production for the album at Deluxe Studios in South Melbourne. During this time we met with great anticipation and trepidation our producer, Scott Horscroft. Scott previously worked with The Presets, The Panics, and silverchair, and we were keen to see what would come of our collaboration with this eccentric man (which for all descriptions he is …)
Scott flew down from Sydney for the week to get a vibe for what we wanted to do for the record, telling us his vibe, just a lot of vibing really in South Melbourne, which really has no vibe at all. Most of what we worked at was re‐ jigging structures for the songs, and where the extra bits would come into it. It was a fairly relaxed week, jamming in the studio live and getting the structure right for tracking. Notable was the writing of “Molotov Cocktail” during this time (the albums “party” track … maybe the chorus lyrics have something to do with that … moving on …)