Helen Shanahan Releases Beautiful Cover of Tim Minchin’s “The Aeroplane”

Tim Minchin’s well-recognised for his hilarious tunes and musical theatre contributions, but many people don’t realise he’s just an incredible songwriter, period. So I’m glad that fellow Western Australian Helen Shanahan is shining a light on one of his more serious, brilliant songs with her cover of “The Aeroplane.” Her voice has the perfect storyteller quality for this incredible track.

“The song resonates deeply with me, especially now, with my second baby due just weeks after its release,” Helen explained. “The lyrics, ‘any fuel or any fire will do / I will fly to you,’ carry a special meaning for me.”

Take a moment to properly listen to this one. Trust me, you don’t want to miss a lyric. It’s really something special.

Photo credit: Tanya Voltchayanska

Merry Christmas From Sounds of Oz!

I’m feeling very lucky to be enjoying a little normality right now. It’s been on hell of a year, and up until a couple of days ago I wasn’t sure I’d get back home for Christmas. I’m still very aware of the potential for even greater COVID numbers in Greater Sydney. Honestly I’m writing this ahead of time, so the numbers might already be through the roof. But right now, I’m refusing to think about it. Instead I’m thinking about the family who’ll be around me as this post goes live (all from a responsible social distance of course), the bubbles we’ve got chilling, and the presents under the tree. I am very conscious of the fact that many of my readers don’t get such a normal Christmas, whether it’s due to lockdowns, border closures, or household restrictions. I hope that if you are impacted by this virus right now, you can still carve out a little merry for yourself.

I’m sure I’ve posted Tim Minchin’s “White Wine in the Sun” before. If I haven’t, what an oversight. Regardless of the fact, I think it feels extra poignant this year. Much love to you all!

Tim Minchin @ State Theatre, Sydney – 27 March 2019

The rise of technology has largely changed the concert-going experience. I often see people snapping photos on their phones or recording entire songs to watch later. In some cases I even observe people checking Facebook or messaging friends during lull moments. We’re so tied to the technology that taking a couple of hours out from it seems unthinkable. So it was refreshing to attend a show on Wednesday night where we told to put the phones on airplane mode, that we should take time out from the virtue signalling, that the sports scores wouldn’t change because we weren’t monitoring them. Thank you, Tim Minchin for creating an environment where we were all in the moment.

Of course, that means no photos, except for the one above I snapped while others were finding their seats. So you’ll just have to imagine his glorious ginger mane, his lean frame clad in black jeans and graphic T-shirt, those sparkling blue eyes framed in guyliner. You’ll have to imagine how furiously he banged on the piano. How he struggled to keep still when he was chatting to us, so he spent the time pacing the stage or performing lunges.

My husband and I have always enjoyed seeing Tim perform on comedy galas and the like, but this was our first introduction to his shows. Given the enthusiastic responses to different songs, I think we might have been in the minority. I kind of liked that though. There’s nothing quite like hearing punchlines for the first time. The laughs came thick and fast, but there was also time for Tim to sound off on the workings of modern society, how we treat one another, and the church. He touched on the George Pell ruling, although he wouldn’t play “that song,” feeling it has served its purpose. Although as any Tim Minchin fan knows, there are plenty of other songs with religious commentary that can still stand in. There were those moments that set my mind whirring, and others where Tim was declaring his love of cheese in a funk-soaked musical number.

While his was the name on the posters, this was no one-man show. He assembled a fantastic band, including Jak Housden (The Whitlams, The Badloves) and one of the tightest brass trios I’ve heard in a while. Even RocKwiz’s Dougal was on hand. I suppose he needs a gig since its axing! It all amounted to a whole lot of fun, laced with some serious social and political commentary. As the poster says, Tim Minchin is “Back,” and given the world’s current climate, just in time too.

Image source: own photo

Jesus Christ Superstar @ Entertainment Centre, Sydney – 8 June 2013

It’s been more than twenty years since a major stage production of Jesus Christ Superstar graced Australian theatres. That makes me feel old, and also believe that the revamp was long overdue. So I couldn’t want to see where the creators would take the Andrew Lloyd Webber musical this month. I’d heard whispers of course, as word trickled through from London. I knew it was edgier, more modern, but I wasn’t prepared for how dramatically different this version was from the one I enjoyed in my youth. Such a shakeup can be dangerous, but in the case of JC Superstar it was inspired.

Rather than placing an orchestra in the pits, organisers put rock musicians to the side of the tiered stage, so close to the action. Those historical costumes were largely gone, replaced with street clothes that wouldn’t have appeared out of place in RENT. Videos beamed onto the back screen alluding to YouTube, game shows, tabloid news.

But at the centre of it all, we had a stellar cast and incredible songs. Those are the key elements that can’t be messed with. They grounded the production and ensured the largely older audience stayed connected despite the contemporary changes. Tim Minchin was predictably Judas. He showed he’s got much more than comedy chops, attacking the complex role of Judas with relish. Ben Forster is a real find. My mum, a three-time JC veteran, said his version of “Gethsemane” was the best she’s witnessed. That song is such a pivotal moment in the musical, and it was played out exquisitely. How exciting to see a Spice Girl furthering her craft rather than cashing in with roles on mediocre reality TV. Mel C held her own against some theatre veterans. I was also impressed with Andrew O’Keefe, who played to his strengths with his glitzy “Lord or Fraud” game show take on “King Herod’s Song.”

The first half was satisfying but the final act was gutwrenching. The production didn’t back away from the horror of the story, and even added some nasty bits for good measure. It wasn’t pretty, but it was inspired.

What a shame more young people didn’t make it to this production. As I looked out at the predominantly grey-haired audience I couldn’t help thinking of how much Gen Y would have enjoyed this thoroughly modern take on classic musical theatre.

Merry Christmas!

Merry Christmas Sounds of Oz readers! I hope you’re all enjoying the day, spending time with your families or friends, eating too much, and playing with a few shiny new toys. Unless you scored a new laptop, there’s probably no reason for you to be online reading my blog!

But if you are, thank you, and here’s some Tim Minchin for your trouble. This gorgeous Christmas tune, “White Wine in the Sun,” really captures the Aussie experience of Christmastime. It’s certainly more poignant than any songs about winter wonderlands, isn’t it? So enjoy dear readers, and have yourself a merry little Christmas!