Wes Carr Releases Fantastic New Single Under Brand-New Name

As we watch another crop of Australian Idol hopefuls step up to impress the judges, it’s only natural to think back and wonder what became of some of the winners of the past? Are they still making music, or have they been forced to trade it in for a corporate career. Wes Carr is still living the dream, albeit under a brand-new moniker. Now recording as Wesley Dean, he relocated to Nashville a couple of years ago to hone a more country/Americana influenced sound. His latest single “Gunslinger” shows that he’s still got the goods.

“’Gunslinger’ is an exploration of what it means to be a man struggling with the masculine identity passed down from father to son,” Wesley explained. “The opening lyric, ‘Dead man walkin’ before his life begun, since his daddy taught him how to shoot a gun’, refers to the stoic mindset a man can be born into that’s perfectly portrayed by the outlaw archetype. On one hand, I identify with being an outsider and doing things my own way with all guns blazing, but on the other, the emotional isolation of an outlaw who isn’t allowed to acknowledge their vulnerability and ultimately ends up being ‘hung by the same rope that took his daddy’s life’ is something I wanted to highlight in this song.

“I believe isolating patterns of behavior can be broken when we become conscious of them, but sometimes we have to go through a dark night of the soul to wake up to our personal power. And I don’t mean macho, egoic power, I mean the empowerment that comes from having the ability to make a new choice when faced with old ways of being. Some men repeatedly surrender to what they know, which is where the line, ‘And there ain’t no turning back he was born in these bones’ comes from, but I hope the discussion around ‘Gunslinger’ will inspire men to take a deeper look at the intergenerational trauma impacting their lives, and initiate a self-awareness that gives them freedom to have more connected relationships with themselves and others.”

Wesley has just capped off his Crazy Hearts Across America tour, which saw his driving more than 5,000 miles from Nashville to Los Angeles in an RV. Footage captured on this epic journey will form his upcoming feature film, Crazy Hearts: The Documentary. Along the way he also took time to shoot the epic video for “Gunslinger” in Joshua Tree National Park and Pioneer Town. You might not have heard his music for a while, but releases like this let you know that this former Australian Idol still has plenty of musical tales to tell, no matter what name he’s recording under.

Image used with permission from Varrasso PR

Wes Carr Plays George Harrison Shows Around Oz

It’s a bit controversial, but I was raised to believe George Harrison was the best Beatle. Dad told me All Things Must Pass is one of the greatest albums ever released, and that love songs didn’t come better than “Something.” It sounds like Wes Carr might have something like the upbringing I did, because he’s bringing a tribute show, Here Comes the Sun, to intimate venues around the country next year.

“To me, George was a spiritual leader in his own way, as he was a guiding light for so many. Through his music he questioned life and challenged modern day thought,” Wes explained in a press statement. “I believe George’s music has more relevance now than it ever did – for all of these reasons, I knew I had to pay tribute to the life and work of George Harrison through a live show.”

Tickets are on sale now for these special performances.

1 April 2016 – The Glasshouse, Port Macquarie
2 April 2016 – Capitol Theatre, Tamworth
8 April 2016 – Dubbo Regional Theatre, Dubbo
9 April 2016 – Performing Arts Centre, Cessnock
15 April 2016 – Laycock Street Theatre, Gosford
16 April 2016 – Wenty Leagues, Wentworthville
22 April 2016 – Club Sapphire, Merimbula
23 April 2016 – Illawarra Performing Arts Centre, Wollongong
24 April 2016 – Milton Theatre, Milton
29 April 2016 – Jetty Theatre, Coffs Harbour
30 April 2016 – Byron Theatre, Byron Bay
6 May 2016 – Orange Civic Theatre, Orange
7 May 2016 – Young Ex Services Club, Young
13 & 14 May 2016 – Sydney Opera House Studio, Sydney
20 & 21 May 2016 – Judith Wright Centre, Brisbane
25-29 May 2016 – Chapel Off Chapel, Melbourne
3 June 2016 – Phee Broadway Theatre, Castlemaine
4 June 2016 – Lighthouse Theatre, Warrnambool
9 June 2016 – Burnie Arts Theatre, Burnie
10 June 2016 – Launceston Country Club, Launceston
11 June 2016 – Wrest Point Showroom, Hobart
17 June 2016 – Empire Church Theatre, Toowoomba
18 June 2016 – The Events Centre, Caloundra
24 June 2016 – Wangaratta Performing Arts Centre, Wangaratta
25 June 2016 – Capital Theatre, Bendigo
30 June 2016 – Albany Entertainment Centre, Albany
1 July – Bunbury Regional Entertainment Centre, Bunbury
2 July 2016 – Heath Ledger Theatre, Perth
8 July 2016 – Prince Of Wales Opera House, Gulgong
9 July 2016 – Bathurst Memorial Entertainment Centre, Bathurst
15 July 2016 – Wonthaggai Community Arts Centre, Wonthaggi
16 July 2016 – West Gippsland Arts Centre, Warragul
22 July 2016 – Wesley Performing Arts Centre, Horsham
23 July 2016 – Forge Theatre, Bairnsdale
29 July 2016 – Griffith Regional Theatre, Griffith
30 July 2016 – The Q Theatre, Queanbeyan
5 August 2016 – Dunstan Playhouse, Adelaide
6 August 2016 – Sir Robert Helpmann Theatre, Mount Gambier
12 August 2016 – Chaffey Theatre, Renmark
13 August 2016 – Mildura Arts Centre, Mildura
19 August 2016 – Keith Michell Theatre, Port Pirie
20 August 2016 – Middleback Arts Centre, Whyalla
26 August 2016 – The Cube, Wodonga
27 August 2016 – Civic Theatre, Wagga Wagga

Image used with permission from AAA Entertainment

Wes Carr is Buffalo

Australian Idol alum Wes Carr has reinvented himself as Buffalo. The former talent show victor is a bit beardier these days, and his music has a more organic, rootsier, folkier feel. That’s showcased with his brand new single “Blood & Bone,” the title track from Buffalo’s debut EP.

The new sound is only fitting for Buffalo. The name was inspired by the native American belief that when someone dreams of a buffalo they will return to their heritage and roots. That’s exactly what Wes has done here. It’s so much simpler than the Silverchair-offshoot Tambalane or the radio-friendly music he created post-Idol. But that’s exactly why it’s so good.

You can see all that for yourself when Buffalo launches Blood & Bone at the following shows, including support slots with The McClymonts.

31 August 2012 – Shoalhaven Entertainment Centre, Nowra (with the McClymonts)
1 September 2012 – Enmore Theatre, Sydney (with the McClymonts)
6 September 2012 – Panthers Port Macquarie (with the McClymonts)
7 September 2012 – Cex Club, Coffs Harbour (with the McClymonts)
8 September 2012 – Club Forster (with the McClymonts)
9 September 2012 – Bateau Bay Hotel, Bateau Bay (3 pm show – with the McClymonts)
14 September 2012 – Lismore Workers Club, Lismore (with the McClymonts)
15 September 2012 – Toowoomba Empire Theatre, Toowoomba (with the McClymonts)
21 September 2012 – Tivoli Theatre, Brisbane (with the McClymonts)
22 September 2012 – Vikings Club, Canberra (with the McClymonts)
29 September 2012 – Evan Theatre @ Penrith Panthers, Penrith (with the McClymonts)
5 October 2012 – Civic Theatre, Newcastle (with the McClymonts)
6 October 2012 – Clarendon Guesthouse, Katoomba
12 & 13 October 2012 – The Palms @ Crown Casino, Melbourne (with the McClymonts)
23 November 2012 – Notes, Newtown
30 November 2012 – Lizotte’s, Newcastle

The Way the World Looks – Wes Carr

Wes Carr was one of the most exciting contestants in the last season of Australian Idol. He performed each song with the easy charisma of a seasoned professional, but anyone who’s followed the Idol machine knows that’s no guarantee of success. After hearing his debut album The Way The World Looks, I’m convinced Wes will not be just another Idol to fall from view.

The husky vocals and warmth Wes brought to the Idol competition are still there, but what struck me most about this recording was songwriting talent. It’s one thing to sing, but another to craft songs this good. Far from a one-trick pony, Wes dabbles in genres to create an album that’s eclectic yet accessible.

It opens with the rollicking honky tonk tones of “Any Other Way,” before launching into the anthemic second single “Feels Like Woah.” He wears his heart on his sleeve with “Light Years,” a slow burner that builds to a soaring crescendo. But my personal favourite is the laidback reggae tinged “Hurricanes.”

There’s a lot to love here, but it’s not an album without flaws. The lyrics to “Love is an Animal” are a little immature, but I guess that’s what happens when you record a song written in your teens. “Stay Awake” would be a brilliant track if it didn’t feel like Gavin Degraw’s “I Don’t Want to Be” Part Two.

Yet even the missteps are enjoyable to listen to. It’s just that when Wes gets it right, he sets the bar so high. This is a really solid debut, the kind that takes up permanent residence in your stereo and leaves you anticipating what comes next.

Image source: Wes Carr website

New Song Obsession: "Feels Like Woah" – Wes Carr

It wasn’t that long ago that my husband I were lamenting the lack of “Woahs” in songs. Yes, we have such conversations. So I’m thrilled to see Australia’s reigning Idol Wes Carr bringing the “Woahs” back with his new single “Feelss like Woah.” This feels like an instant classic, channeling old 1980s rock in the vein of Bruce Springsteen or Bryan Adams. And you can sing along immediately, even if it’s just to the “Woahs”!

The single is in stores today with the album The Way the World Looks set to follow on March 20. If the songs we’ve heard are any indication, the CD should be sensational.

Australian Idol Winner Wes Carr Tops ARIA Charts

Congratulations to Wes Carr, who’s finally landed the number one spot on the ARIA Charts with his debut single “You”! Wes has been hovering around the pointy end of the charts for the last couple of weeks, so it’s great to see him on top.

I can’t help wondering whether Wes’ slow burn appeal means he’s likely to have a longer career than the Australian Idols who soared straight to number one, only to plummet just as quickly. Only time will tell! Wes is the only local artist in the Aussie top 10.

International acts are also dominating the albums charts, with only AC/DC and Hamish and Andy earning a place in the top ten. Black Ice is sitting comfortably at number three, while Hamish and Andy’s Unessential Listening is just behind at number four.

Here’s the complete top 10!

Australian Top 10 Singles

  1. “You” – Wes Carr
  2. “Poker Face” – Lady GaGa
  3. “Live Your Life” – T.I. Feat. Rihanna
  4. “Use Somebody” – Kings Of Leon
  5. “Sex on Fire” – Kings Of Leon
  6. “Sober” – P!nk
  7. “Circus” – Britney Spears
  8. “Single Ladies (Put a Ring On It) – Beyonce
  9. “Womanizer” – Britney Spears
  10. “If I Were a Boy” – Beyonce

Australian Top 10 Albums

  1. Funhouse – P!nk
  2. Only by the Night – Kings Of Leon
  3. Black Ice – AC/DC
  4. Unessential Listening – Hamish & Andy
  5. Circus – Britney Spears
  6. High School Musical 3: Senior Year – Soundtrack
  7. Dark Horse – Nickelback
  8. The Promise – Il Divo
  9. The Fame – Lady GaGa
  10. And Winter Came … – Enya

Wes Carr Wins Australian Idol

Wes Carr has taken out this year’s season of Australian Idol, beating Luke Dickens in a thrilling season finale. Luke was clearly the underdog, but we all know that in Australia that means nothing as everyone loves to see the Aussie battler get up. But after standout performances every week, it’s exciting to see Wes come through with the goods.

It’s also a good thing that Wes’ first single “You” is fantastic, because we’re going to hear a lot more of it in the coming weeks! It’s at radio and available for digital download now, with the CD single to come on December 3.

The single will include some highlights of Wes’ Idol journey: new recordings of “Get Back,” “Desire,” and “If I Were a Carpenter.”

Sony Music chairman Denis Handlin says he’s “very excited” about working with the boy from Bondi.

“This year’s Idol series has uncovered an exceptional array of talent. The changes to the format this year have proven very successful and most importantly Australian Idol has discovered an outstanding winner in Wes,” he said.

“In keeping with the exciting changes of this year’s show and overwhelming public support for the finalists, we are very happy to announce that the winner’s single will be released now before he heads into the studio to work on his debut album.”

Wes’ album should be in stores in the New Year!

Congratulations Wes!

Image used with permission from Sony Music Australia

Luke Dickens and Wes Carr Head to the Opera House

This is it Australia: our two Australian Idol finalists have been decided and they’re heading to the Opera House next Sunday! Mark Spano was eliminated, leaving Luke Dickens and Wes Carr to battle it out for the title.

The highlight of the show was the unveiling of the potential winner’s singles. That’s right, singles. For the first time ever, the singers have selected different songs to release should they become the next Australian Idol. It makes sense really: the contestants are always different so why have we forced them to sing the same song for so long? Best of all, neither song is the “I can’t believe I’m here and I won” anthem we’re used to. These are actually the kind of songs people might want to buy!

Luke Dickens’ is a song called “When We Hear Hallelujah,” a moving ballad with a tinge of country. I was drawn in but it kind of lost me towards the end. It’s a lot better than anything we’ve heard out of the Australian Idol competition, but it’s just not my kind of song.

Wes Carr’s single, “You,” was a completely different matter. What a fantastic song! This bluesy love song is the sort of thing I could happily listen to when it’s played to death on radio.

I love both Luke and Wes. They’re so talented, and I really have no clue who Australians are going to choose. But if the winner’s singles give us any indication of what sort of artist these guys will be, I hope Wes comes through in the end.

Chrislyn and Wes Head to Australian Idol Finals

Australian Idol semifinal two got straight to business tonight, announcing Chrislyn Hamilton and Wes Carr have made Microphoneit into the Top 12. I’d suspected it might go this way, and I’m definitely not disappointed. They’re such different performers, but both so very strong. I look forward to watching their journeys!

Luke Dickens was up first to perform with “Mustang Sally.” I thought it was a perfect song for his big raspy voice, and I really enjoyed it. His performance was a bit stiff, but you can learn that sort of stuff. He’s so likeable and quintessentially Australian. A really solid start.

Oh Brooke Wilkie. My heart broke for her. I was really enjoying her take on Paulo Nutini’s “New Shoes” for the first verse, but then her lack of voice seemed to catch up with her. She’s clearly sick, and without the experience of knowing how to handle it the whole song came crashing down around her. She’s a talent and hopefully she’s feeling better for the wildcard round. It’d be a shame to have her journey end just through bad luck.

Tom Williams was probably thrilled to follow Brooke. It made his version of “You Raise Me Up” seem almost adequate. The truth is, he’s just not up to a song like this. It started out OK, but he by the end it was paling it comparison. I really hope the teenage girls don’t vote him through just because he’s cute.

Things really kicked up a notch when Natalie Colavito took to the stage. I’ve heard Idol contestants sing “Listen” time and time again. It’s one of those songs, with all the big notes and inspiration lyrics. Yet Natalie brought something different to her performance and I lapped it up. There’s a sincerity about her, a quiet strength, which is just so appealing.

Amanda Grafanakis followed with Pink’s “Who Knew.” I really like the different flavour she brings to the competition, but I’m not sure she really showed us what she can do here. It’s a shame. We need a rock chick. While it was enjoyable, I’m not sure she did enough to comvince the voters of that.

Thanh Bui closed the show with a rousing rendition of “One.” There’s no denying this guy has a killer voice. It reminds me a lot of John Farnham’s, which isn’t a bad compliment is it? He hits some big notes, but he also delivers them with the passion that I’ve felt has been missing in some Idol contestants of the past. The stand-out of the night for me.

If this was just a singing competition, I’d say Thanh Bui’s going through to the finals and that either Natalia Colavito or Luke Dickens will join him. But it’s not. And I’m a little concerned that because of that Tom Williams may just claim one of those elusive top 12 positions.

Image source: Guillame Leroy @ Stock.xchng