The Bloodpoets impressed me with their album Polarity last year, so I was excited to see what they’d serve up with their latest effort, the EP Wings.
The Queensland outfit has always been eclectic, playing with light and shade, standing somewhere between indie rock and commercial pop. The gulf between these two extremes seems more pronounced on Wings, a disc that starts with sweetness and ends with real grit.
When I first slipped it in I mused that this didn’t sound like The Bloodpoets I’d first met. They weren’t rocking quite as hard, and instead were focusing on the melodies and pop hooks. That could easily sound like a criticism, but the band still wasn’t bowing to the demands of top 40 radio. They hadn’t lost any of their individuality; they were just taking a lighter touch. “Sunny Day” really excited me with its playful bass groove and irresistible brass strains. I also loved its follow up track “Next Year,” which I can imagine sounding right at home on radio. It feels familiar from the first listen, not predictable but warm. I adored the depth that the ringing bells gave this pop gem.
“She Feels It” marks a shift in the EP, a move away from the sunshine and into darker territory. It felt more like The Bloodpoets of old to me, although it has an epic quality that I haven’t heard from the band before. The remaining tracks also show the band’s grittier side, almost as if they want to remind us that they’re never going to completely lose their edge.
Wings feels like The Bloodpoets are checking in with us, showing the directions they’re taking and giving us a teaser before the next full length recording. It’s exciting to see them stretching out every which way and evolving as a band. I can’t wait to see what comes next.
Image source: The Bloodpoets Facebook page